gallery

1458 pieces, shuffled — reshuffle

Freedom of Teach male écorché reference figure in grey resin: front, side, and back views of the full flayed musculature Digital painting study in umber and bone: a downturned face after an old master, brushstrokes loose, a brush-tool icon floating top left Dim webcam photo: a man's face half out of frame beside a window with potted plants on the sill, a pale building across the street and a radiator below Magritte's The Treachery of Images: a smoothly painted pipe above the cursive caption Ceci n'est pas une pipe Yellow pillow-box package printed with concentric white rings: Patch to stop caring about love Close-up of a Path girl's face bottom half: sallow skin, wide dark hollow eyes, flat lips, red hair edges at the ears Vector-flat forest study in two registers: thin black saplings on flat blue above, dense white frost-like branches and pale trunks below Sketchbook 47 Rome spread: colored-pencil study of legs against blue 'DIVO IOANNI' lettering, and a dense ballpoint drawing made standing at Bernini's Fountain of the Four Rivers — 'ROME III' Reading Ovid at 03:16 — iPad page of the Metamorphoses with Medea's lines underlined in red: 'It's useless to fight, Medea… This, or something akin to it surely, is what they call love.' A German Enigma cipher machine open in its wooden case: lamp board, keyboard, plugboard, and the instruction plate Zur Beachtung in the lid Screenshot from Cricoterie, Tale of Tales' Tadeusz Kantor-inspired VR: a horse skeleton puppet, a toppled mannequin and a black figure among doors and a cage on a dark stage Digital painting after a life photo: seated nude with red hair, arms crossed over her face, pale body against near-black Roman studio in morning sun (photo on its side): gilt rococo mirror on a bare wall, pine shelving with white sculptures and skull, an open notebook of red-chalk drawing Handbound sketchbook open on a green park table: gouache painting of the pond and trees, the same real pond hazy behind Six subdivision levels of the Object 01 head in ZBrush, from blocky low-poly cage to a smooth detailed face, arranged left to right Young hemelsleutel (sedum) plant with broad grey-green leaves in a terracotta pot on brick paving The Path character sheet '2_Rose': four polaroids of the girl in the red hood and dress at different ages, a green hedge-maze icon at left Web clipping titled A Woman on Fire naming Auriea Harvey a digital artist, programmer, and multimedia maven, beside a red-lit portrait of her at 25 Novelty phone-message slip headed 'SADE (Shah-day)': 'While you were listening to Sade's DIAMOND LIFE album', with checkboxes like 'Phoned' and 'Wants to see you' over her faint portrait Cluttered Mac desktop: Firefox on a LiveJournal page with a Sinfest comic, over dark Godlove Museum imagery in the background ZBrush ZSphere reference table: illustrated rows of red-sphere diagrams explaining draw, move, scale, and rotate modes for building armatures RCA Victor Opera Series cover for Bizet's Carmen: Leontyne Price in large hoop earrings against red, with Franco Corelli, Karajan and the Vienna Philharmonic billed The Mystery, first ZBrush version in mauve: a skull with a small serene face nested in its eye socket, trailing a long bone stem and torn wing of ear Blurred black-and-white frame: pale hands and limbs smeared in motion against darkness AP photograph of the yeti crab Kiwa hirsuta: a white deep-sea crab, its long arms shaggy with pale silky bristles Further along: the Circe master copy after Waterhouse, drapery and throne beasts more resolved Bleached scan of page 45 of Borges's The Garden of Forking Paths: everything happens to a man precisely now, and the narrator inventories his pockets From behind: drawing on a stone bench by a green pond, sketchbook open on crossed legs, locs down the back, trees doubled in the water Dark game screenshot: the black silhouette of a ghostly figure trailing streaks of shadow lunges down a grimy corridor Sketchbook 32 spread in black ink: Central Park trees at night seen from the Natural History Museum steps, canopies blotted heavy against a pale sky Sketchbook 48 spread in pink and sanguine pencil: two soft studies of portrait busts in the Louvre's shadows, notes on Marie Antoinette-era hand fans — 'it's easier to draw what you can touch' Sformo-Analysis Page from Rodin's conversations on art: asked if art is a kind of religion, he answers that its first commandment is to model well an arm, a torso, or a thigh Velázquez's The Triumph of Bacchus (Los Borrachos): the young wine god crowns a kneeling drinker among grinning peasants, Museo del Prado Still from Silent Hill 2: Maria leans close behind the cell bars, subtitle reading See? I'm real. Paper Enigma Machine by Michael C. Koss, 2003: printable rotor columns, reflector chart, and step-by-step encoding instructions on one sheet Grisaille digital study of a classical marble bust — woman with headband and braided hair — on a flat pink ground Sketchbook 44 spread, IndieCade day one: blue ballpoint portraits of Ian Dallas, Chris Bell, Amy Hennig, Jenova Chen, Christine Love, Anna Anthropy, and Steve Russell with John Romero at the mic Sketchbook 32, Mediaterra Athens, session 1 'Gaming Society': ballpoint portraits of seven speakers as busts on plinths — Julian Dibbell, Daniel Pargman in a Magic Circle trophy, and others SketchBox app full of virtual sticky notes: THE PATH, 'make paintings of triads', 'PUT GRANDMOTHER IN THE BACK OF THE HOUSE', MAKE GRAVES, two red DONEs Dense journal spread: an inked self-portrait beside a collaged red planet, columns of handwriting, and a blue profile facing a ghostly face — 'READ IT AND COMMIT ME' Film still of the Queen of the Night: a crowned soprano with a crescent-moon staff rises from painted clouds inside a swirling tunnel of stars Page 12 of Hiroshima Mon Amour: in the café she tells why she went mad in Nevers — her head shaved in 1944 for loving a German soldier — every mention of Nevers highlighted Journal spread painted black: a red anatomical hand with a blue-purple palm reaching down the right page, faint red writing in the margins Auriea's Year Zero at bitforms, New York: a stepped white ziggurat of sculptures — horned bust, small heads, a crowned figure on a column — beside a glowing blue mandala projection Four stills: a figure writing at a bright window table, a white silk sail over a dark landscape, a woman by a pond, and a tornado funnel at night Painting of a grim place setting: a small head surfacing from a plate of dark soup, spoon, napkin, and a glass of pale wine on white linen The Bibliochaise by nobody&co: a black armchair whose frame is a bookshelf holding rows of books around a red cushioned seat A pink-and-white peony bud leaning across the frame above a wooden floor — birthday flowers Mag's first form: a reclining figure fresh off the SLA printer in deep purple, still on its lattice of supports, a smaller twin beside it among bronze and stone kin

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