gallery

1479 pieces, shuffled — reshuffle

The Laughing Man logo from Ghost in the Shell: Stand Alone Complex — a winking smiley ringed by the circling Salinger quote 'I thought what I'd do was, I'd pretend I was one of those deaf-mutes' Long-exposure blur of a family living room seen through a mylar balloon — clock, cabinet and figures smeared into ghosts Detail of a Roman unswept-floor mosaic, the asaroton: fish bones, shells, fruit stems, claws, and a tiny mouse strewn across white tesserae Sketchbook 45 before its cover painting: a black-and-white photo of the plain black square book held at one corner, a pencil resting behind it Sketchbook 22B spread: a pencil drawing of a nude sleeper stretched across both pages amid pink stains — 'never before has reality been so appealing...' Three museum selfies of Auriea with Raphaels: the Ecstasy of Saint Cecilia in Bologna, the portrait of Baldassare Castiglione, and the Madonna of the Meadow Glitchy black-and-white webcam still: two ghostly figures side by side over a striped scanline pattern, timestamped 11.6.18.47.30 Digital self-portrait painting: a woman with long braids looking straight out, framed by green leaves and small white blossoms on deep purple Cover of sketchbook 12B: black board flecked with white and pink paint, collaged strips of patterned paper and a small photo of a white horse at center Sformo-Numbers Cover of sketchbook 33: the sleeping face of van Eyck's God the Father from the Ghent Altarpiece turned sideways in its gold inscribed halo, set into pebbled leather and tapestry Sketchbook 41 spread: a wall of ballpoint portraits from a games conference in Montréal, labeled with names — Darren Wershler, Brian Greenspan, Jim Bizzocchi, Nick Montfort, Bernard Perron — and 'I cannot draw Thomas Grip' Dark 3d bird hunkered in a shallow grass nest, one white eye catching light A dry twig with curled dead leaves lying on a pale surface, tiny white flower stickers pasted onto the dead leaves Sketchbook 46 spread on orange paper: pencil study of a pedimented baroque facade beyond a staircase, its sky filled in blue with white chalk clouds, beside a watercolor houseplant in a black vase Blurry conference photo of a speaker beside a slide headed Developers are Pussies, arguing developers misunderstand the business of publishing Michelangelo's Madonna of Bruges in her dark marble altar niche at the Church of Our Lady, flanked by saints, candles, roses and pink blossom branches Sketchbook 51 spread in sepia ink at 'Rubens privé', Antwerp: thumbnail copies of Rubens self-portraits, Isabella and Helena, with notes — 'Rubens cannot make me cry like Rembrandt, but he can make me feel love' A single pink peony in a small blue vase on a green bench by an open window, next to a monitor showing Blender with a 3d tree model IGN PC games front page with The Path Hands-On featured in the carousel between Burnout Paradise ads Guggenheim Foundation rejection letter, March 9 2007: 'I am sorry to inform you that your application for a Guggenheim Fellowship was not successful' A photograph of a printed page with cream-colored paper displaying four centered lines of black text in a simple serif typeface. The text reads: "For the blind man / in the dark room / looking for the black cat / that isn't there." Metope's Scaffold tablet: symmetry axes, the six grid kinds with snap, the draw-shape modes, and the guide tools (ruler, compass, curve, poly, magnet). Church on sunday — The courtyard floor holds her attention. The Archive to Come in Mozilla Hubs: floating screens under the heading History, Conflict, Social Justice, one labeled Auriea Harvey, on blue virtual ground Blurry snapshot of a high school graduation: graduates in white caps and gowns walking past a coral-pink wall, Lauren among them Urs Fischer's A Place Called Novosibirsk: a push broom standing in an empty gallery, held upright only by a red balloon tied to its handle Annotated guide to the Japanese social network mixi: orange navigation bars broken down row by row into kanji, kana, and English definitions Sketchbook 32, page 53: pencil figure studies — a man standing hands behind back, and a woman with sunglasses on her head playing a flute Graphite study of the Borghese Gladiator's lunging leg and arm, annotated 'energy curve is inscribed on the body' Composite telescope image of the Bullet Cluster: colliding galaxy clusters with hot gas in pink and the inferred dark matter mapped in blue among the field of galaxies Annotated Quest3D screenshot: a tangle of linked channel blocks with pink circles and arrows marking which body and motion nodes were already there Two Belgian ballots, 7 June 2009: the mint-green European Parliament sheet and the Flemish Parliament list, red dots marked under GROEN! Bernini's Rape of Proserpina, close: Pluto's fingers sinking into her marble thigh and waist, stone made flesh Sketchbook 32 dark side spread: Acropolis columns dripping in dark red ink, a Greek alphabet chart taped above a pencil island — 'first meeting with the Mediterranean sea, 2006' Sketchbook 45 spread: pencil copy of a church sculpture — a bearded God the Father flying with billowing drapery, arm outstretched — beside studies of trousered legs kneeling on a cushion Hands holding open James Jean's Fables covers book: 'No. 67 The Good Prince' with knight and giants, and 'No. 43 Arabian Nights (and Days)' djinn spread The studio worktable in 2017: a bronze head resting in a stone dish, a white David figurine, dark wax figures, a porcelain Venus on a box, and a teacup of tools William Henry Harvey, in glasses and an American Legion cap stitched with United States flags, raises a leather-gloved hand to its brim Five penitent Magdalene paintings side by side, including Georges de La Tour's candlelit versions, each with long hair, a skull, and upturned eyes A modular synthesizer built into wooden cases on slender antique legs: two tiers of patch panels and dials above a keyboard Dutch text on the Sadawaar, a beast of Byzantine lands from Kazwini: its horn of forty-two hollow branches sings sweetly in wind, and mournfully when reversed Orientalist painting of Salome: a dark-haired woman with hoop earrings and bared breast in a red sash skirt, gripping a brass platter and blade Sketchbook 45 spread: sanguine and watercolor study after a baroque abduction scene — bare legs kicking free of red drapery at left, the rest of the group in faint red outline at right The MinoRinth play space in the studio: a spiral labyrinth taped in white on a wooden floor, an HTC Vive headset resting at its lit center, controllers at the edges Sketchbook 49 spread: Zurbarán studies at BOZAR — Saint Gregory, the Agnus Dei bound lamb, a hooded San Francisco — facing Sevilla heads and 'Titian draws an Immortal, I draw but a girl', 6 May 2014 Black-and-white profile portrait of Louise Bourgeois in old age, eyes closed, holding up her long-fingered hand like a fan before her face Painted 3d head in profile looking up, sinewy yellowed skin like carved bone, grey ground Flat-shaded render: girl's head in profile in a black bonnet against sky blue, a hot magenta silhouette facing her Metope's Interface tablet: the four interface stones (basalt, plaster, terracotta, aegean), the metal accent swatches with follow-brush, the viewport backdrop controls, and reset bench.

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