gallery

1479 pieces, shuffled — reshuffle

Metope's Interface tablet: the four interface stones (basalt, plaster, terracotta, aegean), the metal accent swatches with follow-brush, the viewport backdrop controls, and reset bench. Blender viewport for La Vita Nova: scanned bust of a figure with thick locks holding a round object at its chest, white against a black grid Cover of sketchbook 39: half marbled paper veined in red, half grey felt with visible stitching, a pen clipped into the top edge The Late Raphael exhibition catalogue with a thank-you note signed Auriea, above her sketchbook of pencil copies after Raphael's Saint Michael and putti James Jean's painting Sink: a robed minotaur pours a thread of water from a teapot toward a pale bald girl curled in a tub among dark leaves Urs Fischer's A Place Called Novosibirsk: a push broom standing in an empty gallery, held upright only by a red balloon tied to its handle Spread from C. S. Lewis's Till We Have Faces, pages 168 and 169: Orual presses Psyche about her unseen husband, monster, shadow, or god of the Mountain Sketchbook 32 spread: a bushy tree in dried-blood red wash, and opposite, a chestnut tree in sanguine beside an Art Nouveau gate — 'with Laura in the park (citadel), 2006' Looking up through MinoRinth: a dark tree trunk forks overhead into pixel-dust foliage, the maze's green rings and grids dissolving in white glare Moth orchid in bloom on the desk at night, lamplight throwing its shadow across a shelf of small treasures — cup, boxes, prints, a gilt mirror Collage naming two Roman coins — Faustina's over a painted empress, Antonius' silver denarius below La Vita Nova from above: four white scanned statuettes stand at the arms of an X-shaped crossroads floor lettered CONTEMPT / DISPREZZO and XLVI AND A DAY / XLVI E UN GIORNO Grey 3D sculpt of three hands: one cradling an eyeball in its open palm, one clenched around another, and a limp hand lying with a ball between its fingers Collage manifesto: a Formlabs printer glowing orange at center, ringed by grayscale 3D scans — museum figurines, face casts, draped bodies, a Madonna in a niche Black-and-white double exposure on 2nd Street: a blurred face streaked with motion in a mirror, plaster wall and shuttered window folding into shadow The Mystery, first ZBrush version in mauve: a skull with a small serene face nested in its eye socket, trailing a long bone stem and torn wing of ear ZBrush: dark red clay-like child figure with orange retopology lines crawling over the body Sketchbook 42, page 11: ballpoint still life on tan paper — a two-liter Sprite bottle, glass mugs, eyeglasses, a crumpled wrapper, and a TV remote EarthBound ('The War Against Giygas!') running in an SNES emulator on a Nintendo DS, menu on the lower screen Text titled Realtime processing: the computer's essence as artistic medium is generating events in real time — time is to digital art what space is to analog art Game character model: a gaunt zombie-like man with skull-white face, arms outstretched in T-pose, black tattered body with white markings Black-and-white particle image: an eye-shaped void opening in a field of bright specks, with a 1 cm scale bar and timecode Hands in red light hold a Book of Blessings open to the Order for the Blessing of Centers of Social Communication Black-and-white diagram of the lost circular pavement labyrinth of Santa Maria in Trastevere: eleven concentric mosaic rings around a dark center Journal spread, Oct 1993: a collaged botanical print of roses beside a dream account, and cursive on grey-blue: 'In my life the furniture eats me...' Studio corkboard packed with sculpture clippings: bronze foundry photos, Johan Creten and Dirk De Keyzer pages, insects, casts, a blue clay head, 'IT WAS LIKE SO BUT WASN'T' Journal spread in black grease crayon: two slashed portrait heads emerging from darkness, a third small face lower left Back cover of sketchbook 15: torn brown pages of a 19th-century elocution book pasted over grey board, a hymn on angels still legible at left Grainy still of a small gold figure curled into a ring, floating mid-air against beige — falling gilded body Digital figure study of a thin androgynous figure in profile, eyes closed, sketched in pale flesh tones on brown with white scribbled ground Magritte's The Treachery of Images: a smoothly painted pipe above the cursive caption Ceci n'est pas une pipe Black-and-white hunting-lodge room crowded with taxidermy — moose and deer heads, geese, a pheasant — with a small color photo of an embracing couple collaged on the wall Standing in split-toe tabi boots on a concrete doorstep, grey trousers pushed into the black boots, a number-printed black skirt above Front and back views of Heather Mason's character model from Silent Hill 3: sandy bob, white hooded vest over an orange turtleneck, green skirt and orange wristbands Sketchbook 49 spread at Chicago's Driehaus Museum: sanguine studies of Tiffany bronze candlesticks and a caryatid ('Renaissance + Japanese motifs combined'), facing graphite silhouettes of cinnabar lacquer and skyline finials Three murky frames from Silent Hill 4: a grainy monochrome ceiling, a huge fist against a lit corridor, and a row of apartment windows over a courtyard Cover of sketchbook 43: white gessoed cloth painted with a large marbled sphere in red, gold and green, a small silver moon circle set into its lower edge Sketchbook 38 spread in watercolor: pale garden flowers in blues and reds, a spiky globe thistle, and red blooms — noted 'Gonks garden' Sketchbook 5: dense ballpoint drawing of a horse-like skull in profile, its teeth and cranial plates crosshatched into a black-and-white pattern Pretty in Pink soundtrack in iTunes: OMD, Suzanne Vega, Psychedelic Furs, New Order, Echo & Bunnymen, The Smiths Coverage falloff at five Softness settings on a 40mm brush Belgian identity card in a black wallet — the new Belgian ID — and below, freshly twisted hair seen from above Roma sketchbook: a gnarled old tree brushed in ink, its roots gripping the ground before an arched arcade Sketchbook 38 fold-out: a quince studied twice — in soft graphite lying on its side, and in saturated watercolor hanging yellow against green Five 3D-printed heads of the same downcast face lined up in filament shades from ivory to dark brown, print scraps, a bronze arm and figurines scattered behind Chart of the twenty-four Greek capital letters from Alpha to Omega, each with its name and pronunciation spelled out beneath Mirrored webcam self-portrait: face doubled down the center line, drinking from a glass, dreadlocks framing both halves Low-poly grey 3d model of a hunched old woman in a headscarf and long skirt — The Graveyard's grandmother, untextured Sketchbook 40, Theories of Beauty continued: notes on the technological sublime and 'Beauty or the Aesthetic', with pencil portraits of speakers and audience QR code for the ProjectProject work Leviathan

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