gallery

1497 pieces, shuffled — reshuffle

Urs Fischer's A Place Called Novosibirsk: a push broom standing in an empty gallery, held upright only by a red balloon tied to its handle Sketchbook 41 spread: pencil and red ballpoint life-drawing studies of crouching and reclining nudes, with a handwritten list of painters — Morot, Shishkin, Carlsen, Mancini, Prud'hon, Vibert, Bonnat, Ribera The print studio bench against pink walls: a crowd of small sculptures — printed heads in a dozen materials, black falling figures, gold twins, glass jars — with an iPad, a pencil study, and a sticky note pricing it all at ONE MILLION EURO Mac OS X desktop collage: an mp3 player showing 'King Of Sorrow' (4:51 left), a webcam widget and a clock over an ornate collaged background Year Zero at bitforms: the ziggurat of sculptures in the dark blue room, the projected mandala now burning orange and gold around a small blue rosette Roma sketchbook: ballpoint sketch of Bernini's Cathedra Petri in St Peter's — the dove window radiating over the bronze throne and four doctors of the church — '147 popes' Collage naming two Roman coins — Faustina's over a painted empress, Antonius' silver denarius below Sketchbook 33 spread: a pine tree drawn in patient pen line, its trunk splitting into branches over a bare horizon, a few ink burrs floating above Sketchbook 46 spread: flowers in black ballpoint on the tan page — an open peony, a bud, a dark rose — continuing onto blue-white paper as chrysanthemums tinted violet, orange and a pink rose in colored pencil An NEC monitor displaying a grey 3D sphere studded all over with fragments of buildings and figures, like a small ruined planet Sunlit self-portrait looking sideways, long dreadlocks over a black top, a red anatomical-heart pendant on a red cord Video lecture paused at 14:54 — 'The Nature of Arguments', Critical Reasoning for Beginners, a lecturer beside a slide at the University of Oxford podium Four subtitled film stills of Odd Nerdrum painting by candlelight, saying that to achieve something you need to know where you are in this world Snapshot of producer Kenji Kaido and director Fumito Ueda, creators of Ico and Shadow of the Colossus, standing side by side at an event Olia Lialina and Dragan Espenschied leaning together at a restaurant table, she blowing a kiss past a bottle, a wheel of cheese in the foreground Sketchbook spread: at left a dark X-ray-like film scratched with 'I TALK IN MY SLEEP ALL MY LIFE', at right black figures and circles slashed over red paint Sketchbook 32, Mediaterra day 3 'Game Art': speaker portraits including Martin Pichlmair in a yellow shirt and star collar labeled 'PWNED', notes on appropriation art Susan Harbage Page's Palimpsest: black-and-white photograph of a nude torso covered in dark tally marks scored across the skin A work desk: white iBook, black keyboard, Wacom tablet and mouse, a Dell monitor showing a portrait in progress, daisies in an orange vase Two 3D scans side by side: dark-clay double portrait of the artist facing herself, skull in hand — and a white version, the skull held up where the face should be Sketchbook 42 spread: inked fantasy landscape — a cypress and tower at left, windswept trees with ribboning branches at right, and two small girls standing beneath them Sketchbook 46 spread, mid-May: a painted self-portrait head balancing a cherry, a red heart, and pages of seed, fruit and flower studies — strawberry, plum, wheels and pods — over notes on thinking decoratively Book page of Oscar Wilde's preface to The Picture of Dorian Gray, pencil-marked at 'No artist has ethical sympathies' and ending 'All art is quite useless' Narrow interface background strip: a rounded black bar fading downward into white Sketchbook 42b: second charcoal study of the Belvedere Torso, seen from the front with the chest collapsing toward the cut thighs, a small profile sketched above Sketchbook 48 spread in pencil: a bowl of fruit rendered in soft graphite, a week's copying schedule (Centaur, Diana, Rivers, Tiber), and a dark bowed head — 'let go of the photographic eye, see the form' Webcam still from an AR test — 'Pattern marker example with Three.js' — peering over glasses in a patterned dress, the screen behind mirroring the page The Path: Rose in red-and-black standing in mossy undergrowth, purple forest hung with red lanterns behind her Snapshot portrait of game designer Fumito Ueda, dark hair falling across his face, against sunlit foliage Photo-viewer collage of four self-portraits documenting dreadlocks: from behind, piled up close, topless holding the camera, and in profile Film still: a man and a woman stand in a wet green garden watching a wooden barn burn, from Tarkovsky's Mirror Early Netherlandish panel of Eve holding the apple beside the tree, the serpent coiled up the trunk wearing a woman's golden-haired face, the paint finely crackled Sketchbook spread: a figure in red and green ballpoint asleep in an armchair, and opposite, a collaged anatomical heart ringed by a rhinestone bracelet with a red mitten below Sketchbook 32 spread: a copy of Rodin's Le Sommeil in red wash and pencil, the sleeping head dissolving into loose coiling lines — 'Le Sommeil, Monsieur Rodin' Two stacked book spines misread as one phrase: gold-stamped HISTORY above a red cloth spine reading THE CHALLENGE OF Sketchbook 48 spread in graphite: a walnut hanging from its twig with one leaf, and a softly modeled human skull turned three-quarter into darkness, with small sigil-like doodles above Thirty-minute digital portrait study: a scowling face lit blue from one side against dark red, white tank top roughed in Metope's floating thumb dock: a drag grip, the invert, brush-size and brush-height pebbles, and the gold palette disk. Sketchbook 42 spread: notes for a talk on designing from emotional experiences — The Graveyard, The Path, The Endless Forest — beside a gouache castle tower with flags and pencil portraits, with 'we draw on the dead body of the world' in red ink Cover of sketchbook 28: swirling marbled paper in sage, rust and cream, held shut by four pale elastic bands Roma sketchbook: ink sketch of Bernini's Apollo and Daphne, her raised arms bursting into leaves as the laurel bark climbs her legs Solid black silhouette of a slim standing figure, one arm extended straight out to the left, one leg raised Sketchbook 48 spread: notes on Bernini and Poussin at a dinner party, Michelle's advice on chalk drawing, Subleyras and the 1740s turn to Neoclassicism — 'David, the father of us all' Back cover of sketchbook 26: waxed book pages printed with dark palm fronds and crosshatched shadows, amber and sepia Sketchbook 22B open on a road case: a Chinese wedding chair clipping ringed by red imps, and on silver foil a mummy-like figure trailing long roots — 'I am big + the pictures that got smaller' Dark render of a girl in a red dress facing forward, hair merging into blackness, her face and body a cracked mosaic wireframe — early Path work Tweet by Hasan Niyazi: 'Like paper & ink before it, technology became a conduit for emotion. People clutch devices of metal & silicon, cherished to their hearts' Blender title bar path: /Auriea/Work/144/MODELING/The Concept Of Everything Divided By Girl/GMH/GMH-modeling/ThePathOfKidRed05.blend Raphael's self-portrait from the Uffizi: the young painter in black cap and robe glancing over his shoulder, in a gold frame inlaid with knotwork panels Digital self-portrait painting in ochre and umber tones: a woman with long dark hair gazing left, two small moons floating beside her head

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