gallery

1458 pieces, shuffled — reshuffle

Smooth white 3d sculpture render on black: two abstracted nude figures curled into a ring, one body flowing into the other Sketchbook 43 spread: two soft graphite studies of the same seated bald model over faint journal writing — from behind at left, from the side with folded hands at right A pink-and-white peony bud leaning across the frame above a wooden floor — birthday flowers Mac desktop with a giant dark skull wallpaper, a small photo of a figure at a lectern set into its mouth like a tooth Black silhouette of a woman drifting mid-turn against a grey gradient, a faint reflection under her feet Blurry snapshot in a pink tank top printed with a roaring purple monster, mid-gesture Cover of sketchbook 8 (1990s): silver paint scrawled with dense handwriting around a torn red 'FRAGILE' sticker split by a lightning crack, above a Vitruvian-style figure in a grid Black-and-white café table: a Früh Kölsch bottle and two tall glasses, one full, one nearly empty A bear-suit sleeping bag standing upright: fingers pulling open the fanged mouth from inside, pink lining showing Journal spread painted black: a red anatomical hand with a blue-purple palm reaching down the right page, faint red writing in the margins Sketchbook fantasy drawing in colored pencil: a pale long-haired figure raising a sword before a sea with a tall ship, a huge face dreaming in the sunset sky Sketchbook 48 atelier spread: notes on light value and planar orientation with a shaded sphere diagram, facing a seated female nude annotated with trochanter, shadow side, and 'GRANDEUR — carve into the largeness of things' Textured 3d prop: a red-handled knife stuck upright in a green-topped tree stump Double page from Hokusai's Manga: sketched vignettes of kneeling figures — a startled couple, a shamisen player, a monk, and a gossiping pair — with brush captions Netscape-era screenshot of a web ELIZA chatbot — 'a friend you could never have' — replying 'Why do you say your whole life?' above the submit box Digital painting 'Did she jump or was she pushed': a white streak of a falling figure flashing through smoky blue and umber clouds inside a hot red border Sketchbook 32, page 11: three painted severed heads — a red-bearded head lifted by the hair from a white basin (#032), a grey figure, and a red-lined sleeping face (#006) Sketchbook 32 dark side spread: pencil sketches of family on couches — a woman reclining with cats curled below, a young woman seated, studies of faces Shoulder tattoo in progress: green Japanese waves curling around dark smoke-grey clouds, two red petals falling, partly outlined panels near the shoulder blade Sketchbook 32 spread: Eagle Creek park, Indianapolis, 2006 — dark red ink water swirling over swimmers, a duck sketched at the edge Raphael's black-chalk study of an upturned female head beside a pencil sketchbook page of an older man in a tank top with studies of mouths and noses Sketchbook 41, page 92: layered ballpoint study of a seated figure with rolled sleeves, hands clasping reins or cords, with small thumbnails noting 'full scene VR view' and jump points Square medium-format photo: a drainpipe kinking down onto a flat tar roof, brick school building and fenced windows behind, morning haze Sketchbook 42 spread: ballpoint Christmas stocking hung from a switch plate, a basket of dried flowers, and studies of a toddler — walking away in a dress, laughing face, sulking mouth AP news graphic 'A broken heart is not just folklore': a grey figure with heart, brain, kidneys and numbered steps explaining stress-hormone cardiomyopathy, after the New England Journal of Medicine Sketchbook 44, 'Things that happen at night', last night in Fenouillet, 27 July 2012: four ballpoint vignettes — a hill against storm light, wind through a dark window, a man in darkness, a figure day-for-night James Jean's painting Sink: a robed minotaur pours a thread of water from a teapot toward a pale bald girl curled in a tub among dark leaves Instagram story from earlymusicinstruments: the pegbox of a viola da gamba in progress, its scroll crowned by a small sculpted head in a cap groworld research pair: a notebook drawing of an underground city with pheromone paths, and a photo of a pensive face, chin in hand — 'minimise borders and maximise edges' Page from a Dutch lexicon under U, Uurwerk: water clocks from Egypt and Vitruvius through Su Song and al-Jazari, ending on sultan al-Kamil's candle clock of twelve doors Vooruit cinema screen from the balcony: 'Filmfestival Gent & Vooruit presenteren CLINT MANSELL & SONUS QUARTET' Sketchbook 46 spread: two graphite dancers pressed back to front, one gripping the other's hip, beside a black gouache figure with a raised brush-stroke arm Second woodblock page of the ʼPhags-pa primer: tall columns of angular square-script letters, each glossed with small Chinese characters Warped panorama selfie in the courtyard of the Rubens House in Antwerp — sun flaring over the head, the baroque portico bent around both sides Panorama of the Markt in Delft: herringbone brick square, gabled houses all around, the town hall at center, children and strollers at the statue's plinth Year Zero at bitforms, the rose-pink room: framed monotypes and drawings, a shelf of small dark maquettes, and a white figure on its bracket Worn black cover of the Caproni Casts catalog — 'Plaster Reproductions of Sculpture for Drawing and Modeling Classes', Caproni Galleries, Boston, price one dollar Text excerpt from James Baldwin: '...It was really a matter between me and God. I told him quite a long, long time ago there would be two of us at the Mercy Seat. He would not be asking all the questions.' French exam paper, January 2008, name Auriea Harvey: 83% total with 'Très bien!' in green ink Early ZBrush study for Saint John the Baptist: front and back of a faceless muscular body, its surfaces streaked with rough sculpting strokes Sketchbook 48 spread: two graphite studies — a close-up of a hand gripping drapery at a nude's hip, and a rising écorché-like figure with arms flung upward, 'in the presence of others on the last day of class' Journal spread 'MY PERFECT LIFE 30': a diagrammed stomach with handwritten confessions at left, a scrawled dark figure and notes on vomiting as remedy at right, dated 27 June 92 Back cover of sketchbook 23B: dark red board with a vertical pasted clipping: 'She is a living example of the ancient theorem The Woman is a Sandwich Covered With White Marble.' — Max Ernst Cover of sketchbook 12A: worn grey-green board mottled with dark stains, taped spine, and a tiny white '#12' label at center Vatican City, Vatican City — The Borgo Angelico held her in its greenish gray — that muted tone of weathered plaster, the ground itself. Cover of sketchbook 35: a red Moleskine planner with a Polaroid of dried leaves taped under plastic, dated 2008/11/16 Journal spread 'BLUTVERGIFTUNG chapter I': the word smeared in rusty red between two collaged kitchen-knife ads pointing at each other SketchBox app full of virtual sticky notes: THE PATH, 'make paintings of triads', 'PUT GRANDMOTHER IN THE BACK OF THE HOUSE', MAKE GRAVES, two red DONEs Wide still from Bill Viola's Going Forth By Day: a procession of people carrying bags and jackets walks steadily through a sunlit pine forest Roma sketchbook: dense ink trees in the Vatican gardens under writing about tourism and dedication — 'genetics be damned in my spirals'

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