gallery

1507 pieces, shuffled — reshuffle

Blurred photograph in amber light: a bellydancer in a sequined costume performs on a white runway in an ornate gilded hall Spolia-Style-Cloth-Detail Medical diagram of suturing techniques: over-and-over, mattress, subcuticular, Lembert, Cushing, Halsted, Connell, and purse-string stitches Sketchbook 40 spread: bare trees brushed in black ink before a lake, pink clouds scribbled in the sky, a carved trunk with a hollow at right Plain web background graphic: a flat grey field rising on a shallow diagonal into white at the top Roma sketchbook: the Colosseum's arched wall brushed in ink with red scaffolding crosshatch, tourists reduced to black strokes — 'Colleseo' Timothy Stotz's chart The Flowering Staircase, 1435–1935: five centuries of master-apprentice lineages from Michelangelo and Raphael down to Matisse and Ted Seth Jacobs MinoRinth corridor: the great dark tree rises between two shadowed maze walls, its speckled crown filling the pale sky 3d bust of a girl with pigtail buns and heavy-lidded eyes, downcast on a deep red ground — The Path's Ruby, early head Auriea and Michaël in profile, nearly nose to nose in the blue courtyard of the Casa Azul under the words 'Frida y Diego vivieron en esta casa 1929–1954' Reading Ovid at 03:16 — iPad page of the Metamorphoses with Medea's lines underlined in red: 'It's useless to fight, Medea… This, or something akin to it surely, is what they call love.' Villa medici and the Black congress — She came to Viale della Trinità dei Monti at the hour when the stone begins to hold the day's heat like a secret. Sketchbook 6 page dated 18 May 1990, 'The Story Link, Act 1 Scene 1': a teenage screenplay outline in colored markers about a killer car, organ donors, and a plot to 'take over the world', interrupted by a commercial announcement Sketchbook fantasy drawing in colored pencil: a pale long-haired figure raising a sword before a sea with a tall ship, a huge face dreaming in the sunset sky The Aztec basalt statue of Coatlicue: the earth goddess with clawed feet, a skull at her waist and twin serpent heads forming her face, on a blue ground Rick Owens–style runway look: model wrapped in a grey-brown scarf-dress with knit cap, long gloves, and shaggy fur boots Velázquez's The Triumph of Bacchus (Los Borrachos): the young wine god crowns a kneeling drinker among grinning peasants, Museo del Prado Overexposed café scene through glass: children's party around a blue table with pink cups, an adult leaning over the middle, greenhouse shelves behind New Year's Eve tray on a yellow table: a bowl of chips, cheeses, clementines, cookies, and a hand pouring the sparkling wine Paper Enigma Machine by Michael C. Koss, 2003: printable rotor columns, reflector chart, and step-by-step encoding instructions on one sheet Sketchbook 44 spread: graphite studies of a standing male nude in two overlapping stances at left, and at right the model reclining, legs extended toward the corner Four frames from the Magnetosphere music visualizer: red tangles around white globes, pink threads on magenta, and golden particle bursts in blackness Spolia-Cutter Live Click Test3 Album cover of Puccini's Turandot with Maria Callas in a jeweled headdress; Schwarzkopf, Fernandi, and the La Scala forces under Tullio Serafin Graphite study of the Borghese Gladiator's lunging leg and arm, annotated 'energy curve is inscribed on the body' Two mirror photos rotated sideways: trying on a green-blue-white abstract print dress with heels, in a sunny wooden-floored room Sketchbook 41 spread: a wall of ballpoint portraits from a games conference in Montréal, labeled with names — Darren Wershler, Brian Greenspan, Jim Bizzocchi, Nick Montfort, Bernard Perron — and 'I cannot draw Thomas Grip' Sketchbook 44 spread: pencil profiles of faces and a hand with a ring, facing a faint mapped reconstruction of Alchemilla Hospital from Silent Hill — elevators, kids' room, kitchen — labeled 'SH1 endgame' Reference collage for Labytaur: medieval Minotaur-in-labyrinth manuscript, garden-maze engraving, Picasso Minotaur images, the sleeping Ariadne, a two-faced bust, and floor mazes Spolia-Style-Pelt-Detail Documentation of the ZBrush Spotlight dial: a dark ring of twenty-six numbered icons with a contents list from Rotate and Scale through Smudge, Hue, and Paint Sketchbook 32 spread in black ink: Central Park trees at night seen from the Natural History Museum steps, canopies blotted heavy against a pale sky Sketchbook 32, Mediaterra Athens, session 1 'Gaming Society': ballpoint portraits of seven speakers as busts on plinths — Julian Dibbell, Daniel Pargman in a Magic Circle trophy, and others Caravaggio's Judith Beheading Holofernes: Judith in white drives the sword through the roaring general's neck, blood jetting, an old maidservant waiting with the sack Notebook page 'The ultimate FINAL to do list' with nearly every line struck through in red, 'DONE!' scrawled at top Typeset haiku numbered III: 'Long cold fingers dipped in blue roses — pry open the red world.' Tiny icon of a wooden hourglass, sand gathered in the lower bulb Sketchbook spread in gouache: black magnolia branches heavy with white pink-veined blossoms against fields of violet and lavender Vector-flat forest study in two registers: thin black saplings on flat blue above, dense white frost-like branches and pale trunks below Lecture slide from The Endless Forest: sunbeams falling into a clearing where a white stag stands at a small ruin Scanned sketchbook drawing colored digitally: a grey-haired man in glasses and plum suit sitting in a pale green armchair, rotated sideways on yellow Barry back from Iraq: seated on the couch in a white keffiyeh and brown robes, photographed in warm low light Journal spread filled edge to edge with handwritten lists of symptoms and side effects: cramps, dizziness, numbness, hallucinations, page after page in black ink Tiny game screenshot: a figure standing alone in the middle of a cracked grey road through mottled green-orange terrain Botticelli's Map of Hell (c. 1485): the funnel-shaped abyss of Dante's Inferno in tempera on parchment, its terraced rings of the damned narrowing down to Lucifer at the point Sketch of a sphere labeled Classical Model, annotated with incidence of cool reflection, cool turning, neutral shadow, and warm light mass Louise Bourgeois marble sculpture: a torso-like form clustered with smooth white breast shapes, carved from a rough-hewn block Silent Hill screenshot: Harry Mason stands at a counter with a red notepad as text reads that someone may someday find these notes useful Sketchbook 46 opening: 'This book begins on a plane. The Crystal Ship is being filled' — a painted airplane window on orange paper with budget notes ('learn to drive, NOT OPTIONAL'), facing a watercolor of Michaël asleep in a blue shirt

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