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1411 images

Sketchbook 44 spread from a private model session: pencil crouching nudes at left; at right three heads on a grey gouache ground — a pink-cheeked profile facing a bald man, a shaved nape beyondJournal spread, Oct 1993: a collaged botanical print of roses beside a dream account, and cursive on grey-blue: 'In my life the furniture eats me...'Inside the basilica of Fourvière in Lyon: blue-and-gold mosaic vaults, angel-topped columns, a glittering cylindrical chandelier against tall stained glassThe Rhine from a car window: Cologne Cathedral's twin spires on the skyline, barges below, a hand resting on the sill in shadowScrawled white handwriting on black, from Arkham Asylum: 'I don't know how many times I have to say this: I am sane… There's been a TERRIBLE mistake.'Cover of sketchbook 13: dark blue-black board with a single pasted image of a theater curtain labeled 'unknown'Finding the eye: three photos of one prosthetic blue-gray eye rolling about an open palm, white-tipped nails, gold ringExtreme close-up of one made-up eye, winged eyeliner and freckles, looking sidelongDense journal spread: an inked self-portrait beside a collaged red planet, columns of handwriting, and a blue profile facing a ghostly face — 'READ IT AND COMMIT ME'Björk in profile for Medúlla, her dark hair braided into an elaborate crown that arcs off her head and veils her face — photo Inez & Vinoodh3D-scanned self-portrait in blue-white on black: head wrapped in a scarf, face in profile, the shoulders dissolving into torn point-cloud laceTwo life-size gilded skeleton sculptures hold an oval mirror in a dark shop window; the photographer stands reflected between them, all in blackSide by side: the 1796 silhouette of Flora, an enslaved American woman, on Instagram — and a white 3D-scanned head in profile, echoing herArtemisia Gentileschi's Judith Beheading Holofernes: Judith and her maidservant pin the general to the bed with braced arms as the blade cuts through, blood soaking the sheetsBack cover of sketchbook 17: a Kokoschka Kunstschau drama poster, an 'Andre the Giant Has a Posse' sticker, a strip of red velvet and a tiny yellow cat charm on a stringColored-pencil drawing on gray paper: a dead tulip, petals collapsed like drapery over a ghost of yellowBack cover of sketchbook 16A: a Daniel Clowes 'PARANOID' comic page varnished in amber, its edges dissolving into dark red dripsSketchbook spread in red and blue ballpoint: a couple with a baby on a patterned couch, and opposite, a figure seen from behind in a white slipAstrodienst natal chart for Michaël: Cancer sun, Virgo ascendant, blue and green aspect lines crossing the pale wheelCover of sketchbook 21B: red felt covered in dark oval link shapes touched with gold, signed '21 TDM' — The Disease ManifestoCover of sketchbook 16A: red cloth with a transferred engraving of a cluttered table of tools and instruments, worn and stainedCover of sketchbook 16B: raw grey board with a pasted three-panel comic strip — a woman's face, a burst of static, dark tentacles — captioned '...my wound healed, and I continued my journey'Early 3D render at 52 FPS: girls in white dresses scattered across a lawn under painted trees, one dark figure in a leaf-dappled dress up front — an army of sheStanding hand-on-hip in red shirt and gold pleated skirt beside a marble Asklepios, in front of a frescoed landscape wall in RomePhoto of an open sketchbook held on a floral bedspread: 'NEVER DOUBT' painted huge in black over pages of smudged pencil writing, 'OK? O.K!' in the cornerTiny animated screen-capture: an image-editing window with a small dark photograph inside, too small to readTwo sepia portraits of a man at home: smiling close in wire glasses and a heavy chain; then aiming his Nikon back at the camera beneath a Pianos Daudé posterBack cover of sketchbook 18: a photograph of an open hand pressed under waxed translucent paper, everything tea-stained and creasedAbramović and Ulay, Breathing In/Breathing Out: two faces locked mouth to mouth, trading one breath back and forthNew Year selfie from below in the Louvre's gilded galleries, painted ceiling of gods and putti overhead, chin highJournal spread painted black: a red anatomical hand with a blue-purple palm reaching down the right page, faint red writing in the marginsCover of sketchbook 30: a hanging cluster of pale bell-like flowers painted over turquoise and gold washDiptych: profile nearly curtained by long straight black hair on a fur throw; below, bare feet with chipped pink polish in deep shag carpetRick Owens–style runway look: model wrapped in a grey-brown scarf-dress with knit cap, long gloves, and shaggy fur bootsSketchbook 22B spread: photos of a sculpted head-jar and a brooch-studded form on scorched paper, opposite a mirrored double self-portrait photo above silver foil — 'I give you 1995 of my 23rd year'Sketchbook 49 spread at the Musée Jacquemart-André: notes on Vigée-Lebrun, Van Dyck and Lord Leighton's 'Antigone', facing a dense graphite copy of Aleijs Loir's sprawling satyr with pipesCover of sketchbook 48: an old ledger bound in red leather and swirled brown marbled paper, scuffed white at the edgesMoth orchid in bloom on the desk at night, lamplight throwing its shadow across a shelf of small treasures — cup, boxes, prints, a gilt mirrorSketchbook 48 Paris spread: Louvre notes on the Marie de Médicis cycle and Musée Rodin — 'La Lumière de l'Antique', the Belvedere Torso's influence, sketches of headless draped figuresFolder of seven Hiroshi Sugimoto Seascapes thumbnails — Aegean Sea, Baltic Sea, Bodensee, Lake Superior, North Atlantic, Sea of Japan, Tyrrhenian — each a bare grey horizon of sea and skyEntropy8 baroque logotype: the letters E-N-T-R-O-P-Y-8 descending through a thicket of white rococo vines and flourishes on blackBlender top view: a small posed figure at the crossing of yellow dashed constraint circles and axis lines — camera rig geometrySketchbook 49 endpapers: ex libris page with a photo of an Egyptian harpist relief at the Met and three blue Met admission tags (Feb 16–18), facing studies after Rubens nudes — Ghent, Paris, Dec 2013–June 2014Sketchbook 46 spread: a museum cast of a male torso from behind, modeled in charcoal and white on orange paper, beside a lighter sketch of a spiraling sculptural groupAnother view of Proserpina in sepia: the twist of her torso, his hand gripping, her body arching awaySketchbook 48 spread: two graphite studies — a close-up of a hand gripping drapery at a nude's hip, and a rising écorché-like figure with arms flung upward, 'in the presence of others on the last day of class'Subtitled frame from Serial Experiments Lain: Lain holds up a small chip between herself and her mirrored double — 'If I install this chip...'Sketchbook 44, 'Things that happen at night', last night in Fenouillet, 27 July 2012: four ballpoint vignettes — a hill against storm light, wind through a dark window, a man in darkness, a figure day-for-nightSketchbook 45 spread: graphite life studies of a seated male nude torso with crossed legs at left, and a slumped figure with an arm swung out along a dark bolster at rightSketchbook 41 café spread: ballpoint sketches of a coffee cup, kettle, and a long-haired bearded man, with conference notes on Silent Hill 3, spatiality, the uncanny, and games as creative writing toolsSketchbook 48 atelier spread 'searching for a flashlight in the dark': boxy construction figures and a sanguine nude with hand on hip, with notes on Poussin vs. Rubens and Couture's 'line properly understood is color'Black-and-white snapshot printed upside down: a figure in a striped top stands on a lawn before shrubs, inverted like the tarot Hanged ManSketchbook 45 spread: pencil copy of a church sculpture — a bearded God the Father flying with billowing drapery, arm outstretched — beside studies of trousered legs kneeling on a cushionSketchbook 47 Rome spread: full-page graphite study of a sprawling classical nude with an arm flung overhead, beside grotteschi from Palazzo Doria, a Pietro da Cortona sketch, and notes on feeling at home in RomeSketchbook 39, digital painting: a bedside lamp with an orange shade glowing yellow underneath, on a brushy brown groundSketchbook 35 diary spread relabeled December: a long-haired girl seen from behind, and again close-up kissing a dark bird's head, a game controller sketched belowTwo round-mirror selfies trying on a sheer cream babydoll top with ragged hem over dark jeans, clothes rack behindGraphite study of the Borghese Gladiator's lunging leg and arm, annotated 'energy curve is inscribed on the body'Sketchbook 30 spread labeled 'Hecuba blinds Polymnestor': ink and wash studies of gravestones and crosses, numbered like a catalogue of monumentsSketchbook 47 Rome spread: colored-pencil study of legs against blue 'DIVO IOANNI' lettering, and a dense ballpoint drawing made standing at Bernini's Fountain of the Four Rivers — 'ROME III'Three views of a small book silvered edge to edge: metal leaf cracking and peeling across the gutter of its open pagesSketchbook 47 spread: Tivoli notes on Villa d'Este's Hercules frescoes, and a watercolor of the artist's bare feet propped against the blue Bay of Naples with Vesuvius and Capri beyond — Sorrento and Pompeii notes around itSketchbook 49 spread of café and subway sketches: a hooded figure asleep on folded arms in red pencil, a child drawing at a table, and three bespectacled sleepers stacked in graphiteSketchbook 48 Musée Rodin spread in ballpoint: Gates of Hell figures, a crouching nude, and notes on Camille Claudel's 'L'Âge Mûr' — 'marble so often looks like soft skin, like butter'Sketchbook 43 dedication, Ghent, 18 March 2012: a night-blue gouache of star wheels over rooftops, facing Lucretius's invocation to life-stirring Venus copied in red-brown inkDancing drawing: a sweeping charcoal-and-pencil arc curving up the page from a dense black smudge, looping scribbles at its baseSketchbook 42 spread: graphite copy of a muscular bearded figure biting his knuckles, after a Sistine ignudo or slave, above a faint pencil tangle of folded limbsSnapshot of producer Kenji Kaido and director Fumito Ueda, creators of Ico and Shadow of the Colossus, standing side by side at an eventSketchbook 46: graphite study on orange paper of a marble female torso from behind, headless and armless on its museum mountSketchbook drawing of a seagull in pencil and crayon, grey wings and orange beak, red legs, faint clouds sketched aboveUnity scene 'Flowerfield': the red-wigged Path girl toppled head-over-heels among sketchy poppies, half the field still untextured greyFreedom of Teach male écorché reference figure in grey resin: front, side, and back views of the full flayed musculatureFrans Floris, The Fall of the Rebel Angels: armored archangels with swords and shield drive a writhing avalanche of muscular demon bodies down out of the lightBack cover of sketchbook 20: layers of cheesecloth painted pale blue and gold over damask fabric, tiny eyelets inked lower leftBack cover of sketchbook 23B: dark red board with a vertical pasted clipping: 'She is a living example of the ancient theorem The Woman is a Sandwich Covered With White Marble.' — Max ErnstIndianapolis diptych: pastel wooden houses under a winter sky, and a corner-store cooler with a hand-drawn sign 'ALL CAN POP'S 5 for 1.00 — NO SINGLE!'Sketchbook 50 spread of dark thumbnail copies at the Mauritshuis, Den Haag: Rubens's Assumption sketch, Rembrandt's Andromeda, Vermeer's Diana and her Nymphs, Tityus and Sisyphus, and Rembrandt's Two MoorsTwo mirror photos rotated sideways: trying on a green-blue-white abstract print dress with heels, in a sunny wooden-floored roomPrinted card on the 19th-century 'Language of the Fan', pairing gestures with meanings — 'With handle to lips: Kiss me', 'Fanning fast: I am engaged', 'Open wide: Wait for me'Sketchbook 32 dark side spread: Acropolis columns dripping in dark red ink, a Greek alphabet chart taped above a pencil island — 'first meeting with the Mediterranean sea, 2006'Ghost-white ambient-occlusion bake of a girl's bust, blank eyes, floating over black shouldersEarly color photograph of Emilie Flöge standing in a garden wearing a flowing white reform dress with appliquéd panel, designed with Gustav KlimtSketchbook 38 spread, 'The Roof view': a chimney and a patch of green moss and lichen spreading across pale roof slope in watercolorJulian Wasser's 1963 photograph of Marcel Duchamp playing chess with a nude Eve Babitz beneath The Large Glass at the Pasadena Art MuseumTwo finds: enamel 'Drukkerij St Joris P.V.B.A.' printers' sign, and an office-door flyer — 'ART PROBLEMS? Seek professional advice…'Two 3D scans side by side: dark-clay double portrait of the artist facing herself, skull in hand — and a white version, the skull held up where the face should beSteam Top Sellers list with The Path at #8, $9.99, between Counter-Strike: Source and The Orange BoxRoss Bleckner's Invisible Heaven: a vast curved lattice of scratched blue-white diamonds receding to a vanishing point high above, like a domed net of lightsRoma sketchbook: study of Daphne's hands sprouting laurel leaves at her fingertips, drawn in ink across the spreadFour frames from the Magnetosphere music visualizer: red tangles around white globes, pink threads on magenta, and golden particle bursts in blacknessCover of sketchbook 49: dark green cloth with a pasted photograph of a granite Egyptian head on its museum pedestalTriptych of skull self-portraits: cheek pressed to the plastic skull; regarding it at arm's length; holding it up as a second face over her ownBuckminster Fuller's Dymaxion map: the world unfolded onto an icosahedron so the continents lie as one nearly unbroken island in a single oceanSketchbook 32 spread, Athena 4 Oct 06: the Erechtheion caryatid porch in red ink, a purple caryatid 'cement copy', pencil snakes twisting below — 'growing hair, moving arms, shifting weight'Shoulder tattoo in progress: green Japanese waves curling around dark smoke-grey clouds, two red petals falling, partly outlined panels near the shoulder bladeThe Instagram app icon: a white outlined camera on a purple-to-orange gradient rounded squareTwo self-portraits of Auriea at 25 with short locs: leaning against a car on a mountain road, and among junipers at the rim of a canyonTwo stacked book spines misread as one phrase: gold-stamped HISTORY above a red cloth spine reading THE CHALLENGE OFMuseum vitrine with a device to measure the scent of a flower: white blossoms sealed in a glass bottle, tubing running to a small wooden pump box beside a porcelain jarNotebook spread on the cosmos: paper wheel cutouts, a watercolor star-sphere and a fiery wheel, notes on Anaximander's rings of fireReference collage for Labytaur: medieval Minotaur-in-labyrinth manuscript, garden-maze engraving, Picasso Minotaur images, the sleeping Ariadne, a two-faced bust, and floor mazesA grey Dutch bicycle with a black basket leaning against a park bench in a winter park, bare trees and drifts of fallen leaves behindHarrison Ford as Indiana Jones in close-up under the brim of his fedora, face smudged with dirt, smiling sidelongSketchbook held up in a park: brown-ink drawing of the pond with a dark figure's ripples, the real pond and lawn behind itThe Darwin fish emblem: the Christian ichthys grown stubby legs, with DARWIN lettered inside its body and a small fish in its toothed mouthDutch growth chart of pale blue body silhouettes from two-month foetus to 25-year-old adult, heads aligned along red horizontal linesKiki Smith's Getting the Bird Out: a black cast head lying cheek-down, a twine cord running from its mouth to a small black bird lying at its endMina Loy's Love Songs in manuscript, 1915: the poem beginning Spawn of Fantasies in a looping hand, signed and datedBack of sketchbook 31: a dark felt pencil roll stitched in red over a black Moleskine, four worn pencils tucked in the bottomPath character sheet '3_Ginger': five polaroids of the redhead tomboy at different ages, hooded child to lanky teenJournal page: the Parsons 'fine arts' senior thesis exhibition card, 1993, above taped photo strips of small sculptures — 'this was a very good idea' in pencilGrainy black-and-white video still from Rosas' Elena's Aria: two women seated on wooden chairs against a bare wall, one crossing her legs, one clutching her shoulderZBrush sculpt for MinoRinth: a child-faced figure with blank eyes, cow ears, and great curved horns, hair braided up into a knotLa Vita Nova render: a towering point-cloud figure fills a dark shaft of light, tiny scanned statuettes hovering in niches around itSnapshot of Delacroix's Death of Sardanapalus detail — the bearded king gripping the arm of the nude concubine arched back against the red bed — stamped with a 2001 camera dateJournal spread: two red-ink figures joined at the torso holding tangled organs, opposite a dense two-column dialogue in silver and red ink over a faint photoCollage for MinoRinth: two mirrored profiles of Auriea joined like a Janus head, each face half-hidden by a horned grey bull's headInside cover of sketchbook 20: collaged Muybridge-like figures carrying trays across the bottom, a golden crest reading 'PSYCHE STORY' held up at right, rusty reds aboveSpiral notebook page dated 10/1/87 written entirely in an invented cipher of hearts, triangles, and squiggles, one line ending in a burst of exclamation marksSketchbook 40: notes from the Theories of Beauty symposium in Leuven under a blue KASK Cinema flyer, with a pencil drawing of a woman reading beside an hourglassDiagram of the Julio-Claudian family tree, tracing marriages and adoptions from Julius Caesar through Augustus, Tiberius, Caligula, Claudius, and NeroPortrait of sculptor Kiki Smith in her overgrown back garden, grey curls loose, tattooed hand raised mid-thoughtAcademic pencil life drawing on cream paper: a nude woman with pinned-up hair seated with legs crossed, gazing off to the left, highlights in white chalkLouise Bourgeois's giant bronze spider Maman standing over James Ensor's grave beside the brick church tower of Our Lady of the Dunes, OstendSix stacked frames from Strange Days: the 11:59 millennium countdown, balloons and confetti over the crowd, and Angela Bassett with braids inside a carSketchbook 46 spread: two graphite dancers pressed back to front, one gripping the other's hip, beside a black gouache figure with a raised brush-stroke armLouise Bourgeois marble sculpture: a torso-like form clustered with smooth white breast shapes, carved from a rough-hewn blockMinoRinth screenshot: a dark glassy figure stands on a yellow wireframe mound, the horned shadow of the Minotaur cast huge on the red wall behindSitting small in red under a magnolia in full bloom at the pond's edge, drawing among the fallen petalsDutch text on the Sadawaar, a beast of Byzantine lands from Kazwini: its horn of forty-two hollow branches sings sweetly in wind, and mournfully when reversedUnity editor: camera and sound gizmos hovering over a ground plane textured with a black-and-white cloud skyThe Bibliochaise by nobody&co: a black armchair whose frame is a bookshelf holding rows of books around a red cushioned seatUntextured brown 3d man in a hooded jacket standing at rest in the Blender viewport — 144 character workSketchbook 46 spread: flowers in black ballpoint on the tan page — an open peony, a bud, a dark rose — continuing onto blue-white paper as chrysanthemums tinted violet, orange and a pink rose in colored pencilBlack-and-white still of highway signs — Holman Correctional Facility 2, Fountain Correctional Facility 3 — a helicopter overhead, and a torrent of red lyric text running belowPath production prints: black-and-white posters of the six sisters hung on a line, and the tall Scarlet poster taped up over the tidy deskSketchbook 45 spread: graphite anatomy studies — a foot and lower leg, a hand resting on a shaded knee, and a seated nude's knees with a fist hanging over one of themWalking behind someone on a sandy path between grassy dunes, cigarette in hand, long shadowsA finished dessert plate: strawberry-red smears, one strawberry crown left, spoon and fork crossedSoft flatbed scan of a Pieris sprig, its white bell-shaped spring blossoms hanging in rows against grey-greenBlack-and-white photograph of Claude Monet standing in his Giverny studio beside a sofa, surrounded by the huge water-lily panelsMike Libby's mechanical insect: a real cicada with orange-and-black wings spread, its body replaced by tiny watch gears and a red jewelDVD cover of Antonioni's Blow-Up: on hot orange, a photographer kneels over a woman on the ground, camera raisedMinoRinth sky: a blinding white sun ringed in violet, radiating light streaks through drifting sepia clouds crossed by yellow-green vinesHands holding open James Jean's Fables covers book: 'No. 67 The Good Prince' with knight and giants, and 'No. 43 Arabian Nights (and Days)' djinn spreadSketchbook 32, Mediaterra session 3 'Game Politics': six conference speakers drawn as ballpoint busts with name labels, tangled cords looping between themThree views of the Object 01 head 3D-printed in blue wax beside a ruler, about five centimeters long, seen in profile, from above, and three-quarterTop-down view of the Magdalene case in Example #22: tablets playing videos, the wireframe Minorinth head, black and bronze Magdalene figurines, rocks and an open travel sketchbookFull page of the EINLEITUNG self-portrait: inked head over German book text, halo scratched in pencil, flames and torn dialogue scraps rising across a sky-blue chestSketchbook 46 spread: charcoal study of a man hauling himself up a ladder into shadow, and opposite, a white-faced ram's head peering past an ornately carved cabinetDigital painting 'Did she jump or was she pushed': a white streak of a falling figure flashing through smoky blue and umber clouds inside a hot red borderSketchbook 48 spread: notes on the paragone and the Carracci academy beside a large soft-pencil study after Guido Reni — a bearded face in profile with a pointing hand — 'looking at a photo I only see the camera'Cover of sketchbook 15: the darkened, cracked contents page of an antique reader collaged under murky brown paint, entries like 'Trust in God' underlined in redInside back cover of sketchbook 38: a sun-bleached Polaroid self-portrait among bare branches, hair falling over the face, taped beside a German page on 18th-century literatureFour subtitled film stills of Odd Nerdrum painting by candlelight, saying that to achieve something you need to know where you are in this worldRoma sketchbook: ink sketch of Bernini's Apollo and Daphne, her raised arms bursting into leaves as the laurel bark climbs her legsLa Vita Nova render: a small point-cloud woman glows in a narrow slot between dark pyramidal blocks, a pale sun haloed in the starry sky aboveQR code for the ProjectProject work Sketch for a CyclopsHarrison Ford as Rick Deckard in Blade Runner, looking up warily in his rough brown coat, hair dampTwo Louvre photos: a gilded ceiling crowded with ornament and putti, and Raphael's La Belle Jardinière with a sketchbook of tumbling cube studies held before itNight photo of Kit Halsted, cigarette in mouth, leaning on a loaded Triumph motorcycle at a Manhattan curb, lit billboards down the streetCover of sketchbook 33: the sleeping face of van Eyck's God the Father from the Ghent Altarpiece turned sideways in its gold inscribed halo, set into pebbled leather and tapestryBlurred black-and-white mirror self-portrait: standing in a bare room with a camera at the chest, a lit sconce and door behindJames Jean's painting Sink: a robed minotaur pours a thread of water from a teapot toward a pale bald girl curled in a tub among dark leavesBernini's chalk study personifying St Peter's: a standing figure whose outstretched arms become the colonnades embracing the piazzaOdd Nerdrum painting: close-up of a hooded figure with head tipped back and mouth wide open, painted in warm ochres against a pale groundCover of sketchbook 31: a plain black Moleskine with its elastic band, scuffed from travelSketchbook 46 spread: 'Frequently I am quite torn apart by anger' — a ballpoint figure collapsing amid scribbled darkness beside an up-flung arm drawn in graphite, a bare foot planted belowSix Magdalenes clothed in their own hair: Donatello's gaunt penitent, two paintings of angels lifting her to heaven, Giampietrino's praying saint, and carved altarpiece elevationsJoseph-Benoît Suvée's The Invention of the Art of Drawing: the Corinthian maid traces her lover's lamplit shadow on the wall as he gazes up at herDistant game-engine test: the small Lumpy Girl figure standing alone on a flat dusty purple plain, seen from far awayRuby's black glossy wig over a blank magenta placeholder face, textured neck belowSketchbook 42 spread: layered