gallery

1507 pieces, shuffled — reshuffle

Sunny's Lion: a blue-green painting of a snarling shishi guardian lion face, round eyes and bared teeth framed by spiraling curls of mane Roma sketchbook: a weeping face drawn in red pencil beside a Palazzo Barberini ticket dated 10/05/2006 and postcards of Canova's Pauline Borghese and Caravaggio's Narcissus Camera-viewfinder framing of a studio wall: a webcam and USB lamp plugged in, small prints taped up, everything dim and greenish Roma sketchbook spread 'S.P.Q.R.': ink studies of statues and angels with notes — 'It is a frightening thing when one culture supplants another... In Rome the Gods are truly dead.' Studio corner crowded with wood frames holding small game-screenshot prints, art postcards pinned above a green cutting mat Leonardo da Vinci's parachute sketch: a figure hanging beneath a sealed linen pyramid, mirror writing in the margin Small grainy black-and-white photo of Sonic Youth: Kim Gordon, Thurston Moore, Lee Ranaldo, and Steve Shelley posed against a dark wall J.W. Waterhouse's Circe Invidiosa (1892): the jealous sorceress in a dark peacock gown stands on the water, pouring luminous green poison from a wide bowl Raphael's self-portrait from the Uffizi: the young painter in black cap and robe glancing over his shoulder, in a gold frame inlaid with knotwork panels RATIO with sample entries: trips and expenses for one year Guggenheim Foundation rejection letter, March 9 2007: 'I am sorry to inform you that your application for a Guggenheim Fellowship was not successful' Spolia-Style-Strut-Detail Blurry conference photo of a speaker beside a slide headed Developers are Pussies, arguing developers misunderstand the business of publishing Sketchbook 42, page 69: small gouache of a nude with a purple headwrap crouching against a dark brown ground, seen from behind, beside faint pencil thumbnails Sketchbook 32: Carpeaux's Ugolino and His Sons sketched from the back in sanguine wash, the huddled figures knotted together Tiny snapshot of Quinton at graduation, smiling in black cap and gown and holding a diploma Printed page on Korean p'ansori: a single singer and one drummer enacting entire epic folk tales, eight hours of song, speech, and stylized gesture Side by side: the 1796 silhouette of Flora, an enslaved American woman, on Instagram — and a white 3D-scanned head in profile, echoing her Cover of sketchbook 8 (1990s): silver paint scrawled with dense handwriting around a torn red 'FRAGILE' sticker split by a lightning crack, above a Vitruvian-style figure in a grid Sketchbook 49 spread of cast-hall studies: headless antique torsos, a winged Cupid stringing his bow, a standing putto seen in profile, and a muscular breastplate torso Still life of small art objects on grey: a glass egg with suspended yolk, a black bird, an orange yolk, a turquoise egg, a tiny figure and a white bird pull-toy on a string Sketchbook 41 spread: Sunset Appreciation Society notes with a lighthouse lamp drawn in ballpoint, a turreted house, and below, gouache studies of a fountain and an ultramarine stair tower with the persons of the play (Salomé) listed Reference collage titled sirens, singing ref 1: film stills of women mid-scream and mid-song — wailing on beds, in cafeterias, in glitter crowns A single white dahlia wide open in a green glass vase with sprigs of eucalyptus, on a white table Untextured brown 3d man in a hooded jacket standing at rest in the Blender viewport — 144 character work Work-in-progress VR lock in the game engine: an orange striped head caged inside interlocking dark rings, purple tendrils sweeping through the space around it Kiki Smith's Getting the Bird Out: a black cast head lying cheek-down, a twine cord running from its mouth to a small black bird lying at its end Sketchbook 35 diary spread: close-up of a dalmatian-spotted jacket and a zigzag-lipped fish face with a button eye, opposite a loose contour figure climbing Alone on a bench in a crimson museum hall, hood up, notebook in hand, before Rubens' vast Martyrdom of Saint Livinus Cover of sketchbook 26: a thick black branching form like roots or veins inked over waxed book text crosshatched with shadows The Path's red room: girl in striped top standing on a dark table in a blood-red interior, black silhouette figures around the walls Mac OS X desktop collage: an mp3 player showing 'King Of Sorrow' (4:51 left), a webcam widget and a clock over an ornate collaged background Sketchbook 32 dark side spread: Acropolis columns dripping in dark red ink, a Greek alphabet chart taped above a pencil island — 'first meeting with the Mediterranean sea, 2006' Finding the eye: three photos of one prosthetic blue-gray eye rolling about an open palm, white-tipped nails, gold ring Sketchbook 48 spread: art-history lecture notes from the Académie Royale on the Three Graces, Mantegna and Titian, facing a tender graphite study of a seated faun with a Santayana quote on Americans and junk Two-page spread from One Hundred Years of Solitude in which José Arcadio Buendía insists the day is still Monday, the time machine broken Blank transparent spacer gif from the old web Grid of nine Tale of Tales game stills: The Path, The Endless Forest, The Graveyard, Fatale, Vanitas, Bientôt l'été, Luxuria Superbia, and Sunset Lecture slide: Olafur Eliasson's Weather Project three ways — the huge indoor sun at Tate Modern, a figure raising arms before it, visitors sprawled on the floor Sketchbook spread: at left a dark X-ray-like film scratched with 'I TALK IN MY SLEEP ALL MY LIFE', at right black figures and circles slashed over red paint Sketchbook 38 spread: Prague Castle and St Vitus's spires in loose watercolor, red rooftops dissolving into wash below a blue sky Webcam diptych in reds and pinks: a woman in an orange shirt at a keyboard, then her hand on the piano keys below Webcam shot of a studio wall: swirling green painting, postcards, small mirrors, a Motions box and a Michelangelo's David sculpture book Scanned opera synopsis, the prologue of L'incoronazione di Poppea: Fortune and Virtue dispute supremacy until Cupid arrives to settle the matter Metope's Texture tablet, the pattern studio: a grid of pattern primitives and the recipe sliders that shape them, with the bake-to-form controls at the foot. Dozens of telephone lines crossing a pale evening sky, small birds strung along the farthest wire by a streetlamp Low-poly 3d white owl with wide yellow eyes perched on a bare branch, against flat grey Ink sketchbook page of antlered stag studies — one full body with heavy fur, two roaring heads, loose antler diagrams Diptych: fingers parting hair to show a small cut on a scalp, beside a close-up of a pink peony — accidents happen Copper photogravure plate for Saint John the Baptist held in the light: Auriea's face reflects inside the etched figure's hood, a blue fingernail at the edge

107 more ›