gallery

1507 pieces, shuffled — reshuffle

A single seedling pushing up through dark soil, seed husk still capping one cotyledon like a hat Further along: the Circe master copy after Waterhouse, drapery and throne beasts more resolved Sketchbook 48 spread in graphite: a walnut hanging from its twig with one leaf, and a softly modeled human skull turned three-quarter into darkness, with small sigil-like doodles above Sketchbook 38 spread, 'The Roof view': a chimney and a patch of green moss and lichen spreading across pale roof slope in watercolor Two low-poly grey toy soldiers posed like plastic army men — one swinging a club overhead, one striding with pistol drawn The Path work-in-progress: dark girl with striped top in an overexposed poppy field, a pale scarecrow figure looming behind her Sketchbook 48 spread: pink-pencil dancer with raised arm over notes on the Musée Carnavalet — 'Paris explained by Parisians, collected by a madman' — and the Musée Cognacq-Jay's Boucher pastels Cover of sketchbook 38: a misty black-and-white photo of a Japanese garden framed in Kodak TX film-box edges, collaged over torn German book pages with red initials Roadworks warning sign gif: the digging man in a red triangle — u radu je spas, in work is salvation Despair.com demotivational poster, Procrastination: a figure gazes over a sea of clouds — laziness always pays off now Ornate gallery with The Graveyard(?) on a flatscreen — a blue underwater scene — a woman mugging wildly for the camera while a man gazes up QR code for the ProjectProject work The Mystery Pie chart of weather, apparently of life: Cloudy 47.5%, Showers 27.9%, Sunny 19.7%, Dreary 4.9% Sketchbook 44 spread from the Imagining the Future symposium, Neuchâtel, 10 July 2012: ballpoint portraits of speakers with a microphone, and a watercolor of the Alps over the lake with a sailboat Sketchbook 5: layered ink drawing of Washington Square Park — the arch's shadow, globe lamps, fences and 'hushed stairs' woven into a dense patterned composition Tall foxglove stem with pink bell flowers rising against a peeling whitewashed wall Line graph of human growth from age 1 to 18: cyan male and magenta female height curves rising to plateau, with growth-rate curves peaking in adolescence Looking down at a new dress printed with deer, trees and red flowers — a Bambi-esque forest scene with black lace at the neckline Sketchbook 44: pencil studies after Titian — a twisting nude with flying drapery, and a tangle of struggling figures Sketchbook 42, page 11: ballpoint still life on tan paper — a two-liter Sprite bottle, glass mugs, eyeglasses, a crumpled wrapper, and a TV remote Paint coverage across a stroke, before and after — measured from the colour buffer Mock Atari cartridge label 'Explain Games to a Dead Hare': Joseph Beuys with gold-leafed head cradling the dead hare, 'Use with Joystick Controllers', © 2007 YOU, INC. Sketchbook 32 spread: a copy of Rodin's Le Sommeil in red wash and pencil, the sleeping head dissolving into loose coiling lines — 'Le Sommeil, Monsieur Rodin' Page from the Codex Seraphinianus: two halves of a hollow deer joined by red threads, a tiny figure dangling between them, with asemic script Sketchbook 38 spread: a great cedar in the botanic garden, dark boughs in ink and wash spreading over water, small figures picnicking beneath Journal spread: blue ballpoint knee studies wrapped in cursive about attraction and illness, skeleton torsos and shoe sketches, 'It's a perfect day for letting go' — 3 June 92 Sketchbook 32, Mediaterra session 3 'Game Politics': six conference speakers drawn as ballpoint busts with name labels, tangled cords looping between them Two blurry black-and-white film frames with sprocket holes: a young woman in a t-shirt gesturing, then smiling shyly Silent Hill screenshot: a dark corridor swallowed in black, the flashlight flaring gold against a door beside a potted plant Sketchbook 32, Mediaterra day 3 'Game Art': speaker portraits including Martin Pichlmair in a yellow shirt and star collar labeled 'PWNED', notes on appropriation art Auriea's bare feet on a wooden floor beside two HTC Vive trackers with ankle straps, ready to be worn for full-body VR Cover of sketchbook 13: dark blue-black board with a single pasted image of a theater curtain labeled 'unknown' Sketchbook 49 spread on Michaël Borremans at BOZAR: thumbnail sketches of 'The Avoider', 'The Garment', 'The Angel' and 'The Devil's Dress' with notes, facing ballpoint figures from 'The Storm' 35mm projection loop Graphite study of a marble torso's thighs, a carved hand gathering the robe aside at the waist, with a smaller drapery sketch alongside Digital painting of celosia flowers in a green vase, olive greens on a brown ground with rough pale yellow brushwork around it Edmonia Triumphalis fabrication and process Sketchbook 40, IGS Cologne, Aug 15: pencil portraits of the indie games scene — Brandon Boyer, Michaël Samyn, Douglas Wilson — around the panel title 'Beyond Fun' Sketchbook 49 page in sanguine: a nude pulling drapery from her shoulders with arm raised over her head, a lighter blocked-in figure beside her Back cover of sketchbook 33: a jeweled blue Renaissance sleeve and a hand leafing through a green book, collaged in leather corners with a floral tapestry band Two cartoon theme-park map details: the Cobra loop coaster marked 48, and the wooden Weerwolf/Loup Garou coaster marked 6 Tintype-style self-portrait, very close: round dark-rimmed glasses, window light on one side, the plate scratched and spotted Sketchbook 6 page dated 24 June 1990: rows of an invented cipher alphabet in green ink, with framing notes for a black-metal-frame self-image piece and the word 'anorexia' in the margin A gray kitten sits bolt upright on the studio's wide plank floor between the piano, its stool, and the open pine door Mag's first form: a reclining figure fresh off the SLA printer in deep purple, still on its lattice of supports, a smaller twin beside it among bronze and stone kin A battered TDK D90 cassette labeled in red pen Balinese Gamelon, Ketjak Monkey Chant, side A Back of sketchbook 31: a dark felt pencil roll stitched in red over a black Moleskine, four worn pencils tucked in the bottom Dense pencil drawing of a bare left foot from above on near-black hatched ground, an ankle strap at the heel Preface page from Anne Carson's Grief Lessons — 'Tragedy: A Curious Art Form' — beginning 'Why does tragedy exist? Because you are full of rage. Why are you full of rage? Because you are full of grief.' Cover of sketchbook 36: red Moleskine with a dark Polaroid of a braided head wrapped in red-veined tissue, a postcard of an ornate clock-tower shrine, and a skull sticker

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