gallery

1507 pieces, shuffled — reshuffle

Still from Shadow of the Colossus: Wander on his black horse Agro wheels before a towering, moss-grown stone colossus Michelangelo's Madonna of Bruges in her dark marble altar niche at the Church of Our Lady, flanked by saints, candles, roses and pink blossom branches Spread from C. S. Lewis's Till We Have Faces, pages 168 and 169: Orual presses Psyche about her unseen husband, monster, shadow, or god of the Mountain Sketchbook 40: notes from the Theories of Beauty symposium in Leuven under a blue KASK Cinema flyer, with a pencil drawing of a woman reading beside an hourglass Self-portrait reflected in a botanical garden greenhouse pane, camera raised, autumn pines and roses tinted rose-gold through the glass METOPE paint and glaze figure Sketchbook ballpoint portrait of a laughing boy in an open jacket, eyes squeezed shut, a flame-like doodle rising beside his shoulder Handwritten score: 'AURIEA, for two pianos' — September 15, 2015, Oostende — playfully, allegretto; 'brush strings gently', 'choose a string, find the note', ending 'fin' three times Five progressive states of the Magdalene etching side by side, the skull-faced seated figure emerging from faint outline to dense black shadow The Bauhaus curriculum wheel: VORLEHRE around the rim, rings of Stein Holz Metall Ton Glas Farbe Gewebe, and BAU at the core Path production prints: black-and-white posters of the six sisters hung on a line, and the tall Scarlet poster taped up over the tidy desk Grainy photograph of the transit of Venus: an arrow points to the planet's small dark silhouette against the Sun's blurred limb Colored-pencil drawing on gray paper: a dead tulip, petals collapsed like drapery over a ghost of yellow Peter Verhelst theatre tableau: performers sprawled sleeping in a heap among foam animal sculptures — deer, swans, pelicans — in fringed costumes Blurry snapshot in a pink tank top printed with a roaring purple monster, mid-gesture Natal chart drawn in vintage Mac astrology software, cyan double wheel with red and green aspect lines, tables of elements and aspects around it Dark 3d bird hunkered in a shallow grass nest, one white eye catching light A feverfew plant (moederkruid) with small white double blooms and green ferny leaves against a peeling whitewashed wall Palma il Giovane's Jael and Sisera: bare-shouldered Jael kneels with hammer raised, driving the tent peg into the sleeping general's head Edvard Munch's Puberty: a naked adolescent girl sits on the edge of her bed, arms crossed over her lap, a heavy shadow looming beside her Tiny grainy black-and-white webcam frame of a woman with long dark hair caught mid-motion, dancing in her chair The print studio bench against pink walls: a crowd of small sculptures — printed heads in a dozen materials, black falling figures, gold twins, glass jars — with an iPad, a pencil study, and a sticky note pricing it all at ONE MILLION EURO small animation of the Prophet Ezekiel from my video in this room is a sculpture called PROPHECY. a man with a swirling cloud around his head stumbles around then focuses. Painting of a grim place setting: a small head surfacing from a plate of dark soup, spoon, napkin, and a glass of pale wine on white linen The Path character sheet '2_Rose': four polaroids of the girl in the red hood and dress at different ages, a green hedge-maze icon at left EarthBound ('The War Against Giygas!') running in an SNES emulator on a Nintendo DS, menu on the lower screen Sketchbook 43: the June 2012 transit of Venus painted as an ochre-gold sun disc with the planet a small dark dot near its lower edge Diary line in blue ballpoint over the printed word APRIL: 'I wrote this in Darmstadt with a free pen. Michael has gone to the restroom. I'm drinking champagne.' Panorama on the Gravensteen bridge in Ghent, unimpressed face in the foreground, the castle and canal curving behind, tourists at the rail Sketchbook 46 spread: 'Frequently I am quite torn apart by anger' — a ballpoint figure collapsing amid scribbled darkness beside an up-flung arm drawn in graphite, a bare foot planted below Sketchbook pencil studies: a woman's downcast face, a dark heavily-shaded bearded man grimacing, and a faint construction-lines head Metope's radial palette, opened over the work: a ring of wedges for view, paint, glaze, texture, set, colour, tools and display, with the current tool named in the centre. Inside back cover of sketchbook 38: a sun-bleached Polaroid self-portrait among bare branches, hair falling over the face, taped beside a German page on 18th-century literature Journal spread in black grease crayon: two slashed portrait heads emerging from darkness, a third small face lower left Tiny blurry webcam frame of Shari in a white shirt, head bowed over a desk in daylight Sformo-Bands Sketchbook 30 spread labeled 'Hecuba blinds Polymnestor': ink and wash studies of gravestones and crosses, numbered like a catalogue of monuments Two life-size gilded skeleton sculptures hold an oval mirror in a dark shop window; the photographer stands reflected between them, all in black Duchamp's To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour: a striped pyramid and lens on shattered glass The Mystery, first ZBrush version in mauve: a skull with a small serene face nested in its eye socket, trailing a long bone stem and torn wing of ear Atari Tempest title screen: the word TEMPEST in glitching red-and-blue vector strokes above the 1980 Atari copyright Scan of a single leaf gilded entirely in tarnished silver, its serrated edge and stem intact against black Path character sheet '4_Ruby': five polaroids from small red-haired child to the black-bobbed girl in striped top A whole pumpkin pie on a metal plate with one slice cut and slightly pulled out, on black granite Back cover of sketchbook 48: green and brown marbled paper over worn boards with dark leather corners and a red cloth spine The Rhine from a car window: Cologne Cathedral's twin spires on the skyline, barges below, a hand resting on the sill in shadow Strip of a 3d face: two almond eyes with snowflake-patterned kaleidoscope irises in pale skin Grayscale digital painting of two drooping peony buds, ink-dark leaves against a smudged white sky Screenshot from Cricoterie, Tale of Tales' Tadeusz Kantor-inspired VR: a horse skeleton puppet, a toppled mannequin and a black figure among doors and a cage on a dark stage MinoRinth: the dark bronze Minotaur figure dances on yellow wireframe ground, its horned shadow thrown huge across the deep red wall

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