ballpoint and blue pencil sketches of sleepers — a face sunk into a pillow at left, a bald man asleep against his raised arm at rightSketchbook 32 spread: Washington Square Park fountain in white and brown gouache, black silhouettes circling through hot pink swirls — 'a beautiful day after meeting with Wayne + Ashley, 2006'Collage naming two Roman coins — Faustina's over a painted empress, Antonius' silver denarius belowRoma sketchbook spread 'S.P.Q.R.': ink studies of statues and angels with notes — 'It is a frightening thing when one culture supplants another... In Rome the Gods are truly dead.'Sketchbook 38 spread, Oudenaarde: a face rising behind watercolor foliage, gothic church windows, and a pencil driver seen in a car's wing mirrorSecond installation view: the striped platform holds a turquoise head, a faceted white Venus on a striped plinth, bird-skull hybrids, and a small dark figurineSketchbook 49 spread: faint layered crowd studies in graphite and ochre — faces, lips, and a staring woman — with the note 'if you think this is over then you're wrong'The planet Mercury as a thin grey crescent against black space, its cratered limb lit along the right edgeQuickTime windows of dance-studio clips: a dancer improvising alone on a black floor marked with tape, seen from the corner — Drama Princess motion referenceSketchbook 45 spread dated 2013: Martha's head bent over drawing at left in graphite; at center her wavy hair drawn entirely in red pencil; a fainter study with red handprint at rightPage 12 of Hiroshima Mon Amour: in the café she tells why she went mad in Nevers — her head shaved in 1944 for loving a German soldier — every mention of Nevers highlightedPanorama on the Gravensteen bridge in Ghent, unimpressed face in the foreground, the castle and canal curving behind, tourists at the railZBrush close-up of a Path girl's hooded head, wireframed olive face with blank eyes inside a smooth grey hoodHand-tinted Meiji-era photograph of two women and an older man gathered around a game of Go on a low board, tea things beside themTakayoshi Sato with arms crossed in a leather jacket beneath a glowing Silent Hill 2 banner where Maria poses in her red topAtta Kim's long-exposure Making Love: two bodies dissolved into a single yellow-green cloud of light on darknessClose-up of a Path girl's face bottom half: sallow skin, wide dark hollow eyes, flat lips, red hair edges at the earsCover of sketchbook 23B: a narrow old ledger bound in dark marbled paper, red cloth at the spine, edges worn to orangeHokusai's shunga print The Dream of the Fisherman's Wife: a woman reclining among rocks in the embrace of two octopuses, calligraphy filling the skyBlender scene for MinoRinth: twelve wooden folding chairs ringing a flat round labyrinth carved with concentric pathsNight desk: Wacom tablet showing a painting in progress of a girl in a forest clearing, laptop with the reference scene, headphones and the watercolor tin nearbyFrida Kahlo's The Wounded Deer: a small deer with Kahlo's face pierced by nine arrows, leaping through a corridor of tree trunks toward a stormy seaFrench test 'Het Perspectief' marked 18.5/30 in red — conjugations corrected, self-introduction paragraph: 'Je m'appelle Auriea Harvey, j'ai 38 ans…'Second woodblock page of the ʼPhags-pa primer: tall columns of angular square-script letters, each glossed with small Chinese charactersQuest3D diagram headed Anatomy of a Nature Painter: a node tree from Start3DScene down to pine-tree surfaces, with textures, materials, and object data circledBlack-and-white photograph of Auguste Rodin, bearded and in a dark smock, raising a mallet against a huge white marble blockA box crammed with 3D-print tests: faces and heads in chocolate brown, blue, gold, copper, and bone, red architectural fragments, and gridded lattice scrapsMuseum conservation room, deep red walls: Memling's singing and music-making angel panels on wheeled easels among examination lamps and tool cartsVictor Hugo's ink and sepia-wash drawing of an octopus, its curling tentacles emerging from golden-brown stainsPhotographed text titled Telling of the Bees: the custom of informing hives of a death in the household, whispering thrice that their mistress is deadSketchbook 49 spread: a red-and-graphite banner-waving nude atop struggling fallen figures, facing a putto's face, a study of a nude's hip and thigh in pink, and a keychain shaped like an 8Sketchbook 49 spread on small baroque bronzes at the Louvre, 30 Dec 2013: tangled sketches of centaur battles and Ovidian groups, a red reclining figure, and two experiments in failed balanceSketchbook 5: ballpoint self-portrait close-up, face filling the right of the page with lips parted, a chair and window line-drawn behindTextbook skeleton standing in anatomical position, palms forward, on a teal groundSketchbook 48 spread: art-history lecture notes from the Académie Royale on the Three Graces, Mantegna and Titian, facing a tender graphite study of a seated faun with a Santayana quote on Americans and junkSketchbook 47 Naples spread: pencil studies after Caravaggio's 'Seven Acts of Mercy', two anguished theater masks, and a winged sphinx — 'Misericordias Domini in aeternum cantabo'Roma sketchbook: a gnarled old tree brushed in ink, its roots gripping the ground before an arched arcadeCover of sketchbook 18: a silhouetted photo-booth portrait taped under wrinkled white tissue streaked with rusty red dripsSketchbook 32 dark side spread: pencil sketches of family on couches — a woman reclining with cats curled below, a young woman seated, studies of facesPretty in Pink soundtrack in iTunes: OMD, Suzanne Vega, Psychedelic Furs, New Order, Echo & Bunnymen, The SmithsOrientalist painting of Salome: a dark-haired woman with hoop earrings and bared breast in a red sash skirt, gripping a brass platter and bladeOlia Lialina and Dragan Espenschied leaning together at a restaurant table, she blowing a kiss past a bottle, a wheel of cheese in the foregroundSketchbook 47 spread at Cologne's Wallraf museum: notes on Stefan Lochner and International Gothic, a sketch of the Virgin with a tower, and a study of Falconet's female batherSketchbook 38 fold-out: a pencil still life of a Pelikan Fount India ink bottle lying on its side beneath the curve of a bananaTwo gritty scratched-negative self-portraits side by side: one pale and open, one dark with burning white eyesPhotoshop layer tabs named: henna, blood, blood splatter, blood — working on FaustinaJournal spread: two torn notebook scraps with inked faces collaged over pencil writing, the profile at right labeled 'THE ACCUSER'Netscape Navigator 2.02 splash screen: the white N logo and a glowing ship's wheel over a starry network map, copyright 1995, 1996 Netscape CommunicationsCover of sketchbook 1: a red chaos star on black, 'RIEA' in white block letters, 'CHAOS is my life' at the hub — 'Auriea Harvey's Sketchbook'Cover of sketchbook 46: plain grey-green linen with a black elastic band, unadornedCover of sketchbook 23A: plain deep magenta cloth, worn and water-stained, no titleSketchbook 51 spread in sepia ink at 'Rubens privé', Antwerp: thumbnail copies of Rubens self-portraits, Isabella and Helena, with notes — 'Rubens cannot make me cry like Rembrandt, but he can make me feel love'Tekken doujinshi page: a boy reads happily about Paul Phoenix's towering flattop while grandfatherly Heihachi looks on, headed So what if I'm a Paul fan!Design sheet of fifteen gravestone sketches on black with red annotations — 'taller + on angles', 'SHE CRIES', 'ERODE BREAK' — planning The Graveyard's tombsSilent Hill 2 twice: Maria lying dead on the green diner floor, and James reading 'There was a HOLE here. It's gone now.' on a newspapered wallThe morning after, in overlapping photo windows: a wine bottle and glasses on the floor, two desks buried in prints, gear and a laptopTill We Have Faces, pages 292 and 293: Orual chews the strange bread of the gods, declares herself Ungit, and despairs that no man will love an ill-favoured womanTwo-page spread from One Hundred Years of Solitude in which José Arcadio Buendía insists the day is still Monday, the time machine brokenMag's first form: a reclining figure fresh off the SLA printer in deep purple, still on its lattice of supports, a smaller twin beside it among bronze and stone kinTextured 3d crow standing on flat chroma green, beak open mid-cawInstagram story from earlymusicinstruments: the pegbox of a viola da gamba in progress, its scroll crowned by a small sculpted head in a capEtching, fourth state: a seated nude Magdalene with a skull's face resting her chin on one hand, winged figures swooping toward her over a dark inky floorWall text for Example #22, an exhibition of 3D printworks by Auriea Harvey at Kassel Dokfest, announcing her lecture performance at the Bali Kino, November 15Endless Forest deer wearing the sugar-skull mask, black-bodied with glowing green skeleton markings, walking a sunlit clearingDiagram of the Hebrew letter aleph in thick black calligraphy, its strokes numbered 1 through 10 with pointer linesHero-machine comic cover: 'The Mighty Splintery Splinter' — a red-wrapped figure with a stick over its shoulder against a night skylineDancing drawing: a tall sheet of vertical ink gestures like falling figures — coiled, knotted and dripping strokes with faint traces of orangeSolid black silhouette of a slim standing figure, one arm extended straight out to the left, one leg raisedPaper Enigma Machine by Michael C. Koss, 2003: printable rotor columns, reflector chart, and step-by-step encoding instructions on one sheetSoft grayscale painting of a white rabbit at rest with ears raised, glazed like porcelain against a white groundMedical diagram of suturing techniques: over-and-over, mattress, subcuticular, Lembert, Cushing, Halsted, Connell, and purse-string stitchesLabeled photo of First Style wall decoration in the Samnite House, Herculaneum, ca. 100 BC: painted plaster courses marked plinth, socle, orthostats, frieze and corniceHigh-contrast digital portrait: pale face with heavy black eye makeup and black lips under a blunt black fringe, violet and orange accentsSketchbook 49 spread at the Met's Raphael drawings: graphite nude from behind, quoting 'keep one's compass in one's eyes and not in the hand, for the hands execute, but the eye judges'Five studio photos of Saint John the Baptist growing from a skeletal clay armature to a full figure raising a shell, long-haired and bearded, against red curtainsWashed-out webcam self-portrait, bare-shouldered with a light flare, a St Hubert pilgrimage banner on the wall behindSketchbook 46 spread: life-drawing session painted over a violet watercolor ground — standing, bending and cross-legged nudes reserved in white, one small figure in full dark washThe Laughing Man logo from Ghost in the Shell: Stand Alone Complex — a winking smiley ringed by the circling Salinger quote 'I thought what I'd do was, I'd pretend I was one of those deaf-mutes'Robert Fludd's black square engraving, its edges inscribed 'Et sic in infinitum' on all four sidesBlender viewport for a VR lock: a pink segmented orb with a gold-lidded eye at its center, red tendrils radiating out beneath a spiked golden sunSoft-focus black-and-white studio portrait of a girl with dark marcel-waved hair and dark painted lips, gazing steadily at the cameraThree webcam self-portraits stacked: glowering by a window in a scarf, headphones on looking down, and a close smiling faceSketchbook 44: pencil studies after Titian — a twisting nude with flying drapery, and a tangle of struggling figuresSketchbook 44: a magenta orchid painted in gouache and colored pencil against a smoky black-brown ground, buds above and a fainter penciled bloom emerging belowStanding in split-toe tabi boots on a concrete doorstep, grey trousers pushed into the black boots, a number-printed black skirt aboveRCA LP cover of Great Scenes from Gershwin's Porgy and Bess with Leontyne Price in a red feathered dress and William Warfield kneeling beside heriTunes playlist of 20 songs — Radiohead's Bullet Proof, Carmen McRae, XTC, Tom Waits, Sonic Youth, Roisin Murphy's Off On It highlightedLast.fm 'now listening' list: Stars of the Lid twice, zlknf, Grails, and Apse's AE twiceAlmost-black room: a dark silhouetted head in the foreground, a man's face lit by a screen at the far desk, an icon poster on the wallCover of sketchbook 32, dark side: black cloth crossed by red elastic cords hooked through the corners of a QRS player-piano-roll labelInstagram post by earlymusicinstruments captioned Nearly there, tagging auriea.art: a viola da gamba on the workshop wall, dark body, pale unvarnished neck, carved head atop the pegboxSide view of Auriea's sculpture Fauna: a child's serene face emerging from a cracked white plaster-like head veined with gold, one long ear drooping, on a dark printed baseAuriea standing with a sunburst electric guitar in a dark room, one hand on the maple neck, a cigarette between the fingers of the otherCollage manifesto: a Formlabs printer glowing orange at center, ringed by grayscale 3D scans — museum figurines, face casts, draped bodies, a Madonna in a nicheGrainy still of a small gold figure curled into a ring, floating mid-air against beige — falling gilded bodyEight-song playlist starting with Final Fantasy's None Of You Will Ever See A Penny, five stars, then Deerhunter, Boduf Songs, Fridge, Beck, CranesChild's pencil note on torn pink paper with a two-dollar bill pinned under it: here is a bracelet made by my mother and a two dollar bill my dad left — spend it wisely, ChadTwo blurry black-and-white film frames with sprocket holes: a young woman in a t-shirt gesturing, then smiling shylySketchbook 39, digital painting: a boy in a blue sweater in profile, pale face under a mop of brown hair, his shadow doubled on the tan wallThirty-minute digital portrait study: a scowling face lit blue from one side against dark red, white tank top roughed inSketchbook 44 spread labeled 'Murillo': blue and graphite studies of standing nudes and women with 1960s bouffant hair, one gaunt figure gazing down at right — noted 'Battle of the Frigids, Slovenia'Journal spread dated Friday 22 October 1993: a purple-sweatered figure with a scribbled dark face, and a lightbulb sketch holding two tiny figuresMichelangelo-school marble Adam beside a charcoal master copy of the same statue, face left blank in the drawingThe Archive to Come in Mozilla Hubs: floating screens under the heading History, Conflict, Social Justice, one labeled Auriea Harvey, on blue virtual groundThree stems of yellow loosestrife (wederik) with whorled yellow flowers against a peeling white wall, beside a metal drainpipeJohn Berger in a patterned shirt against a flat blue ground, a still from Ways of Seeing, BBC 1972A robed figure sits alone on a vast expanse of rippled desert sand, golden light raking the dunes — an image from Lawrence of ArabiaSketchbook 47 spread on the 'Rubens in Europe' exhibition: écorché studies, notes on Van Dyck's Charles I and Rubens's Leda and the Swan copy after Michelangelo — 'bursting out of this rectangle, but so still'Wide still from Bill Viola's Going Forth By Day: a procession of people carrying bags and jackets walks steadily through a sunlit pine forestLecture slide: three Bernini images — the Fountain of the Four Rivers figure sketch, an oval chapel plan, and Sant'Andrea al Quirinale's facade overlaid with proportion linesThe original beige Apple Macintosh: built-in monochrome screen showing a welcome dialog, floppy slot below, keyboard cable in frontMax patch titled the larynx of frankenstein's monster: dozens of phoneme players wired into a gate, with the creature's demand for a female pasted alongsideAbstract digital painting in reds and flesh pinks: smeared strokes, tangled dark lines and glossy tubular forms over an orange groundAnimation frame of Captain Kirk from the Star Trek episode Plato's Stepchildren, source of his kiss with UhuraFilm still of a woman with red fabric mask across her eyes and ink marks on her face, beside a mosaic of the same image reduced to color swatchesFlat-shaded render: girl's head in profile in a black bonnet against sky blue, a hot magenta silhouette facing herTypeset haiku numbered III: 'Long cold fingers dipped in blue roses — pry open the red world.'Thin gold threads wandering and crossing over a white field, like a tangle of dropped wireYear Zero at bitforms, the rose-pink room: framed monotypes and drawings, a shelf of small dark maquettes, and a white figure on its bracketGrey 3D sculpt of three hands: one cradling an eyeball in its open palm, one clenched around another, and a limp hand lying with a ball between its fingersBlender simulation of a striped exhibition table: a grey torso on a ziggurat plinth, blue and orange cyclops heads, an orange-gloved fragment, and scattered skullsHandwritten score: 'AURIEA, for two pianos' — September 15, 2015, Oostende — playfully, allegretto; 'brush strings gently', 'choose a string, find the note', ending 'fin' three timesDigital painted self-portrait, summer 2005: Auriea with long braids framed by feverfew branches, small white blooms and pale insects scattered through her hairAP news graphic 'A broken heart is not just folklore': a grey figure with heart, brain, kidneys and numbered steps explaining stress-hormone cardiomyopathy, after the New England Journal of MedicineGhillie-suit procession: nine figures costumed head-to-toe in moss, straw and evergreen standing on an alpine meadowSketchbook 33 spread: magnolia branches in contour line budding through a rust-red wash with pale purple blossoms, dark ink branches breaking in at lower left3d raven from above, wings spread wide showing purple-striped feathers, gliding in the dark viewportBack cover of sketchbook 49: dark green cloth with a pasted photo of an open book — 'Relation du naufrage de la frégate La Méduse' — and an embossed roosterA grey Russian Blue mother cat nursing three newborn kittens on white towels in a basketBack cover of sketchbook 15: torn brown pages of a 19th-century elocution book pasted over grey board, a hymn on angels still legible at leftTwo low-poly grey toy soldiers posed like plastic army men — one swinging a club overhead, one striding with pistol drawnThe Path work-in-progress: dark girl with striped top in an overexposed poppy field, a pale scarecrow figure looming behind herCover of sketchbook 21A, 'The Disease Manifesto': white moon and streaked clouds on black-blue night, a pasted caption reading 'Night; stars and a bright moon.'A feverfew plant (moederkruid) with small white double blooms and green ferny leaves against a peeling whitewashed wallAbramović and Ulay, Rest Energy: she holds the bow, he holds the drawn arrow pointed at her heart, both leaning backPhoto-viewer collage of four self-portraits documenting dreadlocks: from behind, piled up close, topless holding the camera, and in profileTwo photos: a wall scratched full of names and 'I LOVE' graffiti, and a red-lit stage with a small grinning performer between heavy curtainsThree Jandek-style CD-Rs on a desk: 'Magick for Cherishings' and 'Magick for Prudence' with pressed-flower covers, one disc hand-labeled 'NOT SURE IF I SENT THIS TO YOU ALREADY!'Roma sketchbook: the baldachin's twisted columns brushed in heavy black ink beside writing — 'There is a certain perversity to St Peters... The angel stabs you in your own true heart'Strip of a 3d face: two almond eyes with snowflake-patterned kaleidoscope irises in pale skinSketchbook page in faint pencil: a domed high church on a cliff above the sea, with ruled text beginning 'The high church of Oorcon looms massively...'Sketchbook ballpoint portrait of a laughing boy in an open jacket, eyes squeezed shut, a flame-like doodle rising beside his shoulderWeb clipping titled A Woman on Fire naming Auriea Harvey a digital artist, programmer, and multimedia maven, beside a red-lit portrait of her at 25Sketchbook 45 spread: sanguine and watercolor study after a baroque abduction scene — bare legs kicking free of red drapery at left, the rest of the group in faint red outline at rightSketchbook 49 page in sanguine: a nude pulling drapery from her shoulders with arm raised over her head, a lighter blocked-in figure beside herSketchbook 49 spread: graphite drawing of wilting amaryllis blooms, facing a close study of a nude's hip and a small sanguine figure climbing into shadowSketchbook 38, first spread: a graphite study of an old tree's crossing branches over water, drawn dense and silvery against a blank left pageSketchbook 43 spread from a hospital room, 1 June 2012: pencil studies of the draped bedside table, IV drip lines, a faucet, and a hand cradling a heart-rate clip — 'Oh Venus, where did I go wrong?'Ancient Egyptian bronze mirror: a slender standing woman forms the handle, her upraised arms curving into a papyrus support for the broad golden discCover of sketchbook 45: a small oil painting glued to the black cloth board — two extracted molar teeth painted thickly in ivory against a deep teal groundBlurred black-and-white photo of the Penguin Classics Ovid Metamorphoses, its cover Bernini's Apollo and Daphne, her fingers bursting into laurelPage from Rodin's conversations on art: asked if art is a kind of religion, he answers that its first commandment is to model well an arm, a torso, or a thighFour stills: a figure writing at a bright window table, a white silk sail over a dark landscape, a woman by a pond, and a tornado funnel at nightTwo cartoon theme-park map details: the Cobra loop coaster marked 48, and the wooden Weerwolf/Loup Garou coaster marked 6Book page of Oscar Wilde's preface to The Picture of Dorian Gray, pencil-marked at 'No artist has ethical sympathies' and ending 'All art is quite useless'Blender wireframe of the old woman's head in profile over her reference photograph — retopology of the grandmotherMax von Sydow as Ming the Merciless in Flash Gordon, gloating in a red high-collared uniform beside a white rocket in a rivet-walled corridor3d prop: an open wooden treasure chest with a faceted diamond on its red liningCover of sketchbook 28: swirling marbled paper in sage, rust and cream, held shut by four pale elastic bandsCover of sketchbook 40: plain dark grey woven bookcloth, worn at the corners, no titleFurther along: the Circe master copy after Waterhouse, drapery and throne beasts more resolvedSketchbook 49 spread: graphite study of a mannerist pose with arm raised, and a sanguine drawing of two intertwined nudes dated 30 Dec 2013, 17:45, at the LouvreSketchbook 47 Vienna spread: blue-pencil study after Correggio's 'Jupiter and Io', museum sketchers at easels, Klimt ornament motifs, and notes on the Secession's Beethoven Frieze and the Leopold MuseumPrinted page on Korean p'ansori: a single singer and one drummer enacting entire epic folk tales, eight hours of song, speech, and stylized gestureFilm still: a small blond child reaches up toward a brown hotel door numbered 404 — page not foundSketchbook 38 spread: a Tyrolean pine hillside in plum-dark wash, kettles sketched beneath — 'Gutshof zum Schluxen, Austria. Wir freuen uns auf Ihren Besuch!'Background tile of thin gold threads wandering and crossing over a white fieldHazy sunset over Ghent rooftops seen from the Pollepelstraat window: two pale suns — one real, one reflected — hang over silhouetted buildings and a craneSketchbook 46, 8 March at the Met: graphite and watercolor study of the Crouching Aphrodite marble, wine-red shadows at her hip, a rainbow of paint swatches down the page edgeSmall grainy GIF of Mr. T in his layered gold chains and mohawkLine graph of human growth from age 1 to 18: cyan male and magenta female height curves rising to plateau, with growth-rate curves peaking in adolescenceCover of sketchbook 10: a dark window taped into mottled blue-green painted board, an X of white creases over a swirling green orbHandwritten shorthand alphabet on dotted paper, a to z over their stroke signs, with the quick brown fox pangram written out in shorthand belowBotticelli's Map of Hell (c. 1485): the funnel-shaped abyss of Dante's Inferno in tempera on parchment, its terraced rings of the damned narrowing down to Lucifer at the pointSketchbook 39: a woman in a slip drawn in charcoal and white chalk on kraft-brown paper, her head turned sharply in profile, hair swept upAuguste Rodin's The Three Shades atop the Gates of Hell: three identical bowed bronze nudes leaning together, arms hanging toward one anotherTintype-style self-portrait, very close: round dark-rimmed glasses, window light on one side, the plate scratched and spottedAerial view of snowbound mountain range threaded by glaciers, clouds drifting over the ridges — Himalaya from the planeSketchbook 48 spread: delicate graphite study of a downcast female nude leaning forward, ringed by spiraling notes on