gallery

1479 pieces, shuffled — reshuffle

Wax-pale panel with two graphite dead birds drawn beside two black 3D-printed women curled in the same fallen pose Double exposure in reds and blues: a sleeping dark face overlaid with a lit clock tower and a night street's lights Silent-film title card, white on black: 'Through me you pass into the city of woe… All hope abandon ye who enter here.' Sformo-Assembled ZBrush sculpt for MinoRinth: a child-faced figure with blank eyes, cow ears, and great curved horns, hair braided up into a knot Sketchbook 44 spread labeled 'Murillo': blue and graphite studies of standing nudes and women with 1960s bouffant hair, one gaunt figure gazing down at right — noted 'Battle of the Frigids, Slovenia' Typeset haiku numbered III: 'Long cold fingers dipped in blue roses — pry open the red world.' Sketchbook 49 spread: pale blue-pencil studies of draped figures with a shield-like disc, beside a graphite arm and a slender standing nude with raised arm A grey Dutch bicycle with a black basket leaning against a park bench in a winter park, bare trees and drifts of fallen leaves behind METOPE paint and glaze figure Close-up in the Magdalene case: black acrylite and polished bronze Magdalene figurines clutching skulls before a tablet, above a notebook page of questions written in the saint's cave Full page of the EINLEITUNG self-portrait: inked head over German book text, halo scratched in pencil, flames and torn dialogue scraps rising across a sky-blue chest The same head fallen sideways, eyes closed, long white hair streaming — an Ophelia-like sleeping face Andrew Loomis's 'Ideal Proportions at Various Ages': male figures from one year to adult divided in head units, noting the legs grow nearly twice as fast as the torso Sketchbook 49 spread in red pencil: a nude curled on a block seat pressing both hands to her face, hair spilling over her fingers, with a faint rubbed-out figure on the facing page Corner of a social profile: '144 friends — See All' Sketchbook 40 spread on the game that became Bientôt l'été: door-and-level diagrams, color theory notes on hue value chroma, and the Room 101 passage from Orwell copied out Sketchbook 46 opening: 'This book begins on a plane. The Crystal Ship is being filled' — a painted airplane window on orange paper with budget notes ('learn to drive, NOT OPTIONAL'), facing a watercolor of Michaël asleep in a blue shirt A work desk: white iBook, black keyboard, Wacom tablet and mouse, a Dell monitor showing a portrait in progress, daisies in an orange vase Sketchbook 46 spread: life-drawing session painted over a violet watercolor ground — standing, bending and cross-legged nudes reserved in white, one small figure in full dark wash Mark Ryden-style painting in a heavy gilded frame: a big-eyed brown-skinned girl with a white hair bow and lace collar Close detail of a Van Gogh flower still life: asters and chrysanthemums in pink, ochre, and red built up in thick ridged impasto strokes Pyramid Head from Silent Hill 2: the pale executioner in his rusted angular helmet dragging the enormous Great Knife through darkness Close crop of a portrait study after a 19th-century painting: a black woman with hoop earring and white headwrap, unfinished edges Two ancient Egyptian black stone heads with damaged noses, side by side on museum stands — one with wig, one curly-haired Robert Fludd's black square engraving, its edges inscribed 'Et sic in infinitum' on all four sides Panorama on the Gravensteen bridge in Ghent, unimpressed face in the foreground, the castle and canal curving behind, tourists at the rail Journal spread filled edge to edge with handwritten lists of symptoms and side effects: cramps, dizziness, numbness, hallucinations, page after page in black ink Sketchbook 43 spread: two soft graphite studies of the same seated bald model over faint journal writing — from behind at left, from the side with folded hands at right Indianapolis diptych: pastel wooden houses under a winter sky, and a corner-store cooler with a hand-drawn sign 'ALL CAN POP'S 5 for 1.00 — NO SINGLE!' Tiny blurry webcam frame of Shari in a white shirt, head bowed over a desk in daylight QR code for the ProjectProject work Leviathan Overexposed café scene through glass: children's party around a blue table with pink cups, an adult leaning over the middle, greenhouse shelves behind Small white clay maquette from behind: a kneeling Magdalene with long incised hair holding a skull up at arm's length, face to face Soft flatbed scan of a Pieris sprig, its white bell-shaped spring blossoms hanging in rows against grey-green Louise Bourgeois drawing: obsession or Confusion? handwritten in red inside a scratchy red chalk frame, signed in pencil French grammar diagram of the 'maison d'être': a house with arrows acting out the être verbs — naître, rester, monter, tomber, mourir, aller, venir — around a road marked passer Mac folder named Work, 20 items on a dark green desktop: 1am.m4v, Flower/Lock, TEF, TheGraveyard, Fatale, The Path, Vanitas, Sirens, Room 101, Au Tarot and more Roman studio in morning sun (photo on its side): gilt rococo mirror on a bare wall, pine shelving with white sculptures and skull, an open notebook of red-chalk drawing Cover of sketchbook 34: a bluethroat songbird collaged upside down with a sprig of blossoms, over rosy paint on black board with a red rectangle above Nine screenshots from Shadows of Our Forgotten Ancestors: red branches, faces through windows, a bloodied man, a hand on a cross Spread from Anne Carson's Autobiography of Red, pages 4 and 5: what difference did Stesichoros make — adjectives as the latches of being, and red Geryon of Erytheia Gilded rococo openwork relief titled Christ and the Lamb: asymmetrical gold scrolls and foliage swirl over shaped mirror glass, the figures hidden in the ornament Cover of sketchbook 41: grey-blue board stenciled with curling vines, a moth sealed under a round window, a blue tape stripe and a Belgian lion patch ZBrush close-up of a Path girl's hooded head, wireframed olive face with blank eyes inside a smooth grey hood Sketchbook 30 spread labeled 'Hecuba blinds Polymnestor': ink and wash studies of gravestones and crosses, numbered like a catalogue of monuments A tissue-lined box packed with translucent 3D-printed head-shaped bottles, their screw necks rising from the crowns like bottle caps Sketchbook 47 Cologne spread in ballpoint: Kölner Dom interior with a red-robed cleric, a Madonna ringed by votive crosses, an octagonal labyrinth and gothic tracery — 'to draw is to confess?' Journal spread 'MY PERFECT LIFE 30': a diagrammed stomach with handwritten confessions at left, a scrawled dark figure and notes on vomiting as remedy at right, dated 27 June 92 Collage manifesto: a Formlabs printer glowing orange at center, ringed by grayscale 3D scans — museum figurines, face casts, draped bodies, a Madonna in a niche

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