gallery

1507 pieces, shuffled — reshuffle

Sketchbook 46: soft pencil drawing of a crowned Madonna statue with hands pressed in prayer, ringed by a halo of roses Distant game-engine test: the small Lumpy Girl figure standing alone on a flat dusty purple plain, seen from far away Yellow pillow-box package printed with concentric white rings: Patch to stop caring about love Twitter exchange from February 2012: Auriea tells Hasan Niyazi she wants to make games with metaphysical catharsis; he wagers such a game is two console generations away; she replies 'we will be working to bring the future to you TODAY!' Sketchbook 5: dense ballpoint drawing of a horse-like skull in profile, its teeth and cranial plates crosshatched into a black-and-white pattern Pyramid Head from Silent Hill 2: the pale executioner in his rusted angular helmet dragging the enormous Great Knife through darkness Book page from Liao Yiwu's The Corpse Walker: an interview in which Li describes the old profession of walking a corpse home in pairs, chanting 'Ya, ho, ya, ho' Cover of sketchbook 49: dark green cloth with a pasted photograph of a granite Egyptian head on its museum pedestal Jarboe on stage in Rotterdam, blurred in magenta light, long-haired guitarist at right and drum kit behind Sketchbook 38, first spread: a graphite study of an old tree's crossing branches over water, drawn dense and silvery against a blank left page Cover of sketchbook 5 (1996): black spiral book chalked 'Pseudo Quasi Real — Auriea Sketchbook V' with a starburst doodle around a small photo of a torso Side view of Auriea's sculpture Fauna: a child's serene face emerging from a cracked white plaster-like head veined with gold, one long ear drooping, on a dark printed base Museum vitrine with a device to measure the scent of a flower: white blossoms sealed in a glass bottle, tubing running to a small wooden pump box beside a porcelain jar Narrow interface background strip: a rounded black bar fading downward into white Sketchbook 49 spread in red pencil: a nude curled on a block seat pressing both hands to her face, hair spilling over her fingers, with a faint rubbed-out figure on the facing page Black-and-white profile portrait of Louise Bourgeois in old age, eyes closed, holding up her long-fingered hand like a fan before her face Wings3D-style wireframe of a bob-haired girl's head, red mesh lines over flat tan and brown, one eye textured Metope's floating thumb dock: a drag grip, the invert, brush-size and brush-height pebbles, and the gold palette disk. Phone raised in the Gesù in Rome, dwarfed by Baciccio's Triumph of the Name of Jesus boiling out of its gilded frame overhead LECTOR reading a spread aloud, the current sentence highlighted Sketchbook 49 spread: ballpoint portraits of long-haired conference-goers, a face with heavy eyes, and notes — 'board games as narrative devices', 'dice as the devil's bones', 'gamification is where capitalism wants to go' Textbook skeleton standing in anatomical position, palms forward, on a teal ground Sketchbook 45 spread: graphite life studies of a seated male nude torso with crossed legs at left, and a slumped figure with an arm swung out along a dark bolster at right Sketchbook 46: graphite study on orange paper of a marble male torso from behind, headless and armless on its museum mount Sketchbook 44: a printed page of Feu et Flamme overdrawn with a large sanguine foot seen from the sole and a violet pencil profile rising along the margin The bunny-eared girl textured: red bob wig and blue flame-like ears over a wireframed cream face — Path girl in progress Spolia-Style-Pelt Sketchbook 46 spread: sanguine life studies — bent legs and a standing torso on the white page; on the orange page a sprawled male nude heightened with white chalk, legs splayed Diary page in green ink, Thursday August 27: 'computers take too long and I am sick of being enslaved… no more writing on machines… I love the paper, just feeling the pen on the paper' Entropy8Zuper! flag emblem: a black pennant with white 8 and zig glyphs waving inside a red circle on black Network diagram of red nodes joined by curving grey lines, spiraling loosely like a galaxy on a white ground Black-and-white still of Harrison Ford as Han Solo, crouched with blaster drawn in front of the Millennium Falcon UV test texture: a grid of numerals 0 through 9 marching diagonally across squares of red, green, yellow, cyan, and purple Upside-down black-and-white portrait: a smiling face hanging inverted out of a hood of dreadlocks against white Kaleidoscopic double exposure of a bouquet — pink gerberas, celosia and veronica mirrored into symmetry on a kitchen table METOPE paint and glaze figure Front and back views of Heather Mason's character model from Silent Hill 3: sandy bob, white hooded vest over an orange turtleneck, green skirt and orange wristbands Labeled photo of First Style wall decoration in the Samnite House, Herculaneum, ca. 100 BC: painted plaster courses marked plinth, socle, orthostats, frieze and cornice Sketchbook 49 spread of Louvre copies: a crouching satyr and standing nude pulling off her shift, facing a Daumier-like group of heads and a pensive figure resting chin on fist Ghillie-suit procession: nine figures costumed head-to-toe in moss, straw and evergreen standing on an alpine meadow Early Netherlandish panel of Eve holding the apple beside the tree, the serpent coiled up the trunk wearing a woman's golden-haired face, the paint finely crackled Sepia museum display of a mastodon skeleton before a painted marsh mural, its label reading 'This mastodon was found in Indiana' Black-and-white particle image: an eye-shaped void opening in a field of bright specks, with a 1 cm scale bar and timecode Cover of sketchbook 39: half marbled paper veined in red, half grey felt with visible stitching, a pen clipped into the top edge Snapshot of Delacroix's Death of Sardanapalus detail — the bearded king gripping the arm of the nude concubine arched back against the red bed — stamped with a 2001 camera date Sketchbook 48 spread, first day drawing in the Louvre: boxy graphite block-in of a seated nude, ink brush sketches, and the assignment 'Draw all the River Gods!' Journal spread: two red-ink figures joined at the torso holding tangled organs, opposite a dense two-column dialogue in silver and red ink over a faint photo Notebook spread on the cosmos: paper wheel cutouts, a watercolor star-sphere and a fiery wheel, notes on Anaximander's rings of fire Corner of a social profile: '144 friends — See All' A small white bunny with grey ears and nose sitting in a white bathtub, looking up with one dark red eye

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