gallery

1507 pieces, shuffled — reshuffle

Circular fountain basin ringed by thin jets of water catching evening light, dry grasses in the foreground Scanned spread from The Unbearable Lightness of Being, chapters 14 to 16: Tereza embraces a tree like a lost grandfather while the man with the rifle waits Mirrored double portrait: a pale face with dark fringe doubled nose to nose, a point of light burning between the eyes over a band of ringed dots Standing small before the Pergamon Altar friezes in Berlin, hands at sides, bag dropped on the marble floor, battling gods overhead Roma sketchbook: brush-pen sketch after Bernini's Rape of Proserpina — her raised arm and turned head, his fingers pressing into her hip Two Endless Forest deer side by side: a black one with blue skull face and sparkler antlers, and a red one in a green luchador-style mask Annotated Quest3D screenshot: a tangle of linked channel blocks with pink circles and arrows marking which body and motion nodes were already there Blue pencil sketch of a Louvre marine centaur group: a bearded triton reclining on a coiling fish tail, a slender youth seated against his back La Vita Nova render: a small point-cloud woman glows in a narrow slot between dark pyramidal blocks, a pale sun haloed in the starry sky above Spread of One Hundred Years of Solitude, pages 196–197, with 'Cease, cows, life is short' highlighted in yellow Sketchbook 48 spread: delicate graphite study of a downcast female nude leaning forward, ringed by spiraling notes on block-in, shadow pattern and 'draw contour last' Walking behind someone on a sandy path between grassy dunes, cigarette in hand, long shadows 3d model of a weathered stone grave cross in an empty grey Blender viewport — a gravestone for The Endless Forest Spolia-Style-SpiralStrut-Detail Sketchbook 38 spread: a night-blooming flower in pencil, pale petals reserved against a darkened star-flecked ground The same vessel after growing supports: branching oak-coloured struts descend from the rim and from the base ring, merging into a few thicker legs that meet the build plate. Sketchbook 31 spread in pencil: a jet seen from above the clouds and a sleeping fellow passenger — 'Slept. Flying out of Charleroi...' Sketchbook 44, 'Things that happen at night', last night in Fenouillet, 27 July 2012: four ballpoint vignettes — a hill against storm light, wind through a dark window, a man in darkness, a figure day-for-night Long-exposure blur of a family living room seen through a mylar balloon — clock, cabinet and figures smeared into ghosts The Endless Forest deer with a glowing white skull face and huge branching red antlers like coral fins, standing in fog A denser QR code on white, larger than the first Bleached scan of page 45 of Borges's The Garden of Forking Paths: everything happens to a man precisely now, and the narrator inventories his pockets Video lecture paused at 14:54 — 'The Nature of Arguments', Critical Reasoning for Beginners, a lecturer beside a slide at the University of Oxford podium Text titled Realtime processing: the computer's essence as artistic medium is generating events in real time — time is to digital art what space is to analog art Sketchbook 49 spread at the Sinebrychoff Museum, Helsinki: ink sketch of a St Anne 'protects against plague' painting holding Maria and Jesu, a light tangle of figures, and a shaded reaching hand Child's pencil note on torn pink paper with a two-dollar bill pinned under it: here is a bracelet made by my mother and a two dollar bill my dad left — spend it wisely, Chad The morning after, in overlapping photo windows: a wine bottle and glasses on the floor, two desks buried in prints, gear and a laptop Cover of the Ōkami art book: gold wolf linework over a large red sun on black, with Japanese title columns and a red seal reading kizuna Polaroid from the seventies: a small girl in a white dress and tights grinning on a huge brocade sofa, feet not reaching the floor Sketchbook 40, journal page copying Anne Carson: 'Drawing is quite, quite naked...' with notes on drawing, honesty, and modelling a hand in 3D, a wiry hand sketched above Two frames: copper leaf laid with tongs onto a girl's closed eyelids, then her face with gilded eye sockets running in metallic drips like tears Night photo of Kit Halsted, cigarette in mouth, leaning on a loaded Triumph motorcycle at a Manhattan curb, lit billboards down the street French TV weather map ('DEMAIN') covered in burning-car and riot icons instead of weather symbols — the 2005 riots as forecast Sketchbook 39, digital painting: a boy in a blue sweater in profile, pale face under a mop of brown hair, his shadow doubled on the tan wall Louise Bourgeois drawing: obsession or Confusion? handwritten in red inside a scratchy red chalk frame, signed in pencil Sketchbook 6 page: cipher key mapping invented circle-glyphs to English syllables — tha, the, thi, and, am, is, are, was, be, being, been, -ed, -ly Sketchbook 44 spread: Mary Flanagan's IndieCade keynote — her full-length portrait beside her list from Jacquard to Gygax — facing notes from Richard Lemarchand's USC class with studies of clasped hands and a wire tangle The Graveyard in black and white: the old woman with her cane walking the central path between crosses toward the chapel Sketchbook 33 spread: two great black ink blots mirrored across the gutter like a Rorschach figure with outstretched arms, faint pencil sketches beneath Back cover of sketchbook 26: waxed book pages printed with dark palm fronds and crosshatched shadows, amber and sepia Hand-drawn anarchy symbol: a rough black brushstroke A crossing through a circle Black-and-white diptych: blurred lattice shadow and a glass on a table above; a kitchen-roll on the windowsill overlooking a bare Gent courtyard below To-do list detail: 'Decisions on what objects are found in the forest', 'watch the zbrush3 dvd', 'DONT MAKE A FOOL OF YOURSELF' in small caps Museum conservation room, deep red walls: Memling's singing and music-making angel panels on wheeled easels among examination lamps and tool carts Sketchbook 47 spread on the 'Rubens in Europe' exhibition: écorché studies, notes on Van Dyck's Charles I and Rubens's Leda and the Swan copy after Michelangelo — 'bursting out of this rectangle, but so still' Body scan, 2002: a horizontal abdominal incision closed with a row of metal staples, stained gauze pads resting above it Sketchbook 22B spread of journal writing with taped photos of small buildings and trees, a pencil sketch of a wrought-iron gate — 'turn the trees to flame.' Black-and-white double exposure on 2nd Street: a blurred face streaked with motion in a mirror, plaster wall and shuttered window folding into shadow Cover of sketchbook 1: a red chaos star on black, 'RIEA' in white block letters, 'CHAOS is my life' at the hub — 'Auriea Harvey's Sketchbook' Sketchbook 46 spread: loose watercolor peonies in rose and magenta with sap-green leaves, blooming across the gutter of the tan pages

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