gallery

1497 pieces, shuffled — reshuffle

Wireframed hooded girl in the viewport, face smooth inside the mesh hood, red seam lines around the face Bleached scan of page 45 of Borges's The Garden of Forking Paths: everything happens to a man precisely now, and the narrator inventories his pockets Soft flatbed scan of a Pieris sprig, its white bell-shaped spring blossoms hanging in rows against grey-green Hero-machine comic cover: 'The Mighty Splintery Splinter' — a red-wrapped figure with a stick over its shoulder against a night skyline Page titled Pi is Irrational: Niven's short proof set in white mathematical type on black, from the defined polynomial to the concluding contradiction Small jade plant with plump oval leaves in a terracotta pot with saucer, on a red tiled windowsill by an open window Another view of Proserpina in sepia: the twist of her torso, his hand gripping, her body arching away Keith Arnatt-style photograph: a dense white cloud of smoke hanging between green trees in a summer forest Correggio's Jupiter and Io: the nude nymph swoons in the embrace of the god, who dissolves into a smoky grey cloud with a barely visible kissing face Comic panels of Death from Neil Gaiman's Sandman: the pale girl in black, ankh at her throat, moving through a crowded street Cover of sketchbook 46: plain grey-green linen with a black elastic band, unadorned Penguin cover of Ian Fleming's You Only Live Twice: a kneeling woman in an open kimono between a samurai helmet and orchids with skull-faced blooms Documentation of the ZBrush Spotlight dial: a dark ring of twenty-six numbered icons with a contents list from Rotate and Scale through Smudge, Hue, and Paint Sketchbook 48 spread: figures reduced to stacked boxes ('a lot of talk about magic'), facing a blocked-in standing nude with red construction lines and notes on EROS, thrust and 'the boxes are a placeholder for the space the body takes' In the Ghent Altarpiece restoration studio: Van Eyck panels on easels, a hand holding up a blue 3d-printed hashtag arthistory in the foreground A carpet of round nasturtium leaves with a few hidden orange flowers, seen from above Textbook skeleton standing in anatomical position, palms forward, on a teal ground Torn scrap of paper, its lower edge charred: a finely drawn eye rains rows of blue teardrops, tiny handwriting threading through the lashes Sketchbook 46: graphite study on orange paper of a marble male torso from behind, headless and armless on its museum mount Two frames: copper leaf laid with tongs onto a girl's closed eyelids, then her face with gilded eye sockets running in metallic drips like tears Gallery corner installation of cut paper: red arteries, cream intestines, and green organs cascading down the white walls onto the concrete floor iTunes playlist of 20 songs — Radiohead's Bullet Proof, Carmen McRae, XTC, Tom Waits, Sonic Youth, Roisin Murphy's Off On It highlighted Sketchbook 40, Lido 30 May: beach umbrellas in blue ballpoint, a palm frond, a yellow-lit Venetian facade with flower balconies, watercolor swatches down the edge Sketchbook 32, page 53: pencil figure studies — a man standing hands behind back, and a woman with sunglasses on her head playing a flute Three test renders of a scanned bust with flowers for La Vita Nova: sparse point cloud, solid shaded mesh, and dense stippled versions side by side The Laughing Man logo from Ghost in the Shell: Stand Alone Complex — a winking smiley ringed by the circling Salinger quote 'I thought what I'd do was, I'd pretend I was one of those deaf-mutes' Mac weather widget for Gent: 63° now, a sunny week ahead, 72–77° Tuesday through Sunday Narrow interface background strip: a rounded black bar fading downward into white A red 3d-printed extension worn over the middle finger of a brown hand with gold-painted nails and a gold ring; laptop keyboard and grey cat beyond Sketchbook 44 spread: charcoal studies of a male nude from behind and a thigh, with a handwritten list of the ten sibyls — Persian, Libyan, Delphic, Cumaean — and their legends Cover of sketchbook 49: dark green cloth with a pasted photograph of a granite Egyptian head on its museum pedestal Dentist office view — The waiting room holds its pale blue certainty—sky caught behind glass, the colour of a summer afternoon in the north, bleached by fluorescent light into something patient and still. Journal spread painted black: a red anatomical hand with a blue-purple palm reaching down the right page, faint red writing in the margins Anne Carson, 'Could I': 'If you are not the free person you want to be, you must find a place to tell the truth about that… The point is not to find a reader, the point is the telling itself.' Five studio views of the Fauna head circling from front to back: the long-eared child's face, the horn bud, and the gold-filled fissures crossing the white skull Sketchbook 46 spread: notes on Viktor Shklovsky's 'Making Strange' and estrangement in art, a small self-portrait with twisted locs, and a nude holding dark lilies drawn in pencil and sanguine Potted arrangement of pale green sedum rosettes with reddish edges, one spray of small yellow flowers, in a white bowl Sketchbook 38 fold-out: a pencil still life of a Pelikan Fount India ink bottle lying on its side beneath the curve of a banana Hand holding a sketchbook: blue ink wash landscape of icy light with a small dark girl in a white dress standing at right Page 12 of Hiroshima Mon Amour: in the café she tells why she went mad in Nevers — her head shaved in 1944 for loving a German soldier — every mention of Nevers highlighted Sketchbook 44, 'Summer, Jun 27': iris and leaves in vivid colored pencil growing past a shaded skull, journal notes on color and the Book of 8 project, over a printed Feu et Flamme page describing Parc Monceau Low-poly 3d white owl with wide yellow eyes perched on a bare branch, against flat grey Cover of sketchbook 41: grey-blue board stenciled with curling vines, a moth sealed under a round window, a blue tape stripe and a Belgian lion patch Sketchbook 39, digital painting: a hollow-eyed figure in dusky red with long dark hair and thin wire rabbit ears, leaning forward in darkness Spolia-Style-Smooth Roma sketchbook: an umbrella pine in terracotta pencil with a dark inked sculpture head resting at its base Annotated Quest3D screenshot: a tangle of linked channel blocks with pink circles and arrows marking which body and motion nodes were already there Cover of sketchbook 47: a graphite study of the Farnese Hercules from behind set into the gilt-framed panel of a worn red book cover Webcam diptych in reds and pinks: a woman in an orange shirt at a keyboard, then her hand on the piano keys below Mock Atari cartridge label 'Explain Games to a Dead Hare': Joseph Beuys with gold-leafed head cradling the dead hare, 'Use with Joystick Controllers', © 2007 YOU, INC.

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