gallery

1458 pieces, shuffled — reshuffle

Codex Seraphinianus illustration: a potted deer head whose antlers are a leafing tree, roots filling the transparent pot Sketchbook 32 spread: a copy of Rodin's Le Sommeil in red wash and pencil, the sleeping head dissolving into loose coiling lines — 'Le Sommeil, Monsieur Rodin' Family posing under Louise Bourgeois's giant spider Maman: a woman in black, a man, and a small girl in a red coat, grey sky above Woodblock-printed Chinese book page presenting the ʼPhags-pa script: columns of angular Mongol square letters glossed with Chinese characters Lecture slide: three Bernini images — the Fountain of the Four Rivers figure sketch, an oval chapel plan, and Sant'Andrea al Quirinale's facade overlaid with proportion lines Metope's Layers tablet: a layer with its colour, blend mode, opacity and relief, the smart-mask generator buttons, and the flatten and smart-material controls. Vija Celmins drawing of a spider web: concentric silk rings and radial spokes in white on black The same head fallen sideways, eyes closed, long white hair streaming — an Ophelia-like sleeping face Tiny dithered black-and-white photograph of a loaf of bread with cut slices leaning against it Sketchbook 42 spread on tan paper: ballpoint café portraits — a man's face cropped at the glasses, and a woman with an updo, round earring and choker glancing back over her shoulder Sketchbook 48 spread, first day drawing in the Louvre: boxy graphite block-in of a seated nude, ink brush sketches, and the assignment 'Draw all the River Gods!' Roma sketchbook: the baldachin's twisted columns brushed in heavy black ink beside writing — 'There is a certain perversity to St Peters... The angel stabs you in your own true heart' Sketchbook 33 spread: a pine tree drawn in patient pen line, its trunk splitting into branches over a bare horizon, a few ink burrs floating above George Frampton's Lamia: a polychrome bust with a pale ivory face, eyes downcast, encased in a dark bronze headdress and gown set with opals Card of brief forms of Gregg shorthand in alphabetical order, 1963: a ruled grid of curling pen strokes, a McKay's price sticker in the corner Dutch botany diagram in six panels showing successive growth stages of the prikneus (Lychnis coronaria), pink blooms multiplying frame by frame Black-and-white film still: a young woman in a white nightdress pressed against ornately patterned wallpaper, looking back over her shoulder ZBrush: dark red clay-like child figure with orange retopology lines crawling over the body Cover of sketchbook 7 (1990): white spiral book covered in pink lipstick kisses, inked 'Auriea Sketchbook VII — chaos is my life — Pseudo Quasi Real', 20 Aug–26 Sept MTAA's Simple Net Art Diagram, ca. 1997: two clip-art computers joined by a cable, a red lightning bolt at the midpoint labeled 'The art happens here' Victor Hugo's ink and sepia-wash drawing of an octopus, its curling tentacles emerging from golden-brown stains Yellow Vooruit FrictiesSalon flyer for a Tale of Tales talk, 13.02.07, over a dark painted forest with an abandoned swing set The Path: Rose in red-and-black standing in mossy undergrowth, purple forest hung with red lanterns behind her Second angle on the simulated striped table: the curly blue head and orange cyclops face in front, legs in orange boots, a standing figure, and bone fragments behind Sketchbook 44 spread, IndieCade: blue ballpoint portraits of Anna Anthropy speaking, Dan Pinchbeck in an Amnesia t-shirt, and Natalie Pozzi in profile Tempest gameplay: a blue wireframe funnel plunging into blackness, the yellow claw shooter at its rim firing down at red and purple enemies Body scan, 2002: a horizontal abdominal incision closed with a row of metal staples, stained gauze pads resting above it Rutger Hauer as Roy Batty at the end of Blade Runner, platinum-haired and wide-eyed, cradling a white dove against his chest Hugo van der Goes's The Fall of Man: Adam and Eve stand naked by the fruit tree while the serpent, a lizard with a woman's head, watches Eve reach for an apple Till We Have Faces, pages 294 and 295: the dream of the golden rams that trample Orual in their joy, and the other woman gleaning bright wool from the thorns Page from Cabanne's Dialogues with Marcel Duchamp: painting had become retinal — few ideas, mostly technical problems, all painting since Impressionism antiscientific A single seedling pushing up through dark soil, seed husk still capping one cotyledon like a hat Sketchbook 48 atelier spread 'Studio Escalier + Florentine Renaissance': two curving figure studies wrapped in notes on disegno, CHARIS (gift, elegance, love), Degas and 'the fury of the figure' Cover of sketchbook 43: white gessoed cloth painted with a large marbled sphere in red, gold and green, a small silver moon circle set into its lower edge Roman mosaic labyrinth: a square meander maze ringed by a mosaic city wall with towers and gates, corner ornaments at the edges Four loose cards from sketchbook 47: a candlestick still life, the Farnese Hercules from behind, an ecstatic upturned face with raised arm, and a light gestural nude stepping forward The Rhine from a car window: Cologne Cathedral's twin spires on the skyline, barges below, a hand resting on the sill in shadow The Fountain of Life detail from the Ghent Altarpiece — angels kneeling on starry grass around the slender bronze fountain — framed with a plaque reading 'Auriea 2012', a gift from Hasan Niyazi Two round-mirror selfies trying on a sheer cream babydoll top with ragged hem over dark jeans, clothes rack behind Tiny dark sketch of three standing figures side by side, scratched out of black ink Louise Bourgeois marble sculpture: a torso-like form clustered with smooth white breast shapes, carved from a rough-hewn block Annotated Quest3D screenshot: a tangle of linked channel blocks with pink circles and arrows marking which body and motion nodes were already there Cover of sketchbook 17: cream paper with a small dark varnished window of foliage over faint cursive script, red velvet spine at left Sketchbook 44: graphite copy after Velázquez — a short-haired boy with a white collar glancing over his shoulder, a hand below him raising a small glass Another view of Proserpina in sepia: the twist of her torso, his hand gripping, her body arching away Sketchbook 38 spread in watercolor: magenta coneflowers with drooping petals at left, a bank of pink valerian against dark hedge at right Sketchbook 43 spread from a hospital room, 1 June 2012: pencil studies of the draped bedside table, IV drip lines, a faucet, and a hand cradling a heart-rate clip — 'Oh Venus, where did I go wrong?' Arman's Chopin's Waterloo: a grand piano smashed and splayed across a red panel, keys, hammers, and strings fixed where they burst Journal spread dated Friday 22 October 1993: a purple-sweatered figure with a scribbled dark face, and a lightbulb sketch holding two tiny figures Still from Shadow of the Colossus: Wander on his black horse Agro wheels before a towering, moss-grown stone colossus

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