gallery

1458 pieces, shuffled — reshuffle

Black-and-white photograph of the Auschwitz gate, the wrought-iron ARBEIT MACHT FREI arch over the empty road between barracks Scanner image of a dry vine sprig: red wiry stems and tiny dark berries branching off a woody twig on a black ground Cover of sketchbook 19: mustard felt-covered board with a small window of antique printed text pasted at center Arman's Chopin's Waterloo: a grand piano smashed and splayed across a red panel, keys, hammers, and strings fixed where they burst Sketchbook 42, page 11: ballpoint still life on tan paper — a two-liter Sprite bottle, glass mugs, eyeglasses, a crumpled wrapper, and a TV remote Preface page from Anne Carson's Grief Lessons — 'Tragedy: A Curious Art Form' — beginning 'Why does tragedy exist? Because you are full of rage. Why are you full of rage? Because you are full of grief.' Dancing drawing in black ink: splattered vertical strokes and a long arc of dots crossing over a broad smeared wash near the bottom of the sheet Sketchbook 44 spread from the Imagining the Future symposium, Neuchâtel, 10 July 2012: ballpoint portraits of speakers with a microphone, and a watercolor of the Alps over the lake with a sailboat Christmas Eve double exposure: family unwrapping presents by the fireplace, a woman on the hearth, children over a big box, torn red paper on the floor Sketchbook 44 spread: pencil studies after ceiling figures — a flying woman with wind-blown drapery carrying an infant, and a second tumbling figure seen from below Full master copy after Benoist's Portrait of a Negress: seated black woman in white headwrap and drape, one breast bare, ochre ground 3d prop: an open wooden treasure chest with a faceted diamond on its red lining Sketchbook 40, 'Going Forth By Day': Gent to Venice by train — a blue-inked station kiosk, and sleeping passengers in faint pencil — 'every now and then it lets out a high pitched scream' Snapshot of Delacroix's Death of Sardanapalus detail — the bearded king gripping the arm of the nude concubine arched back against the red bed — stamped with a 2001 camera date Sformo-Seam-Keys Eight-song playlist starting with Final Fantasy's None Of You Will Ever See A Penny, five stars, then Deerhunter, Boduf Songs, Fridge, Beck, Cranes The koer through open kitchen windows: pink Japanese maples and spring green, binoculars and clutter on the sill, a wine bottle at the edge Auriea's Year Zero at bitforms, New York: a stepped white ziggurat of sculptures — horned bust, small heads, a crowned figure on a column — beside a glowing blue mandala projection Work-in-progress collage of Object 02: photogrammetry scans of a seated woman clutching a skull, from broken raw meshes to a resculpted red clay figure signed AU Sketchbook 39: a woman in a slip drawn in charcoal and white chalk on kraft-brown paper, her head turned sharply in profile, hair swept up Thirty-minute digital portrait study: a scowling face lit blue from one side against dark red, white tank top roughed in Path character sheet '4_Ruby': five polaroids from small red-haired child to the black-bobbed girl in striped top Wenzel Peter's Adam and Eve in the Garden of Eden: the first couple beneath the tree among lions, camels, horses, swans, and hundreds of birds Italian grammar cartoon 'La casa di essere': a cutaway house whose rooms illustrate the verbs that take essere — nascere, stare, vivere, salire, cadere, morire and more A photograph of a printed page with cream-colored paper displaying four centered lines of black text in a simple serif typeface. The text reads: "For the blind man / in the dark room / looking for the black cat / that isn't there." Two Belgian ballots, 7 June 2009: the mint-green European Parliament sheet and the Flemish Parliament list, red dots marked under GROEN! Top-down view of the Magdalene case in Example #22: tablets playing videos, the wireframe Minorinth head, black and bronze Magdalene figurines, rocks and an open travel sketchbook Sketchbook 22B spread: a silvered page with a Handloom Batik Ganesha card taped on, opposite a drawing of a woman in a slip with one blackened arm against blue-patterned shadow A Fables comic read on a Nintendo DS: cover with boxing-glove title on top screen, then two-page spreads across both screens Alone on a bench in a crimson museum hall, hood up, notebook in hand, before Rubens' vast Martyrdom of Saint Livinus Near-black photograph of a bearded man's face barely lit from below by a single tealight flame Atta Kim's long-exposure Making Love: two bodies dissolved into a single yellow-green cloud of light on darkness 3d bust of a girl with pigtail buns and heavy-lidded eyes, downcast on a deep red ground — The Path's Ruby, early head Green-tinted diptych: Auriea photographing herself in a mirror on a staircase, paired with a framed portrait of Freud hanging beside a curtain Dutch growth chart of pale blue body silhouettes from two-month foetus to 25-year-old adult, heads aligned along red horizontal lines Audio editor screenshot: stereo waveform swelling to a dense block of sound just before the 1'00 mark Photo-weave collage: a black-and-white portrait cut into small rectangles and rewoven, scattering eyes, lips, and hair across the grid The Path character sheet '2_Rose': four polaroids of the girl in the red hood and dress at different ages, a green hedge-maze icon at left Digital painting study in umber and bone: a downturned face after an old master, brushstrokes loose, a brush-tool icon floating top left Daniel Lefcourt's The Invention of Public Relations: gold-painted nuggets, a slide projector and carousel, rulers, gloves, and archive photos knolled on grey Sketchbook 48 atelier spread 'Studio Escalier + Florentine Renaissance': two curving figure studies wrapped in notes on disegno, CHARIS (gift, elegance, love), Degas and 'the fury of the figure' Sketchbook 32, page 34: pencil study of Rodin's Old Courtesan ('She Who Was Once the Helmet Maker's Beautiful Wife'), her bowed bony body in profile The Archive to Come at Telematic gallery: a dark room where a projection of two golden particle faces hovers on blue between bright screens on the walls Black-and-white museum photograph of an ancient mold-blown glass flask shaped as a human head, seen from above so the open rim gapes where the crown should be Artefact Festival 2006 posters spread on a green sofa, each showing a misty forest of tall bare trees with a tiny red figure Two life-size gilded skeleton sculptures hold an oval mirror in a dark shop window; the photographer stands reflected between them, all in black A dead twig with curled brown leaves on a grey ground, two leaves lettered in white paint to spell perfekt Six red 3d urns and lidded jars in diamond and stripe patterns lined up on a dark shelf — Graveyard props The Laughing Man logo from Ghost in the Shell: Stand Alone Complex — a winking smiley ringed by the circling Salinger quote 'I thought what I'd do was, I'd pretend I was one of those deaf-mutes' Keith Arnatt-style photograph: a dense white cloud of smoke hanging between green trees in a summer forest

308 more ›