block-in, shadow pattern and 'draw contour last'Abyssinian kitten enthroned on an iPad on a red cushion, huge ears up, beside a taped-up STAN theater posterCover of sketchbook 36: red Moleskine with a dark Polaroid of a braided head wrapped in red-veined tissue, a postcard of an ornate clock-tower shrine, and a skull stickerTwo Mexican codices in museum vitrines: pictographic pages with red pointing hands and demons, and a text page with a village river sceneFive 3D-printed heads of the same downcast face lined up in filament shades from ivory to dark brown, print scraps, a bronze arm and figurines scattered behindA denser QR code on white, larger than the firstSketchbook pencil portrait of a young man in vest and shirt looking down, arms crossed at the wrists, signed in cursive 'Love Truitt'Page from Cabanne's Dialogues with Marcel Duchamp: painting had become retinal — few ideas, mostly technical problems, all painting since Impressionism antiscientificPlain dark charcoal-grey square swatchSketchbook 40, Schloss notes: a red ribbon whipping between inked topiary and hedges, sketches of chandeliers and a fountain in a room, notes on hidden servant doorsDrawing on a torn, burn-edged scrap: a pencil eye weeping a lattice of small blue teardrops, with the words something I don't trust written along the lidLecture slide: Olafur Eliasson's Weather Project three ways — the huge indoor sun at Tate Modern, a figure raising arms before it, visitors sprawled on the floorThe fossil skeleton of Lucy, the Australopithecus afarensis: her scattered bones — skull fragments, ribs, pelvis, limb pieces — laid out on dark blue clothThe Minories vitrine in Example #22: the horned faun bust flanked by the crumbling gilt infant head, a rose-crowned terracotta head with pearl earrings and two small dark impsSketchbook 48 spread in pencil: a draped baroque saint clasping a bundle against dark shading, an orange domed chapel on the horizon, and a soft study of figures on rocksMark Ryden-style painting in a heavy gilded frame: a big-eyed brown-skinned girl with a white hair bow and lace collarZBrush fragment for the Magdalene: a single bent arm rising from the elbow, its hand gripping a skull whose jaw dissolves into the fingersForensic facial reconstruction of Nicolaus Copernicus as an old man with white hair and a fur-collared red robe, made by the Polish police central crime laboratoryBody scan, 2002: a horizontal abdominal incision closed with a row of metal staples, stained gauze pads resting above itGroup photograph of the Bauhaus masters in coats and hats on the Dessau roof — Gropius, Kandinsky, Klee, Moholy-Nagy among themThe Bauhaus curriculum wheel: VORLEHRE around the rim, rings of Stein Holz Metall Ton Glas Farbe Gewebe, and BAU at the coreSketchbook 45 opening: a grisaille gouache self-portrait, eyes glancing sideways under a dark fringe, facing a black brushstroke and the inscription '45, Mars Black, 13 Nov 2012'Marqueste's Perseus Slaying Medusa in marble, seen from below: the hero's arm grips the screaming gorgon by her snake-tangled hairThe Path character sheet '2_Rose': four polaroids of the girl in the red hood and dress at different ages, a green hedge-maze icon at leftSix panels of charcoal spiral scribbles, black and white, ending in handwriting: 'practise makes perfect BUT perfection is BORING.'Four rough alpha screenshots of MinoRinth: wireframe foliage over the spiral labyrinth, a dark scanned beast on a plinth, a black column on red rings, and the green orb under gold walkwaysGrey placeholder card reading 'THERE IS NO BOOK 14' in serif capitalsFront and back views of Heather Mason's character model from Silent Hill 3: sandy bob, white hooded vest over an orange turtleneck, green skirt and orange wristbandsSketchbook pencil drawing of an embrace: her hands buried in his hair as he leans into her shoulder, faces hiddenCard of brief forms of Gregg shorthand in alphabetical order, 1963: a ruled grid of curling pen strokes, a McKay's price sticker in the cornerRaphael's black-chalk study of an upturned female head beside a pencil sketchbook page of an older man in a tank top with studies of mouths and nosesCover of sketchbook 2: rows of white profile heads drawn on black leather, a few picked out in blue, pink and green, with a chaos star — 'Auriea Harvey's Sketchbook II'Sketchbook 45 spread: ballpoint analysis of Michelangelo's Battle of the Centaurs relief — figures blocked into boxy volumes at left, the writhing knot of bodies drawn organically at rightThe Mystery, first ZBrush version in mauve: a skull with a small serene face nested in its eye socket, trailing a long bone stem and torn wing of earEvening primrose (teunisbloem) seen from above at night, two pale yellow flowers on a rosette of narrow leaves, photographer's shoes visible belowBlack flag with white glyphs inside a red circle on black; red caption reads: -1000 days, -10 hours, -10 minutes and -28 secondsTiny sprite of a mosquito with green body and spread translucent wingsDiptych by the wooden door: grinning in a fur-trimmed hooded coat, then hiding — pulling the hood down over her faceSketchbook 42b spread: soft pencil studies of sculpted horse heads in the Vatican, one bridled head in profile at right, a second head and neck emerging at leftAn old engraving of two figures embracing beneath a rocky overhang, overpainted with ranks of falling black teardrops that spill past its marginsCover of sketchbook 9: pink-washed board stamped 'ENCLOSED' in red, scratched with a circled monogram and penciled 'retro-sketch #IX Auriea L. Harvey — PROFOUND IDEAS'Sketchbook 48 spread: 'The lesson of Raphael — you stand on the dragon, your sword is lighter than air', with a pencil study of a standing putto reaching upward — 'transform the hours of your life into art'19th-century anatomical plate: dissected shoulder and arm of a bowed figure, muscles and arteries hand-colored, with key text aboveSketchbook 44 spread: airplane cabin interior in red ballpoint — seat backs, tray tables and curtains in crosshatch, a sleeping passenger's hand curled at upper leftFrom behind: drawing on a stone bench by a green pond, sketchbook open on crossed legs, locs down the back, trees doubled in the waterPoster for In the Kingdom #19: layered blackletter cascading down black — works by Auriea Harvey, baykiddead and Alex Myers, December 13 at Project Project, 1818 VintonZoe Leonard's typewritten text I want a president, 1992, beginning "I want a dyke for president" and ending on presidents who are always clowns, liars, thievesLong pink-and-black text conversation about BioShock: 'i didn't find it gorgeous at all... Hellgate <--vs--> Anne Carson. Anne Carson wins!'On the studio's green cutting mat: a small white clay sculpture splitting open like a fruit, posed with two clementines on an envelopeWall chart of the katakana syllabary in a blocky graphic typeface, black characters in columns with red script down the left edgeSketchbook 33 spread: a pine tree drawn in patient pen line, its trunk splitting into branches over a bare horizon, a few ink burrs floating aboveMinoRinth screenshot: looking down a vast fluted brown pit toward a small green labyrinth disc ringed in white at the bottom, a pink light-arc curving acrossCover of sketchbook 32, light side: two panels of tan player-piano roll paper, the perforated note slots scattered like morse code, a red band betweenClassic Mac OS dialog box reading 'Error. Success!' with an OK button — the story of my lifeBack of sketchbook 38 and its spine: marbled green paper under a black inked cloud, leather corners, spine strips reading 'Der Geist des Rokoko'Grid of fifty identical grey 3D heads showing facial morph targets: rows of subtle brow, eye, and mouth shapes, one mouth open wide mid-shoutSketchbook 22B spread: a silvered page with a Handloom Batik Ganesha card taped on, opposite a drawing of a woman in a slip with one blackened arm against blue-patterned shadowMinoRinth: the dark bronze Minotaur figure dances on yellow wireframe ground, its horned shadow thrown huge across the deep red wallInk-wash self-portrait of half of Auriea's face in sepia strokes, one braid falling past her eye, the rest of the sheet left bareSepia still life: a hand with dark nails at the edge of frame, two rough loaf-like stones, and a dark peony resting in a footed cupThe same head fallen sideways, eyes closed, long white hair streaming — an Ophelia-like sleeping faceLa Vita Nova render: two glittering point-cloud sculptures face each other from arched niches across a grey, star-flecked mistMinoRinth from above: green-edged concentric maze rings curving below brick towers, their walls stitched with dotted purple seamsSketchbook spread in blue ballpoint: a large portrait of Martin Luther King Jr. speaking at right, smaller faces, a crown and 'KING' sketches at leftNew York Times clipping from 1883 recounting Ingres confronting Delacroix at dinner — 'Drawing, Sir, drawing is honesty! Drawing, Sir, drawing is honor!' — spilling his coffee in his furyDutch botany diagram in six panels showing successive growth stages of the prikneus (Lychnis coronaria), pink blooms multiplying frame by frameWhite brushed hand-lettering on black reading MEDUSA@entropy8.com, painted like chalk strokesFive Mary Magdalenes with ointment jars side by side: a Flemish Renaissance portrait, a Northern engraving, Caravaggio's penitent Magdalene, a tearful nude leaning on a gold jar, and a hooded mourner in a landscapeDocumentation of the ZBrush Spotlight dial: a dark ring of twenty-six numbered icons with a contents list from Rotate and Scale through Smudge, Hue, and PaintSpread of the Archimedes Palimpsest: faded Greek minuscule and geometric diagrams ghosting beneath the later prayer-book textBare studio with peeling walls: a large-format camera on a tripod facing a trestle table, cold window light, paint-spattered floorScanned spread from The Unbearable Lightness of Being, chapters 14 to 16: Tereza embraces a tree like a lost grandfather while the man with the rifle waitsKeith Arnatt-style photograph: a dense white cloud of smoke hanging between green trees in a summer forestSketchbook 46 spread: sanguine life studies — bent legs and a standing torso on the white page; on the orange page a sprawled male nude heightened with white chalk, legs splayedZBrush: dark red clay-like child figure with orange retopology lines crawling over the bodySketchbook 44 spread from GDC Europe 2012: ballpoint figures of attendees, and Thomas Grip saying 'Keep systems simple, rely on imagination' beside his eight numbered design principlesSketchbook 42 spread on tan paper: ballpoint café portraits — a man's face cropped at the glasses, and a woman with an updo, round earring and choker glancing back over her shoulderPortrait swallowed by darkness: only the tip of a nose, a bared smile and chin lit between black locsJournal spread: blue ballpoint knee studies wrapped in cursive about attraction and illness, skeleton torsos and shoe sketches, 'It's a perfect day for letting go' — 3 June 92Sketchbook 44 spread: ballpoint portraits drawn during video calls — faces labeled 'cyberkati', a bearded man smiling, a profile in glasses, hands, sleeping cats, and a red-pencil profileAce of Pentacles tarot card — a hand from a cloud holding a gold pentacle coin over a garden; caption 'Most favorable of all cards'Journal spread: a red panel with a dark folded form at center, flanked by dense pages transcribing a conversation — 'he had been paralyzed from the waist down...'Dozens of telephone lines crossing a pale evening sky, small birds strung along the farthest wire by a streetlampNight desk: an iBook showing a dark forest painting, in front of a big monitor with Blender open on a textured cube — Endless Forest work in progressSketchbook 42 spread: ballpoint Christmas stocking hung from a switch plate, a basket of dried flowers, and studies of a toddler — walking away in a dress, laughing face, sulking mouthThe Endless Forest running on a museum kiosk: metal arcade cabinet with yellow joystick, four buttons and a recessed screen of forestBlack-and-white sign in Disney-style lettering: 'ALL SHE SAID WAS — HORRIBLE THINGS WILL HAPPEN'Five progressive states of the Magdalene etching side by side, the skull-faced seated figure emerging from faint outline to dense black shadowAlbum cover of Bama the Village Poet's Ghettos of the Mind: a bald head in profile whose brain is a collage of sepia photographsDell paperback cover of Madeleine L'Engle's A Wrinkle in Time: a winged centaur rearing over dark mountains, a green face glowering in a crystal sphereVija Celmins graphite ocean drawing: an even field of small waves rendered wave by wave, no horizonSketchbook 4, 'Diagram of the War': a page-spanning blue ink flowchart of spirals and rivers of self-argument — 'nothing exists until we perceive it', 'be careful what you wish for'Despair.com demotivational poster, Procrastination: a figure gazes over a sea of clouds — laziness always pays off nowBlender screens of a pinstripe-suited character (FeyWolf) with white hair and green cuffs, plus a smooth grey female head belowBroken 3d export: a pink low-poly suited figure with an enormous black cylinder skewered diagonally through its head to the floorLabeled map of ancient Rome: the seven hills in orange within the red line of the Servian Wall, the Tiber, Tiber Island, and the Field of Mars at leftDigital charcoal studies of two Michelangelo figures: a twisting bound slave washed in yellow, and a second figure with arm raised overheadStygian Hand: a dark encrusted open hand rendered in bronze and green, cradling a single brown eyeball in its glossy palm against molten gold blurDouble page from Hokusai's Manga: sketched vignettes of kneeling figures — a startled couple, a shamisen player, a monk, and a gossiping pair — with brush captionsSketchbook 31 spread: a hand-drawn map of Rome's rioni with the blue Tiber winding through — Trastevere, Trevi, Esquilino, the Colosseum — 'ROMA v. 842006 - 1142006 A.D.'Circular fountain basin ringed by thin jets of water catching evening light, dry grasses in the foregroundNick Cave's From Her to Eternity in iTunes, track 4 playing, the young Nick Cave cover at leftAtari Centipede arcade marquee: the green centipede winds through red-capped mushrooms and yellow starbursts in purple and greenSketchbook 44: the altered title pages of Zénaïde Fleuriot's 1888 novel Feu et Flamme — author struck through and replaced with 'Mvr A. Samyn', dated 1888–2012, ringed by the year's cities from Neuchâtel to Las VegasTiny green-on-black terminal: 'Everything is Ok — Bonnie-2:~ Auriea$'Scanned opera synopsis, the prologue of L'incoronazione di Poppea: Fortune and Virtue dispute supremacy until Cupid arrives to settle the matterHugo van der Goes's The Fall of Man: Adam and Eve stand naked by the fruit tree while the serpent, a lizard with a woman's head, watches Eve reach for an appleAirmail envelope from the John Simon Guggenheim Memorial Foundation, 90 Park Avenue, addressed to Ms. Auriea L. HarveyFrench exam paper, January 2008, name Auriea Harvey: 83% total with 'Très bien!' in green inkClose crop of a portrait study after a 19th-century painting: a black woman with hoop earring and white headwrap, unfinished edgesA freshly pulled molar, roots and all, lying in an open palm; a gold ring on one fingerPeter Verhelst theatre tableau: performers sprawled sleeping in a heap among foam animal sculptures — deer, swans, pelicans — in fringed costumesJoseph Beuys's Eurasia Siberian Symphony 1963 in three photos: taxidermy hare on poles against the chalk-drawn panel, plus the museum labelSketchbook 49 spread: ballpoint portraits of long-haired conference-goers, a face with heavy eyes, and notes — 'board games as narrative devices', 'dice as the devil's bones', 'gamification is where capitalism wants to go'Sketchbook 42b: charcoal study from the cast or original of a standing classical nude — torso and legs of an Apollo, drapery falling behind the extended armSketchbook 41, page 33: ballpoint family scene — a woman with long dark hair, a toddler seen from behind, and a bearded man in glasses reclining with one socked foot forwardSketchbook 49 spread: Louvre notes on Giulio Romano and Pannini's paired Views of Ancient and Modern Rome, a monk-robed figure, a wine-red crouching nude hiding her face, and a pietà studySketchbook spread in ballpoint: gothic spires and hanging chandelier-like forms of Riverside Church, drawn dense and scratchy across both pagesCatalogue text inventorying Louise Bourgeois's 1997 cell Passage Dangereux, room by room: cuffs, mirrors, hanging chairs, glass spheres, a bronze bullValentine's mail from Marian Bantjes: hand-calligraphed envelope from Bowen Island, a violet sheet dense with swirling script, Canada stampSketchbook 47: watercolor of Vesuvius smoking above a band of blue sea, with Ovid's Fasti IV quoted below — the prayer of Romulus for Rome, written within sight of Vesuvio, 2 Aug 2013Blue pencil sketch of a Louvre marine centaur group: a bearded triton reclining on a coiling fish tail, a slender youth seated against his backMinoRinth: looking down into the maze's core, a grey fan of wall segments circling a sunken mosaic hexagon overlaid with green triangulationPhotocopied menu of Pizzeria Prima Donna: thirty-four numbered pizzas from Margherita at 3.75 euro to Fantaseer zelf, with a Leaning Tower logoEarly game avatar: a low-poly nude brown-skinned woman with black bobbed hair, arms at her sides, texture seams still showing, on a purple baseSketchbook 6 page dated 24 June 1990: rows of an invented cipher alphabet in green ink, with framing notes for a black-metal-frame self-image piece and the word 'anorexia' in the marginQuickTime window playing Parajanov's Shadows of Our Forgotten Ancestors (winter birches) over an engraved anatomical plate of dissected legsTeiji Furuhashi's Lovers: life-size nude figures projected walking and running around a dark room, a scaffold tower of projectors at its centreSketchbook 48 spread: pink-pencil dancer with raised arm over notes on the Musée Carnavalet — 'Paris explained by Parisians, collected by a madman' — and the Musée Cognacq-Jay's Boucher pastelsColossal marble head of Medusa asleep on a rock, her face tipped back, wrapped in a mane of thick coiling snakesLong strip of overlapping webcam frames: a woman with braids, bare shouldered and eyes lowered, repeating and dissolving along a dark bandCover of sketchbook 39: half marbled paper veined in red, half grey felt with visible stitching, a pen clipped into the top edgeA branch of lunaria held before a lamp, its papery translucent seed pods glowing amber and pearlLouvre sketchbook study in pencil and white chalk on grey paper: two views of a headless draped Aphrodite torso, the cloth knotted at her hipsYellow Vooruit FrictiesSalon flyer for a Tale of Tales talk, 13.02.07, over a dark painted forest with an abandoned swing setBlurred black-and-white frame: pale hands and limbs smeared in motion against darknessMax/MSP patch for the MaxMBROLA~ speech-synthesis object: message boxes loading a voice and .pho phoneme files wired into pitch, time, and voice inlets above a dac~Black-and-white profile portrait of Louise Bourgeois in old age, eyes closed, holding up her long-fingered hand like a fan before her faceLow-poly creature textured in ink-scratch black and white on dusty pink: a rabbit-eared armored beast with a raw pink mouthInverted photo: bare legs dangling from a silver-insulated ceiling above shopping baskets of toys — a mirror-world garageSketchbook 44 spread from the Imagining the Future symposium, Neuchâtel, 10 July 2012: ballpoint portraits of speakers with a microphone, and a watercolor of the Alps over the lake with a sailboatA work desk: white iBook, black keyboard, Wacom tablet and mouse, a Dell monitor showing a portrait in progress, daisies in an orange vaseKiki Smith's bronze fountain figure: a standing nude woman on a pedestal, water trickling from her open hands, photographed against violet lightA dense strip of engraved sheet music in 12/8, marked 'mhm' at the start, black notes crowding the staffSketchbook 47 spread in ballpoint: the sea stacks of Baia delle Sirene rising from calm water, rocky shore in loose outline across the foregroundGlitchy black-and-white webcam still: two ghostly figures side by side over a striped scanline pattern, timestamped 11.6.18.47.30Ink sketchbook page of antlered stag studies — one full body with heavy fur, two roaring heads, loose antler diagramsFour Dior haute couture looks by Galliano, Madame Butterfly themed: Hokusai-wave gown, kimono silhouettes and origami tailoringTarot spread on a bright Kandinsky-patterned cloth: a cross layout with a side column of four cards, one card face downWax maquette for the MinoRinth Maiden: a terracotta-toned child's head with cow ears crowned by carved roses, strands of white beads falling from the ears, on a 3D-printed stemCover of sketchbook 12A: worn grey-green board mottled with dark stains, taped spine, and a tiny white '#12' label at centerThe colossal marble Medusa from behind: heavy braids of snakes wind over the sleeping head, one serpent knotted around the massVija Celmins drawing of a spider web: concentric silk rings and radial spokes in white on blackSketchbook 46 spread: notes on Viktor Shklovsky's 'Making Strange' and estrangement in art, a small self-portrait with twisted locs, and a nude holding dark lilies drawn in pencil and sanguineComposite telescope image of the Bullet Cluster: colliding galaxy clusters with hot gas in pink and the inferred dark matter mapped in blue among the field of galaxiesFront view of the small bronze Magdalene in raking sunlight, the skull nested in her hair above her folded arms and crossed legsTwo states of a 3d girl's face: buried in rainbow scanline noise above, and smooth with one glass eye looking out belowReference collage titled sirens, singing ref 1: film stills of women mid-scream and mid-song — wailing on beds, in cafeterias, in glitter crownsJohn Collier's Clytemnestra (1882): the queen stands grim in a doorway between bronze column and curtain, gripping a long-handled axe, blood at the threshold3ds Max panel, Editable Mesh with Element selected: 462 faces chosen, Surface Properties open to set the material IDCy Twombly untitled work: looping white crayon scribbles swarming diagonally across a grey groundSketchbook 44 spread, 2 October 2012, Boeing 747 to Las Vegas: red ballpoint sleeping passengers under a painted blanket, with a swatched palette of 'colors for a trip to California'Sketchbook 44: graphite copy after Velázquez — a short-haired boy with a white collar glancing over his shoulder, a hand below him raising a small glassWax-pale panel with two graphite dead birds drawn beside two black 3D-printed women curled in the same fallen poseRuby's head front-on: red bowl-cut wig over black eye-mask shadow, mouth open, black choker, on deep blueTycho Brahe's geoheliocentric diagram: the Moon circles the central Earth while the planets and a comet circle the Sun, in a period engravingTimothy Stotz's chart The Flowering Staircase, 1435–1935: five centuries of master-apprentice lineages from Michelangelo and Raphael down to Matisse and Ted Seth JacobsSketchbook 46 spread of Metropolitan Museum notes: Egyptian scarab rings and a blue-scarab necklace in colored pencil, notes on the Hudson River School, Church's Heart of the Andes and Tiepolo, with Eros, Pothos and Himeros listedYellow poster in underlined black capitals: You are about to do something you shouldn't — The Game Is Up! festival, 7 to 16 February 2007A Softer World comic, six sky-blue panels with a crane and unfinished tower: 'I sing anyway.'Grid of grainy black-and-white webcam self-portraits: Auriea in a tank top posing and blurring, a raised palm with VSOP written on it, and close-ups of one eyeStill from Peter Greenaway's The Pillow Book: a body covered in black calligraphy, arms spread wide under falling rain against darknessExample #22 installation view at Kassel: two glass vitrines of small sculptures against a cloud-painted blue and orange wall, heads glowing inside the upper caseLecture slide from The Endless Forest: sunbeams falling into a clearing where a white stag stands at a small ruinPlain pale pink square swatchCorreggio's Jupiter and Io: the nude nymph swoons in the embrace of the god, who dissolves into a smoky grey cloud with a barely visible kissing faceThe Path's red room: girl in striped top standing on a dark table in a blood-red interior, black silhouette figures around the wallsA scanned drift of currencies: a fifty-million-Mark Reichsbanknote, a US two-dollar bill, Egyptian pounds, assorted coins, and a pink hundredStill-life twice: a paper napkin folded into a stemmed glass with a sip of port, in black-and-white and in color against cardboardMinoRinth