gallery

1507 pieces, shuffled — reshuffle

RCA LP cover of Great Scenes from Gershwin's Porgy and Bess with Leontyne Price in a red feathered dress and William Warfield kneeling beside her Metope's Face Sets tablet: the paint-regions switch, the list of sets with their colours, stone dropdowns and lock/hide flags, and the region tools — rect, circle, flood fill, smooth edges, fill with material or texture, and extrude set. Yellowed Japanese newspaper clipping reviewing Boris Vian — a column by Sone Motokichi on the intellectual 'spitting on graves' poet-provocateur Journal spread painted black: a red anatomical hand with a blue-purple palm reaching down the right page, faint red writing in the margins John Cage score page: circled constellations of pitch letters joined by lines, floating over conventional staves beside an ornate clef Two states of a 3d girl's face: buried in rainbow scanline noise above, and smooth with one glass eye looking out below Bill Viola's Dolorosa: a hinged diptych of two video portraits in the manner of devotional panels — a curly-haired woman and a bearded man, both weeping with closed eyes A dead twig with curled brown leaves on a grey ground, two leaves lettered in white paint to spell perfekt Evening primrose (teunisbloem) seen from above at night, two pale yellow flowers on a rosette of narrow leaves, photographer's shoes visible below John William Waterhouse's Consulting the Oracle: a priestess by lamplight speaks to a semicircle of veiled women leaning in around a marble floor Logo of the word mirror drawn in thin white rounded strokes on black, the letterforms mirrored so the word reads the same reflected Sketchbook 38 fold-out: aquarium jellyfish in sepia and violet wash pulsing across two panels, beside a dark rooftop against a pink dusk Inside the MinoRinth maze: dark castle-like towers with chimneys loom over the walls under a curdled white-and-sepia sky Sketchbook 32, page 11: three painted severed heads — a red-bearded head lifted by the hair from a white basin (#032), a grey figure, and a red-lined sleeping face (#006) Sketchbook 49 spread on 'Renaissance and Baroque Bronzes from the Hill Collection': notes on the Sleeping Venus's winged-skull memento mori and gilt bronze, with two twisting figure sketches — 'the twist' Sketchbook 45 before its cover painting: a black-and-white photo of the plain black square book held at one corner, a pencil resting behind it Jean Fouquet's Virgin and Child Surrounded by Angels from the Melun Diptych: the pale crowned Virgin bares one breast amid red and blue seraphim Green-on-black terminal listing: files MissJones and THEDEVIL, then the command 'cp ._THEDEVIL ._MissJones' Dim webcam photo: a man's face half out of frame beside a window with potted plants on the sill, a pale building across the street and a radiator below Cover of sketchbook 29: a painted collaged face on black — cropped bands of eyes, nose and grinning teeth assembled into a mask Worn black cover of the Caproni Casts catalog — 'Plaster Reproductions of Sculpture for Drawing and Modeling Classes', Caproni Galleries, Boston, price one dollar Cover of sketchbook 43: white gessoed cloth painted with a large marbled sphere in red, gold and green, a small silver moon circle set into its lower edge Sketchbook 32, Mediaterra 'Utopia & Virtual Space': ballpoint portraits of panelists — Margarete Jahrmann, Laura Baigorri Ballarín, Gonzalo Frasca — with notes on ludic society The studio worktable in 2017: a bronze head resting in a stone dish, a white David figurine, dark wax figures, a porcelain Venus on a box, and a teacup of tools The Path logo: scratchy black hand-drawn capitals reading THE PATH, 'a tale of tales' small beneath Blender wireframe of nested matryoshka dolls, four egg-bodies one inside another in orthographic view Arman's Chopin's Waterloo: a grand piano smashed and splayed across a red panel, keys, hammers, and strings fixed where they burst Metope's Model Stamp window: an orbitable preview of the shape being pressed, source buttons for six primitives, model import and image-to-relief, the baked depth map, and the Detail slider. Cover of sketchbook 15: the darkened, cracked contents page of an antique reader collaged under murky brown paint, entries like 'Trust in God' underlined in red Cover of sketchbook 19: mustard felt-covered board with a small window of antique printed text pasted at center Close on the leafed neck struts: twisted stems with leaf blades reaching out and up between them. Six red 3d urns and lidded jars in diamond and stripe patterns lined up on a dark shelf — Graveyard props Anne Carson, 'Could I': 'If you are not the free person you want to be, you must find a place to tell the truth about that… The point is not to find a reader, the point is the telling itself.' Contact sheet of eleven webcam video stills, timestamped: a man and a woman on a green sofa in take after take — interview recording Group photograph of the Bauhaus masters in coats and hats on the Dessau roof — Gropius, Kandinsky, Klee, Moholy-Nagy among them Sketchbook 47 Vienna spread: blue-pencil study after Correggio's 'Jupiter and Io', museum sketchers at easels, Klimt ornament motifs, and notes on the Secession's Beethoven Frieze and the Leopold Museum Standing at the lit vitrines of Degas bronzes — dancers mid-leap on their plinths — sketchbook raised, silhouetted in the amber museum light Cover of sketchbook 22A: a striped box drawn in black ink on pink board with 'present' written in cursive across it, signed Auriea Harvey Looking up through MinoRinth: a dark tree trunk forks overhead into pixel-dust foliage, the maze's green rings and grids dissolving in white glare Sketchbook 32, page 34: pencil study of Rodin's Old Courtesan ('She Who Was Once the Helmet Maker's Beautiful Wife'), her bowed bony body in profile Nine screenshots from Shadows of Our Forgotten Ancestors: red branches, faces through windows, a bloodied man, a hand on a cross Cover of sketchbook 16B: raw grey board with a pasted three-panel comic strip — a woman's face, a burst of static, dark tentacles — captioned '...my wound healed, and I continued my journey' MinoRinth from above: green-edged concentric maze rings curving below brick towers, their walls stitched with dotted purple seams Christmas Eve double exposure: family unwrapping presents by the fireplace, a woman on the hearth, children over a big box, torn red paper on the floor Grid of grainy black-and-white webcam self-portraits: Auriea in a tank top posing and blurring, a raised palm with VSOP written on it, and close-ups of one eye Cover of sketchbook 18: a silhouetted photo-booth portrait taped under wrinkled white tissue streaked with rusty red drips Roma sketchbook: pencil sketch of a roped-off monument, and in purple and brown, a Bernini angel reaching toward a draped reclining figure Digital painted self-portrait, summer 2005: Auriea with long braids framed by feverfew branches, small white blooms and pale insects scattered through her hair The Fountain of Life detail from the Ghent Altarpiece — angels kneeling on starry grass around the slender bronze fountain — framed with a plaque reading 'Auriea 2012', a gift from Hasan Niyazi Attic wall mid-repair: patches of white filler over old yellow paint above a long white floating shelf, bare wood floor below

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