gallery

1479 pieces, shuffled — reshuffle

Sketchbook 32 dark side spread: black ink thickets with yellow and tan smears at left; a clump of pines behind a Speed Limit 35 sign at right Sketchbook 45 spread dated 2013: Martha's head bent over drawing at left in graphite; at center her wavy hair drawn entirely in red pencil; a fainter study with red handprint at right Cover of sketchbook 24: grey-black felt with a gold eagle medallion reading 'Illustrated Encyclopedia of the Modern World' A modular synthesizer built into wooden cases on slender antique legs: two tiers of patch panels and dials above a keyboard Sketchbook 46 spread: two graphite dancers pressed back to front, one gripping the other's hip, beside a black gouache figure with a raised brush-stroke arm Silent-film title card, white on black: 'Through me you pass into the city of woe… All hope abandon ye who enter here.' 3d modeling tutorial on limb deformation: three wireframe cylinders comparing edge-loop layouts that keep elbows and knees from collapsing A Magnavox Odyssey, the first home video game console: white unit with two cable-tethered paddle controllers, game cards, and boxed accessories Glaze strength inside a groove, by groove width and Pool scale Sketchbook 49 spread: graphite drawing of wilting amaryllis blooms, facing a close study of a nude's hip and a small sanguine figure climbing into shadow Sketchbook 45 spread: pencil copy of a church sculpture — a bearded God the Father flying with billowing drapery, arm outstretched — beside studies of trousered legs kneeling on a cushion Blurred photograph in amber light: a bellydancer in a sequined costume performs on a white runway in an ornate gilded hall Digital charcoal studies of two Michelangelo figures: a twisting bound slave washed in yellow, and a second figure with arm raised overhead Sketchbook 33 spread, Teotihuacan Mexico 2007: a shaggy pepper tree in black ink over a shaded path, and at right cactus paddles drawn in wandering line Game character model: a gaunt zombie-like man with skull-white face, arms outstretched in T-pose, black tattered body with white markings Velázquez's Queen Mariana in the Met's gold frame: black court dress with silver trim, red rosettes, a white handkerchief in hand Sketchbook 48 spread: delicate graphite study of a downcast female nude leaning forward, ringed by spiraling notes on block-in, shadow pattern and 'draw contour last' Cover of sketchbook 8 (1990s): silver paint scrawled with dense handwriting around a torn red 'FRAGILE' sticker split by a lightning crack, above a Vitruvian-style figure in a grid Sketchbook 45 spread: pencil drawings of Martha from above — stockinged legs crossed at left; at right her long hair falling over a white blouse and dark skirt as she sits curled Belgian identity card in a black wallet — the new Belgian ID — and below, freshly twisted hair seen from above MTAA's Simple Net Art Diagram, ca. 1997: two clip-art computers joined by a cable, a red lightning bolt at the midpoint labeled 'The art happens here' Sketchbook 33 spread: magnolia branches in contour line budding through a rust-red wash with pale purple blossoms, dark ink branches breaking in at lower left Path character sheet '3_Ginger': five polaroids of the redhead tomboy at different ages, hooded child to lanky teen Sketchbook 48 spread: sanguine and red nude leaning on one knee beside notes on contour as 3D horizon and mise en page, facing a graphite figure bending into shadow Sketchbook 41 spread: a wall of ballpoint portraits from a games conference in Montréal, labeled with names — Darren Wershler, Brian Greenspan, Jim Bizzocchi, Nick Montfort, Bernard Perron — and 'I cannot draw Thomas Grip' Line graph of human growth from age 1 to 18: cyan male and magenta female height curves rising to plateau, with growth-rate curves peaking in adolescence Sketchbook 48 spread in graphite: a walnut hanging from its twig with one leaf, and a softly modeled human skull turned three-quarter into darkness, with small sigil-like doodles above White brushed hand-lettering on black reading MEDUSA@entropy8.com, painted like chalk strokes Black-and-white profile portrait of Louise Bourgeois in old age, eyes closed, holding up her long-fingered hand like a fan before her face BBC photograph of a black crested macaque crouched in jungle foliage, peering intently into an object held up to its face ZBrush sculpt in progress, close up: a dark-skinned female head tilted back, polygroup seams still visible across the cheek and brow, hair bound at the nape Raphael's black-chalk study of an upturned female head beside a pencil sketchbook page of an older man in a tank top with studies of mouths and noses Black-and-white X-ray of a curved spine and ribcage in profile — the scoliosis made visible Hands holding open James Jean's Fables covers book: 'No. 67 The Good Prince' with knight and giants, and 'No. 43 Arabian Nights (and Days)' djinn spread Sketchbook 49 spread: a horse-headed nude man beside a red bowl with whisk, and an Anubis-like figure draped in red over a large sphere, dated 1st April — a dream-like Egyptian pairing Jarboe on stage in Rotterdam, blurred in magenta light, long-haired guitarist at right and drum kit behind A whole pumpkin pie on a metal plate with one slice cut and slightly pulled out, on black granite Logo of the word mirror drawn in thin white rounded strokes on black, the letterforms mirrored so the word reads the same reflected Two Mexican codices in museum vitrines: pictographic pages with red pointing hands and demons, and a text page with a village river scene The bunny-eared girl textured: red bob wig and blue flame-like ears over a wireframed cream face — Path girl in progress A Gemini year-ahead horoscope: 'a big change is in the works… everything you've been thinking of changing will be greenlit, light by light, and in time.' QuickTime window playing Parajanov's Shadows of Our Forgotten Ancestors (winter birches) over an engraved anatomical plate of dissected legs Blender wireframe of nested matryoshka dolls, four egg-bodies one inside another in orthographic view Book page of Chris Crawford's definition of interactivity: 'a cyclic process between two or more active agents in which each agent alternately listens, thinks, and speaks' Till We Have Faces, pages 182 and 183: the god's unmoved voice sends Psyche into exile — you also shall be Psyche — as Orual hears distant weeping Six panels of charcoal spiral scribbles, black and white, ending in handwriting: 'practise makes perfect BUT perfection is BORING.' Sketchbook 46 spread: sanguine life studies — bent legs and a standing torso on the white page; on the orange page a sprawled male nude heightened with white chalk, legs splayed Sketchbook 32 dark side spread, dated 08/06: a black ink flood spilling across a winter landscape of pencil hatching and gold-brown brush marks Cover of sketchbook 23A: plain deep magenta cloth, worn and water-stained, no title Sketchbook 41, page 43: charcoal seascape — two dark headlands flanking open water, a small buoy mid-channel, gulls scratched into a pale sky

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