simulation frame: seen from high above, the tiny yellow labyrinth disc and point-cloud tree glow at the bottom of a muted green chasmThe Path logo: scratchy black hand-drawn capitals reading THE PATH, 'a tale of tales' small beneathSpread of One Hundred Years of Solitude, pages 196–197, with 'Cease, cows, life is short' highlighted in yellowBook page from Liao Yiwu's The Corpse Walker: an interview in which Li describes the old profession of walking a corpse home in pairs, chanting 'Ya, ho, ya, ho'A dead twig with curled brown leaves on a grey ground, two leaves lettered in white paint to spell perfektSketchbook 46 spread, mid-May: a painted self-portrait head balancing a cherry, a red heart, and pages of seed, fruit and flower studies — strawberry, plum, wheels and pods — over notes on thinking decorativelyBroken web age-calculator: 'You are NaN days old today. You will be NaN days old on NaN/NaN/Na'Yellowed spread from Rodin's L'Art in French: passages declaring art dead to modern utility, and art as contemplation, the joy of intelligence seeing clearlyDark game screenshot: the black silhouette of a ghostly figure trailing streaks of shadow lunges down a grimy corridorWorn black cover of the Caproni Casts catalog — 'Plaster Reproductions of Sculpture for Drawing and Modeling Classes', Caproni Galleries, Boston, price one dollarSketchbook 49 spread: ballpoint choir singers of the Berliner Domkantorei mid-phrase, with a pasted ticket for Bach's Matthäuspassion at the Berliner Dom, 12 April 2014Sketchbook fantasy drawing in colored pencil: a pale long-haired figure raising a sword before a sea with a tall ship, a huge face dreaming in the sunset skyTale of Tales's The Graveyard installed in the V&A Videogames exhibition: monitors, notebooks, and framed sheets along a dark gallery wallSubtitled still from Rome Open City: a woman speaks to a uniformed man in the street — 'Pina, do you think Americans really exist?'Four video stills of the Mediterranean surf breaking over pebbles, sun glittering on the waterSketchbook 45: tonal pencil drawing of the back of Martha's head, loose blonde hair falling over an embroidered blouse against a dark shaded groundSmooth grey 3d male body in A-pose, faceless, feet on the green ground lineDiptych of mirror self-portraits in a white bedroom: Auriea photographing her reflection, then the same mirror with the camera flash burst obliterating her faceThree chalk studies on green-grey paper of a marble figure's crossed legs under gathered drapery, from full shading to bare outlineArman's Chopin's Waterloo: a grand piano smashed and splayed across a red panel, keys, hammers, and strings fixed where they burstSelf-portrait against a projection: standing in a black feathered coat, eyes down, while blossoms and branches wash over the wall and faceWork-in-progress VR lock in the game engine: an orange striped head caged inside interlocking dark rings, purple tendrils sweeping through the space around itTiny grainy black-and-white webcam frame of a woman with long dark hair caught mid-motion, dancing in her chairPage 125 of Gene Wolfe's Soldier of the Mist: at an opened grave a dead woman speaks as an oracle, questioned about a wolf whose name was ManSilent-film title card, white on black: 'Through me you pass into the city of woe… All hope abandon ye who enter here.'The metal ENIGMA nameplate from a German Enigma cipher machine: capital letters inside a pointed oval badgeCluttered Mac desktop: Firefox on a LiveJournal page with a Sinfest comic, over dark Godlove Museum imagery in the backgroundAnne Carson, 'Could I': 'If you are not the free person you want to be, you must find a place to tell the truth about that… The point is not to find a reader, the point is the telling itself.'Chromed belt buckle of an eagle in flight with blue banners: LIVE to RIDE, RIDE to LIVESketchbook 47 spread at Vienna's Kunsthistorisches Museum: sketches after Titian's Danae and a baroque portrait head, with notes on the Kunstkammer bezoar, Bruegel the Elder, and Vermeer's 'The Art of Painting'French TV weather map ('DEMAIN') covered in burning-car and riot icons instead of weather symbols — the 2005 riots as forecastInstallation view of sculptures on a black-and-white striped platform in an OSB-lined room: a green curly-haired head, a white Venus figure, and a grey skull clusterHospital close-up: a hand taped with gauze, an IV line running red past a gold ringSmall grainy black-and-white photo of Sonic Youth: Kim Gordon, Thurston Moore, Lee Ranaldo, and Steve Shelley posed against a dark wallBrowser play-through of Scott Adams's text adventure The Count: green terminal text in a flower box outside an open window, tying sheets and eating daisiesWireframed hooded girl in the viewport, face smooth inside the mesh hood, red seam lines around the faceDesktop wallpaper grid of cute forest-creature illustrations in greens and plums — deer, mushroom folk, a peacock — with Mac folders scattered over itDetail of Marqueste's Perseus Slaying Medusa: the gorgon cries out, head wrenched back, small wings at her shoulder, beside a fluted columnCover of sketchbook 12B: black board flecked with white and pink paint, collaged strips of patterned paper and a small photo of a white horse at centerThe Museum of Fine Arts Ghent (MSK) with its columned portico, a red cherry-picker parked on the front steps mid-renovationBack cover of Huysmans' Against Nature (Oxford, tr. Mauldon): 'It will be the biggest fiasco of the year — but I don't care a damn!'Black silhouette of a woman drifting mid-turn against a grey gradient, a faint reflection under her feetOld mattress and new, side by side in black and white: the sagging striped one leaning, the taut white Sultan standing straightSketchbook spread: pencil study of a shaggy black-and-white wolf standing guard, a red-hooded shape and a small drawn hand on the facing pagePaper background texture shaded all over in soft grey pencil strokesLast.fm top artists grid: Akira Yamaoka on top with 1,685 plays, then Nick Cave, Sonic Youth, Bach, Air, Tom Waits, Radiohead, Björk…Journal spread in black grease crayon: two slashed portrait heads emerging from darkness, a third small face lower leftBlender screenshot: a girl's head model mid-retopology, orange wireframe patch over the cheek of a shaded doll-like faceA house porch on fire at night: flames and smoke pouring over a stairway railing, lens flare purple in the foregroundGiuseppe Maria Crespi's Hecuba Blinding Polymestor: the Trojan queen in torn white silk drives her thumbs into the bound king's eyes as he claws backward in the darkConcert at a small venue: singer bent over at the stage edge in black, guitarist and drummer on stage, sparse audience watchingJournal spread: on deep red, a collaged engraving of a dancing couple falling, opposite a page-filling face scribbled black and red over a huge lashed eye — 'no idea....'Two frames of Kim Basinger in 9½ Weeks: standing in a doorway in a trench coat, then lying down, hand in her hair, a man's shoulder in frontCover of sketchbook 4: black leather-look book collaged with a blurred self-portrait photo in a fractal frame, lettered in green — 'Pseudo Quasi Real' and 'chaos is my life'Hand holding a sketchbook: blue ink wash landscape of icy light with a small dark girl in a white dress standing at rightSketchbook 44 spread: pencil studies after ceiling figures — a flying woman with wind-blown drapery carrying an infant, and a second tumbling figure seen from belowMinoRinth canopy: the scanned tree bends into a dome of stippled black-and-sepia foliage over the copper chimneys of the maze towersAlone on a bench in a crimson museum hall, hood up, notebook in hand, before Rubens' vast Martyrdom of Saint LivinusPhoto journal card captioned 'Waiting at the kinesiest.' — a waiting-room corner: pull cord, wall socket, sansevieria in the window, 22 Feb 2011 17:07Blender title bar path: /Auriea/Work/144/MODELING/The Concept Of Everything Divided By Girl/GMH/GMH-modeling/ThePathOfKidRed05.blendFilm still of the Queen of the Night: a crowned soprano with a crescent-moon staff rises from painted clouds inside a swirling tunnel of starsSusan Harbage Page's Palimpsest: black-and-white photograph of a nude torso covered in dark tally marks scored across the skinBook spread of Kafka's short prose piece The Sudden Walk, its single long sentence about abruptly leaving the house at night filling the left pageMagritte's The Treachery of Images: a smoothly painted pipe above the cursive caption Ceci n'est pas une pipeMac OS X desktop collage: an mp3 player showing 'King Of Sorrow' (4:51 left), a webcam widget and a clock over an ornate collaged backgroundDaniel Lefcourt's The Invention of Public Relations: gold-painted nuggets, a slide projector and carousel, rulers, gloves, and archive photos knolled on greySketchbook 5 spread: Emily Dickinson's 'My life closed twice before its close' written out in violet, facing a green-toned acrylic nude torso with dark red nipplesA black Oxford city bicycle against a wall, the whole photo washed in rainbow gradients from red through magenta to greenScan of a single leaf gilded entirely in tarnished silver, its serrated edge and stem intact against blackSelf-portrait in a round mirror by the wooden door, camera at eye, in a black sweater with dreadlocks tied backgroworld research pair: a notebook drawing of an underground city with pheromone paths, and a photo of a pensive face, chin in hand — 'minimise borders and maximise edges'Journal spread: a crosshatched ink head with hollow eyes among falling leaves — 'what a horrible way to go, to be crushed...' — opposite a page of pencil writingSkeptical Cat meme: an orange cat glowering over the caption Skeptical Cat is fraught with skepticism3D-printed cyclops head prototype in tan filament held in the hand, a single brown glass eye set into its off-center socketBookbinding in progress: a hand steadies a cardboard book cover with a circular window cut out, exposed cords at the raw spineDense pencil drawing of a bare left foot from above on near-black hatched ground, an ankle strap at the heelSketchbook 38 spread: rooftops in watercolor — a mottled brick gable at left, storm clouds and a dark slate roof-line against blue at rightAnatomical fantasy drawing: skeleton of a crouched werewolf-like creature, skull snarling, drawn inside its transparent body outlineTwo Path scenes: the misty forest with the small white shrine among trunks, and the girl at a picket fence gate before the house glowing purpleSmall white clay maquette from behind: a kneeling Magdalene with long incised hair holding a skull up at arm's length, face to faceSketchbook 47 spread: ballpoint life drawings — a bald man in profile, a bending figure with hanging hair, and overlapping reclining and seated nudesNetscape-era screenshot of a web ELIZA chatbot — 'a friend you could never have' — replying 'Why do you say your whole life?' above the submit boxSketchbook 49 spread: a single faint gesture drawing of curling, flame-like figures rising up the page fold, the rest of the spread blankSpread from C. S. Lewis's Till We Have Faces, pages 168 and 169: Orual presses Psyche about her unseen husband, monster, shadow, or god of the MountainAn NEC monitor displaying a grey 3D sphere studded all over with fragments of buildings and figures, like a small ruined planetEntropy8Zuper International Garden Mural Invitational template: a courtyard with a sooty black wall and two green plastic chairs, above a blank measured mural diagramSketchbook spread in gouache: black magnolia branches heavy with white pink-veined blossoms against fields of violet and lavenderHandwritten notebook page in blue ink headed Museum Quality Artwork: notes on institutional credibility, the frame of the museum, and the aging of bytesSketchbook 49 spread in red pencil: a nude curled on a block seat pressing both hands to her face, hair spilling over her fingers, with a faint rubbed-out figure on the facing pagePage from the Codex Seraphinianus: two halves of a hollow deer joined by red threads, a tiny figure dangling between them, with asemic scriptTwitter exchange: Auriea shares Monteverdi's First Book of Madrigals; Hasan Niyazi replies 'as if 1587 taps us on the shoulder and says remember — blessings'Installation photograph: red violins with their bows mounted swarming up white walls and across a tiled floor, like an infestation of insectsSketchbook 49 spread at the Sinebrychoff Museum, Helsinki: ink sketch of a St Anne 'protects against plague' painting holding Maria and Jesu, a light tangle of figures, and a shaded reaching handBruce Nauman's 1967 neon spiral: 'The true artist helps the world by revealing mystic truths' in blue script wound inside a red-pink coil on a dark wallWireframe viewport of the virtual Labytaur: a latticed dome and radiating disc enclosing a cylindrical core, a small dark figure and inverted cone belowFilmstrip of four grainy webcam frames in sickly greens and reds: a woman at a piano, in a fur collar, resting on an arm, beside flowersTwo clear printed head-bottles beside their signed label: 'Object #3 — Head of a Negress in the Form of a Plastic Vessel, 2018, Auriea XLVI. This head has been checked for leaks, but be careful.'Sketchbook 40, Theories of Beauty continued: notes on the technological sublime and 'Beauty or the Aesthetic', with pencil portraits of speakers and audienceA magenta-lit gallery room, empty except for a black doorway cut into the glowing pink wallA small white bunny with grey ears and nose sitting in a white bathtub, looking up with one dark red eyeSketchbook 44 spread, 27 December 2012: colored-pencil studies of bare feet, a potted seedling and a small tree, beside dense game-design notes on ditching the open world and unrolling the world in chaptersUntextured grey model of grandmother's crooked house with black door and window frames, one window glowing redGrainy black-and-white portrait of young Isabelle Adjani with braided pigtails and dark-rimmed eyes, gazing gravely past the cameraVideo lecture paused at 14:54 — 'The Nature of Arguments', Critical Reasoning for Beginners, a lecturer beside a slide at the University of Oxford podiumFrench poster for Wong Kar Wai's 2046: an embrace in black over neon Hong Kong signage, the title in goldTiny dark sketch of three standing figures side by side, scratched out of black inkMirrored webcam self-portrait: face doubled down the center line, drinking from a glass, dreadlocks framing both halvesSketchbook ballpoint page: a big-haired figure gazing sideways, an ear study, a diagram of arrows around a circle, and a small drawing of a girl in a roomSketchbook 48 Paris spread: Sainte-Chapelle Christmas concert — a sculpted angel spreading wings, a soprano mid-note, sprawled legs of listeners, and the music list: Mozart, Purcell, PergolesiJournal spread 'BLUTVERGIFTUNG chapter I': the word smeared in rusty red between two collaged kitchen-knife ads pointing at each otherPainted 3d head in profile looking up, sinewy yellowed skin like carved bone, grey groundCover of sketchbook 6 (1996): crumpled white spiral notebook inked 'Auriea Part 6' over a taped clipping reading 'sex, life, and the cosmos…', dated 8 May–20 AugCorner of a social profile: '144 friends — See All'The Path teaser in four stills: sunlit forest, a dark house — 'IN THIS FOREST / STANDS A HOUSE / THAT REMEMBERS / IT KNOWS'Salvador Dalí's 'Ten rules for him who wishes to be a painter', from rule 1 on making gold come out of your brush to rule 10: 'If painting doesn't love you, all your love for her will be unavailing'Belgian practical driving-exam sheet, 12/06/2014: 'Uitgesteld' — deferred — with the examiner's litany of Voorbehoud and Onvoldoende line by lineRoma sketchbook: ballpoint sketch of Bernini's Cathedra Petri in St Peter's — the dove window radiating over the bronze throne and four doctors of the church — '147 popes'Three views of a 3d scan of an Artemis statue in short belted chiton and hunting boots, rendered in a blue and bronze matcap against blackBlender wireframe view of a cluster of bare trees for The Endless Forest, black lines on greyClose detail of a Van Gogh flower still life: asters and chrysanthemums in pink, ochre, and red built up in thick ridged impasto strokesTippi Hedren lighting her cigarette from a match held in a crow's beak — The Birds publicity photoSketchbook 38 spread: Prague Castle and St Vitus's spires in loose watercolor, red rooftops dissolving into wash below a blue skyStage photo from a Dido and Aeneas production: three women entwined around a spreading dark-blue gown while a figure in white scatters red rose petals across the black floorTextured 3d prop: a red-handled knife stuck upright in a green-topped tree stumpSketchbook 31 spread in pencil: a jet seen from above the clouds and a sleeping fellow passenger — 'Slept. Flying out of Charleroi...'Sketchbook 38 spread: a night-blooming flower in pencil, pale petals reserved against a darkened star-flecked groundSketchbook 49 spread in silverpoint-light graphite: a mustached man's face, a hand gripping a dark plum, a corked bottle, and a nude beside stacked studies of a bearded head and wingSketchbook spread drawn from a hospital bed: flowers in a water glass by the curtain, the IV stand, and the cannulated hand with one line touched in pinkBlack-and-white photograph of the Auschwitz gate, the wrought-iron ARBEIT MACHT FREI arch over the empty road between barracksDigital self-portrait painting in ochre and umber tones: a woman with long dark hair gazing left, two small moons floating beside her headSpacecraft photograph of Jupiter's moon Io half in shadow, a volcanic plume erupting in a bright arc off its upper limbLeonardo da Vinci drapery study of a standing figure in profile, the robe's deep folds brushed in grey and white on brown prepared linen, numbered XIIBleached scan of page 45 of Borges's The Garden of Forking Paths: everything happens to a man precisely now, and the narrator inventories his pocketsSketchbook 22B spread 'NIGHT OF ME': golden grasses and silver berries on seafoam green, opposite a red spider-like burst and a row of gold ovals circled in silverA carpet of round nasturtium leaves with a few hidden orange flowers, seen from aboveWarped panorama selfie in the courtyard of the Rubens House in Antwerp — sun flaring over the head, the baroque portico bent around both sidesBlurred photo of a mammogram machine in a beige clinic room, footswitches on the floorSketchbook 44 spread: pencil profiles of faces and a hand with a ring, facing a faint mapped reconstruction of Alchemilla Hospital from Silent Hill — elevators, kids' room, kitchen — labeled 'SH1 endgame'Grey Blender wireframe of a bunny-eared girl's head, dense mesh face with two flat ears sticking upSketchbook 45 spread: pencil drawings of Martha from above — stockinged legs crossed at left; at right her long hair falling over a white blouse and dark skirt as she sits curledFaded 1970s snapshot of two small girls in white Easter dresses and hair ribbons on a sunny sidewalk, a black-and-white photo of daisies tucked into the cornerRoma sketchbook: dense ink trees in the Vatican gardens under writing about tourism and dedication — 'genetics be damned in my spirals'Sketchbook 38 fold-out in pencil: a Ryanair seatback tray, the wing over a coastline near Bologna, and a neighbor thumbing a phone — 'airplane to Bologna'A gray cat, blurred mid-shake, sitting on the desk between the laptop and the glass cabinet where the skull keeps watchStill from Islanders: colossal weathered faces dissolving into swarms of paper-like shards, drifting in blue sky above a hazy planetary horizon, the sun flaring through one eyeAnimation frames from Eraserhead: the pale-cheeked Lady in the Radiator standing with clasped hands on her small lit stage between dark curtainsSketchbook spread in ballpoint: cathedral vaults and rose windows swarming with lines — 'So I guess I'm graduating... at Riverside Church, Sat 15 May 93'The Fountain of Life detail from the Ghent Altarpiece — angels kneeling on starry grass around the slender bronze fountain — framed with a plaque reading 'Auriea 2012', a gift from Hasan NiyaziSketchbook drawing of heaven and hell: a bowed figure in black on brown earth, flames at their feet, while a distant figure exults under a cross and red sunBook page of Chris Crawford's definition of interactivity: 'a cyclic process between two or more active agents in which each agent alternately listens, thinks, and speaks'MinoRinth corridor: the great dark tree rises between two shadowed maze walls, its speckled crown filling the pale skyGirl with long blond hair sitting close to a TV, customizing a cartoon monkey's fur colors in a game menuSaint Bavo's Cathedral in Ghent seen from the belfry: the great Gothic west tower rising over the city's rooftops under a white skyGrayscale collage: paper models with pivoting circle cutouts labeled ontology and metaphysics, concentric paper rings, an eye drawing, black-painted nailsMorning's desktop, windows fanned out: a 'How to Draw the Voronoi Diagram' blog post, tumblr fashion images, palm fronds, a rose-garden double exposure, a bun of locsComic panel: a goggled surgeon in green scrubs brandishes instruments before a blood-spattered map of America, ranting that laser surgery is what the country needsBlurry mirror selfie in an ochre bathroom, flower decals on the glass and a green L on the wall, camera in handSmall verdigris bronze: a rough crouched form, part shell and part gilled fungus, raised on thin wire legs over a bed of cast leavesSketchbook 49 spread: graphite sketches of conference speakers — a man in glasses folded into a chair with a microphone, a cross-legged panelist, and a bearded man in beanie and thick glassesSketchbook 46: watercolor self-portrait in a grey tank top cradling a skull, with a note wondering whether to stop this book early before the vacationFour dark photo-collage panels from Ceremony of Innocence: a winged nude under a full moon, a doubled sleeping head, a shrouded figure wound in threads, and a plate of dark cakesP·P·O·W gallery graphic for The Unbody, May 6 to June 9 2021: Auriea's dark green Ox Apotheosis sculpture, a horned bull-headed figure enthroned, floats on blueAuriea's bare feet on a wooden floor beside two HTC Vive trackers with ankle straps, ready to be worn for full-body VRiPod ebook page from Ted Hughes's Tales from Ovid with highlighted lines: the goddess rose out of the depth and began the old story of how she was loved by a riverStill from Shadow of the Colossus: Wander on his black horse Agro wheels before a towering, moss-grown stone colossusThe Graveyard-era prototype: two white vases in an endless field of red poppies, above dark text panels of overlapping muttered dialogueSketchbook 32 spread from the Met: a falcon-headed crocodile god in yellow, four red Anubis-like animal heads, and pencil sketches of a resting arm — 'a river runs through him'Studio corner crowded with wood frames holding small game-screenshot prints, art postcards pinned above a green cutting matiTunes playlist of J-rock and anime songs: Fujin-yo, Morning Musume, L'Arc-en-Ciel, Sambomaster (playing, five stars), The Blue Hearts, RahXephon tracks, AfrirampoYoung hemelsleutel (sedum) plant with broad grey-green leaves in a terracotta pot on brick pavingCover of sketchbook 37: red Moleskine overlaid with gold paper drawn over in red vines and lettering — 'The...King' — a printed eye peering through the tendrilsSketchbook 47 spread in sanguine pencil: tumbling stacks of blocky ruins and scattered figures with beams, captioned 'Adult parties w/ wine & fire'Sketchbook spread: ballpoint portraits of friends slouched in chairs, a pasted Gemini horoscope clipping, notes from 'Sat 24 April... 