gallery

1504 pieces, shuffled — reshuffle

Annotated guide to the Japanese social network mixi: orange navigation bars broken down row by row into kanji, kana, and English definitions Still from Peter Greenaway's The Pillow Book: a body covered in black calligraphy, arms spread wide under falling rain against darkness Grid of nine Tale of Tales game stills: The Path, The Endless Forest, The Graveyard, Fatale, Vanitas, Bientôt l'été, Luxuria Superbia, and Sunset Close-up in the Magdalene case: black acrylite and polished bronze Magdalene figurines clutching skulls before a tablet, above a notebook page of questions written in the saint's cave The morning after, in overlapping photo windows: a wine bottle and glasses on the floor, two desks buried in prints, gear and a laptop Two photos: a wall scratched full of names and 'I LOVE' graffiti, and a red-lit stage with a small grinning performer between heavy curtains BBC photograph of a black crested macaque crouched in jungle foliage, peering intently into an object held up to its face 19th-century anatomical plate: dissected shoulder and arm of a bowed figure, muscles and arteries hand-colored, with key text above RATIO with sample entries: trips and expenses for one year Café Astrology natal wheel in beige and red: Gemini sun, Libra ascendant, with the triangular aspect grid and planet table below Unity editor: camera and sound gizmos hovering over a ground plane textured with a black-and-white cloud sky Live Click Test Mina Loy's Love Songs in manuscript, 1915: the poem beginning Spawn of Fantasies in a looping hand, signed and dated The Laughing Man logo from Ghost in the Shell: Stand Alone Complex — a winking smiley ringed by the circling Salinger quote 'I thought what I'd do was, I'd pretend I was one of those deaf-mutes' Sketchbook 22B spread: photos of a sculpted head-jar and a brooch-studded form on scorched paper, opposite a mirrored double self-portrait photo above silver foil — 'I give you 1995 of my 23rd year' Line diagram of a Molotov cocktail: a taped bottle with labeled wick and fuel mixture Jacques-Louis David's The Death of Socrates: the philosopher reaches for the hemlock cup while pointing skyward, his grieving students around the prison bed Roma sketchbook: brush-pen sketch after Bernini's Rape of Proserpina — her raised arm and turned head, his fingers pressing into her hip Grisaille digital study of a classical marble bust — woman with headband and braided hair — on a flat pink ground Face texture test: a woman's head overgrown with dark feathered fur, black hollow eyes, wireframe lines showing through Auriea's bare feet on a wooden floor beside two HTC Vive trackers with ankle straps, ready to be worn for full-body VR Black-and-white café table: a Früh Kölsch bottle and two tall glasses, one full, one nearly empty Collage for MinoRinth: two mirrored profiles of Auriea joined like a Janus head, each face half-hidden by a horned grey bull's head Two album-cover squares made from Correggio's Jupiter and Io: 'IO II' in white varsity letters, 'JUPITER' in black over the cloud god A branch of lunaria held before a lamp, its papery translucent seed pods glowing amber and pearl Five progressive states of the Magdalene etching side by side, the skull-faced seated figure emerging from faint outline to dense black shadow Dentist office view — The waiting room holds its pale blue certainty—sky caught behind glass, the colour of a summer afternoon in the north, bleached by fluorescent light into something patient and still. Cover of sketchbook 4: black leather-look book collaged with a blurred self-portrait photo in a fractal frame, lettered in green — 'Pseudo Quasi Real' and 'chaos is my life' Sketchbook 22B open on a road case: a Chinese wedding chair clipping ringed by red imps, and on silver foil a mummy-like figure trailing long roots — 'I am big + the pictures that got smaller' Attic wall mid-repair: patches of white filler over old yellow paint above a long white floating shelf, bare wood floor below A work desk: white iBook, black keyboard, Wacom tablet and mouse, a Dell monitor showing a portrait in progress, daisies in an orange vase Side view of Auriea's small bronze Magdalene raising a skull before her face, photographed on a windowsill beside a cream-white rose Sepia still life: a hand with dark nails at the edge of frame, two rough loaf-like stones, and a dark peony resting in a footed cup Rogier van der Weyden's Beaune Last Judgment, centre panel: the archangel Michael in white weighs two small souls while red angels sound trumpets Sketchbook 48 Paris spread: Sainte-Chapelle Christmas concert — a sculpted angel spreading wings, a soprano mid-note, sprawled legs of listeners, and the music list: Mozart, Purcell, Pergolesi Ruby's head front-on: red bowl-cut wig over black eye-mask shadow, mouth open, black choker, on deep blue Detail of Marqueste's Perseus Slaying Medusa: the gorgon cries out, head wrenched back, small wings at her shoulder, beside a fluted column Dark 3d bird hunkered in a shallow grass nest, one white eye catching light Vector-flat forest study in two registers: thin black saplings on flat blue above, dense white frost-like branches and pale trunks below Sketchbook 42 spread: notes for a talk on designing from emotional experiences — The Graveyard, The Path, The Endless Forest — beside a gouache castle tower with flags and pencil portraits, with 'we draw on the dead body of the world' in red ink Max/MSP patch for the MaxMBROLA~ speech-synthesis object: message boxes loading a voice and .pho phoneme files wired into pitch, time, and voice inlets above a dac~ Sketchbook 48 spread in pencil: a draped baroque saint clasping a bundle against dark shading, an orange domed chapel on the horizon, and a soft study of figures on rocks Wall text for Example #22, an exhibition of 3D printworks by Auriea Harvey at Kassel Dokfest, announcing her lecture performance at the Bali Kino, November 15 Family evening in sepia tones: a man laughing in an armchair by the fireplace; a girl bent over her coloring at the table while a woman watches from her chair Garden corner with prikneus (rose campion) in bloom — magenta flowers on silvery stems among potted plants Sketchbook 48 Musée Rodin spread in ballpoint: Gates of Hell figures, a crouching nude, and notes on Camille Claudel's 'L'Âge Mûr' — 'marble so often looks like soft skin, like butter' Cover of sketchbook 35: a red Moleskine planner with a Polaroid of dried leaves taped under plastic, dated 2008/11/16 Gallery corner installation of cut paper: red arteries, cream intestines, and green organs cascading down the white walls onto the concrete floor Sketchbook 22B spread 'NIGHT OF ME': golden grasses and silver berries on seafoam green, opposite a red spider-like burst and a row of gold ovals circled in silver

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