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1507 pieces, shuffled — reshuffle

Mac weather widget for Gent: 63° now, a sunny week ahead, 72–77° Tuesday through Sunday Second angle on the simulated striped table: the curly blue head and orange cyclops face in front, legs in orange boots, a standing figure, and bone fragments behind Two Mexican codices in museum vitrines: pictographic pages with red pointing hands and demons, and a text page with a village river scene Digital figure study of a thin androgynous figure in profile, eyes closed, sketched in pale flesh tones on brown with white scribbled ground The Path: Rose in red-and-black standing in mossy undergrowth, purple forest hung with red lanterns behind her Sketchbook 49 spread: graphite study of a mannerist pose with arm raised, and a sanguine drawing of two intertwined nudes dated 30 Dec 2013, 17:45, at the Louvre Sketchbook 44 spread over the printed chapter headings of Feu et Flamme: a tonal graphite nude curled around his knees, hands clasped over his feet Sketchbook 44 spread: airplane cabin interior in red ballpoint — seat backs, tray tables and curtains in crosshatch, a sleeping passenger's hand curled at upper left Dancing drawing: a sweeping charcoal-and-pencil arc curving up the page from a dense black smudge, looping scribbles at its base In the studio — On Borgo Angelico at 14:09, she found Deep Red—that inward turning, garnet-dark, the colour of old blood pooling in silk. Penguin cover of Ian Fleming's You Only Live Twice: a kneeling woman in an open kimono between a samurai helmet and orchids with skull-faced blooms Sketchbook 48 Paris spread: Louvre notes on the Marie de Médicis cycle and Musée Rodin — 'La Lumière de l'Antique', the Belvedere Torso's influence, sketches of headless draped figures A woman wearing the exoskeletal Gypsy motion-capture suit, black straps and sensors down her limbs, cables trailing across the floor toward a mirror Sketchbook 45 spread: pencil drawings of Martha from above — stockinged legs crossed at left; at right her long hair falling over a white blouse and dark skirt as she sits curled Studio corkboard packed with sculpture clippings: bronze foundry photos, Johan Creten and Dirk De Keyzer pages, insects, casts, a blue clay head, 'IT WAS LIKE SO BUT WASN'T' Spolia-Overhang Valentine's mail from Marian Bantjes: hand-calligraphed envelope from Bowen Island, a violet sheet dense with swirling script, Canada stamp Four pinned cicada specimens beside a millimetre ruler, shown from above and below, dark bodies with amber-veined translucent wings Vija Celmins's Eggs, 1964: four fried eggs sizzling on a grey double hot plate against a muted blue-grey ground The Minories vitrine in Example #22: the horned faun bust flanked by the crumbling gilt infant head, a rose-crowned terracotta head with pearl earrings and two small dark imps Three glitched 3d renders: exploded polygon spikes in yellows, a rainbow-triangulated leg embedded in grey mesh, dark red faceted caverns Flemish allegory of Fortune: blindfolded, she balances on a sphere in a stormy sky, shaking coins and goods from two hats over a scrambling crowd, a gallows at right A branch of lunaria held before a lamp, its papery translucent seed pods glowing amber and pearl Cover of sketchbook 10: a dark window taped into mottled blue-green painted board, an X of white creases over a swirling green orb Vatican City, Vatican City — The Borgo Angelico held her in its greenish gray — that muted tone of weathered plaster, the ground itself. Sketchbook 46, 8 March at the Met: graphite and watercolor study of the Crouching Aphrodite marble, wine-red shadows at her hip, a rainbow of paint swatches down the page edge John Collier's Clytemnestra (1882): the queen stands grim in a doorway between bronze column and curtain, gripping a long-handled axe, blood at the threshold Desktop wallpaper grid of cute forest-creature illustrations in greens and plums — deer, mushroom folk, a peacock — with Mac folders scattered over it Catalogue text inventorying Louise Bourgeois's 1997 cell Passage Dangereux, room by room: cuffs, mirrors, hanging chairs, glass spheres, a bronze bull Sketchbook 40 spread: Florence from Fiesole in the faintest watercolor — a blue hill line, green olive trees, two golden figures standing at lower left Sketchbook 32 spread, Athena 4 Oct 06: the Erechtheion caryatid porch in red ink, a purple caryatid 'cement copy', pencil snakes twisting below — 'growing hair, moving arms, shifting weight' A house porch on fire at night: flames and smoke pouring over a stairway railing, lens flare purple in the foreground Five views of Object 01: a small polished bronze head of Auriea, bald with serene features, shown in the hand, on a black pouch, and beside a leather notebook Sketchbook 44, 'Summer, Jun 27': iris and leaves in vivid colored pencil growing past a shaded skull, journal notes on color and the Book of 8 project, over a printed Feu et Flamme page describing Parc Monceau Skype call with Michaël Samyn at 07:13: he mugs close to the camera, two relatives peeking in behind, the caller smiling in the corner window Six panels of charcoal spiral scribbles, black and white, ending in handwriting: 'practise makes perfect BUT perfection is BORING.' Sketchbook 40, 'colors list! 2011': swatches of every watercolor named in script — rose madder, cobalt green, new gamboge — beside a rooted tree stump study Till We Have Faces, pages 294 and 295: the dream of the golden rams that trample Orual in their joy, and the other woman gleaning bright wool from the thorns Frida Kahlo's The Wounded Deer: a small deer with Kahlo's face pierced by nine arrows, leaping through a corridor of tree trunks toward a stormy sea Bernini's Rape of Proserpina, close: Pluto's fingers sinking into her marble thigh and waist, stone made flesh Animal Crossing screenshot: the player, eyes closed mid-song, exclaims Wahooo! in a wood-panelled interior with a pelican looking on Blender screenshot: a girl's head model mid-retopology, orange wireframe patch over the cheek of a shaded doll-like face Daniel Lefcourt's The Invention of Public Relations: gold-painted nuggets, a slide projector and carousel, rulers, gloves, and archive photos knolled on grey Sketchbook 35 diary spread relabeled December: a long-haired girl seen from behind, and again close-up kissing a dark bird's head, a game controller sketched below Gustav Klimt's Medicine: Hygieia in red and gold at the base of a drifting column of entangled nude figures, a skull among them Janine Antoni's Lick and Lather: two self-portrait busts side by side, one licked-down chocolate, one washed-away white soap, on classical pedestals Bare studio with peeling walls: a large-format camera on a tripod facing a trestle table, cold window light, paint-spattered floor Black-and-white photograph of Auguste Rodin, bearded and in a dark smock, raising a mallet against a huge white marble block Face texture test: a woman's head overgrown with dark feathered fur, black hollow eyes, wireframe lines showing through Me and My Ghost: scanline-torn webcam self-portrait, chin on hand, upscaled 2024

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