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1507 pieces, shuffled — reshuffle

Sketchbook 40 spread planning the Sunset Appreciation Society game: door verbs, bookmark grids, a purple-clouded screen sketch, and lists — sunset alarms, sunset paint by numbers Fan-made English translation diagram of the Nintendo DS Browser settings menu, mapping every checkbox for web, interface, network, time and shortcut settings Portable studio on a desk: black felt pencil roll, tiny travel watercolor set with stained mixing lids, sketchbook, tea mug and laptop Sketchbook 42 spread: inked fantasy landscape — a cypress and tower at left, windswept trees with ribboning branches at right, and two small girls standing beneath them Tale of Tales lettered on a banner amid extravagant Spencerian pen flourishes that swirl into a long-tailed bird, in black ink on cream Sketchbook 46 spread: two graphite dancers pressed back to front, one gripping the other's hip, beside a black gouache figure with a raised brush-stroke arm ZBrush sculpt for a leviathan: massive clay-toned monster haunches with a beaked growth, ridged scar rows across the belly, and curved tusks jutting from one hip Two photos from a Japanese junior high visit: uniformed students crowding around a young Auriea at a desk, and a classroom waving calligraphy banners overhead A carpet of round nasturtium leaves with a few hidden orange flowers, seen from above Blender wireframe of the old woman's head in profile over her reference photograph — retopology of the grandmother Three museum selfies of Auriea with Raphaels: the Ecstasy of Saint Cecilia in Bologna, the portrait of Baldassare Castiglione, and the Madonna of the Meadow Close view under the base ring showing branches merging into thicker trunks as they descend, each junction sitting below the branches entering it. Sketchbook 32 spread from the Met's Asian galleries: pink brush sketches of Krishna battling the horse demon Keshi, notes on Durga and Shiva, and a seated Maitreya Bodhisattva face in ink Two skeleton-rigged girls in cyan bones walking a plank boardwalk in a dark purple forest — Path animation debugging Sketchbook 42, page 24: pencil still life — a canning jar and a stack of magazines topped by a Glamour 'New Year's Special' issue with three laughing faces on the cover A Fables comic read on a Nintendo DS: cover with boxing-glove title on top screen, then two-page spreads across both screens 19th-century anatomical plate: dissected shoulder and arm of a bowed figure, muscles and arteries hand-colored, with key text above Page from Rodin's conversations on art: asked if art is a kind of religion, he answers that its first commandment is to model well an arm, a torso, or a thigh Journal spread 'MY PERFECT LIFE 30': a diagrammed stomach with handwritten confessions at left, a scrawled dark figure and notes on vomiting as remedy at right, dated 27 June 92 Example #22 installation view at Kassel: two glass vitrines of small sculptures against a cloud-painted blue and orange wall, heads glowing inside the upper case Reference chart of Blender sculpt-mode keyboard shortcuts: draw, smooth, pinch, inflate, grab brushes and their keys, white text on dark grey Journal spread 'BLUTVERGIFTUNG chapter I': the word smeared in rusty red between two collaged kitchen-knife ads pointing at each other Silent Hill 2 twice: Maria lying dead on the green diner floor, and James reading 'There was a HOLE here. It's gone now.' on a newspapered wall Grid of fifteen video frames shot along a highway: billboards reading Available, poles and power lines under a hand-tinted pastel sky Sketchbook 48 atelier spread 'searching for a flashlight in the dark': boxy construction figures and a sanguine nude with hand on hip, with notes on Poussin vs. Rubens and Couture's 'line properly understood is color' Stage photo from a Dido and Aeneas production: three women entwined around a spreading dark-blue gown while a figure in white scatters red rose petals across the black floor Web clipping titled A Woman on Fire naming Auriea Harvey a digital artist, programmer, and multimedia maven, beside a red-lit portrait of her at 25 Rutger Hauer as Roy Batty at the end of Blade Runner, platinum-haired and wide-eyed, cradling a white dove against his chest Anime still: a green dinosaur mascot in a white apron offers baked snacks from a tray in a village street, subtitled It's really scrumptious! How about one? Subtitled still from Rome Open City: a woman speaks to a uniformed man in the street — 'Pina, do you think Americans really exist?' John December's 1994 CyberMap Landmarks diagram: the Internet drawn as colored blob territories — Web, Gopher, WAIS, Telnet, FTP, Usenet and Email space — linked by red gateway arrows Near-black Blender render of grandmother's kitchen — chair, table and cabinets barely emerging from darkness, a lamp gizmo above ('Kitchen.001') Standing in split-toe tabi boots on a concrete doorstep, grey trousers pushed into the black boots, a number-printed black skirt above Takayoshi Sato with arms crossed in a leather jacket beneath a glowing Silent Hill 2 banner where Maria poses in her red top Sketchbook 49 spread on the Musée d'Orsay's 'Masculin/Masculin': notes on Guido Reni's Sebastian, the Barberini Faun, Ron Mueck and Mercié's David, with sketches of a lounging and seated male nudes Black-and-white sign in Disney-style lettering: 'ALL SHE SAID WAS — HORRIBLE THINGS WILL HAPPEN' Sketchbook 42 spread: layered ballpoint and blue pencil sketches of sleepers — a face sunk into a pillow at left, a bald man asleep against his raised arm at right Poliriea: ZBrush render of a mauve cyclops head with tight sculpted curls and one teal eye, resting atop a striped ziggurat pedestal 3D-scanned portrait of the artists mother in blue-white on black: head wrapped in a scarf, face in profile, the shoulders dissolving into torn point-cloud lace Max von Sydow as Ming the Merciless in Flash Gordon, gloating in a red high-collared uniform beside a white rocket in a rivet-walled corridor Wood-panelled wall of framed personal photos — a man in a white suit singing, band snapshots with congas — behind a frosted-glass lamp Sketchbook 49 endpapers: ex libris page with a photo of an Egyptian harpist relief at the Met and three blue Met admission tags (Feb 16–18), facing studies after Rubens nudes — Ghent, Paris, Dec 2013–June 2014 Harrison Ford as Indiana Jones in close-up under the brim of his fedora, face smudged with dirt, smiling sidelong Roman studio in morning sun (photo on its side): gilt rococo mirror on a bare wall, pine shelving with white sculptures and skull, an open notebook of red-chalk drawing Spolia-Style-Smooth-Detail Two Belgian ballots, 7 June 2009: the mint-green European Parliament sheet and the Flemish Parliament list, red dots marked under GROEN! Diptych: Filippo Lippi's Annunciation, angel kneeling before Mary among arcades — and a restaging on a sunny lawn, four friends posed before a little white chapel Sketchbook 42 spread: notes for a talk on designing from emotional experiences — The Graveyard, The Path, The Endless Forest — beside a gouache castle tower with flags and pencil portraits, with 'we draw on the dead body of the world' in red ink Two figures on the wide wet sand of the Belgian coast under a heavy sky, a rainbow arcing down toward distant apartment blocks La Vita Nova render: a towering point-cloud figure fills a dark shaft of light, tiny scanned statuettes hovering in niches around it

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