12:22am at Bob's instead'Low-poly 3d white owl with wide yellow eyes perched on a bare branch, against flat greyTwo studio portraits fanned on a scanner: a grinning man in an NBA cap and Celtics jersey, and a baby girl in pink with beaded braidsSketchbook 49 spread: dark graphite vignette of a seated figure with another curled beside it, facing a bending walking figure with bundled back, a lined older face, and scattered head studiesDuchamp's Air de Paris: a glass ampoule like a teardrop ornament, hooked at the top, hanging on a thread — fifty cc of ParisBlender wireframe of nested matryoshka dolls, four egg-bodies one inside another in orthographic viewZBrush sculpt in progress, close up: a dark-skinned female head tilted back, polygroup seams still visible across the cheek and brow, hair bound at the napeFreud's model of the mind as an iceberg: the conscious ego above the waterline, superego at the surface, and the vast unconscious id submerged belowBlank transparent spacer gif from the old webCover of sketchbook 19: mustard felt-covered board with a small window of antique printed text pasted at centerSketchbook 43 spread titled '5 still lives': graphite studies of a sleeping spaniel, a looming foreshortened face, a crouched nude, and a girl in a skirt standing with a bagWebcam still from an AR test — 'Pattern marker example with Three.js' — peering over glasses in a patterned dress, the screen behind mirroring the pageSilver laptop running a 3D level editor with skull textures; below it the boxed retail edition of The Path and a black book stamped PR3Mac OS X Finder window titled the universe: fifty-one thumbnails of cosmological diagrams — Ptolemaic spheres, moon photos, orreries, and golden spiralsSketchbook 48 spread in graphite: a walnut hanging from its twig with one leaf, and a softly modeled human skull turned three-quarter into darkness, with small sigil-like doodles aboveCover of sketchbook 27: a cream string-tie envelope with red button closures, bordered in blue-and-orange Japanese fan paper, a faint face sketched at topBBC photograph of a black crested macaque crouched in jungle foliage, peering intently into an object held up to its faceSketchbook 49 spread in wine-red pencil: a laurel-crowned nude seated in thought with hand to chin, and a heavily draped figure gathering her robes as she steps forwardHotel-room door detail: steel panel with white handle, ballpoint graffiti on the frame — 'JOHAN Je t'♥ gio 21/03/08'Roma sketchbook: pencil sketch of a roped-off monument, and in purple and brown, a Bernini angel reaching toward a draped reclining figureNarrow interface background strip: a rounded black bar fading downward into whiteZBrush ZSphere reference table: illustrated rows of red-sphere diagrams explaining draw, move, scale, and rotate modes for building armaturesSketchbook 44 spread, 'Slightly lost': ballpoint sketch of the Heusden bus stop en route to a driving exam, a reclining graphite nude below, and watercolor figure studies in grey and burnt orange oppositeWalton Ford's Falling Bough: a massive branch borne aloft by a swarming flock of passenger pigeons, breaking apart against a pale sunset over the river plainIn the Ghent Altarpiece restoration studio: Van Eyck panels on easels, a hand holding up a blue 3d-printed hashtag arthistory in the foregroundCover of sketchbook 5 (1996): black spiral book chalked 'Pseudo Quasi Real — Auriea Sketchbook V' with a starburst doodle around a small photo of a torsoSketchbook 39, digital painting: a hollow-eyed figure in dusky red with long dark hair and thin wire rabbit ears, leaning forward in darknessSketchbook 38 spread in ballpoint: a park path curving under trees toward a small stone bridge, an empty bench in dappled shadeSketchbook 45 before its cover painting: a black-and-white photo of the plain black square book held at one corner, a pencil resting behind itPainting of a grim place setting: a small head surfacing from a plate of dark soup, spoon, napkin, and a glass of pale wine on white linenHandmade drawing tools made by Henrik Drescher's students laid out on white: spoons, sticks, sponge-tipped rods, taped filmstrip, feathers and bound rag brushesVelázquez's The Triumph of Bacchus (Los Borrachos): the young wine god crowns a kneeling drinker among grinning peasants, Museo del PradoA German Enigma cipher machine open in its wooden case: lamp board, keyboard, plugboard, and the instruction plate Zur Beachtung in the lidBook plate of Géricault's Left Hand, 1823: the artist's own hand drawn in black, red and yellow chalk, splayed and shadowed as if cast off, now in the LouvreRough digital sketch: a grinning bat-eared demon figure in a dark coat with a large white 6 painted on its chest, on tan groundAP photograph of the yeti crab Kiwa hirsuta: a white deep-sea crab, its long arms shaggy with pale silky bristlesSketchbook 38 spread in charcoal: the gothic buttresses and pointed windows of St Vitus close up, and a small sketch of Charles Bridge arches over the riverSketchbook 43: the June 2012 transit of Venus painted as an ochre-gold sun disc with the planet a small dark dot near its lower edgeScreenshot from Ico: the boy in his red tunic and horned helmet reaches down from a wooden plank toward the pale, glowing Yorda in the castle gloomLain's bedroom from Serial Experiments Lain: a girl hunched at a glowing monitor amid stacked computers and coolant cables, stuffed animals lined along the windowTwo small painted portraits labeled Bonnie and CLYDE — blonde Faye Dunaway and Serge Gainsbourg-esque face, side by sideGoogle correcting the search 'keep pens from exploding on airplane' to 'keep pets from exploding on airplane'Inside the MinoRinth maze: dark castle-like towers with chimneys loom over the walls under a curdled white-and-sepia skyDouble exposure in reds and blues: a sleeping dark face overlaid with a lit clock tower and a night street's lightsHotel bathroom mirror-in-mirror: dark figure at the sink reflected through a doorway, grey mosaic tiles, towel on the railChalk drawing on red-brown paper: two arms reaching upward and a tilted, smiling face — study of a straining Eros from the LouvreBlack-and-white particle image: an eye-shaped void opening in a field of bright specks, with a 1 cm scale bar and timecodeChurch marquee for Memorial Baptist Church: 'Ain't no party like a Holy Ghost party, cause a Holy Ghost party don't stop'iTunes 'Enter Code' screen refusing a gift card: 'This code is only valid for customers of the United States store'Snowflake-filtered webcam pair: Michael and Auriea cheek to cheek, then Auriea laughing with hand to forehead, ring catching the lightFrancesca Woodman's Blueprint for a Temple: a large blue diazotype collage assembling photographed caryatids and Greek-key friezes into a temple facadeMock Atari cartridge label 'Explain Games to a Dead Hare': Joseph Beuys with gold-leafed head cradling the dead hare, 'Use with Joystick Controllers', © 2007 YOU, INC.Webcam self-portrait at 18h54: a sheet of handwriting held in the teeth over an open notebook and printed mandala imagesTale of Tales lettered on a banner amid extravagant Spencerian pen flourishes that swirl into a long-tailed bird, in black ink on creamSketchbook 6 page: cipher key mapping invented circle-glyphs to English syllables — tha, the, thi, and, am, is, are, was, be, being, been, -ed, -lySketchbook 49 spread: two soft graphite studies of entwined wrestling nudes, limbs arched and knotted around each other's torsosTiny blurred frame of figures dancing in a room washed green and yellowTorn scrap covered in handwritten 'yes yes yes' around a Tale of Tales Endless Forest calling card and a blue A PRIOR airmail stickerYellowed Japanese newspaper clipping reviewing Boris Vian — a column by Sone Motokichi on the intellectual 'spitting on graves' poet-provocateurJournal page dated February 19: notes before Las Meninas at the Prado — 'surprised by brushwork, muddy and rough… the strokes being alive' — with two ink sketchesAnime still: a green dinosaur mascot in a white apron offers baked snacks from a tray in a village street, subtitled It's really scrumptious! How about one?The Pleiades star cluster: the seven sisters blazing blue-white inside wisps of reflection nebula on a dense starfieldRoman studio in morning sun (photo on its side): gilt rococo mirror on a bare wall, pine shelving with white sculptures and skull, an open notebook of red-chalk drawingBlingee'd black-and-white Crater Lake photo: animated stars and sparkles, 'Merry Christmas!' stamped in the cornerLow-poly grey 3d model of a hunched old woman in a headscarf and long skirt — The Graveyard's grandmother, untexturedTwo hand-painted matryoshka-style dolls with sad pink faces — one hooded in cream, one with a golden bob — above a black pointed hood and a tiny red gemFull master copy after Benoist's Portrait of a Negress: seated black woman in white headwrap and drape, one breast bare, ochre groundRaphael's Saint Michael Vanquishing Satan: the winged archangel in blue and gold descends with raised spear onto the demon writhing on the rocksAtari Tempest title screen: the word TEMPEST in glitching red-and-blue vector strokes above the 1980 Atari copyrightFan-made English translation diagram of the Nintendo DS Browser settings menu, mapping every checkbox for web, interface, network, time and shortcut settingsAn enormous pale pink peony bloom overwhelming its blue vase on a red table, an orchid pot beside itSketchbook 44 spread: charcoal studies of a male nude from behind and a thigh, with a handwritten list of the ten sibyls — Persian, Libyan, Delphic, Cumaean — and their legendsSketchbook 49 spread on Michaël Borremans at BOZAR: thumbnail sketches of 'The Avoider', 'The Garment', 'The Angel' and 'The Devil's Dress' with notes, facing ballpoint figures from 'The Storm' 35mm projection loopChristmas Eve double exposure: family unwrapping presents by the fireplace, a woman on the hearth, children over a big box, torn red paper on the floorPlain web background graphic: a flat grey field rising on a shallow diagonal into white at the topSketchbook 44 spread: ballpoint plane trees and a mossy fountain, with scribbled motion studies of dancers noted from Les Ballets C de la B's 'Oude King' — 'human range of motion', 'over pain madness'Vija Celmins's Eggs, 1964: four fried eggs sizzling on a grey double hot plate against a muted blue-grey groundLine diagram of a Molotov cocktail: a taped bottle with labeled wick and fuel mixtureAuriea and Michaël in profile, nearly nose to nose in the blue courtyard of the Casa Azul under the words 'Frida y Diego vivieron en esta casa 1929–1954'Sketchbook 39, digital painting: a headless pair of legs and buttocks in flesh tones striding out of a deep violet groundSketchbook 32 dark side spread: black ink thickets with yellow and tan smears at left; a clump of pines behind a Speed Limit 35 sign at rightSketchbook 48 spread in pink and sanguine pencil: two soft studies of portrait busts in the Louvre's shadows, notes on Marie Antoinette-era hand fans — 'it's easier to draw what you can touch'Digital painting after a life photo: seated nude with red hair, arms crossed over her face, pale body against near-blackThe Piraeus Apollo: an archaic Greek bronze kouros mottled with green patina, standing with both forearms extended, one palm openGarden corner with prikneus (rose campion) in bloom — magenta flowers on silvery stems among potted plantsThe Voyager Golden Record: etched playback instructions, a pulsar map, and the hydrogen atom diagram on the gold-plated discLook-and-feel test for MinoRinth: a photogrammetry point-cloud of Theseus fighting the Minotaur seen from below against blue sky, crossed by pink laser linesPie chart of weather, apparently of life: Cloudy 47.5%, Showers 27.9%, Sunny 19.7%, Dreary 4.9%Sketchbook 44 spread: pale watercolor notation of the Pacific coast — green scrub hills, scattered trees, and an ochre bluff washed over faint pencil beneathGallery corner installation of cut paper: red arteries, cream intestines, and green organs cascading down the white walls onto the concrete floorWindows taskbar: Photoshop, paint, shortcut to blender, Blender, Quest3D all open at 10:45Sketchbook 49 spread: a horse-headed nude man beside a red bowl with whisk, and an Anubis-like figure draped in red over a large sphere, dated 1st April — a dream-like Egyptian pairingSketchbook 48 atelier spread: notes on light value and planar orientation with a shaded sphere diagram, facing a seated female nude annotated with trochanter, shadow side, and 'GRANDEUR — carve into the largeness of things'Sepia museum display of a mastodon skeleton before a painted marsh mural, its label reading 'This mastodon was found in Indiana'A red 3d-printed extension worn over the middle finger of a brown hand with gold-painted nails and a gold ring; laptop keyboard and grey cat beyondFour pinned cicada specimens beside a millimetre ruler, shown from above and below, dark bodies with amber-veined translucent wingsTo-do list detail: 'Decisions on what objects are found in the forest', 'watch the zbrush3 dvd', 'DONT MAKE A FOOL OF YOURSELF' in small capsSketchbook 42, page 24: pencil still life — a canning jar and a stack of magazines topped by a Glamour 'New Year's Special' issue with three laughing faces on the coverDetail of a digital painting after Monet: loose pink and white impasto strokes of water lilies floating on vertical blue-green water, with dark red foliage at rightTwo sagittal MRI scans of the same head and spine in profile, lips, tongue, and vertebrae glowing white against blackSketchbook 38 spread in watercolor: pale garden flowers in blues and reds, a spiky globe thistle, and red blooms — noted 'Gonks garden'Black-and-white X-ray of a curved spine and ribcage in profile — the scoliosis made visibleCover of the Ōkami art book: gold wolf linework over a large red sun on black, with Japanese title columns and a red seal reading kizunaJarboe on stage in Rotterdam, blurred in magenta light, long-haired guitarist at right and drum kit behindSketchbook 46 frontispiece on orange paper: A. E. Stallings's poem 'The Island of Skyros' copied out under a painted title, with a ballpoint still life in the corner — Ghent, NYC, Indianapolis, Belgrade, March–August 2013Sketchbook 40, journal page copying Anne Carson: 'Drawing is quite, quite naked...' with notes on drawing, honesty, and modelling a hand in 3D, a wiry hand sketched aboveThe Graveyard grandmother's face in wireframe over textured skin, black beret, on flat sky blueSketchbook 45: a white rose in graphite against a dark hatched ground, its stem crossing two curled leaves — dated notes opposite mention Bientôt l'été and Anne CarsonRain water pooled on a flat surface reflecting the sky, a drainpipe and grass behind, an old school building beyond the fenceThe print studio bench against pink walls: a crowd of small sculptures — printed heads in a dozen materials, black falling figures, gold twins, glass jars — with an iPad, a pencil study, and a sticky note pricing it all at ONE MILLION EUROVelázquez's Queen Mariana in the Met's gold frame: black court dress with silver trim, red rosettes, a white handkerchief in handCover of 'Boris Vian de A à Z', Obliques No. 8–9: the title in bold purple cut-out letters over diagonal yellow and magenta stripesCover of sketchbook 22A: a striped box drawn in black ink on pink board with 'present' written in cursive across it, signed Auriea HarveyYear Zero at bitforms: the ziggurat of sculptures in the dark blue room, the projected mandala now burning orange and gold around a small blue rosetteFrench grammar diagram of the 'maison d'être': a house with arrows acting out the être verbs — naître, rester, monter, tomber, mourir, aller, venir — around a road marked passerA single pink peony in a small blue vase on a green bench by an open window, next to a monitor showing Blender with a 3d tree modelSketchbook 32 cover detail: creased player-piano roll paper, its white perforations drifting diagonally across the tan surfaceSketchbook 47 spread: two graphite studies of a curly-headed marble Venus, with notes on Fetti's 'Melancholy', Thomas Boudin, and Coysevox's 'Crouching Venus' — 'she's looking heavenward, sitting on a tortoise'Tweet by Hasan Niyazi: 'Like paper & ink before it, technology became a conduit for emotion. People clutch devices of metal & silicon, cherished to their hearts'Bernini's Rape of Proserpina, close: Pluto's fingers sinking into her marble thigh and waist, stone made fleshMirrored double portrait: a pale face with dark fringe doubled nose to nose, a point of light burning between the eyes over a band of ringed dotsSketchbook 40 spread on the game that became Bientôt l'été: door-and-level diagrams, color theory notes on hue value chroma, and the Room 101 passage from Orwell copied outMac desktop with a giant dark skull wallpaper, a small photo of a figure at a lectern set into its mouth like a toothNine screenshots from Shadows of Our Forgotten Ancestors: red branches, faces through windows, a bloodied man, a hand on a crossTwo Endless Forest deer side by side: a black one with blue skull face and sparkler antlers, and a red one in a green luchador-style maskQR code for the ProjectProject work LeviathanCover of sketchbook 22B: a dark overexposed photograph of a crowd raising round-headed forms, like a procession seen through fogJacques-Louis David's The Death of Socrates: the philosopher reaches for the hemlock cup while pointing skyward, his grieving students around the prison bedYellow pillow-box package printed with concentric white rings: Patch to stop caring about loveLogo of the word mirror drawn in thin white rounded strokes on black, the letterforms mirrored so the word reads the same reflectedSmall black-and-white QR code on whiteBlack-and-white diptych: blurred lattice shadow and a glass on a table above; a kitchen-roll on the windowsill overlooking a bare Gent courtyard belowWings3D-style wireframe of a bob-haired girl's head, red mesh lines over flat tan and brown, one eye texturedIGN PC games front page with The Path Hands-On featured in the carousel between Burnout Paradise adsSketchbook 5 fold-out scroll: collage of a torso photograph, a surgical-instruments catalog page, an Elric of Melniboné 'Stormbringer' text, film strip, comic panel and handwritten x-ray notes with red measurementsTwo stems of moth orchids, white petals speckled with magenta and deep pink lips, in front of an old wooden doorDesktop with 3d girl half-wireframed beside a photo of a blindfolded woman, and a hooded red-cloaked model in a second window; a filename rants across the topBlack-and-white diagram of the lost circular pavement labyrinth of Santa Maria in Trastevere: eleven concentric mosaic rings around a dark centerWebcam shot of a studio wall: swirling green painting, postcards, small mirrors, a Motions box and a Michelangelo's David sculpture bookPolaroid from the seventies: a small girl in a white dress and tights grinning on a huge brocade sofa, feet not reaching the floorNetscape screenshot of LOVE by Group Z, Belgium — early net art by Michaël Samyn: the word LOVE spelled in daisies inside gold and floral frames, hosted in Rhizome's anthologySketchbook 48 spread dated Dec 12 at the Petit Palais: graphite nude after Jordaens's wife from behind, notes on 'Jordaens et le réalisme flamand', Carpeaux's Three Graces and DaumierClose-up in the Magdalene case: black acrylite and polished bronze Magdalene figurines clutching skulls before a tablet, above a notebook page of questions written in the saint's caveSketchbook 49 spread: gestural line studies of tumbling bronze figures, with notes on Veronese's Hercules at the Crossroads and a seven-headed French Hercules-and-Hydra bronzeBooklet page for The Books' It Never Changes to Stop: the sampled schoolteacher's monologue — 'Sit up straight and be quiet... absolutely still, every eye closed' — set as a poemDancing drawing in black ink: splattered vertical strokes and a long arc of dots crossing over a broad smeared wash near the bottom of the sheetSketchbook 44, drawn over the printed page 'Chapitre Premier' of Feu et Flamme: a faint pencil portrait of a girl with tousled hair, one eye darkly shadedSketchbook 42, page 69: small gouache of a nude with a purple headwrap crouching against a dark brown ground, seen from behind, beside faint pencil thumbnailsThree murky frames from Silent Hill 4: a grainy monochrome ceiling, a huge fist against a lit corridor, and a row of apartment windows over a courtyardKim Gordon of Sonic Youth in a 1990s Calvin Klein ad, seated on a couch in a sheer black dress and heels, the CK logotype over the imagePath character sheet '4_Ruby': five polaroids from small red-haired child to the black-bobbed girl in striped topCover of sketchbook 17: cream paper with a small dark varnished window of foliage over faint cursive script, red velvet spine at leftUpside-down black-and-white portrait: a smiling face hanging inverted out of a hood of dreadlocks against whiteThe bunny-eared girl textured: red bob wig and blue flame-like ears over a wireframed cream face — Path girl in progressDark digital drawing: a doll-like face buried in a storm of scribbled black hair over mottled green and magentaScreenshot from Cricoterie, Tale of Tales' Tadeusz Kantor-inspired VR: a horse skeleton puppet, a toppled mannequin and a black figure among doors and a cage on a dark stageSketchbook 44 spread, IndieCade: blue ballpoint portraits of Anna Anthropy speaking, Dan Pinchbeck in an Amnesia t-shirt, and Natalie Pozzi in profileLa Vita Nova from above: four white scanned statuettes stand at the arms of an X-shaped crossroads floor lettered CONTEMPT / DISPREZZO and XLVI AND A DAY / XLVI E UN GIORNOSketchbook 57 page at the Musei Capitolini: charcoal study after Caravaggio's St John the Baptist embracing the ram, with notes on getting authorized to draw after 6:30Till We Have Faces, pages 182 and 183: the god's unmoved voice sends Psyche into exile — you also shall be Psyche — as Orual hears distant weepingAndrew Loomis's 'Ideal Proportions at Various Ages': male figures from one year to adult divided in head units, noting the legs grow nearly twice as fast as the torsoSketchbook 48 spread: sanguine and red nude leaning on one knee beside notes on contour as 3D horizon and mise en page, facing a graphite figure bending into shadowSmall Mac notification bar: 'You hear the sound of Crows (7).' — NetHack speaksSketchbook 46 spread titled 'The Audience': overlapping colored-pencil studies of a group of nudes in graphite, brown and wine red — standing, crouching and turning as if watching somethingBlurry cellphone photo from Mom: Canada geese grazing on a sunlit lawn at Eagle Creek, a green pond and trees behindCover of sketchbook 11, black leather-grain board with a small pasted label: 'THE NEW SCHOOL MUST FALL! LONG LIVE PARSONS!'Silent Hill screenshot: Harry Mason stands at a counter with a red notepad as text reads that someone may someday find these notes usefulSketchbook 43 spread: pencil lilies in a glass jar — 'Nature is organized. It's like all my life I've been worshipping the wrong goddess' — facing faint studies of hands and feetTiny icon of a wooden hourglass, sand gathered in the lower bulbA Gemini year-ahead horoscope: 'a big change is in the works… everything you've been thinking of changing will be greenlit, light by light, and in time.'Work-in-progress collage of Object 02: photogrammetry scans of a seated woman clutching a skull, from broken raw meshes to a resculpted red clay figure signed AULetter from Stad Gent, 8 December 2008: the nationality declaration accepted — Belgian nationality as of 3 December 2008Dancing drawing: a dense tangle of black ink figures looping across grey-washed paper, thin drips running off the bottom of the swarmQuote card — Ingres said: 'Drawing is three-fourths and a half of what constitutes painting. If I had to put a sign over the door of my atelier, I would write: School of Drawing... and I'm certain that I would create painters.'Diptych: looking up through an olive tree's branches at blue sky; below, a woman with dreadlocks and a smiling grey-bearded man lying in the grassAudio editor screenshot: stereo waveform swelling to a dense block of sound just before the 1'00 markSelf-portrait reflected in a botanical garden greenhouse pane, camera raised, autumn pines and roses tinted rose-gold through the glassBarack and Michelle Obama embracing forehead-to-forehead on election night, black stage behind — AFP/Getty frame3d modeling tutorial on limb deformation: three wireframe cylinders comparing edge-loop layouts that keep elbows and knees from collapsingFlemish allegory of Fortune: blindfolded, she balances on a sphere in a stormy sky, shaking coins and goods from two hats over a scrambling crowd, a gallows at rightCover of sketchbook 41: grey-blue board stenciled with curling vines, a moth sealed under a round window, a blue tape stripe and a Belgian lion patchPhotograph of the back of a neck and shoulders tattooed with the single lowercase word life, ending in a periodSketchbook 32 spread from the Met's Asian galleries: pink brush sketches of Krishna battling the horse demon Keshi, notes on Durga and Shiva, and a seated Maitreya Bodhisattva face in inkiPhone tarot app, three cards on green wallpaper: Five of Pentacles, Seven of Pentacles, Nine of CupsKiki Smith's Lilith: a black bronze woman cast from life, crouching upside down high on the gallery wall, glass eyes looking back over her shoulderFinder window 'heaven and earth': cover-flow preview of an open exhibition catalogue on black, 17 numbered photos listed belowLong-exposure blur of a family living room seen through a mylar balloon — clock, cabinet and figures smeared into ghostsHands in red light hold a Book of Blessings open to the Order for the Blessing of Centers of Social Communication3d model of a weathered stone grave cross in an