gallery

1507 pieces, shuffled — reshuffle

Sketchbook 49 spread: gestural line studies of tumbling bronze figures, with notes on Veronese's Hercules at the Crossroads and a seven-headed French Hercules-and-Hydra bronze Sketchbook 49 spread: ballpoint choir singers of the Berliner Domkantorei mid-phrase, with a pasted ticket for Bach's Matthäuspassion at the Berliner Dom, 12 April 2014 Sketchbook 44, drawn over the printed page 'Chapitre Premier' of Feu et Flamme: a faint pencil portrait of a girl with tousled hair, one eye darkly shaded John Cage graphic score: fragments of notated staves coiling in a great spiral across the page Dutch growth chart of pale blue body silhouettes from two-month foetus to 25-year-old adult, heads aligned along red horizontal lines Cover of sketchbook 40: plain dark grey woven bookcloth, worn at the corners, no title The Path's graveyard: the girl in red stripes standing small among headstones and crosses under grey misty trees The Pleiades star cluster: the seven sisters blazing blue-white inside wisps of reflection nebula on a dense starfield A tissue-lined box packed with translucent 3D-printed head-shaped bottles, their screw necks rising from the crowns like bottle caps Sketchbook 42 closing spread: crayon figure studies — a standing figure in hot pink, yellow and green with rainbow scribbles beside it, and a fainter second figure dissolving into color bars Tycho Brahe's geoheliocentric diagram: the Moon circles the central Earth while the planets and a comet circle the Sun, in a period engraving Sketchbook 48 spread in pink and sanguine pencil: two soft studies of portrait busts in the Louvre's shadows, notes on Marie Antoinette-era hand fans — 'it's easier to draw what you can touch' Back cover of sketchbook 16A: a Daniel Clowes 'PARANOID' comic page varnished in amber, its edges dissolving into dark red drips A robed figure sits alone on a vast expanse of rippled desert sand, golden light raking the dunes — an image from Lawrence of Arabia Blender title bar path: /Auriea/Work/144/MODELING/The Concept Of Everything Divided By Girl/GMH/GMH-modeling/ThePathOfKidRed05.blend Scanned book page on the twelvefold chain of dependent origination from Udana I: ignorance conditioning all links through old age, death, and suffering Blurred photo of a mammogram machine in a beige clinic room, footswitches on the floor Before and after, two selfies: long dreadlocks past the chest, then cut to chin length, holding up the severed hair with a grin (a face photobombing below) Sketchbook 42, page 3: ballpoint interior — a television on a carved dresser, a figure in a patterned robe behind it, and someone sleeping under blankets in the foreground Louise Bourgeois's giant bronze spider Maman standing over James Ensor's grave beside the brick church tower of Our Lady of the Dunes, Ostend Moth orchid in bloom on the desk at night, lamplight throwing its shadow across a shelf of small treasures — cup, boxes, prints, a gilt mirror Three stems of yellow loosestrife (wederik) with whorled yellow flowers against a peeling white wall, beside a metal drainpipe Sketchbook 50 spread of dark thumbnail copies at the Mauritshuis, Den Haag: Rubens's Assumption sketch, Rembrandt's Andromeda, Vermeer's Diana and her Nymphs, Tityus and Sisyphus, and Rembrandt's Two Moors 3d Día de los Muertos sugar-skull mask, white with pink flower eyes, green petal lashes and red stitched grin Black flag with white glyphs inside a red circle on black; red caption reads: -1000 days, -10 hours, -10 minutes and -28 seconds Sketchbook 45 opening: a grisaille gouache self-portrait, eyes glancing sideways under a dark fringe, facing a black brushstroke and the inscription '45, Mars Black, 13 Nov 2012' Sketchbook 22B spread 'NIGHT OF ME': golden grasses and silver berries on seafoam green, opposite a red spider-like burst and a row of gold ovals circled in silver Still from Tarkovsky's Stalker: the Stalker's daughter in a gold headscarf rests her head beside two glasses on a stone table lit by a window Sunlit self-portrait looking sideways, long dreadlocks over a black top, a red anatomical-heart pendant on a red cord Sketchbook 49 spread: pale blue-pencil studies of draped figures with a shield-like disc, beside a graphite arm and a slender standing nude with raised arm The same head fallen sideways, eyes closed, long white hair streaming — an Ophelia-like sleeping face Concert at a small venue: singer bent over at the stage edge in black, guitarist and drummer on stage, sparse audience watching Sketchbook 38 spread: a lattice footbridge at Schwanau crossing between mossy cliffs and firs, all in soft grey-green watercolor Intricate red paper-cut wall piece: a horned skull crowns a cascading tree of veins and drips sheltering small figures, birds, and a truck at its root Sketchbook 44 spread labeled 'Murillo': blue and graphite studies of standing nudes and women with 1960s bouffant hair, one gaunt figure gazing down at right — noted 'Battle of the Frigids, Slovenia' Sketchbook 49 spread: Zurbarán studies at BOZAR — Saint Gregory, the Agnus Dei bound lamb, a hooded San Francisco — facing Sevilla heads and 'Titian draws an Immortal, I draw but a girl', 6 May 2014 The planet Mercury as a thin grey crescent against black space, its cratered limb lit along the right edge Mac desktop with a giant dark skull wallpaper, a small photo of a figure at a lectern set into its mouth like a tooth Kiki Smith's Lilith: a black bronze woman cast from life, crouching upside down high on the gallery wall, glass eyes looking back over her shoulder Blurred black-and-white mirror self-portrait: standing in a bare room with a camera at the chest, a lit sconce and door behind Cover of sketchbook 9: pink-washed board stamped 'ENCLOSED' in red, scratched with a circled monogram and penciled 'retro-sketch #IX Auriea L. Harvey — PROFOUND IDEAS' Digital painting on teal: a gaunt pale-faced figure bowed forward, wrapped head to foot in long dark red-streaked hair, bare hands and feet showing Silent-film title card, white on black: 'Through me you pass into the city of woe… All hope abandon ye who enter here.' Cover of sketchbook 31: a plain black Moleskine with its elastic band, scuffed from travel Academic pencil life drawing on cream paper: a nude woman with pinned-up hair seated with legs crossed, gazing off to the left, highlights in white chalk Two frames of Kim Basinger in 9½ Weeks: standing in a doorway in a trench coat, then lying down, hand in her hair, a man's shoulder in front A modular synthesizer built into wooden cases on slender antique legs: two tiers of patch panels and dials above a keyboard Sketchbook 38 spread in watercolor: magenta coneflowers with drooping petals at left, a bank of pink valerian against dark hedge at right Browser screenshot of a2p.bitmark.com, Artworks I own: an edition grid with works by Warburton, Sougwen Chung, Petra Cortright, LIA, Lieberman, Shu Lea Cheang, Pipkin, and Auriea's Sketch for a Cyclops Sketchbook 45 spread: graphite portraits of dying flowers — a drooping daisy over collapsed petals at left, a closed rose bending on its stem beside a tulip at right

357 more ›