gallery

1504 pieces, shuffled — reshuffle

Page from Chip Sullivan's Drawing the Landscape: exercises for drawing with a pencil in your mouth, an ink-dipped stick, your nose, and finally with your eyes closed Animal Crossing screenshot: the player, eyes closed mid-song, exclaims Wahooo! in a wood-panelled interior with a pelican looking on Spolia-UI-Menu Installation photograph: red violins with their bows mounted swarming up white walls and across a tiled floor, like an infestation of insects Grainy still of a small gold figure curled into a ring, floating mid-air against beige — falling gilded body P·P·O·W gallery graphic for The Unbody, May 6 to June 9 2021: Auriea's dark green Ox Apotheosis sculpture, a horned bull-headed figure enthroned, floats on blue Sketchbook 44, 'Things that happen at night', last night in Fenouillet, 27 July 2012: four ballpoint vignettes — a hill against storm light, wind through a dark window, a man in darkness, a figure day-for-night Sketchbook pencil portrait of a young man in vest and shirt looking down, arms crossed at the wrists, signed in cursive 'Love Truitt' Sketchbook 49 spread on Michaël Borremans at BOZAR: thumbnail sketches of 'The Avoider', 'The Garment', 'The Angel' and 'The Devil's Dress' with notes, facing ballpoint figures from 'The Storm' 35mm projection loop Sketchbook 46 spread: a museum cast of a male torso from behind, modeled in charcoal and white on orange paper, beside a lighter sketch of a spiraling sculptural group Sketchbook 41 spread of figure-drawing sessions: pencil studies of a standing model bending forward above, quicker red ballpoint crouching and kneeling nudes below Walton Ford's Falling Bough: a massive branch borne aloft by a swarming flock of passenger pigeons, breaking apart against a pale sunset over the river plain Sketchbook 31 spread in pencil: a jet seen from above the clouds and a sleeping fellow passenger — 'Slept. Flying out of Charleroi...' Three stags from The Endless Forest sitting and standing in dark woods, human faces and glowing runes floating over their antlers Astrodienst natal chart for Riea: Gemini sun, Libra ascendant, the aspect lines webbing red and blue across the wheel Page from Rodin's conversations on art: asked if art is a kind of religion, he answers that its first commandment is to model well an arm, a torso, or a thigh Handwritten notebook page in blue ink headed Museum Quality Artwork: notes on institutional credibility, the frame of the museum, and the aging of bytes Raw photogrammetry scan for The Flower Seller: a grey ragged-edged bust with a blurred face, an armful of thick-petaled blooms dissolving into scan debris Filmstrip of four grainy webcam frames in sickly greens and reds: a woman at a piano, in a fur collar, resting on an arm, beside flowers Anime still: a green dinosaur mascot in a white apron offers baked snacks from a tray in a village street, subtitled It's really scrumptious! How about one? Sketchbook 47 spread: two graphite studies of a curly-headed marble Venus, with notes on Fetti's 'Melancholy', Thomas Boudin, and Coysevox's 'Crouching Venus' — 'she's looking heavenward, sitting on a tortoise' Worn black cover of the Caproni Casts catalog — 'Plaster Reproductions of Sculpture for Drawing and Modeling Classes', Caproni Galleries, Boston, price one dollar Sketchbook 48 spread: 'The lesson of Raphael — you stand on the dragon, your sword is lighter than air', with a pencil study of a standing putto reaching upward — 'transform the hours of your life into art' Close-up of a Path girl's face bottom half: sallow skin, wide dark hollow eyes, flat lips, red hair edges at the ears Wood-panelled wall of framed personal photos — a man in a white suit singing, band snapshots with congas — behind a frosted-glass lamp Triptych of skull self-portraits: cheek pressed to the plastic skull; regarding it at arm's length; holding it up as a second face over her own Sketchbook 47 spread: Tivoli notes on Villa d'Este's Hercules frescoes, and a watercolor of the artist's bare feet propped against the blue Bay of Naples with Vesuvius and Capri beyond — Sorrento and Pompeii notes around it Black-and-white photograph of Auguste Rodin, bearded and in a dark smock, raising a mallet against a huge white marble block Sketchbook 45: a white rose in graphite against a dark hatched ground, its stem crossing two curled leaves — dated notes opposite mention Bientôt l'été and Anne Carson Quest3D diagram headed Anatomy of a Nature Painter: a node tree from Start3DScene down to pine-tree surfaces, with textures, materials, and object data circled Sketchbook 45 spread dated 2013: Martha's head bent over drawing at left in graphite; at center her wavy hair drawn entirely in red pencil; a fainter study with red handprint at right Sketchbook 46 opening: 'This book begins on a plane. The Crystal Ship is being filled' — a painted airplane window on orange paper with budget notes ('learn to drive, NOT OPTIONAL'), facing a watercolor of Michaël asleep in a blue shirt Journal spread 'BLUTVERGIFTUNG chapter I': the word smeared in rusty red between two collaged kitchen-knife ads pointing at each other Sketchbook 22B spread: a silvered page with a Handloom Batik Ganesha card taped on, opposite a drawing of a woman in a slip with one blackened arm against blue-patterned shadow Sketchbook 45: tonal pencil drawing of the back of Martha's head, loose blonde hair falling over an embroidered blouse against a dark shaded ground The Late Raphael exhibition catalogue with a thank-you note signed Auriea, above her sketchbook of pencil copies after Raphael's Saint Michael and putti Kaleidoscopic double exposure of a bouquet — pink gerberas, celosia and veronica mirrored into symmetry on a kitchen table Sketchbook 44, 'Summer, Jun 27': iris and leaves in vivid colored pencil growing past a shaded skull, journal notes on color and the Book of 8 project, over a printed Feu et Flamme page describing Parc Monceau Still-life twice: a paper napkin folded into a stemmed glass with a sip of port, in black-and-white and in color against cardboard A Softer World comic, six sky-blue panels with a crane and unfinished tower: 'I sing anyway.' Teiji Furuhashi's Lovers: life-size nude figures projected walking and running around a dark room, a scaffold tower of projectors at its centre Gramolazzo · 13 Jun Night photo of Kit Halsted, cigarette in mouth, leaning on a loaded Triumph motorcycle at a Manhattan curb, lit billboards down the street Two Blender views of grandmother's house: the dark cutaway interior with staircase and lamp gizmos, and the whole cottage on shocking magenta terrain Sketchbook 44 spread, IndieCade day one: blue ballpoint portraits of Ian Dallas, Chris Bell, Amy Hennig, Jenova Chen, Christine Love, Anna Anthropy, and Steve Russell with John Romero at the mic Hugo van der Goes's The Fall of Man: Adam and Eve stand naked by the fruit tree while the serpent, a lizard with a woman's head, watches Eve reach for an apple Sketchbook 32, Mediaterra session 3 'Game Politics': six conference speakers drawn as ballpoint busts with name labels, tangled cords looping between them Sketchbook 50 spread of dark thumbnail copies at the Mauritshuis, Den Haag: Rubens's Assumption sketch, Rembrandt's Andromeda, Vermeer's Diana and her Nymphs, Tityus and Sisyphus, and Rembrandt's Two Moors George Frampton's Lamia: a polychrome bust with a pale ivory face, eyes downcast, encased in a dark bronze headdress and gown set with opals Inside the basilica of Fourvière in Lyon: blue-and-gold mosaic vaults, angel-topped columns, a glittering cylindrical chandelier against tall stained glass

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