empty grey Blender viewport — a gravestone for The Endless ForestBack cover of sketchbook 26: waxed book pages printed with dark palm fronds and crosshatched shadows, amber and sepiaLouise Bourgeois drawing: obsession or Confusion? handwritten in red inside a scratchy red chalk frame, signed in pencilBlack-and-white museum photograph of an ancient mold-blown glass flask shaped as a human head, seen from above so the open rim gapes where the crown should beJohn December's 1994 CyberMap Landmarks diagram: the Internet drawn as colored blob territories — Web, Gopher, WAIS, Telnet, FTP, Usenet and Email space — linked by red gateway arrowsThe MinoRinth play space in the studio: a spiral labyrinth taped in white on a wooden floor, an HTC Vive headset resting at its lit center, controllers at the edgesDiary line in blue ballpoint over the printed word APRIL: 'I wrote this in Darmstadt with a free pen. Michael has gone to the restroom. I'm drinking champagne.'Sketchbook 38 fold-out: a quince studied twice — in soft graphite lying on its side, and in saturated watercolor hanging yellow against greenA whole pumpkin pie on a metal plate with one slice cut and slightly pulled out, on black graniteSketchbook 48 atelier spread 'Studio Escalier + Florentine Renaissance': two curving figure studies wrapped in notes on disegno, CHARIS (gift, elegance, love), Degas and 'the fury of the figure'The Graveyard in black and white: the old woman with her cane walking the central path between crosses toward the chapelQR code for the ProjectProject work PolyphemauRoma sketchbook: a pencil reclining nude, Ovid's Latin on Daphne's transformation lettered around it, and an inked mustached portrait — 'is it possible that in Roma there can be no fantasy?'Transcript of the Kryptos sculpture at CIA headquarters: four panels of ciphertext letters and the keyed Vigenère alphabet tableauTwo graphite studies of the Louvre's Old Centaur teased by Cupid, seen from behind and from the front, the winged child perched on the centaur's backTwo dim screenshots from the horror shooter F.E.A.R.: a red corridor with clotted dark ceiling, a small figure at its end and bare footprints down the tilesPhotogrammetry point cloud of a large spreading tree on a lawn, rendered as 2.1 million colored dots in a 3D viewport against grey emptinessSketchbook 49 spread: pale blue-pencil studies of draped figures with a shield-like disc, beside a graphite arm and a slender standing nude with raised armZBrush sculpt of a stylized animal skull mask, yellow-green over white with red striped horns and black flame markingsScreenshot of the classic Mac OS X Colors picker panel showing a web-safe palette grid, with hex value #0099ff entered and a bright blue swatch aboveDark render of a girl in a red dress facing forward, hair merging into blackness, her face and body a cracked mosaic wireframe — early Path workFive studio views of the Fauna head circling from front to back: the long-eared child's face, the horn bud, and the gold-filled fissures crossing the white skullNetscape window on Windows 95 showing skinonskinonskin by Entropy8Zuper!: Auriea's face half-hidden under dreadlocks, a Z at her fingertips, chapter links across the topBlack-and-white photograph of two visitors silhouetted before a museum diorama of New Amsterdam: Lenape men with clubs face Dutch colonists by a windmill and stone houseA battered TDK D90 cassette labeled in red pen Balinese Gamelon, Ketjak Monkey Chant, side AKaleidoscopic double exposure of a bouquet — pink gerberas, celosia and veronica mirrored into symmetry on a kitchen tableWally Wood's 22 Panels That Always Work — the classic cheat sheet of comic framings: big head, extreme close-up, silhouette, down shot, L-shape and the restOfficial letter from Stad Gent, Dienst Bevolking Vreemdelingen, dated 2 August 2001 — the residence-permit request declared void, signed and stampedFive views of Object 01: a small polished bronze head of Auriea, bald with serene features, shown in the hand, on a black pouch, and beside a leather notebookSketchbook 48 spread: notes on Bernini and Poussin at a dinner party, Michelle's advice on chalk drawing, Subleyras and the 1740s turn to Neoclassicism — 'David, the father of us all'Vooruit cinema screen from the balcony: 'Filmfestival Gent & Vooruit presenteren CLINT MANSELL & SONUS QUARTET'Dim webcam photo: a man's face half out of frame beside a window with potted plants on the sill, a pale building across the street and a radiator belowCover of sketchbook 25: dark green cloth with a small black-and-white photo of Devils Tower and three red ribbons hanging downRoadworks warning sign gif: the digging man in a red triangle — u radu je spas, in work is salvationA thin strip of printed text reading The labours I endured wereRaphael's self-portrait from the Uffizi: the young painter in black cap and robe glancing over his shoulder, in a gold frame inlaid with knotwork panelsSketchbook 49 spread at Chicago's Driehaus Museum: sanguine studies of Tiffany bronze candlesticks and a caryatid ('Renaissance + Japanese motifs combined'), facing graphite silhouettes of cinnabar lacquer and skyline finialsLooking up through MinoRinth: a dark tree trunk forks overhead into pixel-dust foliage, the maze's green rings and grids dissolving in white glareSketchbook 32, Mediaterra day 2 'Gaming Environments': pages crowded with ballpoint portraits — Michael Mateas, Chris Crawford haloed mid-speech, notes on Deikto and immersionStill from Silent Hill 2: Maria leans close behind the cell bars, subtitle reading See? I'm real.Sketchbook 5: dense ballpoint drawing of a horse-like skull in profile, its teeth and cranial plates crosshatched into a black-and-white patternCover of sketchbook 44: a red 19th-century publisher's binding stamped in gold, titled 'Feu et Flamme', the author's name blacked out — an antique book altered into a sketchbookThe same portrait head resolved: black woman in a white headwrap on ochre ground, after Benoist's Portrait of a NegressFamily posing under Louise Bourgeois's giant spider Maman: a woman in black, a man, and a small girl in a red coat, grey sky aboveSketchbook 38 spread: a great cedar in the botanic garden, dark boughs in ink and wash spreading over water, small figures picnicking beneathSketchbook 44 spread: graphite studies of a standing male nude in two overlapping stances at left, and at right the model reclining, legs extended toward the cornerOverexposed café scene through glass: children's party around a blue table with pink cups, an adult leaning over the middle, greenhouse shelves behindCover of sketchbook 29: a painted collaged face on black — cropped bands of eyes, nose and grinning teeth assembled into a maskJohn Singer Sargent's Ellen Terry as Lady Macbeth: the actress in a green beetle-wing gown raising the gold crown over her own head with both armsBelgian Senate ballot, 13 June 2010, pink paper listing 25 senators by party column; a hand with a pencil hovers over Groen!Sketchbook 41 spread of figure-drawing sessions: pencil studies of a standing model bending forward above, quicker red ballpoint crouching and kneeling nudes belowNatal chart drawn in vintage Mac astrology software, cyan double wheel with red and green aspect lines, tables of elements and aspects around itRogier van der Weyden's Beaune Last Judgment, centre panel: the archangel Michael in white weighs two small souls while red angels sound trumpetsMail.app junk-mail window, addresses blacked out: subject To Bertram, these things shall be; body reading Suffer under this complaint weSquare medium-format photo: a drainpipe kinking down onto a flat tar roof, brick school building and fenced windows behind, morning hazeBlack-and-white film still: a young woman in a white nightdress pressed against ornately patterned wallpaper, looking back over her shoulderSketchbook spread of draped gowns drawn in ballpoint: a dark radiant dress labeled 'A Foolish Virgin' and two pale robes labeled 'A Wise Virgin'Both sides of Sonic Youth's first EP on SST cassette: clear shells listing The Burning Spear, I Dream I Dreamed, She Is Not Alone, The Good and the BadSepia self-portrait, head bowed before a window: sunlight flares over the top of the head, dreadlocks hanging, apartment block beyondExample #22 installation: the Minories vitrine on its tall stand behind the flat Magdalene case holding open sketchbooks, tablets and small dark figuresSketchbook 45 spread: a close brown-toned gouache portrait of a woman's face, facing a red ink-and-wash figure curled inside an egg-like ring with notes on love, fragments and ruins in technological artSix subdivision levels of the Object 01 head in ZBrush, from blocky low-poly cage to a smooth detailed face, arranged left to rightTwo skeleton-rigged girls in cyan bones walking a plank boardwalk in a dark purple forest — Path animation debuggingSketchbook 40, 'Plan V': a hand-drawn watercolor map of the Venice trip — the Grande Canal, Lido, flight numbers, hotel notes, two instant photos taped on, 'we sat here + kissed'Sketchbook 32, Mediaterra session 2 'Identity & Psychology of the Player': Espen Aarseth mirrored top-to-bottom with Celia Pearce, speakers threaded through a yellow coiling snakeThree glitched 3d renders: exploded polygon spikes in yellows, a rainbow-triangulated leg embedded in grey mesh, dark red faceted cavernsSketchbook 22B spread: a pencil drawing of a nude sleeper stretched across both pages amid pink stains — 'never before has reality been so appealing...'Potted arrangement of pale green sedum rosettes with reddish edges, one spray of small yellow flowers, in a white bowlBlack-and-white hunting-lodge room crowded with taxidermy — moose and deer heads, geese, a pheasant — with a small color photo of an embracing couple collaged on the wallBookbinding, three views: fanning the fresh deckle-edged signatures in cream, peach and celadon; the finished linen cover with black elastic; peach marbled endpapersGuggenheim Foundation rejection letter, March 9 2007: 'I am sorry to inform you that your application for a Guggenheim Fellowship was not successful'Face texture test: a woman's head overgrown with dark feathered fur, black hollow eyes, wireframe lines showing throughJean Fouquet's Virgin and Child Surrounded by Angels from the Melun Diptych: the pale crowned Virgin bares one breast amid red and blue seraphimSketchbook 50 spread on grey paper: graphite-and-white studies of a kitten asleep on its back, paws curled, with separate sketches of its ears and toe padsSketch of a sphere labeled Classical Model, annotated with incidence of cool reflection, cool turning, neutral shadow, and warm light massSketchbook 38 spread: pencil towers — the Oudenaarde town hall dome, a crenellated castle brushed dark on pink ground, and Bologna's leaning towers with swallowsSketchbook 32 spread: Eagle Creek park, Indianapolis, 2006 — dark red ink water swirling over swimmers, a duck sketched at the edgeA single white dahlia wide open in a green glass vase with sprigs of eucalyptus, on a white tableNew watercolor tin open on a plaid lap: two rows of half-pans from reds through blues to ochres, a water brush laid acrossCover of sketchbook 20, 'Psyche Story': a winged figure in a pale blue gown collaged over gauze and yellowed floral paper — 'now I feel all my life has needed was one good dream'The octagonal baptismal font of the Pisa Baptistry seen from the gallery above, a small bronze figure at its center, set in rings of inlaid marble floorSketchbook 41 opening spread on grey paper: attempts at painting the moon in gouache — 'clouds hiding her face' — waves in white ink, and a figure in a red-pink cloak on a dark thorned hillSketchbook 48 spread in ballpoint: three studies after Rodin marbles — a kneeling nude from behind, a bending clothed figure, and the fallen caryatid carrying her stone — 'they live, they breathe'Sketchbook 45 spread: graphite still life of a clementine with a dried curling leaf on its stem, and a separate leafy twig floating on the facing pageThe Endless Forest deer with a glowing white skull face and huge branching red antlers like coral fins, standing in fogDiptych: Filippo Lippi's Annunciation, angel kneeling before Mary among arcades — and a restaging on a sunny lawn, four friends posed before a little white chapelSketchbook spread: a figure in red and green ballpoint asleep in an armchair, and opposite, a collaged anatomical heart ringed by a rhinestone bracelet with a red mitten belowSix flash self-portraits in a green dress printed with red-capped mushrooms, dreadlocks loose, photographed from odd anglesEntropy8Zuper! flag emblem: a black pennant with white 8 and zig glyphs waving inside a red circle on blackUV test texture: a grid of numerals 0 through 9 marching diagonally across squares of red, green, yellow, cyan, and purpleFlightView tracker map: flight DL5372 en route from Indianapolis to New York over a weather-radar map of the eastern USDuchamp's To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour: a striped pyramid and lens on shattered glassBlack-and-white café table: a Früh Kölsch bottle and two tall glasses, one full, one nearly emptyDigital painting study in umber and bone: a downturned face after an old master, brushstrokes loose, a brush-tool icon floating top left3d Día de los Muertos sugar-skull mask, white with pink flower eyes, green petal lashes and red stitched grinFinder list of a dozen folders all named Objects, one highlighted magenta OBJECTS from 22 décembre 2008Sideways photo in the Pisa Baptistery: the bronze Saint John the Baptist raising a cross-tipped staff atop the font's spired Gothic canopyTwo Blender views of grandmother's house: the dark cutaway interior with staircase and lamp gizmos, and the whole cottage on shocking magenta terrainSnapshot portrait of game designer Fumito Ueda, dark hair falling across his face, against sunlit foliageSketchbook 22B spread of journal writing with taped photos of small buildings and trees, a pencil sketch of a wrought-iron gate — 'turn the trees to flame.'Sketchbook 32, Mediaterra Athens, session 1 'Gaming Society': ballpoint portraits of seven speakers as busts on plinths — Julian Dibbell, Daniel Pargman in a Magic Circle trophy, and othersJohn William Waterhouse's Consulting the Oracle: a priestess by lamplight speaks to a semicircle of veiled women leaning in around a marble floorSketchbook 48 spread: reclining foreshortened nude in graphite, and an ink-and-wash seated woman with one green-stockinged leg — questions in red on using energy lines for invention and compositionThe Mystery, second version in pale green: the skull smoothed and helmeted, the face sunk in its socket, a long horn looping back like a ribbonPink virtual sticky note of French conjugation practice: 'vouloir – TO WANT: je veux, tu veux, il veut, nous voulons, vous voulez, ils veulent'Two figures on the wide wet sand of the Belgian coast under a heavy sky, a rainbow arcing down toward distant apartment blocksGeorge Frampton's Lamia: a polychrome bust with a pale ivory face, eyes downcast, encased in a dark bronze headdress and gown set with opalsInside cover of sketchbook 20, winter 1993: an inked self-portrait on sky blue under the printed word 'EINLEITUNG', golden grasses collaged over the chestThree test renders of a scanned bust with flowers for La Vita Nova: sparse point cloud, solid shaded mesh, and dense stippled versions side by sideStanding at the lit vitrines of Degas bronzes — dancers mid-leap on their plinths — sketchbook raised, silhouetted in the amber museum lightDigital figure study of a thin androgynous figure in profile, eyes closed, sketched in pale flesh tones on brown with white scribbled groundSketchbook 40, Lido 30 May: beach umbrellas in blue ballpoint, a palm frond, a yellow-lit Venetian facade with flower balconies, watercolor swatches down the edgeBlack-and-white still of Harrison Ford as Han Solo, crouched with blaster drawn in front of the Millennium FalconClosed exterior shutters of Bosch's Garden of Earthly Delights: the third day of Creation painted in green-grey grisaille, the new earth inside a transparent sphereIntricate red paper-cut wall piece: a horned skull crowns a cascading tree of veins and drips sheltering small figures, birds, and a truck at its rootSketchbook 41 spread: charcoal studies of noses and lips, a seated figure, perspective primitives, a red-draped column, and a blue gouache nude marked 'after Carracci'An antique red-and-gold binding of Vecellio's Costumes Anciens et Modernes given new blank pages — old spine, bare label panel, fresh paper insideTempest gameplay: a blue wireframe funnel plunging into blackness, the yellow claw shooter at its rim firing down at red and purple enemiesUrs Fischer's A Place Called Novosibirsk: a push broom standing in an empty gallery, held upright only by a red balloon tied to its handleGustav Klimt's Medicine: Hygieia in red and gold at the base of a drifting column of entangled nude figures, a skull among themA woman wearing the exoskeletal Gypsy motion-capture suit, black straps and sensors down her limbs, cables trailing across the floor toward a mirrorAnnotated Quest3D screenshot: a tangle of linked channel blocks with pink circles and arrows marking which body and motion nodes were already thereSong lyrics hand-lettered in black marker filling a yellow legal page, beginning ring them bells and ending in rows of small asterisk starsSketchbook 22B open on a road case: a Chinese wedding chair clipping ringed by red imps, and on silver foil a mummy-like figure trailing long roots — 'I am big + the pictures that got smaller'Inverted-color render: a bob-haired girl in negative, face patched black and white like a skull, one red shoulderOrnate gallery with The Graveyard(?) on a flatscreen — a blue underwater scene — a woman mugging wildly for the camera while a man gazes upCover of sketchbook 38: a misty black-and-white photo of a Japanese garden framed in Kodak TX film-box edges, collaged over torn German book pages with red initialsTwo ancient Egyptian black stone heads with damaged noses, side by side on museum stands — one with wig, one curly-hairedWhite vodou veve drawing on a dark grey ground — a starred, symmetrical crossroads emblem framed by two arcsThe Path's graveyard: the girl in red stripes standing small among headstones and crosses under grey misty treesA blood-red stag with towering antlers walking through tall grass and poppies — Tale of Tales anniversary card imageSketchbook 49 spread of Donatello studies: St George and the Dragon relief with a large horse head, the pointed-hatted profile of Saint Louis de Toulouse, and notes on Spiritelli and Brunelleschi vs. GhibertiSketchbook spread: at left a black ballpoint doll-like head with a red mouth on a stalk; at right, red ballpoint legs in heels reclining from the page cornerJournal spread dated 20 Nov 1993: 'not in the same way nicotine addicts are addicted to cigarettes' painted over a murky face, a blue skeleton stamped at rightIngres's Jupiter and Thetis: the sea nymph kneels against the enthroned god's knee, one arm raised to his chin in supplication, an eagle at his side3d bust of a girl with pigtail buns and heavy-lidded eyes, downcast on a deep red ground — The Path's Ruby, early headMaerten de Vos, The Temptation of Saint Anthony: demons haul the saint into the sky by his cloak while below Anthony walks past lions, a devil-drummer and an elephant with a howdahA pink-and-white peony bud leaning across the frame above a wooden floor — birthday flowersDigital painting on teal: a gaunt pale-faced figure bowed forward, wrapped head to foot in long dark red-streaked hair, bare hands and feet showingTwo frames: copper leaf laid with tongs onto a girl's closed eyelids, then her face with gilded eye sockets running in metallic drips like tearsGraphite study of a marble torso's thighs, a carved hand gathering the robe aside at the waist, with a smaller drapery sketch alongsideThree webcam frames trying on a black high-collared jacket in front of wood panelling, timestamped 2008-02-15Sketchbook 42 spread: ballpoint profile studies — a face with pursed lips filling the left page, overlapping fragments of eyes, noses, lips and small hands on the rightTwo Belgian ballots, 7 June 2009: the mint-green European Parliament sheet and the Flemish Parliament list, red dots marked under GROEN!Back cover of sketchbook 22B: half faded red cloth, half a smoky photographic print of gnarled tree branchesCover of sketchbook 24: grey-black felt with a gold eagle medallion reading 'Illustrated Encyclopedia of the Modern World'Path character sheet '6_Scarlet': polaroids of the eldest sister, red-bunned and severe, painted portrait style, with a forest reference photoSketchbook 48 spread in graphite: self-portrait with full hair and hand at chest, legs in patterned tights on heeled sandals, a coffee mug, and tiny thumbnails noting 'The Moon' and a black dogSpread from Anne Carson's Autobiography of Red, pages 4 and 5: what difference did Stesichoros make — adjectives as the latches of being, and red Geryon of ErytheiaBlack-and-white breakfast still life: Special K 'Bikini Challenge' box, Tropicana, milk, an empty bowl and a GEE games magazineSketchbook 49 spread: Zurbarán studies at BOZAR — Saint Gregory, the Agnus Dei bound lamb, a hooded San Francisco — facing Sevilla heads and 'Titian draws an Immortal, I draw but a girl', 6 May 2014Page from Chip Sullivan's Drawing the Landscape: exercises for drawing with a pencil in your mouth, an ink-dipped stick, your nose, and finally with your eyes closedPage 10 of Marguerite Duras' Hiroshima Mon Amour script in English: their talk mingles themselves with Hiroshima, she appears dressed as a Red Cross nurse, and Nevers is highlighted where her past beginsBody scan, 2004: a low stapled abdominal incision in warm dim light, a white dressing pulled aside at the rightSketchbook 32, page 11: three painted severed heads — a red-bearded head lifted by the hair from a white basin (#032), a grey figure, and a red-lined sleeping face (#006)Work desktop: ballpoint sketches of a man's eyes, a red-ink figure drawing, and a 3d man with a dotted wireframe mask — '144 character modeling - Grandmother' in the dockScanned sketchbook drawing colored digitally: a grey-haired man in glasses and plum suit sitting in a pale green armchair, rotated sideways on yellowSketchbook 22B spread: red flames drawn sweeping across a silvered page, opposite ink studies of a torso, flames, and notes — 'The Lesser of Many, Many evils, 17 Jan 95'Vija Celmins night sky: white stars of varying sizes scattered dense across a black fieldA gray kitten sits bolt upright on the studio's wide plank floor between the piano, its stool, and the open pine doorDetail of a Roman unswept-floor mosaic, the asaroton: fish bones, shells, fruit stems, claws, and a tiny mouse strewn across white tesseraeIngres's Odalisque in Grisaille: the Grande Odalisque reclining nude among grey silks, painted entirely in tones of grey, looking back over her shoulderJanine Antoni's Lick and Lather: two self-portrait busts side by side, one licked-down chocolate, one washed-away white soap, on classical pedestalsSitting alone on a gray-day beach in a black jacket, sketchbook on knees, drawing the waves as they come inBlurry snapshot in a pink tank top printed with a roaring purple monster, mid-gestureGopher-browser screenshot of Dorothy Parker's Comment: 'Oh, life is a glorious cycle of song... And I am Marie of Roumania'Four photos of black garments: a wrap top worn with long locs, a dancing blur, a sleeper under a black coat, and two coats laid out on a patterned bedSoft black-and-white photograph of a Penguin Classics Ovid, Metamorphoses: Bernini's Apollo and Daphne on the cover, laurel leaves sprouting from her handsTheatrical scene lit against black: a bald monk figure peers over a carved stone chest across a floor of purple tangles toward a shoji screen with a shadowed silhouetteRoma sketchbook: watercolor along the Tiber in greens, and below, the column of Romulus and Remus drawn sideways amid writing about finding Bernini's tombGreen-tinted diptych: Auriea photographing herself in a mirror on a staircase, paired with a framed portrait of Freud hanging beside a curtainGreen-on-black terminal listing: files MissJones and THEDEVIL, then the command 'cp ._THEDEVIL ._MissJones'Sketchbook 44 spread, IndieCade day one: blue ballpoint portraits of Ian Dallas, Chris Bell, Amy Hennig, Jenova Chen, Christine Love, Anna Anthropy, and Steve Russell with John Romero at the micSketchbook 32: Carpeaux's Ugolino and His Sons sketched from the back in sanguine wash, the huddled figures knotted togetherMac weather widget for Gent: 63° now, a sunny week ahead, 72–77° Tuesday through SundayBrowser screenshot of a2p.bitmark.com, Artworks I own: an edition grid with works by