tag: cover

Cover of the earliest sketchbook, mustard yellow and dense with ink doodles: 'RIEA!', 'UTILITY SKETCHBOOK', Japanese characters, spirals, faces, 1989 Cover of sketchbook 10: a dark window taped into mottled blue-green painted board, an X of white creases over a swirling green orb Cover of sketchbook 12A: worn grey-green board mottled with dark stains, taped spine, and a tiny white '#12' label at center Cover of sketchbook 12B: black board flecked with white and pink paint, collaged strips of patterned paper and a small photo of a white horse at center Cover of sketchbook 13: dark blue-black board with a single pasted image of a theater curtain labeled 'unknown' Back cover of sketchbook 15: torn brown pages of a 19th-century elocution book pasted over grey board, a hymn on angels still legible at left Cover of sketchbook 15: the darkened, cracked contents page of an antique reader collaged under murky brown paint, entries like 'Trust in God' underlined in red Back cover of sketchbook 16A: a Daniel Clowes 'PARANOID' comic page varnished in amber, its edges dissolving into dark red drips Back cover of sketchbook 17: a Kokoschka Kunstschau drama poster, an 'Andre the Giant Has a Posse' sticker, a strip of red velvet and a tiny yellow cat charm on a string Cover of sketchbook 17: cream paper with a small dark varnished window of foliage over faint cursive script, red velvet spine at left Back cover of sketchbook 18: a photograph of an open hand pressed under waxed translucent paper, everything tea-stained and creased Cover of sketchbook 18: a silhouetted photo-booth portrait taped under wrinkled white tissue streaked with rusty red drips Cover of sketchbook 19: mustard felt-covered board with a small window of antique printed text pasted at center Back cover of sketchbook 20: layers of cheesecloth painted pale blue and gold over damask fabric, tiny eyelets inked lower left Cover of sketchbook 20, 'Psyche Story': a winged figure in a pale blue gown collaged over gauze and yellowed floral paper — 'now I feel all my life has needed was one good dream' Cover of sketchbook 21A, 'The Disease Manifesto': white moon and streaked clouds on black-blue night, a pasted caption reading 'Night; stars and a bright moon.' Cover of sketchbook 21B: red felt covered in dark oval link shapes touched with gold, signed '21 TDM' — The Disease Manifesto Cover of sketchbook 22A: a striped box drawn in black ink on pink board with 'present' written in cursive across it, signed Auriea Harvey Back cover of sketchbook 22B: half faded red cloth, half a smoky photographic print of gnarled tree branches Cover of sketchbook 22B: a dark overexposed photograph of a crowd raising round-headed forms, like a procession seen through fog Cover of sketchbook 23A: plain deep magenta cloth, worn and water-stained, no title Back cover of sketchbook 23B: dark red board with a vertical pasted clipping: 'She is a living example of the ancient theorem The Woman is a Sandwich Covered With White Marble.' — Max Ernst Cover of sketchbook 23B: a narrow old ledger bound in dark marbled paper, red cloth at the spine, edges worn to orange Cover of sketchbook 24: grey-black felt with a gold eagle medallion reading 'Illustrated Encyclopedia of the Modern World' Cover of sketchbook 25: dark green cloth with a small black-and-white photo of Devils Tower and three red ribbons hanging down Cover of sketchbook 26: a thick black branching form like roots or veins inked over waxed book text crosshatched with shadows Cover of sketchbook 27: a cream string-tie envelope with red button closures, bordered in blue-and-orange Japanese fan paper, a faint face sketched at top Cover of sketchbook 28: swirling marbled paper in sage, rust and cream, held shut by four pale elastic bands Cover of sketchbook 29: a painted collaged face on black — cropped bands of eyes, nose and grinning teeth assembled into a mask Sketchbook 32 cover detail: creased player-piano roll paper, its white perforations drifting diagonally across the tan surface Cover of sketchbook 33: the sleeping face of van Eyck's God the Father from the Ghent Altarpiece turned sideways in its gold inscribed halo, set into pebbled leather and tapestry Cover of sketchbook 35: a red Moleskine planner with a Polaroid of dried leaves taped under plastic, dated 2008/11/16 Back of sketchbook 38 and its spine: marbled green paper under a black inked cloud, leather corners, spine strips reading 'Der Geist des Rokoko' Cover of sketchbook 3: black leather painted 'AURIEA'S SKETCHBOOK III' in purple around a photo of a hand with a chaos-star drawn on it, one eye peering past Cover of sketchbook 41: grey-blue board stenciled with curling vines, a moth sealed under a round window, a blue tape stripe and a Belgian lion patch Cover of sketchbook 42: olive-green board embossed with a crackle pattern, a strip of yellowed cloth tape along the stitched spine and a bent wire clip at top Cover of sketchbook 44: a red 19th-century publisher's binding stamped in gold, titled 'Feu et Flamme', the author's name blacked out — an antique book altered into a sketchbook Cover of sketchbook 6 (1996): crumpled white spiral notebook inked 'Auriea Part 6' over a taped clipping reading 'sex, life, and the cosmos…', dated 8 May–20 Aug Cover of sketchbook 7 (1990): white spiral book covered in pink lipstick kisses, inked 'Auriea Sketchbook VII — chaos is my life — Pseudo Quasi Real', 20 Aug–26 Sept Cover of sketchbook 8 (1990s): silver paint scrawled with dense handwriting around a torn red 'FRAGILE' sticker split by a lightning crack, above a Vitruvian-style figure in a grid Cover of sketchbook 9: pink-washed board stamped 'ENCLOSED' in red, scratched with a circled monogram and penciled 'retro-sketch #IX Auriea L. Harvey — PROFOUND IDEAS'

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