gallery

1507 pieces, shuffled — reshuffle

A scanned drift of currencies: a fifty-million-Mark Reichsbanknote, a US two-dollar bill, Egyptian pounds, assorted coins, and a pink hundred 3d raven from above, wings spread wide showing purple-striped feathers, gliding in the dark viewport Spolia-Style-Vine 3D-printed cyclops head prototype in tan filament held in the hand, a single brown glass eye set into its off-center socket A magenta-lit gallery room, empty except for a black doorway cut into the glowing pink wall Master copy in progress of Waterhouse's Circe Offering the Cup to Ulysses — Circe enthroned before the round mirror, cup and wand raised Live Click Test Sketchbook 45 spread: pencil copy of a church sculpture — a bearded God the Father flying with billowing drapery, arm outstretched — beside studies of trousered legs kneeling on a cushion Sketchbook 38 fold-out in pencil: a Ryanair seatback tray, the wing over a coastline near Bologna, and a neighbor thumbing a phone — 'airplane to Bologna' Soft grayscale painting of a white rabbit at rest with ears raised, glazed like porcelain against a white ground Cy Twombly's Poems to the Sea, 1959: twenty-four white panels of scribbled pencil, oil, and wax crayon evoking horizon lines, numbers, and sea-script Auriea seated with an orange classical guitar, dreadlocks falling over a green tee, right hand spread across the strings Collage for MinoRinth: two mirrored profiles of Auriea joined like a Janus head, each face half-hidden by a horned grey bull's head Diptych by the wooden door: grinning in a fur-trimmed hooded coat, then hiding — pulling the hood down over her face Sketchbook spread: at left a black ballpoint doll-like head with a red mouth on a stalk; at right, red ballpoint legs in heels reclining from the page corner Sketchbook 45: a white rose in graphite against a dark hatched ground, its stem crossing two curled leaves — dated notes opposite mention Bientôt l'été and Anne Carson Black-and-white hunting-lodge room crowded with taxidermy — moose and deer heads, geese, a pheasant — with a small color photo of an embracing couple collaged on the wall SketchBox app full of virtual sticky notes: THE PATH, 'make paintings of triads', 'PUT GRANDMOTHER IN THE BACK OF THE HOUSE', MAKE GRAVES, two red DONEs High-contrast digital portrait: pale face with heavy black eye makeup and black lips under a blunt black fringe, violet and orange accents iChat window with Ben Coopersmith: pink and grey bubbles chanting 'make it real' / 'make the dream real', ending with quitting smoking on my birthday Sketchbook 48 spread: two graphite studies — a close-up of a hand gripping drapery at a nude's hip, and a rising écorché-like figure with arms flung upward, 'in the presence of others on the last day of class' Rogier van der Weyden's Beaune Last Judgment, centre panel: the archangel Michael in white weighs two small souls while red angels sound trumpets Sketchbook 43 spread: peonies in a ribbed vase in silvery graphite at left; loose pink colored-pencil peonies at right with notes on Keats, Rousseau, and looking deeper Sformo-Assembled Small pill-shaped interface strip fading from white into warm grey Tiny animated gif of a figure rising from a small fire against black Two sepia portraits of a man at home: smiling close in wire glasses and a heavy chain; then aiming his Nikon back at the camera beneath a Pianos Daudé poster Webcam frame: a man's face looms half out of frame at the right; behind him a brick fireplace, a television, and a small posable skeleton bent double Grey placeholder card reading 'THERE IS NO BOOK 14' in serif capitals Sketchbook 44 spread: pale watercolor notation of the Pacific coast — green scrub hills, scattered trees, and an ochre bluff washed over faint pencil beneath Mark Ryden-style painting in a heavy gilded frame: a big-eyed brown-skinned girl with a white hair bow and lace collar Sketchbook 32 dark side spread, dated 08/06: a black ink flood spilling across a winter landscape of pencil hatching and gold-brown brush marks Voyager-style black-and-white photograph of Jupiter against black space, its banded clouds and Great Red Spot visible Sketchbook 33 spread: a pine tree drawn in patient pen line, its trunk splitting into branches over a bare horizon, a few ink burrs floating above A thin strip of printed text reading The labours I endured were Handbound felt-covered sketchbook with an iPod Touch bound in as a page, screen reading 'Sync in Progress' — three views of the book-with-battery Small grainy GIF of Mr. T in his layered gold chains and mohawk Novelty phone-message slip headed 'SADE (Shah-day)': 'While you were listening to Sade's DIAMOND LIFE album', with checkboxes like 'Phoned' and 'Wants to see you' over her faint portrait ZBrush sculpt in progress, close up: a dark-skinned female head tilted back, polygroup seams still visible across the cheek and brow, hair bound at the nape Sketchbook 47 spread at Vienna's Kunsthistorisches Museum: sketches after Titian's Danae and a baroque portrait head, with notes on the Kunstkammer bezoar, Bruegel the Elder, and Vermeer's 'The Art of Painting' groworld research pair: a notebook drawing of an underground city with pheromone paths, and a photo of a pensive face, chin in hand — 'minimise borders and maximise edges' MinoRinth screenshot: looking down a vast fluted brown pit toward a small green labyrinth disc ringed in white at the bottom, a pink light-arc curving across Four runway looks with furry animal masks — horned goat and sheep heads over tartan coats and prints Page from Cabanne's Dialogues with Marcel Duchamp: painting had become retinal — few ideas, mostly technical problems, all painting since Impressionism antiscientific Google correcting the search 'keep pens from exploding on airplane' to 'keep pets from exploding on airplane' Torn scrap covered in handwritten 'yes yes yes' around a Tale of Tales Endless Forest calling card and a blue A PRIOR airmail sticker Ghost-white ambient-occlusion bake of a girl's bust, blank eyes, floating over black shoulders Grey 3D sculpt of three hands: one cradling an eyeball in its open palm, one clenched around another, and a limp hand lying with a ball between its fingers Detail of a digital painting after Monet: loose pink and white impasto strokes of water lilies floating on vertical blue-green water, with dark red foliage at right Spolia-Style-Trunk

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