gallery

1479 pieces, shuffled — reshuffle

Full page of the EINLEITUNG self-portrait: inked head over German book text, halo scratched in pencil, flames and torn dialogue scraps rising across a sky-blue chest Closed exterior shutters of Bosch's Garden of Earthly Delights: the third day of Creation painted in green-grey grisaille, the new earth inside a transparent sphere Sketchbook 22B spread: red flames drawn sweeping across a silvered page, opposite ink studies of a torso, flames, and notes — 'The Lesser of Many, Many evils, 17 Jan 95' Francesca Woodman's Blueprint for a Temple: a large blue diazotype collage assembling photographed caryatids and Greek-key friezes into a temple facade Six stacked frames from Strange Days: the 11:59 millennium countdown, balloons and confetti over the crowd, and Angela Bassett with braids inside a car Cover of sketchbook 21B: red felt covered in dark oval link shapes touched with gold, signed '21 TDM' — The Disease Manifesto Flemish allegory of Fortune: blindfolded, she balances on a sphere in a stormy sky, shaking coins and goods from two hats over a scrambling crowd, a gallows at right METOPE paint and glaze figure Sketchbook 48 Musée Rodin spread in ballpoint: Gates of Hell figures, a crouching nude, and notes on Camille Claudel's 'L'Âge Mûr' — 'marble so often looks like soft skin, like butter' Freedom of Teach male écorché reference figure in grey resin: front, side, and back views of the full flayed musculature Intricate red paper-cut wall piece: a horned skull crowns a cascading tree of veins and drips sheltering small figures, birds, and a truck at its root Four subtitled film stills of Odd Nerdrum painting by candlelight, saying that to achieve something you need to know where you are in this world Handwritten shorthand alphabet on dotted paper, a to z over their stroke signs, with the quick brown fox pangram written out in shorthand below Look-and-feel test for MinoRinth: a photogrammetry point-cloud of Theseus fighting the Minotaur seen from below against blue sky, crossed by pink laser lines 3d model of a weathered stone grave cross in an empty grey Blender viewport — a gravestone for The Endless Forest Metope's radial palette, opened over the work: a ring of wedges for view, paint, glaze, texture, set, colour, tools and display, with the current tool named in the centre. Back cover of sketchbook 33: a jeweled blue Renaissance sleeve and a hand leafing through a green book, collaged in leather corners with a floral tapestry band A Burlington Magazine anthology open to the 1998 article The Raphael Tapestry Cartoons Re-examined, with a pricked cartoon head of a woman as its plate Sketchbook 44 spread: graphite studies of a standing male nude in two overlapping stances at left, and at right the model reclining, legs extended toward the corner MinoRinth: the dark bronze Minotaur figure dances on yellow wireframe ground, its horned shadow thrown huge across the deep red wall Abramović and Ulay, Pietà: he lies white-clothed across her lap over a spill of red cloth as she looks upward Andrew Loomis's 'Ideal Proportions at Various Ages': male figures from one year to adult divided in head units, noting the legs grow nearly twice as fast as the torso Digital painting study in umber and bone: a downturned face after an old master, brushstrokes loose, a brush-tool icon floating top left Atari Tempest title screen: the word TEMPEST in glitching red-and-blue vector strokes above the 1980 Atari copyright Sketchbook 32, Mediaterra day 3 'Game Art': speaker portraits including Martin Pichlmair in a yellow shirt and star collar labeled 'PWNED', notes on appropriation art Corner of a Mac desktop: film thumbnails and a '1001 More in Finder' badge over a photo of a sleeping woman curled on patterned sheets Bare studio with peeling walls: a large-format camera on a tripod facing a trestle table, cold window light, paint-spattered floor Two sagittal MRI scans of the same head and spine in profile, lips, tongue, and vertebrae glowing white against black Sketchbook 39: a woman in a slip drawn in charcoal and white chalk on kraft-brown paper, her head turned sharply in profile, hair swept up Journal spread 'MY PERFECT LIFE 30': a diagrammed stomach with handwritten confessions at left, a scrawled dark figure and notes on vomiting as remedy at right, dated 27 June 92 MinoRinth simulation frame: seen from high above, the tiny yellow labyrinth disc and point-cloud tree glow at the bottom of a muted green chasm Mac desktop with a giant dark skull wallpaper, a small photo of a figure at a lectern set into its mouth like a tooth Two stacked book spines misread as one phrase: gold-stamped HISTORY above a red cloth spine reading THE CHALLENGE OF The koer through open kitchen windows: pink Japanese maples and spring green, binoculars and clutter on the sill, a wine bottle at the edge Dentist office view — The waiting room holds its pale blue certainty—sky caught behind glass, the colour of a summer afternoon in the north, bleached by fluorescent light into something patient and still. Journal spread dated 20 Nov 1993: 'not in the same way nicotine addicts are addicted to cigarettes' painted over a murky face, a blue skeleton stamped at right Tiny dark sketch of three standing figures side by side, scratched out of black ink The Rhine from a car window: Cologne Cathedral's twin spires on the skyline, barges below, a hand resting on the sill in shadow Till We Have Faces, pages 292 and 293: Orual chews the strange bread of the gods, declares herself Ungit, and despairs that no man will love an ill-favoured woman Sketchbook 39, digital painting: a headless pair of legs and buttocks in flesh tones striding out of a deep violet ground Low-poly 3d white owl with wide yellow eyes perched on a bare branch, against flat grey Sketchbook 38 spread: rooftops in watercolor — a mottled brick gable at left, storm clouds and a dark slate roof-line against blue at right Walking behind someone on a sandy path between grassy dunes, cigarette in hand, long shadows Grey 3D sculpt of three hands: one cradling an eyeball in its open palm, one clenched around another, and a limp hand lying with a ball between its fingers ZBrush: dark red clay-like child figure with orange retopology lines crawling over the body Roma sketchbook: a weeping face drawn in red pencil beside a Palazzo Barberini ticket dated 10/05/2006 and postcards of Canova's Pauline Borghese and Caravaggio's Narcissus Bronze sculpture of Dryope: a nude woman mid-stride with a serpent winding up her body from ankle to shoulder, one hand crossed over her breast Low-poly creature textured in ink-scratch black and white on dusty pink: a rabbit-eared armored beast with a raw pink mouth Sketchbook 42, page 69: small gouache of a nude with a purple headwrap crouching against a dark brown ground, seen from behind, beside faint pencil thumbnails Sketchbook 44 page: ballpoint masked figures in hooded robes labeled Beauty, Wit, Virtue and Grace — 'the fairies are not your friends, they are old magic' — with a crowned tragic mask at center

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