gallery

1507 pieces, shuffled — reshuffle

The Darwin fish emblem: the Christian ichthys grown stubby legs, with DARWIN lettered inside its body and a small fish in its toothed mouth Book page of Chris Crawford's definition of interactivity: 'a cyclic process between two or more active agents in which each agent alternately listens, thinks, and speaks' Windows taskbar: Photoshop, paint, shortcut to blender, Blender, Quest3D all open at 10:45 Sketchbook 22B spread: a silvered page with a Handloom Batik Ganesha card taped on, opposite a drawing of a woman in a slip with one blackened arm against blue-patterned shadow Spolia-Gizmo-Turn Wax-pale panel with two graphite dead birds drawn beside two black 3D-printed women curled in the same fallen pose Endless Forest deer wearing the sugar-skull mask, black-bodied with glowing green skeleton markings, walking a sunlit clearing Cover of sketchbook 21B: red felt covered in dark oval link shapes touched with gold, signed '21 TDM' — The Disease Manifesto The Archive to Come at Telematic gallery: a dark room where a projection of two golden particle faces hovers on blue between bright screens on the walls Black-and-white still of highway signs — Holman Correctional Facility 2, Fountain Correctional Facility 3 — a helicopter overhead, and a torrent of red lyric text running below Mac folder named Work, 20 items on a dark green desktop: 1am.m4v, Flower/Lock, TEF, TheGraveyard, Fatale, The Path, Vanitas, Sirens, Room 101, Au Tarot and more Dancing drawing: a tall sheet of vertical ink gestures like falling figures — coiled, knotted and dripping strokes with faint traces of orange Auriea's Year Zero at bitforms, New York: a stepped white ziggurat of sculptures — horned bust, small heads, a crowned figure on a column — beside a glowing blue mandala projection Francesca Woodman's Blueprint for a Temple: a large blue diazotype collage assembling photographed caryatids and Greek-key friezes into a temple facade Back cover of sketchbook 17: a Kokoschka Kunstschau drama poster, an 'Andre the Giant Has a Posse' sticker, a strip of red velvet and a tiny yellow cat charm on a string Tale of Tales's The Graveyard installed in the V&A Videogames exhibition: monitors, notebooks, and framed sheets along a dark gallery wall Olia Lialina and Dragan Espenschied leaning together at a restaurant table, she blowing a kiss past a bottle, a wheel of cheese in the foreground Side view of Auriea's small bronze Magdalene raising a skull before her face, photographed on a windowsill beside a cream-white rose Soft flatbed scan of a Pieris sprig, its white bell-shaped spring blossoms hanging in rows against grey-green Sketchbook 49 spread: faint layered crowd studies in graphite and ochre — faces, lips, and a staring woman — with the note 'if you think this is over then you're wrong' Tekken doujinshi page: a boy reads happily about Paul Phoenix's towering flattop while grandfatherly Heihachi looks on, headed So what if I'm a Paul fan! Tiny green-on-black terminal: 'Everything is Ok — Bonnie-2:~ Auriea$' French poster for Wong Kar Wai's 2046: an embrace in black over neon Hong Kong signage, the title in gold Sketchbook page in faint pencil: a domed high church on a cliff above the sea, with ruled text beginning 'The high church of Oorcon looms massively...' Sketchbook 42 spread on tan paper: ballpoint café portraits — a man's face cropped at the glasses, and a woman with an updo, round earring and choker glancing back over her shoulder Pink virtual sticky note of French conjugation practice: 'vouloir – TO WANT: je veux, tu veux, il veut, nous voulons, vous voulez, ils veulent' Rain water pooled on a flat surface reflecting the sky, a drainpipe and grass behind, an old school building beyond the fence BBC photograph of a black crested macaque crouched in jungle foliage, peering intently into an object held up to its face Sketchbook 48 Musée Rodin spread in ballpoint: Gates of Hell figures, a crouching nude, and notes on Camille Claudel's 'L'Âge Mûr' — 'marble so often looks like soft skin, like butter' Annotated guide to the Japanese social network mixi: orange navigation bars broken down row by row into kanji, kana, and English definitions Plain dark charcoal-grey square swatch Ana Mendieta's Body Tracks: arms raised high against a pale wall at the start of the drag, blood-dipped, the film grain in rainbow bands Sketchbook 32 dark side spread: black ink thickets with yellow and tan smears at left; a clump of pines behind a Speed Limit 35 sign at right Three views of a small polished bronze by Auriea: a crouching Magdalene-like figure with long hair pressing a hand to her head, a skull emerging behind her shoulders Self-portrait as a point cloud: a figure with dreadlocks floats dismembered inside a white wireframe cube on an endless blue grid Dark render of a girl in a red dress facing forward, hair merging into blackness, her face and body a cracked mosaic wireframe — early Path work Netscape screenshot of LOVE by Group Z, Belgium — early net art by Michaël Samyn: the word LOVE spelled in daisies inside gold and floral frames, hosted in Rhizome's anthology Dancing drawing: a dense tangle of black ink figures looping across grey-washed paper, thin drips running off the bottom of the swarm Nintendo DS with Marcel Duchamp's Large Glass split across its two screens, the Bride above and the Bachelor Apparatus below Sketchbook 4, 'Diagram of the War': a page-spanning blue ink flowchart of spirals and rivers of self-argument — 'nothing exists until we perceive it', 'be careful what you wish for' A dry twig with curled dead leaves lying on a pale surface, tiny white flower stickers pasted onto the dead leaves Transcript of the Kryptos sculpture at CIA headquarters: four panels of ciphertext letters and the keyed Vigenère alphabet tableau A box crammed with 3D-print tests: faces and heads in chocolate brown, blue, gold, copper, and bone, red architectural fragments, and gridded lattice scraps White brushed hand-lettering on black reading MEDUSA@entropy8.com, painted like chalk strokes QR code for the ProjectProject work Sketch for a Cyclops Me and My Ghost: webcam self-portrait dissolving into dotted wave lines, upscaled 2024 Cover of sketchbook 28: swirling marbled paper in sage, rust and cream, held shut by four pale elastic bands Me and My Ghost, 2001: webcam self-portrait through realtime nato effects, rays and a lace-like hood Roma sketchbook: watercolor along the Tiber in greens, and below, the column of Romulus and Remus drawn sideways amid writing about finding Bernini's tomb

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