gallery

1507 pieces, shuffled — reshuffle

Sketchbook 49 spread: studies after Rembrandt's Man with the Golden Helmet at the Gemäldegalerie, and Géricault at Ghent's MSK — severed-head studies, phrenology marbles, and the 'head of a monomaniac' Sketchbook 45 spread from the Vrije Academie Wednesday-evening session: graphite studies of legs — a pair bent at the knee in profile, and a standing pair from mid-torso down Digital charcoal studies of two Michelangelo figures: a twisting bound slave washed in yellow, and a second figure with arm raised overhead Comic panels of Death from Neil Gaiman's Sandman: the pale girl in black, ankh at her throat, moving through a crowded street Black-and-white breakfast still life: Special K 'Bikini Challenge' box, Tropicana, milk, an empty bowl and a GEE games magazine A grey Russian Blue mother cat nursing three newborn kittens on white towels in a basket Spolia-Style-SpiralStrut Titian's Bacchus and Ariadne: the god leaps from his cheetah-drawn chariot toward the startled Ariadne under a deep blue sky crowned with stars A dense strip of engraved sheet music in 12/8, marked 'mhm' at the start, black notes crowding the staff Spolia-Gizmo-Size A Gemini year-ahead horoscope: 'a big change is in the works… everything you've been thinking of changing will be greenlit, light by light, and in time.' Magritte's The Treachery of Images: a smoothly painted pipe above the cursive caption Ceci n'est pas une pipe Photo of an open sketchbook held on a floral bedspread: 'NEVER DOUBT' painted huge in black over pages of smudged pencil writing, 'OK? O.K!' in the corner Girl with long blond hair sitting close to a TV, customizing a cartoon monkey's fur colors in a game menu Young hemelsleutel (sedum) plant with broad grey-green leaves in a terracotta pot on brick paving iPhone tarot app, three cards on green wallpaper: Five of Pentacles, Seven of Pentacles, Nine of Cups A notan diptych — panel A in one gray with a white mass, panel B in the second gray with black and white masses, HUD proportion bars beneath each Front view of the small bronze Magdalene in raking sunlight, the skull nested in her hair above her folded arms and crossed legs Broken 3d export: a pink low-poly suited figure with an enormous black cylinder skewered diagonally through its head to the floor Diptych of mirror self-portraits in a white bedroom: Auriea photographing her reflection, then the same mirror with the camera flash burst obliterating her face Sketchbook 39, digital painting: a hollow-eyed figure in dusky red with long dark hair and thin wire rabbit ears, leaning forward in darkness Roma sketchbook: an umbrella pine in terracotta pencil with a dark inked sculpture head resting at its base Sketchbook 44 page: ballpoint masked figures in hooded robes labeled Beauty, Wit, Virtue and Grace — 'the fairies are not your friends, they are old magic' — with a crowned tragic mask at center Book spread of Kafka's short prose piece The Sudden Walk, its single long sentence about abruptly leaving the house at night filling the left page METOPE paint and glaze figure A sculptural bust featuring a bearded male figure in white marble or plaster, positioned in profile against a weathered green patina base with black and gold-spotted stone, set against a black background. The figure's classical features and flowing beard are rendered in sharp detail, while the contrasting materials and oxidized finish suggest an aged or intentionally antiqued decorative object. Sketchbook 49 spread: graphite drawing of wilting amaryllis blooms, facing a close study of a nude's hip and a small sanguine figure climbing into shadow Photoshop layer tabs named: henna, blood, blood splatter, blood — working on Faustina Sketchbook 49 spread in wine-red pencil: a laurel-crowned nude seated in thought with hand to chin, and a heavily draped figure gathering her robes as she steps forward Wally Wood's 22 Panels That Always Work — the classic cheat sheet of comic framings: big head, extreme close-up, silhouette, down shot, L-shape and the rest Two dim screenshots from the horror shooter F.E.A.R.: a red corridor with clotted dark ceiling, a small figure at its end and bare footprints down the tiles Sketchbook 41 café spread: ballpoint sketches of a coffee cup, kettle, and a long-haired bearded man, with conference notes on Silent Hill 3, spatiality, the uncanny, and games as creative writing tools Hokusai's shunga print The Dream of the Fisherman's Wife: a woman reclining among rocks in the embrace of two octopuses, calligraphy filling the sky Auguste Rodin's The Three Shades atop the Gates of Hell: three identical bowed bronze nudes leaning together, arms hanging toward one another Sketchbook 48 spread: notes on Bernini and Poussin at a dinner party, Michelle's advice on chalk drawing, Subleyras and the 1740s turn to Neoclassicism — 'David, the father of us all' A Softer World comic, six sky-blue panels with a crane and unfinished tower: 'I sing anyway.' Sketchbook 5 spread: Emily Dickinson's 'My life closed twice before its close' written out in violet, facing a green-toned acrylic nude torso with dark red nipples Sketchbook 46 spread, mid-May: a painted self-portrait head balancing a cherry, a red heart, and pages of seed, fruit and flower studies — strawberry, plum, wheels and pods — over notes on thinking decoratively Grainy black-and-white video still from Rosas' Elena's Aria: two women seated on wooden chairs against a bare wall, one crossing her legs, one clutching her shoulder Small black-and-white QR code on white Webcam still from an AR test — 'Pattern marker example with Three.js' — peering over glasses in a patterned dress, the screen behind mirroring the page Anatomical fantasy drawing: skeleton of a crouched werewolf-like creature, skull snarling, drawn inside its transparent body outline RCA Victor Opera Series cover for Bizet's Carmen: Leontyne Price in large hoop earrings against red, with Franco Corelli, Karajan and the Vienna Philharmonic billed Orientalist painting of Salome: a dark-haired woman with hoop earrings and bared breast in a red sash skirt, gripping a brass platter and blade Robert Fludd's black square engraving, its edges inscribed 'Et sic in infinitum' on all four sides Sketchbook 40, Theories of Beauty continued: notes on the technological sublime and 'Beauty or the Aesthetic', with pencil portraits of speakers and audience Sketchbook held up in a park: brown-ink drawing of the pond with a dark figure's ripples, the real pond and lawn behind it A bear-suit sleeping bag standing upright: fingers pulling open the fanged mouth from inside, pink lining showing The Graveyard grandmother's face in wireframe over textured skin, black beret, on flat sky blue Sketchbook 44 spread, 'Slightly lost': ballpoint sketch of the Heusden bus stop en route to a driving exam, a reclining graphite nude below, and watercolor figure studies in grey and burnt orange opposite

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