gallery

1479 pieces, shuffled — reshuffle

Sketchbook 39: a woman in a slip drawn in charcoal and white chalk on kraft-brown paper, her head turned sharply in profile, hair swept up Wall chart of the katakana syllabary in a blocky graphic typeface, black characters in columns with red script down the left edge Cover of sketchbook 34: a bluethroat songbird collaged upside down with a sprig of blossoms, over rosy paint on black board with a red rectangle above Painted 3d head in profile looking up, sinewy yellowed skin like carved bone, grey ground Sketchbook held up in a park: brown-ink drawing of the pond with a dark figure's ripples, the real pond and lawn behind it Digital painting on teal: a gaunt pale-faced figure bowed forward, wrapped head to foot in long dark red-streaked hair, bare hands and feet showing Detail of a Roman unswept-floor mosaic, the asaroton: fish bones, shells, fruit stems, claws, and a tiny mouse strewn across white tesserae Before and after, two selfies: long dreadlocks past the chest, then cut to chin length, holding up the severed hair with a grin (a face photobombing below) Sketchbook 49 spread in red pencil: a nude curled on a block seat pressing both hands to her face, hair spilling over her fingers, with a faint rubbed-out figure on the facing page The Path character sheet '2_Rose': four polaroids of the girl in the red hood and dress at different ages, a green hedge-maze icon at left 3D-scanned portrait of the artists mother in blue-white on black: head wrapped in a scarf, face in profile, the shoulders dissolving into torn point-cloud lace Bookbinding, three views: fanning the fresh deckle-edged signatures in cream, peach and celadon; the finished linen cover with black elastic; peach marbled endpapers Nine screenshots from Shadows of Our Forgotten Ancestors: red branches, faces through windows, a bloodied man, a hand on a cross Olia Lialina and Dragan Espenschied leaning together at a restaurant table, she blowing a kiss past a bottle, a wheel of cheese in the foreground Sketchbook 40, 'colors list! 2011': swatches of every watercolor named in script — rose madder, cobalt green, new gamboge — beside a rooted tree stump study The colossal marble Medusa from behind: heavy braids of snakes wind over the sleeping head, one serpent knotted around the mass Black-and-white photograph of Auguste Rodin, bearded and in a dark smock, raising a mallet against a huge white marble block Macro through a kaleidoscopic lens: a carved rosette embossed in reds and flesh tones, dissolving into flower-mosaic blur Belgian Senate ballot, 13 June 2010, pink paper listing 25 senators by party column; a hand with a pencil hovers over Groen! Spiral notebook page dated 10/1/87 written entirely in an invented cipher of hearts, triangles, and squiggles, one line ending in a burst of exclamation marks William Henry Harvey, in glasses and an American Legion cap stitched with United States flags, raises a leather-gloved hand to its brim Night desk: Wacom tablet showing a painting in progress of a girl in a forest clearing, laptop with the reference scene, headphones and the watercolor tin nearby Roma sketchbook: pencil sketch of a roped-off monument, and in purple and brown, a Bernini angel reaching toward a draped reclining figure Sketchbook 42 spread: layered ballpoint and blue pencil sketches of sleepers — a face sunk into a pillow at left, a bald man asleep against his raised arm at right The Aristodikos kouros, ca. 510-500 BC, National Archaeological Museum Athens inv. 3938. The hands are lost but the stubs of the two struts that braced them to the thighs survive at hip height. Photograph by Gary Todd, CC0 via Wikimedia Commons. Network diagram of red nodes joined by curving grey lines, spiraling loosely like a galaxy on a white ground Protective styles: hands parting and braiding a seated girl's hair, her eyes patient and downcast, a mug and dark shelf behind Susan Harbage Page's Palimpsest: black-and-white photograph of a nude torso covered in dark tally marks scored across the skin A single seedling pushing up through dark soil, seed husk still capping one cotyledon like a hat A modular synthesizer built into wooden cases on slender antique legs: two tiers of patch panels and dials above a keyboard Sketchbook 48 spread: sanguine and red nude leaning on one knee beside notes on contour as 3D horizon and mise en page, facing a graphite figure bending into shadow Digital painting of celosia flowers in a green vase, olive greens on a brown ground with rough pale yellow brushwork around it Grainy black-and-white video still from Rosas' Elena's Aria: two women seated on wooden chairs against a bare wall, one crossing her legs, one clutching her shoulder White brushed hand-lettering on black reading MEDUSA@entropy8.com, painted like chalk strokes Journal spread: a red panel with a dark folded form at center, flanked by dense pages transcribing a conversation — 'he had been paralyzed from the waist down...' Scanned spread from The Unbearable Lightness of Being, chapters 14 to 16: Tereza embraces a tree like a lost grandfather while the man with the rifle waits Girl with long blond hair sitting close to a TV, customizing a cartoon monkey's fur colors in a game menu Sketchbook spread: at left a black ballpoint doll-like head with a red mouth on a stalk; at right, red ballpoint legs in heels reclining from the page corner La Vita Nova render: a small point-cloud woman glows in a narrow slot between dark pyramidal blocks, a pale sun haloed in the starry sky above The grown support forest in trunk style, oak: barked struts holding the vessel's rim like a pergola, gnarled legs flaring into the plate below. Unity editor: camera and sound gizmos hovering over a ground plane textured with a black-and-white cloud sky Six flash self-portraits in a green dress printed with red-capped mushrooms, dreadlocks loose, photographed from odd angles ZBrush sculpt for a leviathan: massive clay-toned monster haunches with a beaked growth, ridged scar rows across the belly, and curved tusks jutting from one hip ZBrush ZSphere reference table: illustrated rows of red-sphere diagrams explaining draw, move, scale, and rotate modes for building armatures Small grainy black-and-white photo of Sonic Youth: Kim Gordon, Thurston Moore, Lee Ranaldo, and Steve Shelley posed against a dark wall Two frames of Kim Basinger in 9½ Weeks: standing in a doorway in a trench coat, then lying down, hand in her hair, a man's shoulder in front Journal spread 'MY PERFECT LIFE 30': a diagrammed stomach with handwritten confessions at left, a scrawled dark figure and notes on vomiting as remedy at right, dated 27 June 92 3d modeling tutorial on limb deformation: three wireframe cylinders comparing edge-loop layouts that keep elbows and knees from collapsing Back cover of sketchbook 23B: dark red board with a vertical pasted clipping: 'She is a living example of the ancient theorem The Woman is a Sandwich Covered With White Marble.' — Max Ernst A tall vessel in Spolia with the overhang heatmap on and no supports: red bands mark the rim lip and the underside of the base ring, the surfaces that lean past 45 degrees from vertical.

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