gallery

1497 pieces, shuffled — reshuffle

The Museum of Fine Arts Ghent (MSK) with its columned portico, a red cherry-picker parked on the front steps mid-renovation Cover of sketchbook 45: a small oil painting glued to the black cloth board — two extracted molar teeth painted thickly in ivory against a deep teal ground Google correcting the search 'keep pens from exploding on airplane' to 'keep pets from exploding on airplane' Table of the Celtic tree calendar: thirteen months from Birch to Elder or Myrtle, the tree of death, with thorn, heath, poplar, and fir for the seasons Mail.app junk-mail window, addresses blacked out: subject To Bertram, these things shall be; body reading Suffer under this complaint we Silenus cradling the infant Dionysus, Roman copy after a Lysippan original, Vatican Museums inv. 2292. A vine-wrapped tree trunk carries the composition, and a plain squared strut ties Silenus' lower leg back to it. Photograph by sailko, CC BY-SA 3.0 via Wikimedia Commons. Comic panel: a goggled surgeon in green scrubs brandishes instruments before a blood-spattered map of America, ranting that laser surgery is what the country needs 3ds Max panel, Editable Mesh with Element selected: 462 faces chosen, Surface Properties open to set the material ID Stage photo from a Dido and Aeneas production: three women entwined around a spreading dark-blue gown while a figure in white scatters red rose petals across the black floor Sketchbook 32 spread: Washington Square Park fountain in white and brown gouache, black silhouettes circling through hot pink swirls — 'a beautiful day after meeting with Wayne + Ashley, 2006' Black-and-white photograph of a Tibetan cham dancer in an antlered deer mask and heavy brocade robes, arms spread outside a monastery door A grey Dutch bicycle with a black basket leaning against a park bench in a winter park, bare trees and drifts of fallen leaves behind Sketchbook spread of draped gowns drawn in ballpoint: a dark radiant dress labeled 'A Foolish Virgin' and two pale robes labeled 'A Wise Virgin' Sketchbook 48 atelier spread 'Studio Escalier + Florentine Renaissance': two curving figure studies wrapped in notes on disegno, CHARIS (gift, elegance, love), Degas and 'the fury of the figure' Sketchbook 33 spread: magnolia branches in contour line budding through a rust-red wash with pale purple blossoms, dark ink branches breaking in at lower left Soft flatbed scan of a Pieris sprig, its white bell-shaped spring blossoms hanging in rows against grey-green The Piraeus Apollo: an archaic Greek bronze kouros mottled with green patina, standing with both forearms extended, one palm open Four pinned cicada specimens beside a millimetre ruler, shown from above and below, dark bodies with amber-veined translucent wings Sketchbook 46 spread: orchid buds barely open, purple and green against a brown wash — 'things that are not, that cannot, but must be' — beside a chalk study of a weathered column and rooftop Sketchbook 39, digital painting: a hollow-eyed figure in dusky red with long dark hair and thin wire rabbit ears, leaning forward in darkness Example #22 installation view at Kassel: two glass vitrines of small sculptures against a cloud-painted blue and orange wall, heads glowing inside the upper case Ghillie-suit procession: nine figures costumed head-to-toe in moss, straw and evergreen standing on an alpine meadow Two frames: copper leaf laid with tongs onto a girl's closed eyelids, then her face with gilded eye sockets running in metallic drips like tears Sketchbook 39, digital painting: a headless pair of legs and buttocks in flesh tones striding out of a deep violet ground Two states of a 3d girl's face: buried in rainbow scanline noise above, and smooth with one glass eye looking out below Susan Harbage Page's Palimpsest: black-and-white photograph of a nude torso covered in dark tally marks scored across the skin Dancing drawing: a sweeping charcoal-and-pencil arc curving up the page from a dense black smudge, looping scribbles at its base Sketchbook pencil studies: a woman's downcast face, a dark heavily-shaded bearded man grimacing, and a faint construction-lines head Cover of sketchbook 15: the darkened, cracked contents page of an antique reader collaged under murky brown paint, entries like 'Trust in God' underlined in red MinoRinth screenshot: looking down a vast fluted brown pit toward a small green labyrinth disc ringed in white at the bottom, a pink light-arc curving across Grainy black-and-white video still from Rosas' Elena's Aria: two women seated on wooden chairs against a bare wall, one crossing her legs, one clutching her shoulder Auguste Rodin's The Three Shades atop the Gates of Hell: three identical bowed bronze nudes leaning together, arms hanging toward one another Sketchbook 44 spread from the Imagining the Future symposium, Neuchâtel, 10 July 2012: ballpoint portraits of speakers with a microphone, and a watercolor of the Alps over the lake with a sailboat Three museum selfies of Auriea with Raphaels: the Ecstasy of Saint Cecilia in Bologna, the portrait of Baldassare Castiglione, and the Madonna of the Meadow Sketchbook 48 spread in ballpoint: three studies after Rodin marbles — a kneeling nude from behind, a bending clothed figure, and the fallen caryatid carrying her stone — 'they live, they breathe' MinoRinth: the dark bronze Minotaur figure dances on yellow wireframe ground, its horned shadow thrown huge across the deep red wall Full master copy after Benoist's Portrait of a Negress: seated black woman in white headwrap and drape, one breast bare, ochre ground Sketchbook pencil drawing of an embrace: her hands buried in his hair as he leans into her shoulder, faces hidden SketchBox app full of virtual sticky notes: THE PATH, 'make paintings of triads', 'PUT GRANDMOTHER IN THE BACK OF THE HOUSE', MAKE GRAVES, two red DONEs Scanned spread from The Unbearable Lightness of Being, chapters 14 to 16: Tereza embraces a tree like a lost grandfather while the man with the rifle waits Sketchbook 48 atelier spread 'searching for a flashlight in the dark': boxy construction figures and a sanguine nude with hand on hip, with notes on Poussin vs. Rubens and Couture's 'line properly understood is color' Sketchbook 4, 'Diagram of the War': a page-spanning blue ink flowchart of spirals and rivers of self-argument — 'nothing exists until we perceive it', 'be careful what you wish for' Sketchbook 38 spread: a great cedar in the botanic garden, dark boughs in ink and wash spreading over water, small figures picnicking beneath The grown supports with the overhang heatmap turned back on: almost no red remains, and the branches themselves show none, meaning the supports do not need supports of their own. Spolia-Style-Cloth Sketchbook 42, page 24: pencil still life — a canning jar and a stack of magazines topped by a Glamour 'New Year's Special' issue with three laughing faces on the cover Metope's Project tablet: save, save-as, projects gallery, .metope export and import, the ZIP, STL and GLB/USDZ exports, and the five-colour Prusa XL print panel with its filament rows and mapping modes. Photographed text titled Telling of the Bees: the custom of informing hives of a death in the household, whispering thrice that their mistress is dead QR code for the ProjectProject work Polyphemau Webcam diptych in reds and pinks: a woman in an orange shirt at a keyboard, then her hand on the piano keys below

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