gallery

1479 pieces, shuffled — reshuffle

A feverfew plant (moederkruid) with small white double blooms and green ferny leaves against a peeling whitewashed wall Early Netherlandish panel of Eve holding the apple beside the tree, the serpent coiled up the trunk wearing a woman's golden-haired face, the paint finely crackled Sketchbook 43 spread: peonies in a ribbed vase in silvery graphite at left; loose pink colored-pencil peonies at right with notes on Keats, Rousseau, and looking deeper Sketchbook 38 spread: rooftops in watercolor — a mottled brick gable at left, storm clouds and a dark slate roof-line against blue at right Dell paperback cover of Madeleine L'Engle's A Wrinkle in Time: a winged centaur rearing over dark mountains, a green face glowering in a crystal sphere Thin gold threads wandering and crossing over a white field, like a tangle of dropped wire Plain web background graphic: a flat grey field rising on a shallow diagonal into white at the top Eight-song playlist starting with Final Fantasy's None Of You Will Ever See A Penny, five stars, then Deerhunter, Boduf Songs, Fridge, Beck, Cranes 3d raven from above, wings spread wide showing purple-striped feathers, gliding in the dark viewport Four video stills of the Mediterranean surf breaking over pebbles, sun glittering on the water Cover of sketchbook 31: a plain black Moleskine with its elastic band, scuffed from travel Sketchbook 44 spread, 2 October 2012, Boeing 747 to Las Vegas: red ballpoint sleeping passengers under a painted blanket, with a swatched palette of 'colors for a trip to California' Potted arrangement of pale green sedum rosettes with reddish edges, one spray of small yellow flowers, in a white bowl Freud's model of the mind as an iceberg: the conscious ego above the waterline, superego at the surface, and the vast unconscious id submerged below Hazy sunset over Ghent rooftops seen from the Pollepelstraat window: two pale suns — one real, one reflected — hang over silhouetted buildings and a crane Two small painted portraits labeled Bonnie and CLYDE — blonde Faye Dunaway and Serge Gainsbourg-esque face, side by side QR code for the ProjectProject work Sketch for a Cyclops The Path work-in-progress: dark girl with striped top in an overexposed poppy field, a pale scarecrow figure looming behind her Sketchbook 49 spread: a red-and-graphite banner-waving nude atop struggling fallen figures, facing a putto's face, a study of a nude's hip and thigh in pink, and a keychain shaped like an 8 Handwritten notebook page in blue ink headed Museum Quality Artwork: notes on institutional credibility, the frame of the museum, and the aging of bytes Handmade drawing tools made by Henrik Drescher's students laid out on white: spoons, sticks, sponge-tipped rods, taped filmstrip, feathers and bound rag brushes Sketchbook 32, Mediaterra day 2 'Gaming Environments': pages crowded with ballpoint portraits — Michael Mateas, Chris Crawford haloed mid-speech, notes on Deikto and immersion A battered TDK D90 cassette labeled in red pen Balinese Gamelon, Ketjak Monkey Chant, side A Sketchbook 42 spread: ballpoint profile studies — a face with pursed lips filling the left page, overlapping fragments of eyes, noses, lips and small hands on the right Mac desktop corner with the IO II and JUPITER cover art as folder icons over a misty forest wallpaper French grammar diagram of the 'maison d'être': a house with arrows acting out the être verbs — naître, rester, monter, tomber, mourir, aller, venir — around a road marked passer Sketchbook 30 spread labeled 'Hecuba blinds Polymnestor': ink and wash studies of gravestones and crosses, numbered like a catalogue of monuments Sketchbook 48 atelier spread 'searching for a flashlight in the dark': boxy construction figures and a sanguine nude with hand on hip, with notes on Poussin vs. Rubens and Couture's 'line properly understood is color' Audio editor screenshot: stereo waveform swelling to a dense block of sound just before the 1'00 mark Black-and-white sign in Disney-style lettering: 'ALL SHE SAID WAS — HORRIBLE THINGS WILL HAPPEN' The Graveyard in black and white: the old woman with her cane walking the central path between crosses toward the chapel La Vita Nova render: two glittering point-cloud sculptures face each other from arched niches across a grey, star-flecked mist Sketchbook 44 spread, 27 December 2012: colored-pencil studies of bare feet, a potted seedling and a small tree, beside dense game-design notes on ditching the open world and unrolling the world in chapters Untextured grey model of grandmother's crooked house with black door and window frames, one window glowing red Blue pencil sketch of a Louvre marine centaur group: a bearded triton reclining on a coiling fish tail, a slender youth seated against his back Entropy8 baroque logotype: the letters E-N-T-R-O-P-Y-8 descending through a thicket of white rococo vines and flourishes on black Long pink-and-black text conversation about BioShock: 'i didn't find it gorgeous at all... Hellgate <--vs--> Anne Carson. Anne Carson wins!' Sketchbook 45 spread: sanguine and watercolor study after a baroque abduction scene — bare legs kicking free of red drapery at left, the rest of the group in faint red outline at right The word NOW in soft-edged black letters, set diagonally and dissolving into a pale blue ground In the Ghent Altarpiece restoration studio: Van Eyck panels on easels, a hand holding up a blue 3d-printed hashtag arthistory in the foreground Small cut-out sprite of a low-poly man in brown jacket and jeans running away, seen from behind — Harry Mason of Silent Hill Sketchbook 41, page 43: charcoal seascape — two dark headlands flanking open water, a small buoy mid-channel, gulls scratched into a pale sky Live Click Test3 Transcript of the Kryptos sculpture at CIA headquarters: four panels of ciphertext letters and the keyed Vigenère alphabet tableau Sketchbook 47 spread: two graphite studies of a curly-headed marble Venus, with notes on Fetti's 'Melancholy', Thomas Boudin, and Coysevox's 'Crouching Venus' — 'she's looking heavenward, sitting on a tortoise' Sketchbook 44: pencil studies after Titian — a twisting nude with flying drapery, and a tangle of struggling figures Grid of grainy black-and-white webcam self-portraits: Auriea in a tank top posing and blurring, a raised palm with VSOP written on it, and close-ups of one eye Yellow poster in underlined black capitals: You are about to do something you shouldn't — The Game Is Up! festival, 7 to 16 February 2007 Sketchbook 48 spread: pink-pencil dancer with raised arm over notes on the Musée Carnavalet — 'Paris explained by Parisians, collected by a madman' — and the Musée Cognacq-Jay's Boucher pastels Narrow interface background strip: a rounded black bar fading downward into white

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