Warburton, Sougwen Chung, Petra Cortright, LIA, Lieberman, Shu Lea Cheang, Pipkin, and Auriea's Sketch for a CyclopsTiny dark graphic of a small white puff of cloud or smoke floating in blacknessGrayscale digital painting of two drooping peony buds, ink-dark leaves against a smudged white skyTall foxglove stem with pink bell flowers rising against a peeling whitewashed wallRoma sketchbook: the Colosseum's arched wall brushed in ink with red scaffolding crosshatch, tourists reduced to black strokes — 'Colleseo'Two views of a glazed ceramic tile of a fawn: propped against an antique balance scale on a shelf, and held close-up in a handRCA Victor Opera Series cover for Bizet's Carmen: Leontyne Price in large hoop earrings against red, with Franco Corelli, Karajan and the Vienna Philharmonic billedNotebook page headed 7 kings, 7 hills, Feb 20 2011: numbered lists of Rome's seven hills and seven kings from Romulus to Tarquinius Superbus, with a sketched mapNew Year's Eve tray on a yellow table: a bowl of chips, cheeses, clementines, cookies, and a hand pouring the sparkling wineGilded thousand-armed statue: a crowned deity with hands joined in prayer, a great fan of golden arms and open palms radiating behind the dark serene faceSketchbook 46 spread: pencil study of wind-shaped trees in the Sint-Pietersabdij garden in Ghent, with a black frigatebird with scarlet throat painted on the facing pageSmooth grey profile of the same girl's head, lips parted slightly, ponytail falling behind the earSketchbook 35 diary spread in pencil: the studio television on its wheeled cart of consoles and decks, a book shelf, and a big plush flower against a cubeSketchbook 39, digital painting: the full moon as a soft smudge of white haloed in violet-black nightPurple passion velvet plant, its fuzzy deep-purple serrated leaves overflowing a pale lilac potCafé Astrology natal wheel in beige and red: Gemini sun, Libra ascendant, with the triangular aspect grid and planet table belowSketchbook 35 diary spread: close-up of a dalmatian-spotted jacket and a zigzag-lipped fish face with a button eye, opposite a loose contour figure climbingBlender viewport for La Vita Nova: scanned bust of a figure with thick locks holding a round object at its chest, white against a black gridThe Graveyard: the old woman leaning on her cane at a fork in the white path, tombs and dark trees pressing in, black and whiteA tissue-lined box packed with translucent 3D-printed head-shaped bottles, their screw necks rising from the crowns like bottle capsComic panels of Death from Neil Gaiman's Sandman: the pale girl in black, ankh at her throat, moving through a crowded streetPainting of a huge grey wolf's head hanging upside down among pale birch trunks, jaws open, while a small child covers their face belowMTAA's Simple Net Art Diagram, ca. 1997: two clip-art computers joined by a cable, a red lightning bolt at the midpoint labeled 'The art happens here'Reading Ovid at 03:16 — iPad page of the Metamorphoses with Medea's lines underlined in red: 'It's useless to fight, Medea… This, or something akin to it surely, is what they call love.'The Late Raphael exhibition catalogue with a thank-you note signed Auriea, above her sketchbook of pencil copies after Raphael's Saint Michael and puttiAuriea seated with an orange classical guitar, dreadlocks falling over a green tee, right hand spread across the stringsThe studio worktable in 2017: a bronze head resting in a stone dish, a white David figurine, dark wax figures, a porcelain Venus on a box, and a teacup of toolsSketchbook 32, page 34: pencil study of Rodin's Old Courtesan ('She Who Was Once the Helmet Maker's Beautiful Wife'), her bowed bony body in profileCover of the earliest sketchbook, mustard yellow and dense with ink doodles: 'RIEA!', 'UTILITY SKETCHBOOK', Japanese characters, spirals, faces, 1989Reference chart of Blender sculpt-mode keyboard shortcuts: draw, smooth, pinch, inflate, grab brushes and their keys, white text on dark greyAnimal Crossing screenshot: the player, eyes closed mid-song, exclaims Wahooo! in a wood-panelled interior with a pelican looking onSketchbook 47 spread at the Musée de Flandre, Cassel: notes on Flemish Mannerism and 'The Flood' by Matthijs Cock, sketches of a jester and the Struganoff Madonna's snake-like sleeveSmall cut-out sprite of a low-poly man in brown jacket and jeans running away, seen from behind — Harry Mason of Silent HillE-book page with a note reading What I strive for when I write, pinned to Bloy's description of Huysmans dragging the Mother Image down the staircase of terrified SyntaxBill Viola's Dolorosa: a hinged diptych of two video portraits in the manner of devotional panels — a curly-haired woman and a bearded man, both weeping with closed eyesSketchbook 49 spread on 'Renaissance and Baroque Bronzes from the Hill Collection': notes on the Sleeping Venus's winged-skull memento mori and gilt bronze, with two twisting figure sketches — 'the twist'Sketchbook 32 spread in black ink: Central Park trees at night seen from the Natural History Museum steps, canopies blotted heavy against a pale skyLeonardo da Vinci drapery study: brush and grey tempera on linen of heavy cloth over a kneeling figure, the folds modeled in white heighteningSketchbook 32 spread: a dark inked barn and farmhouse among trees with a small blue butterfly collaged at center — 'Hamilton, NY, USA, CC retreat, 2006'Journal spread filled edge to edge with handwritten lists of symptoms and side effects: cramps, dizziness, numbness, hallucinations, page after page in black inkMac folder named Work, 20 items on a dark green desktop: 1am.m4v, Flower/Lock, TEF, TheGraveyard, Fatale, The Path, Vanitas, Sirens, Room 101, Au Tarot and moreRoma sketchbook: quick ink sketches of sculpture groups — figures wrestling above a skeleton, and a robed statue on a plinthSketchbook 38 spread: the roof view again — a sunset skyline in pink and indigo above, and a brick chimney rising through clouds at rightTiny game screenshot: a figure standing alone in the middle of a cracked grey road through mottled green-orange terrainCover of sketchbook 8 (1990s): silver paint scrawled with dense handwriting around a torn red 'FRAGILE' sticker split by a lightning crack, above a Vitruvian-style figure in a gridSelf-portrait as a point cloud: a figure with dreadlocks floats dismembered inside a white wireframe cube on an endless blue gridTorn scrap of paper, its lower edge charred: a finely drawn eye rains rows of blue teardrops, tiny handwriting threading through the lashesPhone raised in the Gesù in Rome, dwarfed by Baciccio's Triumph of the Name of Jesus boiling out of its gilded frame overheadSketchbook 46 spread: orchid buds barely open, purple and green against a brown wash — 'things that are not, that cannot, but must be' — beside a chalk study of a weathered column and rooftopJohn Cage graphic score: fragments of notated staves coiling in a great spiral across the pageUnity editor view of MinoRinth: the scanned point-cloud tree spreading over circular maze walls, brick towers, and purple stones around a green centerBlack-and-white double exposure on 2nd Street: a blurred face streaked with motion in a mirror, plaster wall and shuttered window folding into shadowSnapshot dated April 1993: a young woman in a patterned vest smiles under a desk lamp in a cluttered dorm room, necklaces hanging on the wall behindSketchbook 38 spread in watercolor: magenta coneflowers with drooping petals at left, a bank of pink valerian against dark hedge at rightSketchbook 46 spread on orange paper: pencil study of a pedimented baroque facade beyond a staircase, its sky filled in blue with white chalk clouds, beside a watercolor houseplant in a black vasePlaylist mixing Stanley Lieber's GOKU tracks with Nine Inch Nails Ghosts I–IV and FLAMES.GIF songsCover of sketchbook 42: olive-green board embossed with a crackle pattern, a strip of yellowed cloth tape along the stitched spine and a bent wire clip at topNear-black Blender render of grandmother's kitchen — chair, table and cabinets barely emerging from darkness, a lamp gizmo above ('Kitchen.001')Sketchbook 48 spread in pencil: a bowl of fruit rendered in soft graphite, a week's copying schedule (Centaur, Diana, Rivers, Tiber), and a dark bowed head — 'let go of the photographic eye, see the form'Roma sketchbook: brush-pen sketch after Bernini's Rape of Proserpina — her raised arm and turned head, his fingers pressing into her hipHomestay snapshot from Kanazawa: the Okawa family — teenage son, father and grandmother — kneeling on tatami, beside the envelope back with their family details handwrittenGrisaille digital study of a classical marble bust — woman with headband and braided hair — on a flat pink groundSketchbook spread: at left a dark X-ray-like film scratched with 'I TALK IN MY SLEEP ALL MY LIFE', at right black figures and circles slashed over red paintSketchbook 48 spread: figures reduced to stacked boxes ('a lot of talk about magic'), facing a blocked-in standing nude with red construction lines and notes on EROS, thrust and 'the boxes are a placeholder for the space the body takes'Cover of sketchbook 26: a thick black branching form like roots or veins inked over waxed book text crosshatched with shadowsTiny image of a woman in a white head-wrap looking over her shoulder, after the old master portrait1983 Atari ad headed They Laughed When I Sat Down at the Keyboard: a tuxedoed man triumphs at an Atari home computer while party guests gapeSally Mann's Virginia #42 (2004): huge varnished silver print of a freckled sleeping face, eyes closed, gallery caption belowSketchbook 40, Köln museums spread: Roman mosaics and hairpins from the Germanicus museum, notes on Käthe Kollwitz's 'Frau mit totem Kind', and inked towers over park treesText excerpt from James Baldwin: '...It was really a matter between me and God. I told him quite a long, long time ago there would be two of us at the Mercy Seat. He would not be asking all the questions.'Glitched Netscape window on entropy8.com: a black-and-white close-up of a woman's face shredded by horizontal bands of corruptionSketchbook 49 spread: studies after Rembrandt's Man with the Golden Helmet at the Gemäldegalerie, and Géricault at Ghent's MSK — severed-head studies, phrenology marbles, and the 'head of a monomaniac'Two renders on hot pink: a flat grey slab with two black pegs, then the slab split open showing a black gap — Halloween minimalismPenguin cover of Ian Fleming's You Only Live Twice: a kneeling woman in an open kimono between a samurai helmet and orchids with skull-faced bloomsSketchbook 43 spread: peonies in a ribbed vase in silvery graphite at left; loose pink colored-pencil peonies at right with notes on Keats, Rousseau, and looking deeperSplit screen: a folder of vanitas skull paintings beside a YouTube documentary about painter Fuyuko Matsui, a woman in kimono seen from behindThe Graveyard, wide crop: the old woman with her cane passing the chapel bench, urn-topped monuments pale behind herGrid of fifteen video frames shot along a highway: billboards reading Available, poles and power lines under a hand-tinted pastel skySketchbook 32: pencil studies of heads — a downcast woman at left, and a large anguished bearded face, eyes closed, drawn dark and denseDiptych: fingers parting hair to show a small cut on a scalp, beside a close-up of a pink peony — accidents happenWoodblock-printed Chinese book page presenting the ʼPhags-pa script: columns of angular Mongol square letters glossed with Chinese charactersThe Path: Rose in red-and-black standing in mossy undergrowth, purple forest hung with red lanterns behind herSketchbook 43 spread: graphite studies of a bent leg and hand holding a pen, and on the right page feet dragged mid-stride, toes trailing across shaded groundWebcam frame: a man's face looms half out of frame at the right; behind him a brick fireplace, a television, and a small posable skeleton bent doubleThe word NOW in soft-edged black letters, set diagonally and dissolving into a pale blue groundFive penitent Magdalene paintings side by side, including Georges de La Tour's candlelit versions, each with long hair, a skull, and upturned eyesRoma sketchbook: an umbrella pine in terracotta pencil with a dark inked sculpture head resting at its baseA Burlington Magazine anthology open to the 1998 article The Raphael Tapestry Cartoons Re-examined, with a pricked cartoon head of a woman as its plateThe Aztec basalt statue of Coatlicue: the earth goddess with clawed feet, a skull at her waist and twin serpent heads forming her face, on a blue groundSketchbook 42 spread: notes for a talk on designing from emotional experiences — The Graveyard, The Path, The Endless Forest — beside a gouache castle tower with flags and pencil portraits, with 'we draw on the dead body of the world' in red inkTall blurry photo: a bundled figure standing tiny at the foot of an enormous carved wooden church doorSketchbook 45 spread: graphite portraits of dying flowers — a drooping daisy over collapsed petals at left, a closed rose bending on its stem beside a tulip at rightPalma il Giovane's Jael and Sisera: bare-shouldered Jael kneels with hammer raised, driving the tent peg into the sleeping general's headPoliriea: ZBrush render of a mauve cyclops head with tight sculpted curls and one teal eye, resting atop a striped ziggurat pedestalJournal spread 'MY PERFECT LIFE 30': a diagrammed stomach with handwritten confessions at left, a scrawled dark figure and notes on vomiting as remedy at right, dated 27 June 92Fifty-song year-end playlist: UMO, Momus, Belle & Sebastian, Vivaldi's Stabat Mater highlighted, Jarboe, Joanna Newsom, Boduf SongsAnnotated guide to the Japanese social network mixi: orange navigation bars broken down row by row into kanji, kana, and English definitionsThree stags from The Endless Forest sitting and standing in dark woods, human faces and glowing runes floating over their antlersCyan skeleton rig glowing over a barely-visible figure lying in a dark bed — animation bones for a sleeperSliver of a 3d viewport, three heads at the bottom edge, filename shouting: thatswhatyougetwhenyoumisusewhatiinventyourempirefallsandyouloseeverycent.pngA Magnavox Odyssey, the first home video game console: white unit with two cable-tethered paddle controllers, game cards, and boxed accessoriesSketchbook 32 spread: a copy of Rodin's Le Sommeil in red wash and pencil, the sleeping head dissolving into loose coiling lines — 'Le Sommeil, Monsieur Rodin'Leonardo da Vinci's parachute sketch: a figure hanging beneath a sealed linen pyramid, mirror writing in the marginTiny snapshot of Quinton at graduation, smiling in black cap and gown and holding a diplomaEarly Netherlandish panel of Eve holding the apple beside the tree, the serpent coiled up the trunk wearing a woman's golden-haired face, the paint finely crackledVector-flat forest study in two registers: thin black saplings on flat blue above, dense white frost-like branches and pale trunks belowA Roland TR-606 Drumatix drum machine: silver face with accent and drum knobs above a row of sixteen grey step buttonsCover of sketchbook 3: black leather painted 'AURIEA'S SKETCHBOOK III' in purple around a photo of a hand with a chaos-star drawn on it, one eye peering pastCover of sketchbook 43: white gessoed cloth painted with a large marbled sphere in red, gold and green, a small silver moon circle set into its lower edgeA solid red squareAttic wall mid-repair: patches of white filler over old yellow paint above a long white floating shelf, bare wood floor belowDigital self-portrait painting: a woman with long braids looking straight out, framed by green leaves and small white blossoms on deep purpleNews photo of pilgrims wrapped in blankets watching sunrise above the clouds on Mount Sinai, paired with a Google Earth view of the same brown peaksSmall jade plant with plump oval leaves in a terracotta pot with saucer, on a red tiled windowsill by an open windowAndrew Wyeth's Barracoon: a nude figure lies asleep face down on white bedding against a scumbled umber wallSketchbook 47 Cologne spread in ballpoint: Kölner Dom interior with a red-robed cleric, a Madonna ringed by votive crosses, an octagonal labyrinth and gothic tracery — 'to draw is to confess?'Page titled Pi is Irrational: Niven's short proof set in white mathematical type on black, from the defined polynomial to the concluding contradictionTwo photos from a Japanese junior high visit: uniformed students crowding around a young Auriea at a desk, and a classroom waving calligraphy banners overheadTiny low-poly skull render, warm bone tones on black — game skull spriteProtective styles: hands parting and braiding a seated girl's hair, her eyes patient and downcast, a mug and dark shelf behindPreface page from Anne Carson's Grief Lessons — 'Tragedy: A Curious Art Form' — beginning 'Why does tragedy exist? Because you are full of rage. Why are you full of rage? Because you are full of grief.'QR code for the ProjectProject work The MysteryThinkPad X201 tablet open, keyboard in the foreground; the glossy screen reflects the photographer instead of showing anything — the Eureka MaruNight desk: laptop and iMac both showing The Path (Ruby leaning in headlights, a striped-sock scene), the logo glowing on a Wacom below, Michael behind the far monitorBronze sculpture of Dryope: a nude woman mid-stride with a serpent winding up her body from ankle to shoulder, one hand crossed over her breastThe Living Line in wobbly hand-drawn lettering above a screenshot of Droom-Zacht v1.0, 'drawing tools for sleepy people', its canvas filled with dense brown scribbleTwitter exchange from February 2012: Auriea tells Hasan Niyazi she wants to make games with metaphysical catharsis; he wagers such a game is two console generations away; she replies 'we will be working to bring the future to you TODAY!'Contact sheet of eleven webcam video stills, timestamped: a man and a woman on a green sofa in take after take — interview recordingSketchbook 5: layered ink drawing of Washington Square Park — the arch's shadow, globe lamps, fences and 'hushed stairs' woven into a dense patterned compositionPyramid Head from Silent Hill 2: the pale executioner in his rusted angular helmet dragging the enormous Great Knife through darknessPanorama of the Markt in Delft: herringbone brick square, gabled houses all around, the town hall at center, children and strollers at the statue's plinthPhotograph of stars scattered above a glowing green horizon band, a bright flare burning at the left edgeTwo dim selfies at Bernini's grave slab in Santa Maria Maggiore — 'Ioannes Laurentius Bernini' carved in the marble behind wide eyesRutger Hauer as Roy Batty at the end of Blade Runner, platinum-haired and wide-eyed, cradling a white dove against his chestHeather Mason's unlockable God of Thunder costume in Silent Hill 3: a tank top printed with the thunder god Raijin, her arms mottled with full-sleeve tattoosSketchbook 41, page 92: layered ballpoint study of a seated figure with rolled sleeves, hands clasping reins or cords, with small thumbnails noting 'full scene VR view' and jump pointsLive 3D scan of someone sprawled on the couch, rendered as white sculptural relief — 59fps, 1.93 million points and countingPainting of a white wolf nosing through a field of collapsed red-haired girls in polka-dot dresses — a Path-like Red Riding Hood massacre in candy colorsMac Finder search grid: sixteen identical copies of gold.gif, small square tiles of mottled gold textureSketchbook 25 spread of watercolors: a faint green figure bleeding through above, and below, a blond man in black standing in a Maine yard by a shed — the only known drawing of RickIllustrated chart of ten knots with handwritten labels: overhand, figure-8, reef, sheet bend, carrick bend, bowline, clove hitch, timber hitch, taut-line hitch, sheepshankPhoto-weave collage: a black-and-white portrait cut into small rectangles and rewoven, scattering eyes, lips, and hair across the gridNetwork diagram of red nodes joined by curving grey lines, spiraling loosely like a galaxy on a white groundStudio corkboard packed with sculpture clippings: bronze foundry photos, Johan Creten and Dirk De Keyzer pages, insects, casts, a blue clay head, 'IT WAS LIKE SO BUT WASN'T'Page from a Dutch Tiny (Martine) children's book: text about Tiny's circus above an illustration of her as a small ballerina curtsying in a spotlight among water liliesSketchbook 46 spread: loose watercolor peonies in rose and magenta with sap-green leaves, blooming across the gutter of the tan pagesYayoi Kusama's Fireflies on the Water: an infinity mirror room strung with countless golden points of light trailing into black waterMac desktop tiled with video-chat screenshots — a classroom of students on the far end, the two callers picture-in-picture in each windowTarot app spread on a wood table: The Hermit, King of Cups, Page of Wands reversed, Ace of Pentacles, The Devil below; to the right The World, The Empress and Hierophant reversedStanding small before the Pergamon Altar friezes in Berlin, hands at sides, bag dropped on the marble floor, battling gods overheadGrid of nine Tale of Tales game stills: The Path, The Endless Forest, The Graveyard, Fatale, Vanitas, Bientôt l'été, Luxuria Superbia, and SunsetSketchbook 49 page: finished graphite study of a lounging male nude with drapery across his thighs, one leg thrown wide, modeled against a dark groundSketchbook 49 spread of cast-hall studies: headless antique torsos, a winged Cupid stringing his bow, a standing putto seen in profile, and a muscular breastplate torsoEarly ZBrush study for Saint John the Baptist: front and back of a faceless muscular body, its surfaces streaked with rough sculpting strokesTiny animated gif of a figure rising from a small fire against blackTiny pixel-art GIF of a dark-haired woman in a black top and red skirt, one arm raised — the classic animated dancing girl of the early webSketchbook 42 spread: inked fantasy landscape — a cypress and tower at left, windswept trees with ribboning branches at right, and two small girls standing beneath themTwo album-cover squares made from Correggio's Jupiter and Io: 'IO II' in white varsity letters, 'JUPITER' in black over the cloud godBelgian driving-theory exam sheet from the GOCA centre, 24 September 2012: 'Uitslag Theoretisch Examen — Geslaagd' (passed), receipt stapled belowSketchbook page filled with dense spiral scribble columns, a small eye and profile drawn below, Japanese writing in the marginStudio wall: a charcoal torso study clipped to a board beside a whitewashed wall hung with USB cables, a mirror below reflecting an outstretched handScanner image of a dry vine sprig: red wiry stems and tiny dark berries branching off a woody twig on a black groundMac desktop corner with the IO II and JUPITER cover art as folder icons over a misty forest wallpaperHandbound felt-covered sketchbook with an iPod Touch bound in as a page, screen reading 'Sync in Progress' — three views of the book-with-batteryKara Walker's Burn: black paper silhouette of a girl with braids standing in cut flames, a gnarled plume of smoke towering above herCover of sketchbook 34: a bluethroat songbird collaged upside down with a sprig of blossoms, over rosy paint on black board with a red rectangle aboveFilm strip of 3D character models in a dark viewport: costumed figures, a hooded walker with a cane, a wireframe deer, dancers caught mid-poseStage photo from Wim Vandekeybus's In Spite of Wishing and Wanting: bare-chested men in fuchsia skirts, one balancing in a deep arabesque, others crouched and turningFamily evening in sepia tones: a man laughing in an armchair by the fireplace; a girl bent over her coloring at the table while a woman watches from her chairDigital painting of celosia flowers in a green vase, olive greens on a brown ground with rough pale yellow brushwork around itSketchbook 44 spread over the printed chapter headings of Feu et Flamme: a tonal graphite nude curled around his knees, hands clasped over his feetFilm still: a man and a woman stand in a wet green garden watching a wooden barn burn, from Tarkovsky's MirrorThree-part 3d modeling progress: dark doll face with white eyes, a head exploding in cyan normals-hair, and a wireframed face close-upAbramović and Ulay, Pietà: he lies white-clothed across her lap over a spill of red cloth as she looks upwardBarry back from Iraq: seated on the couch in a white keffiyeh and brown robes, photographed in warm low lightSketchbook 49 spread in wine-red pencil: sleeping subway riders, a heavy downcast face, and two men leaning close over something in their handsNintendo DS with Marcel Duchamp's Large Glass split across its two screens, the Bride above and the Bachelor Apparatus belowCover of sketchbook 7 (1990): white spiral book covered in pink lipstick