gallery

1507 pieces, shuffled — reshuffle

Abramović and Ulay, Breathing In/Breathing Out: two faces locked mouth to mouth, trading one breath back and forth Buckminster Fuller's Dymaxion map: the world unfolded onto an icosahedron so the continents lie as one nearly unbroken island in a single ocean Coverage falloff at five Softness settings on a 40mm brush Spolia-Gizmo-Flip Painting of a white wolf nosing through a field of collapsed red-haired girls in polka-dot dresses — a Path-like Red Riding Hood massacre in candy colors Roma sketchbook: dense ink trees in the Vatican gardens under writing about tourism and dedication — 'genetics be damned in my spirals' Soft-focus black-and-white studio portrait of a girl with dark marcel-waved hair and dark painted lips, gazing steadily at the camera Artefact Festival 2006 posters spread on a green sofa, each showing a misty forest of tall bare trees with a tiny red figure Grey Blender wireframe of a bunny-eared girl's head, dense mesh face with two flat ears sticking up Sketchbook 22B spread: a pencil drawing of a nude sleeper stretched across both pages amid pink stains — 'never before has reality been so appealing...' Handwritten notebook page in blue ink headed Museum Quality Artwork: notes on institutional credibility, the frame of the museum, and the aging of bytes Harrison Ford as Rick Deckard in Blade Runner, looking up warily in his rough brown coat, hair damp Sketchbook 48 spread: sanguine and red nude leaning on one knee beside notes on contour as 3D horizon and mise en page, facing a graphite figure bending into shadow Song lyrics hand-lettered in black marker filling a yellow legal page, beginning ring them bells and ending in rows of small asterisk stars Collage naming two Roman coins — Faustina's over a painted empress, Antonius' silver denarius below Thin gold threads wandering and crossing over a white field, like a tangle of dropped wire Lecture slide: detail of Bernini's marble hand pressing into Proserpina's flesh, paired with a proportional construction of a face labeled Fig A Sketchbook 47 Cologne spread in ballpoint: Kölner Dom interior with a red-robed cleric, a Madonna ringed by votive crosses, an octagonal labyrinth and gothic tracery — 'to draw is to confess?' Sketchbook 44 spread, IndieCade: blue ballpoint portraits of Anna Anthropy speaking, Dan Pinchbeck in an Amnesia t-shirt, and Natalie Pozzi in profile Two stems of moth orchids, white petals speckled with magenta and deep pink lips, in front of an old wooden door Sketchbook 32 spread: Washington Square Park fountain in white and brown gouache, black silhouettes circling through hot pink swirls — 'a beautiful day after meeting with Wayne + Ashley, 2006' A gray cat, blurred mid-shake, sitting on the desk between the laptop and the glass cabinet where the skull keeps watch Studio wall: a charcoal torso study clipped to a board beside a whitewashed wall hung with USB cables, a mirror below reflecting an outstretched hand Black-and-white film still: a young woman in a white nightdress pressed against ornately patterned wallpaper, looking back over her shoulder Cover of sketchbook 12A: worn grey-green board mottled with dark stains, taped spine, and a tiny white '#12' label at center Astrodienst natal charts side by side: Auriea, Gemini sun with Aries rising, and Michaël Samyn, Cancer sun with Leo rising Hospital close-up: a hand taped with gauze, an IV line running red past a gold ring Church marquee for Memorial Baptist Church: 'Ain't no party like a Holy Ghost party, cause a Holy Ghost party don't stop' Blender simulation of a striped exhibition table: a grey torso on a ziggurat plinth, blue and orange cyclops heads, an orange-gloved fragment, and scattered skulls Sketchbook 32 spread: a dark inked barn and farmhouse among trees with a small blue butterfly collaged at center — 'Hamilton, NY, USA, CC retreat, 2006' Sketchbook 42 spread: ballpoint portraits on tan paper of a sleeping woman with braided hair, eyes closed, and a baby looking down, mouth open mid-babble Blender wireframe view of a cluster of bare trees for The Endless Forest, black lines on grey Detail of Marqueste's Perseus Slaying Medusa: the gorgon cries out, head wrenched back, small wings at her shoulder, beside a fluted column Still from Peter Greenaway's The Pillow Book: a body covered in black calligraphy, arms spread wide under falling rain against darkness The grown supports with the overhang heatmap turned back on: almost no red remains, and the branches themselves show none, meaning the supports do not need supports of their own. The MinoRinth play space in the studio: a spiral labyrinth taped in white on a wooden floor, an HTC Vive headset resting at its lit center, controllers at the edges Sketchbook 44 spread: ballpoint portraits drawn during video calls — faces labeled 'cyberkati', a bearded man smiling, a profile in glasses, hands, sleeping cats, and a red-pencil profile The colossal marble Medusa from behind: heavy braids of snakes wind over the sleeping head, one serpent knotted around the mass Two finds: enamel 'Drukkerij St Joris P.V.B.A.' printers' sign, and an office-door flyer — 'ART PROBLEMS? Seek professional advice…' Spolia-Style-Trunk-Detail George Frampton's Lamia: a polychrome bust with a pale ivory face, eyes downcast, encased in a dark bronze headdress and gown set with opals Journal spread dated Friday 22 October 1993: a purple-sweatered figure with a scribbled dark face, and a lightbulb sketch holding two tiny figures Two views of a glazed ceramic tile of a fawn: propped against an antique balance scale on a shelf, and held close-up in a hand Sketchbook 6 page dated 19 June 1990: worldbuilding notes for 'The SPARE Corp.' — psycho-technics, pneumatics, servomechanics, the Fates as Atropos/Clotho/Lachesis — 'Think about the future' Folder of seven Hiroshi Sugimoto Seascapes thumbnails — Aegean Sea, Baltic Sea, Bodensee, Lake Superior, North Atlantic, Sea of Japan, Tyrrhenian — each a bare grey horizon of sea and sky Film still: a man and a woman stand in a wet green garden watching a wooden barn burn, from Tarkovsky's Mirror DVD cover of Antonioni's Blow-Up: on hot orange, a photographer kneels over a woman on the ground, camera raised A black Oxford city bicycle against a wall, the whole photo washed in rainbow gradients from red through magenta to green Cover of sketchbook 7 (1990): white spiral book covered in pink lipstick kisses, inked 'Auriea Sketchbook VII — chaos is my life — Pseudo Quasi Real', 20 Aug–26 Sept Journal spread dated 20 Nov 1993: 'not in the same way nicotine addicts are addicted to cigarettes' painted over a murky face, a blue skeleton stamped at right

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