gallery

1479 pieces, shuffled — reshuffle

Lecture slide: Olafur Eliasson's Weather Project three ways — the huge indoor sun at Tate Modern, a figure raising arms before it, visitors sprawled on the floor Work-in-progress VR lock in the game engine: an orange striped head caged inside interlocking dark rings, purple tendrils sweeping through the space around it Lain's bedroom from Serial Experiments Lain: a girl hunched at a glowing monitor amid stacked computers and coolant cables, stuffed animals lined along the window Sketchbook 44 spread, 3 September, model session: soft pencil sketches of the same nude bending, kneeling and seen from the back, poses overlapping across the gutter A small white bunny with grey ears and nose sitting in a white bathtub, looking up with one dark red eye Three webcam self-portraits stacked: glowering by a window in a scarf, headphones on looking down, and a close smiling face Soft flatbed scan of a Pieris sprig, its white bell-shaped spring blossoms hanging in rows against grey-green Sketchbook 48 spread dated Dec 12 at the Petit Palais: graphite nude after Jordaens's wife from behind, notes on 'Jordaens et le réalisme flamand', Carpeaux's Three Graces and Daumier Skype call with Michaël Samyn at 07:13: he mugs close to the camera, two relatives peeking in behind, the caller smiling in the corner window Black-and-white breakfast still life: Special K 'Bikini Challenge' box, Tropicana, milk, an empty bowl and a GEE games magazine Handwritten notebook page in blue ink headed Museum Quality Artwork: notes on institutional credibility, the frame of the museum, and the aging of bytes Voyager-style black-and-white photograph of Jupiter against black space, its banded clouds and Great Red Spot visible Camera-viewfinder framing of a studio wall: a webcam and USB lamp plugged in, small prints taped up, everything dim and greenish Sketchbook 41 spread on grey paper: a blue circle with traced hands, and portraits of grandmother in a blue headscarf, hooded mourners, roses, and publishing-platform notes below Roma sketchbook: pencil sketch of a roped-off monument, and in purple and brown, a Bernini angel reaching toward a draped reclining figure Sketchbook page in faint pencil: a domed high church on a cliff above the sea, with ruled text beginning 'The high church of Oorcon looms massively...' UV test texture: a grid of numerals 0 through 9 marching diagonally across squares of red, green, yellow, cyan, and purple Last.fm 'now listening' list: Stars of the Lid twice, zlknf, Grails, and Apse's AE twice E-book page with a note reading What I strive for when I write, pinned to Bloy's description of Huysmans dragging the Mother Image down the staircase of terrified Syntax Grainy still of a small gold figure curled into a ring, floating mid-air against beige — falling gilded body Four Dior haute couture looks by Galliano, Madame Butterfly themed: Hokusai-wave gown, kimono silhouettes and origami tailoring Second angle on the simulated striped table: the curly blue head and orange cyclops face in front, legs in orange boots, a standing figure, and bone fragments behind Black-and-white diptych: blurred lattice shadow and a glass on a table above; a kitchen-roll on the windowsill overlooking a bare Gent courtyard below High-contrast digital portrait: pale face with heavy black eye makeup and black lips under a blunt black fringe, violet and orange accents Before and after, two selfies: long dreadlocks past the chest, then cut to chin length, holding up the severed hair with a grin (a face photobombing below) Frida Kahlo's The Wounded Deer: a small deer with Kahlo's face pierced by nine arrows, leaping through a corridor of tree trunks toward a stormy sea The Path: Rose in red-and-black standing in mossy undergrowth, purple forest hung with red lanterns behind her Inverted photo: bare legs dangling from a silver-insulated ceiling above shopping baskets of toys — a mirror-world garage The Graveyard grandmother's face in wireframe over textured skin, black beret, on flat sky blue Mark Ryden-style painting in a heavy gilded frame: a big-eyed brown-skinned girl with a white hair bow and lace collar Museum vitrine with a device to measure the scent of a flower: white blossoms sealed in a glass bottle, tubing running to a small wooden pump box beside a porcelain jar Cover of sketchbook 16B: raw grey board with a pasted three-panel comic strip — a woman's face, a burst of static, dark tentacles — captioned '...my wound healed, and I continued my journey' Cover of sketchbook 5 (1996): black spiral book chalked 'Pseudo Quasi Real — Auriea Sketchbook V' with a starburst doodle around a small photo of a torso Auriea's Year Zero at bitforms, New York: a stepped white ziggurat of sculptures — horned bust, small heads, a crowned figure on a column — beside a glowing blue mandala projection Paper Enigma Machine by Michael C. Koss, 2003: printable rotor columns, reflector chart, and step-by-step encoding instructions on one sheet Page from Rodin's conversations on art: asked if art is a kind of religion, he answers that its first commandment is to model well an arm, a torso, or a thigh Marqueste's Perseus Slaying Medusa in marble, seen from below: the hero's arm grips the screaming gorgon by her snake-tangled hair Sketchbook 39, digital painting: a boy in a blue sweater in profile, pale face under a mop of brown hair, his shadow doubled on the tan wall In the Ghent Altarpiece restoration studio: Van Eyck panels on easels, a hand holding up a blue 3d-printed hashtag arthistory in the foreground Sketchbook 35 diary spread relabeled December: a long-haired girl seen from behind, and again close-up kissing a dark bird's head, a game controller sketched below 3D-scanned portrait of the artists mother in blue-white on black: head wrapped in a scarf, face in profile, the shoulders dissolving into torn point-cloud lace Live Click Test3 Polaroid of a foot in a bright red-orange stocking and black strappy sandal, dark skirt hem swinging above speckled lino A single seedling pushing up through dark soil, seed husk still capping one cotyledon like a hat Hands leafing through the Ray Caesar Art Collection monograph: the masked cover girl, a spider-legged theatre box, big-haired doll portraits, a drawing index page From behind: drawing on a stone bench by a green pond, sketchbook open on crossed legs, locs down the back, trees doubled in the water 3ds Max panel, Editable Mesh with Element selected: 462 faces chosen, Surface Properties open to set the material ID Harrison Ford as Indiana Jones in close-up under the brim of his fedora, face smudged with dirt, smiling sidelong Chalk drawing on red-brown paper: two arms reaching upward and a tilted, smiling face — study of a straining Eros from the Louvre Till We Have Faces, pages 294 and 295: the dream of the golden rams that trample Orual in their joy, and the other woman gleaning bright wool from the thorns

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