kisses, inked 'Auriea Sketchbook VII — chaos is my life — Pseudo Quasi Real', 20 Aug–26 SeptMirror self-portrait in the Louvre's terracotta rooms: phone raised between the panes of a black vitrine full of small antique figures, a visitor rubbing her eyes at leftRobin Minard's à voir, en silence: a black boxed edition holding a grey CD in the lid and a handwritten score sprouting wiry stems tipped with small piezo discsMaster copy in progress of Waterhouse's Circe Offering the Cup to Ulysses — Circe enthroned before the round mirror, cup and wand raisedHandbound sketchbook open on a green park table: gouache painting of the pond and trees, the same real pond hazy behindBlurry snapshot of a high school graduation: graduates in white caps and gowns walking past a coral-pink wall, Lauren among themAna Mendieta's Body Tracks: arms raised high against a pale wall at the start of the drag, blood-dipped, the film grain in rainbow bandsLecture slide: detail of Bernini's marble hand pressing into Proserpina's flesh, paired with a proportional construction of a face labeled Fig AFour runway looks with furry animal masks — horned goat and sheep heads over tartan coats and printsFour Magdalenes in ecstasy side by side: Artemisia Gentileschi's slumped Magdalene, Caravaggio's Magdalen in Ecstasy, an angel visiting the long-haired saint, and a polychrome sculpture detailQuest3D tutorial titled Multi-texturing the Earth: handwritten arrows explain copying a grass surface to a dirt surface with a black-and-white alpha mapSmooth white 3d sculpture render on black: two abstracted nude figures curled into a ring, one body flowing into the otherStar Trek Voyager cast photo: Janeway front and center with arms crossed, the crew in red and gold uniforms around herSketchbook 6 page dated 18 May 1990, 'The Story Link, Act 1 Scene 1': a teenage screenplay outline in colored markers about a killer car, organ donors, and a plot to 'take over the world', interrupted by a commercial announcementWebcam diptych in reds and pinks: a woman in an orange shirt at a keyboard, then her hand on the piano keys belowDiptych on the Malecón in Havana: the seawall curving toward the smoky skyline, and a brown hand with a gold ring raised against the grey seaA bear-suit sleeping bag standing upright: fingers pulling open the fanged mouth from inside, pink lining showingSketchbook 48 spread, first day drawing in the Louvre: boxy graphite block-in of a seated nude, ink brush sketches, and the assignment 'Draw all the River Gods!'Odd Nerdrum's painting The Singer: close-up of a hooded figure with head thrown back, mouth wide open in song against a mustard groundGilded rococo openwork relief titled Christ and the Lamb: asymmetrical gold scrolls and foliage swirl over shaped mirror glass, the figures hidden in the ornamentBlurry conference photo of a speaker beside a slide headed Developers are Pussies, arguing developers misunderstand the business of publishingLooking down at a new dress printed with deer, trees and red flowers — a Bambi-esque forest scene with black lace at the necklineTitian's Bacchus and Ariadne: the god leaps from his cheetah-drawn chariot toward the startled Ariadne under a deep blue sky crowned with starsRoman mosaic labyrinth: a square meander maze ringed by a mosaic city wall with towers and gates, corner ornaments at the edgesSketchbook 40, IGS Cologne, Aug 15: pencil portraits of the indie games scene — Brandon Boyer, Michaël Samyn, Douglas Wilson — around the panel title 'Beyond Fun'Sketchbook 6 page dated 19 June 1990: worldbuilding notes for 'The SPARE Corp.' — psycho-technics, pneumatics, servomechanics, the Fates as Atropos/Clotho/Lachesis — 'Think about the future'ZBrush sculpt for a leviathan: massive clay-toned monster haunches with a beaked growth, ridged scar rows across the belly, and curved tusks jutting from one hipSketchbook 32 spread: a bushy tree in dried-blood red wash, and opposite, a chestnut tree in sanguine beside an Art Nouveau gate — 'with Laura in the park (citadel), 2006'Page from a Dutch lexicon under U, Uurwerk: water clocks from Egypt and Vitruvius through Su Song and al-Jazari, ending on sultan al-Kamil's candle clock of twelve doorsTwo photographs of a Commodore VIC-20 blank programming cassette: the white tape labeled Side 2 above its silver-striped cardboard sleeveiChat window with Ben Coopersmith: pink and grey bubbles chanting 'make it real' / 'make the dream real', ending with quitting smoking on my birthdaySketchbook 41 spread on grey paper: a blue circle with traced hands, and portraits of grandmother in a blue headscarf, hooded mourners, roses, and publishing-platform notes belowTiny dithered black-and-white photograph of a loaf of bread with cut slices leaning against itAstrodienst natal chart for Riea: Gemini sun, Libra ascendant, the aspect lines webbing red and blue across the wheelSketchbook 40 spread: Florence from Fiesole in the faintest watercolor — a blue hill line, green olive trees, two golden figures standing at lower leftSketchbook 46 opening: 'This book begins on a plane. The Crystal Ship is being filled' — a painted airplane window on orange paper with budget notes ('learn to drive, NOT OPTIONAL'), facing a watercolor of Michaël asleep in a blue shirtThree views of a small polished bronze by Auriea: a crouching Magdalene-like figure with long hair pressing a hand to her head, a skull emerging behind her shouldersSketchbook 40, 'Going Forth By Day': Gent to Venice by train — a blue-inked station kiosk, and sleeping passengers in faint pencil — 'every now and then it lets out a high pitched scream'Still life of small art objects on grey: a glass egg with suspended yolk, a black bird, an orange yolk, a turquoise egg, a tiny figure and a white bird pull-toy on a stringWilliam Henry Harvey, in glasses and an American Legion cap stitched with United States flags, raises a leather-gloved hand to its brimBefore and after, two selfies: long dreadlocks past the chest, then cut to chin length, holding up the severed hair with a grin (a face photobombing below)The Archive to Come at Telematic gallery: a dark room where a projection of two golden particle faces hovers on blue between bright screens on the wallsA single seedling pushing up through dark soil, seed husk still capping one cotyledon like a hatSketchbook pencil studies: a woman's downcast face, a dark heavily-shaded bearded man grimacing, and a faint construction-lines headSketchbook 44 spread: Mary Flanagan's IndieCade keynote — her full-length portrait beside her list from Jacquard to Gygax — facing notes from Richard Lemarchand's USC class with studies of clasped hands and a wire tangleJohn Cage score page: circled constellations of pitch letters joined by lines, floating over conventional staves beside an ornate clefE-reader glowing in the dark, thumb on the page: Anne Carson's dedication to Keats, '…FOR HIS GENERAL SURRENDER TO BEAUTY. A wound gives off its own light, surgeons say.'Book paragraph on Mozart's finances, highlighted pink: 'neither he nor his wife had a good grasp of managing finances… they lurched from crisis to crisis'Sketchbook 32 dark side spread, dated 08/06: a black ink flood spilling across a winter landscape of pencil hatching and gold-brown brush marksTwo frames from Ghibli's A Country Doctor–style animation: a boy leaping off a sea cliff, and sunflowers hanging over towering clouds, upside downFour Saint John test prints against orange: a white resin figure, black demon legs on a rod above a tiny reclining body, a small black figurine, and a bronze-patina castSketchbook 49 spread on the Musée d'Orsay's 'Masculin/Masculin': notes on Guido Reni's Sebastian, the Barberini Faun, Ron Mueck and Mercié's David, with sketches of a lounging and seated male nudesCaravaggio's Judith Beheading Holofernes: Judith in white drives the sword through the roaring general's neck, blood jetting, an old maidservant waiting with the sackSketchbook 32, Mediaterra day 3 'Game Art': speaker portraits including Martin Pichlmair in a yellow shirt and star collar labeled 'PWNED', notes on appropriation artSketchbook 42b: dark charcoal study of the Belvedere Torso from behind, the muscled back twisting above the truncated thighs against heavy hatchingCover of sketchbook 47: a graphite study of the Farnese Hercules from behind set into the gilt-framed panel of a worn red book coverTiny blurry webcam frame of Shari in a white shirt, head bowed over a desk in daylightNovelty phone-message slip headed 'SADE (Shah-day)': 'While you were listening to Sade's DIAMOND LIFE album', with checkboxes like 'Phoned' and 'Wants to see you' over her faint portraitThe koer through open kitchen windows: pink Japanese maples and spring green, binoculars and clutter on the sill, a wine bottle at the edgeHands leafing through the Ray Caesar Art Collection monograph: the masked cover girl, a spider-legged theatre box, big-haired doll portraits, a drawing index pageA Fables comic read on a Nintendo DS: cover with boxing-glove title on top screen, then two-page spreads across both screensVoyager-style black-and-white photograph of Jupiter against black space, its banded clouds and Great Red Spot visibleBack cover of sketchbook 33: a jeweled blue Renaissance sleeve and a hand leafing through a green book, collaged in leather corners with a floral tapestry bandSkype call with Michaël Samyn at 07:13: he mugs close to the camera, two relatives peeking in behind, the caller smiling in the corner windowSketchbook 38 spread: charcoal sketches of the blackened statues on Charles Bridge, birds swarming around a saint's headSix red 3d urns and lidded jars in diamond and stripe patterns lined up on a dark shelf — Graveyard propsSketchbook 38 fold-out: aquarium jellyfish in sepia and violet wash pulsing across two panels, beside a dark rooftop against a pink duskFirst page of Robert Graves's I, Claudius: Claudius introduces himself and his nicknames — the Idiot, the Stammerer, Clau-Clau-Claudius — under a Greek key ornamentSketchbook 42, page 14: ballpoint portrait on tan paper of a woman with a ponytail seen in profile, eyes lowered, her seated body trailing off into light contour linesVitrine close-up from Example #22: the horned white faun bust The Minories among heads — a weathered infant head, a tiny imp, a rose-crowned terracotta head on an alabaster stemSketchbook 40 spread planning the Sunset Appreciation Society game: door verbs, bookmark grids, a purple-clouded screen sketch, and lists — sunset alarms, sunset paint by numbersSilent Hill screenshot: a dark corridor swallowed in black, the flashlight flaring gold against a door beside a potted plantSketchbook 35, a diary week crossed out to 'X-MAS': pencil portrait of an older woman in profile with a wine glass, and studies of hands and a girl readingPortable studio on a desk: black felt pencil roll, tiny travel watercolor set with stained mixing lids, sketchbook, tea mug and laptopNear-black photograph of a bearded man's face barely lit from below by a single tealight flameGrainy video still: a figure in a homemade paper dress printed with the two towers of the World Trade CenterAlbum cover of Puccini's Turandot with Maria Callas in a jeweled headdress; Schwarzkopf, Fernandi, and the La Scala forces under Tullio SerafinStill-life painting: a human skull in profile shelved inside a rough wooden box beside a small glass bottle of clear waterBlack-and-white photo of Frida Kahlo winking, pearl necklace and heavy earrings, a wire crossing in front of her faceStill from Tarkovsky's Stalker: the Stalker's daughter in a gold headscarf rests her head beside two glasses on a stone table lit by a windowFour loose cards from sketchbook 47: a candlestick still life, the Farnese Hercules from behind, an ecstatic upturned face with raised arm, and a light gestural nude stepping forwardChart of the twenty-four Greek capital letters from Alpha to Omega, each with its name and pronunciation spelled out beneathGrainy photograph of the transit of Venus: an arrow points to the planet's small dark silhouette against the Sun's blurred limbWood-panelled wall of framed personal photos — a man in a white suit singing, band snapshots with congas — behind a frosted-glass lampSketchbook 32, page 53: pencil figure studies — a man standing hands behind back, and a woman with sunglasses on her head playing a fluteSketchbook 49 spread: three charcoal-grey figure studies — a heavy nude bending with hands on knee, a striding draped figure with sword strap, and a fainter climbing figureCorner of a Mac desktop: film thumbnails and a '1001 More in Finder' badge over a photo of a sleeping woman curled on patterned sheetsSketchbook 41 spread: pencil and red ballpoint life-drawing studies of crouching and reclining nudes, with a handwritten list of painters — Morot, Shishkin, Carlsen, Mancini, Prud'hon, Vibert, Bonnat, RiberaMasahiro Mori's uncanny valley graph: familiarity against human likeness, dipping past bunraku puppet toward corpse and zombie before healthy personTill We Have Faces, pages 294 and 295: the dream of the golden rams that trample Orual in their joy, and the other woman gleaning bright wool from the thornsSketchbook 46 spread, Easter 2013: a smoky charcoal portrait of a long-haired girl doubled across both pages, with planetary notes — Mars blood and bone, Saturn teeth, Mercury brain — for a game about the bodySketchbook 32, Mediaterra 'Utopia & Virtual Space': ballpoint portraits of panelists — Margarete Jahrmann, Laura Baigorri Ballarín, Gonzalo Frasca — with notes on ludic societySketchbook 42, page 3: ballpoint interior — a television on a carved dresser, a figure in a patterned robe behind it, and someone sleeping under blankets in the foregroundHand-drawn anarchy symbol: a rough black brushstroke A crossing through a circleEarthBound ('The War Against Giygas!') running in an SNES emulator on a Nintendo DS, menu on the lower screenSecond angle on the simulated striped table: the curly blue head and orange cyclops face in front, legs in orange boots, a standing figure, and bone fragments behindBelgian identity card in a black wallet — the new Belgian ID — and below, freshly twisted hair seen from aboveSketchbook 48 spread: ballpoint portrait of a bald speaker and a colored-pencil portrait in mint-green shirt, with notes on the aesthetics of play coming from action, not objects — 'don't let a day go by'Sketchbook 42 spread: ballpoint figures on tan paper — a dark-haired woman embracing a bald figure from behind at left, faces and a clasped arm layered over blue washes at rightNine well-used colored pencils and pastels fanned out on grey — silvers, blues, reds, black and brownSketchbook 38 spread: a lattice footbridge at Schwanau crossing between mossy cliffs and firs, all in soft grey-green watercolorSunlit self-portrait looking sideways, long dreadlocks over a black top, a red anatomical-heart pendant on a red cordA modular synthesizer built into wooden cases on slender antique legs: two tiers of patch panels and dials above a keyboardBlack-and-white photograph of a Tibetan cham dancer in an antlered deer mask and heavy brocade robes, arms spread outside a monastery doorNotebook page 'The ultimate FINAL to do list' with nearly every line struck through in red, 'DONE!' scrawled at topSide view of Auriea's small bronze Magdalene raising a skull before her face, photographed on a windowsill beside a cream-white roseSketchbook 42 spread: ballpoint portraits on tan paper of a sleeping woman with braided hair, eyes closed, and a baby looking down, mouth open mid-babbleAstrodienst natal charts side by side: Auriea, Gemini sun with Aries rising, and Michaël Samyn, Cancer sun with Leo risingCamera-viewfinder framing of a studio wall: a webcam and USB lamp plugged in, small prints taped up, everything dim and greenishCy Twombly's Poems to the Sea, 1959: twenty-four white panels of scribbled pencil, oil, and wax crayon evoking horizon lines, numbers, and sea-scriptBeksiński painting: a figure with wild red hair and bared teeth, pearls at the throat, wrapped in a rotting ornate garment amid an orange hazeSketchbook 40 spread: bare trees brushed in black ink before a lake, pink clouds scribbled in the sky, a carved trunk with a hollow at rightSketchbook 33 spread, Teotihuacan Mexico 2007: a shaggy pepper tree in black ink over a shaded path, and at right cactus paddles drawn in wandering lineDiary page in green ink, Thursday August 27: 'computers take too long and I am sick of being enslaved… no more writing on machines… I love the paper, just feeling the pen on the paper'Sketchbook 33 spread: two great black ink blots mirrored across the gutter like a Rorschach figure with outstretched arms, faint pencil sketches beneathCover of The Sandman: A Game of You by Neil Gaiman: a pale arm stretched over a green-tinted castle, a weathered book pinned to a black disc aboveCopper photogravure plate for Saint John the Baptist held in the light: Auriea's face reflects inside the etched figure's hood, a blue fingernail at the edgeSmall pill-shaped interface strip fading from white into warm greyEdvard Munch's Puberty: a naked adolescent girl sits on the edge of her bed, arms crossed over her lap, a heavy shadow looming beside herA dry twig with curled dead leaves lying on a pale surface, tiny white flower stickers pasted onto the dead leavesRaw photogrammetry scan for The Flower Seller: a grey ragged-edged bust with a blurred face, an armful of thick-petaled blooms dissolving into scan debrisWenzel Peter's Adam and Eve in the Garden of Eden: the first couple beneath the tree among lions, camels, horses, swans, and hundreds of birdsSketchbook 41, page 43: charcoal seascape — two dark headlands flanking open water, a small buoy mid-channel, gulls scratched into a pale skySketchbook 48 spread: atelier maxims on block-in and contour — 'no straight lines in anything ever', 'limbs start turning before the joint' — facing a faint gesture sketch of a striding horseThree tiny black bird silhouettes flying across a long white bannerSketchbook 44: a printed page of Feu et Flamme overdrawn with a large sanguine foot seen from the sole and a violet pencil profile rising along the marginSketchBox app full of virtual sticky notes: THE PATH, 'make paintings of triads', 'PUT GRANDMOTHER IN THE BACK OF THE HOUSE', MAKE GRAVES, two red DONEsScanned book page on the twelvefold chain of dependent origination from Udana I: ignorance conditioning all links through old age, death, and sufferingSketchbook 42, page 66: watercolor and pencil of a sleeper's face resting on a yellow-washed arm, the head faint graphite, the raised forearm a wedge of goldSketchbook 42b: second charcoal study of the Belvedere Torso, seen from the front with the chest collapsing toward the cut thighs, a small profile sketched aboveJ.W. Waterhouse's Circe Invidiosa (1892): the jealous sorceress in a dark peacock gown stands on the water, pouring luminous green poison from a wide bowlSketchbook 44: pencil drawing of the ruined castle of Fenouillet on its rocky hilltop, drawn as an outline map of boulders with touches of violet inkCover of sketchbook 35: a red Moleskine planner with a Polaroid of dried leaves taped under plastic, dated 2008/11/16Sketchbook 43 spread: two soft graphite studies of the same seated bald model over faint journal writing — from behind at left, from the side with folded hands at rightCharles-Auguste Mengin's Sappho: the poet in black veils bare-chested on a sea cliff at dusk, lyre at her hip, eyes downcastBack cover of sketchbook 48: green and brown marbled paper over worn boards with dark leather corners and a red cloth spineSketchbook 38 spread in pencil: a glass of tea, its bag slumped beside it on a crumpled napkin — 'tea, Ronse(?)'Sunny's Lion: a blue-green painting of a snarling shishi guardian lion face, round eyes and bared teeth framed by spiraling curls of maneSketchbook 42, page 88: ballpoint domestic still life — a stereo tower and tissue box on a table, a game controller resting on a bed, snacks and a glass on a striped clothReference collage for the cyclops: elephant and Deinotherium skulls, a museum proboscidean skull whose nasal cavity suggests one eye, Polyphemus sculptures and skeleton photogramsCodex Seraphinianus illustration: a potted deer head whose antlers are a leafing tree, roots filling the transparent potCollage 'Cautionary Tale': a watercolor figure with exposed bones walking on green ground, framed by torn handwriting and a small anatomical leg diagramSketchbook 41 spread: a wall of ballpoint portraits from a games conference in Montréal, labeled with names — Darren Wershler, Brian Greenspan, Jim Bizzocchi, Nick Montfort, Bernard Perron — and 'I cannot draw Thomas Grip'Sketchbook 42, page 11: ballpoint still life on tan paper — a two-liter Sprite bottle, glass mugs, eyeglasses, a crumpled wrapper, and a TV remoteAuriea's Year Zero at bitforms, New York: a stepped white ziggurat of sculptures — horned bust, small heads, a crowned figure on a column — beside a glowing blue mandala projectionPolaroid of a foot in a bright red-orange stocking and black strappy sandal, dark skirt hem swinging above speckled linoSketchbook 46: soft pencil drawing of a crowned Madonna statue with hands pressed in prayer, ringed by a halo of rosesItalian grammar cartoon 'La casa di essere': a cutaway house whose rooms illustrate the verbs that take essere — nascere, stare, vivere, salire, cadere, morire and moreMacro through a kaleidoscopic lens: a carved rosette embossed in reds and flesh tones, dissolving into flower-mosaic blurSketchbook 41 spread: Sunset Appreciation Society notes with a lighthouse lamp drawn in ballpoint, a turreted house, and below, gouache studies of a fountain and an ultramarine stair tower with the persons of the play (Salomé) listedBlurred photograph in amber light: a bellydancer in a sequined costume performs on a white runway in an ornate gilded hallGame character model: a gaunt zombie-like man with skull-white face, arms outstretched in T-pose, black tattered body with white markingsSilent Hill 2 graffiti in grainy red letters across two frames: 'There was a HOLE here. It's gone now.'Sketchbook 42 closing spread: crayon figure studies — a standing figure in hot pink, yellow and green with rainbow scribbles beside it, and a fainter second figure dissolving into color barsSketchbook 44 spread, 3 September, model session: soft pencil sketches of the same nude bending, kneeling and seen from the back, poses overlapping across the gutterSketchbook 40, 'colors list! 2011': swatches of every watercolor named in script — rose madder, cobalt green, new gamboge — beside a rooted tree stump studySketchbook 44, 'Summer, Jun 27': iris and leaves in vivid colored pencil growing past a shaded skull, journal notes on color and the Book of 8 project, over a printed Feu et Flamme page describing Parc MonceauLabeled cutaway diagram of the Teller-Ulam two-stage thermonuclear design: primary with plutonium pit beside the cylindrical secondary in its radiation caseArtefact Festival 2006 posters spread on a green sofa, each showing a misty forest of tall bare trees with a tiny red figureTable of the Celtic tree calendar: thirteen months from Birch to Elder or Myrtle, the tree of death, with thorn, heath, poplar, and fir for the seasonsDark 3d bird hunkered in a shallow grass nest, one white eye catching lightSketchbook 43 spread: a real pressed pansy taped over pencil pansies in a vase; opposite, a portrait of an older man in a tank top and a note on seeing the work of Steven Assael, 26 May 2012Sketchbook 44 page: ballpoint masked figures in hooded robes labeled Beauty, Wit, Virtue and Grace — 'the fairies are not your friends, they are old magic' — with a crowned tragic mask at centerMichelangelo's Madonna of Bruges in her dark marble altar niche at the Church of Our Lady, flanked by saints, candles, roses and pink blossom branchesSketchbook 49 spread of Louvre copies: a crouching satyr and standing nude pulling off her shift, facing a Daumier-like group of heads and a pensive figure resting chin on fistSketchbook 45 spread from the Vrije Academie Wednesday-evening session: graphite studies of legs — a pair bent at the knee in profile, and a standing pair from mid-torso downRoma sketchbook: a weeping face drawn in red pencil beside a Palazzo Barberini ticket dated 10/05/2006 and postcards of Canova's Pauline Borghese and Caravaggio's NarcissusText titled Realtime processing: the computer's essence as artistic medium is generating events in real time — time is to digital art what space is to analog artThree museum selfies of Auriea with Raphaels: the Ecstasy of Saint Cecilia in Bologna, the portrait of Baldassare Castiglione, and the Madonna of the Meadow3D render of a purple cyclops figure: a fleshy one-eyed male torso with truncated arms standing on a green-and-blue striped angular pedestal