gallery

1507 pieces, shuffled — reshuffle

Four rough alpha screenshots of MinoRinth: wireframe foliage over the spiral labyrinth, a dark scanned beast on a plinth, a black column on red rings, and the green orb under gold walkways Soft black-and-white photograph of a Penguin Classics Ovid, Metamorphoses: Bernini's Apollo and Daphne on the cover, laurel leaves sprouting from her hands Reference collage for the cyclops: elephant and Deinotherium skulls, a museum proboscidean skull whose nasal cavity suggests one eye, Polyphemus sculptures and skeleton photograms In the Ghent Altarpiece restoration studio: Van Eyck panels on easels, a hand holding up a blue 3d-printed hashtag arthistory in the foreground Spolia-Style-Strut Sketchbook spread in blue ballpoint: a large portrait of Martin Luther King Jr. speaking at right, smaller faces, a crown and 'KING' sketches at left Louvre sketchbook study in pencil and white chalk on grey paper: two views of a headless draped Aphrodite torso, the cloth knotted at her hips Sketchbook 46 spread: pencil study of wind-shaped trees in the Sint-Pietersabdij garden in Ghent, with a black frigatebird with scarlet throat painted on the facing page MinoRinth screenshot: a dark glassy figure stands on a yellow wireframe mound, the horned shadow of the Minotaur cast huge on the red wall behind Metope's Interface tablet: the four interface stones (basalt, plaster, terracotta, aegean), the metal accent swatches with follow-brush, the viewport backdrop controls, and reset bench. Raphael's black-chalk study of an upturned female head beside a pencil sketchbook page of an older man in a tank top with studies of mouths and noses First page of Robert Graves's I, Claudius: Claudius introduces himself and his nicknames — the Idiot, the Stammerer, Clau-Clau-Claudius — under a Greek key ornament A freshly pulled molar, roots and all, lying in an open palm; a gold ring on one finger Six flash self-portraits in a green dress printed with red-capped mushrooms, dreadlocks loose, photographed from odd angles Freedom of Teach male écorché reference figure in grey resin: front, side, and back views of the full flayed musculature Work-in-progress collage of Object 02: photogrammetry scans of a seated woman clutching a skull, from broken raw meshes to a resculpted red clay figure signed AU Sketchbook 43 dedication, Ghent, 18 March 2012: a night-blue gouache of star wheels over rooftops, facing Lucretius's invocation to life-stirring Venus copied in red-brown ink The Diadoumenos from Delos, ca. 100 BC, National Archaeological Museum Athens inv. 1826. A knotty tree trunk stands beside the left leg, hung with the youth's mantle and a quiver, almost detached from the body. Photograph by Francesco Bini, CC BY-SA 4.0 via Wikimedia Commons. Cover of sketchbook 41: grey-blue board stenciled with curling vines, a moth sealed under a round window, a blue tape stripe and a Belgian lion patch Steam Top Sellers list with The Path at #8, $9.99, between Counter-Strike: Source and The Orange Box Table of the Celtic tree calendar: thirteen months from Birch to Elder or Myrtle, the tree of death, with thorn, heath, poplar, and fir for the seasons From behind: drawing on a stone bench by a green pond, sketchbook open on crossed legs, locs down the back, trees doubled in the water Andrew Loomis's 'Ideal Proportions at Various Ages': male figures from one year to adult divided in head units, noting the legs grow nearly twice as fast as the torso Sketchbook 40, 'Going Forth By Day': Gent to Venice by train — a blue-inked station kiosk, and sleeping passengers in faint pencil — 'every now and then it lets out a high pitched scream' Sketchbook 43 spread: two soft graphite studies of the same seated bald model over faint journal writing — from behind at left, from the side with folded hands at right Indianapolis diptych: pastel wooden houses under a winter sky, and a corner-store cooler with a hand-drawn sign 'ALL CAN POP'S 5 for 1.00 — NO SINGLE!' Sketchbook 48 Paris spread: Sainte-Chapelle Christmas concert — a sculpted angel spreading wings, a soprano mid-note, sprawled legs of listeners, and the music list: Mozart, Purcell, Pergolesi Photogrammetry point cloud of a large spreading tree on a lawn, rendered as 2.1 million colored dots in a 3D viewport against grey emptiness Two gritty scratched-negative self-portraits side by side: one pale and open, one dark with burning white eyes Lain's bedroom from Serial Experiments Lain: a girl hunched at a glowing monitor amid stacked computers and coolant cables, stuffed animals lined along the window Text excerpt from James Baldwin: '...It was really a matter between me and God. I told him quite a long, long time ago there would be two of us at the Mercy Seat. He would not be asking all the questions.' E-reader glowing in the dark, thumb on the page: Anne Carson's dedication to Keats, '…FOR HIS GENERAL SURRENDER TO BEAUTY. A wound gives off its own light, surgeons say.' Italian grammar cartoon 'La casa di essere': a cutaway house whose rooms illustrate the verbs that take essere — nascere, stare, vivere, salire, cadere, morire and more Grid of fifty identical grey 3D heads showing facial morph targets: rows of subtle brow, eye, and mouth shapes, one mouth open wide mid-shout Sketchbook 42 spread: ballpoint profile studies — a face with pursed lips filling the left page, overlapping fragments of eyes, noses, lips and small hands on the right The same portrait head resolved: black woman in a white headwrap on ochre ground, after Benoist's Portrait of a Negress Netscape-era screenshot of a web ELIZA chatbot — 'a friend you could never have' — replying 'Why do you say your whole life?' above the submit box A work desk: white iBook, black keyboard, Wacom tablet and mouse, a Dell monitor showing a portrait in progress, daisies in an orange vase Tarot spread on a bright Kandinsky-patterned cloth: a cross layout with a side column of four cards, one card face down 3D render of a purple cyclops figure: a fleshy one-eyed male torso with truncated arms standing on a green-and-blue striped angular pedestal Six stacked frames from Strange Days: the 11:59 millennium countdown, balloons and confetti over the crowd, and Angela Bassett with braids inside a car Sketchbook 32 spread from the Met: a falcon-headed crocodile god in yellow, four red Anubis-like animal heads, and pencil sketches of a resting arm — 'a river runs through him' Back of sketchbook 38 and its spine: marbled green paper under a black inked cloud, leather corners, spine strips reading 'Der Geist des Rokoko' Sketchbook 44 spread, 27 December 2012: colored-pencil studies of bare feet, a potted seedling and a small tree, beside dense game-design notes on ditching the open world and unrolling the world in chapters Film still of a woman with red fabric mask across her eyes and ink marks on her face, beside a mosaic of the same image reduced to color swatches Grisaille digital study of a classical marble bust — woman with headband and braided hair — on a flat pink ground Sketchbook 32 spread: a bushy tree in dried-blood red wash, and opposite, a chestnut tree in sanguine beside an Art Nouveau gate — 'with Laura in the park (citadel), 2006' A single pink peony in a small blue vase on a green bench by an open window, next to a monitor showing Blender with a 3d tree model Cover of sketchbook 32, dark side: black cloth crossed by red elastic cords hooked through the corners of a QRS player-piano-roll label Garden corner with prikneus (rose campion) in bloom — magenta flowers on silvery stems among potted plants

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