gallery

1507 pieces, shuffled — reshuffle

Sketchbook 38 spread in watercolor: pale garden flowers in blues and reds, a spiky globe thistle, and red blooms — noted 'Gonks garden' iPod ebook page from Ted Hughes's Tales from Ovid with highlighted lines: the goddess rose out of the depth and began the old story of how she was loved by a river ThinkPad X201 tablet open, keyboard in the foreground; the glossy screen reflects the photographer instead of showing anything — the Eureka Maru Cover of sketchbook 47: a graphite study of the Farnese Hercules from behind set into the gilt-framed panel of a worn red book cover Digital self-portrait painting: a woman with long braids looking straight out, framed by green leaves and small white blossoms on deep purple ZBrush close-up of a Path girl's hooded head, wireframed olive face with blank eyes inside a smooth grey hood Extreme close-up of one made-up eye, winged eyeliner and freckles, looking sidelong Fifty-song year-end playlist: UMO, Momus, Belle & Sebastian, Vivaldi's Stabat Mater highlighted, Jarboe, Joanna Newsom, Boduf Songs Wireframed hooded girl in the viewport, face smooth inside the mesh hood, red seam lines around the face Square medium-format photo: a drainpipe kinking down onto a flat tar roof, brick school building and fenced windows behind, morning haze A photograph of a printed page with cream-colored paper displaying four centered lines of black text in a simple serif typeface. The text reads: "For the blind man / in the dark room / looking for the black cat / that isn't there." Journal spread: a crosshatched ink head with hollow eyes among falling leaves — 'what a horrible way to go, to be crushed...' — opposite a page of pencil writing Sketchbook 44 spread: pencil studies after ceiling figures — a flying woman with wind-blown drapery carrying an infant, and a second tumbling figure seen from below Sketchbook 42 spread: graphite copy of a muscular bearded figure biting his knuckles, after a Sistine ignudo or slave, above a faint pencil tangle of folded limbs Twitter exchange: Auriea shares Monteverdi's First Book of Madrigals; Hasan Niyazi replies 'as if 1587 taps us on the shoulder and says remember — blessings' Sketchbook 42b: dark charcoal study of the Belvedere Torso from behind, the muscled back twisting above the truncated thighs against heavy hatching Journal page dated February 19: notes before Las Meninas at the Prado — 'surprised by brushwork, muddy and rough… the strokes being alive' — with two ink sketches Max/MSP patch for the MaxMBROLA~ speech-synthesis object: message boxes loading a voice and .pho phoneme files wired into pitch, time, and voice inlets above a dac~ Rough digital sketch: a grinning bat-eared demon figure in a dark coat with a large white 6 painted on its chest, on tan ground Game character model: a gaunt zombie-like man with skull-white face, arms outstretched in T-pose, black tattered body with white markings Metope's Material tablet: the PIGMENT and FIRED preview balls beside the colour well, sliders for roughness, metalness, emissive, clearcoat, subsurface and granulation, glaze flow and glaze colour, and the collapsible material library. An old engraving of two figures embracing beneath a rocky overhang, overpainted with ranks of falling black teardrops that spill past its margins Another view of Proserpina in sepia: the twist of her torso, his hand gripping, her body arching away Gallery corner installation of cut paper: red arteries, cream intestines, and green organs cascading down the white walls onto the concrete floor Early color photograph of Emilie Flöge standing in a garden wearing a flowing white reform dress with appliquéd panel, designed with Gustav Klimt Warped panorama selfie in the courtyard of the Rubens House in Antwerp — sun flaring over the head, the baroque portico bent around both sides QR code for the ProjectProject work Polyphemau Uscio — In Uscio, on the first of November, the light comes in low over the Via Vittorio Veneto, and she sits with what she already keeps. METOPE paint and glaze figure Second installation view: the striped platform holds a turquoise head, a faceted white Venus on a striped plinth, bird-skull hybrids, and a small dark figurine Hands in red light hold a Book of Blessings open to the Order for the Blessing of Centers of Social Communication Sketchbook 44 spread, 2 October 2012, Boeing 747 to Las Vegas: red ballpoint sleeping passengers under a painted blanket, with a swatched palette of 'colors for a trip to California' Four photos of black garments: a wrap top worn with long locs, a dancing blur, a sleeper under a black coat, and two coats laid out on a patterned bed Journal page: the Parsons 'fine arts' senior thesis exhibition card, 1993, above taped photo strips of small sculptures — 'this was a very good idea' in pencil Broken web age-calculator: 'You are NaN days old today. You will be NaN days old on NaN/NaN/Na' Black-and-white X-ray of a curved spine and ribcage in profile — the scoliosis made visible Night desk: Wacom tablet showing a painting in progress of a girl in a forest clearing, laptop with the reference scene, headphones and the watercolor tin nearby Sketchbook 41 spread: charcoal studies of noses and lips, a seated figure, perspective primitives, a red-draped column, and a blue gouache nude marked 'after Carracci' Sketchbook 50 spread on grey paper: graphite-and-white studies of a kitten asleep on its back, paws curled, with separate sketches of its ears and toe pads Two renders on hot pink: a flat grey slab with two black pegs, then the slab split open showing a black gap — Halloween minimalism Sketchbook 45 spread: a close brown-toned gouache portrait of a woman's face, facing a red ink-and-wash figure curled inside an egg-like ring with notes on love, fragments and ruins in technological art Collage 'Cautionary Tale': a watercolor figure with exposed bones walking on green ground, framed by torn handwriting and a small anatomical leg diagram Cover of sketchbook 35: a red Moleskine planner with a Polaroid of dried leaves taped under plastic, dated 2008/11/16 Sketchbook 46 spread: life-drawing session painted over a violet watercolor ground — standing, bending and cross-legged nudes reserved in white, one small figure in full dark wash French grammar diagram of the 'maison d'être': a house with arrows acting out the être verbs — naître, rester, monter, tomber, mourir, aller, venir — around a road marked passer Booklet page for The Books' It Never Changes to Stop: the sampled schoolteacher's monologue — 'Sit up straight and be quiet... absolutely still, every eye closed' — set as a poem MinoRinth: looking down into the maze's core, a grey fan of wall segments circling a sunken mosaic hexagon overlaid with green triangulation Quote card — Ingres said: 'Drawing is three-fourths and a half of what constitutes painting. If I had to put a sign over the door of my atelier, I would write: School of Drawing... and I'm certain that I would create painters.' Velázquez's Queen Mariana in the Met's gold frame: black court dress with silver trim, red rosettes, a white handkerchief in hand Close-up of a Path girl's face bottom half: sallow skin, wide dark hollow eyes, flat lips, red hair edges at the ears

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