gallery

1504 pieces, shuffled — reshuffle

Folder of seven Hiroshi Sugimoto Seascapes thumbnails — Aegean Sea, Baltic Sea, Bodensee, Lake Superior, North Atlantic, Sea of Japan, Tyrrhenian — each a bare grey horizon of sea and sky Black-and-white museum photograph of an ancient mold-blown glass flask shaped as a human head, seen from above so the open rim gapes where the crown should be Abstract digital painting in reds and flesh pinks: smeared strokes, tangled dark lines and glossy tubular forms over an orange ground The Graveyard: the old woman leaning on her cane at a fork in the white path, tombs and dark trees pressing in, black and white Sketchbook 46 spread titled 'The Audience': overlapping colored-pencil studies of a group of nudes in graphite, brown and wine red — standing, crouching and turning as if watching something Sketchbook ballpoint page: a big-haired figure gazing sideways, an ear study, a diagram of arrows around a circle, and a small drawing of a girl in a room Sketchbook 49 spread: gestural line studies of tumbling bronze figures, with notes on Veronese's Hercules at the Crossroads and a seven-headed French Hercules-and-Hydra bronze Sketchbook 45 spread: a close brown-toned gouache portrait of a woman's face, facing a red ink-and-wash figure curled inside an egg-like ring with notes on love, fragments and ruins in technological art Portable studio on a desk: black felt pencil roll, tiny travel watercolor set with stained mixing lids, sketchbook, tea mug and laptop Plain dark charcoal-grey square swatch Standing small before the Pergamon Altar friezes in Berlin, hands at sides, bag dropped on the marble floor, battling gods overhead Black-and-white photograph of two visitors silhouetted before a museum diorama of New Amsterdam: Lenape men with clubs face Dutch colonists by a windmill and stone house A robed figure sits alone on a vast expanse of rippled desert sand, golden light raking the dunes — an image from Lawrence of Arabia Sepia still life: a hand with dark nails at the edge of frame, two rough loaf-like stones, and a dark peony resting in a footed cup Mac Finder search grid: sixteen identical copies of gold.gif, small square tiles of mottled gold texture The Laughing Man logo from Ghost in the Shell: Stand Alone Complex — a winking smiley ringed by the circling Salinger quote 'I thought what I'd do was, I'd pretend I was one of those deaf-mutes' A tissue-lined box packed with translucent 3D-printed head-shaped bottles, their screw necks rising from the crowns like bottle caps Ruby's black glossy wig over a blank magenta placeholder face, textured neck below Long strip of overlapping webcam frames: a woman with braids, bare shouldered and eyes lowered, repeating and dissolving along a dark band Tiny game screenshot: a figure standing alone in the middle of a cracked grey road through mottled green-orange terrain Vija Celmins graphite ocean drawing: an even field of small waves rendered wave by wave, no horizon Cy Twombly untitled work: looping white crayon scribbles swarming diagonally across a grey ground Spolia-Style-Vine Sformo-Assembled Sketchbook 42 closing spread: crayon figure studies — a standing figure in hot pink, yellow and green with rainbow scribbles beside it, and a fainter second figure dissolving into color bars Theatrical scene lit against black: a bald monk figure peers over a carved stone chest across a floor of purple tangles toward a shoji screen with a shadowed silhouette John Cage score page: circled constellations of pitch letters joined by lines, floating over conventional staves beside an ornate clef Sketchbook 47 spread: ballpoint life drawings — a bald man in profile, a bending figure with hanging hair, and overlapping reclining and seated nudes Cover of sketchbook 18: a silhouetted photo-booth portrait taped under wrinkled white tissue streaked with rusty red drips Grayscale digital painting of two drooping peony buds, ink-dark leaves against a smudged white sky Reference collage titled sirens, singing ref 1: film stills of women mid-scream and mid-song — wailing on beds, in cafeterias, in glitter crowns Sketchbook 48 atelier spread 'Studio Escalier + Florentine Renaissance': two curving figure studies wrapped in notes on disegno, CHARIS (gift, elegance, love), Degas and 'the fury of the figure' Airmail envelope from the John Simon Guggenheim Memorial Foundation, 90 Park Avenue, addressed to Ms. Auriea L. Harvey Screenshot from Ico: the boy in his red tunic and horned helmet reaches down from a wooden plank toward the pale, glowing Yorda in the castle gloom Sketchbook 33 spread: magnolia branches in contour line budding through a rust-red wash with pale purple blossoms, dark ink branches breaking in at lower left Sketchbook 40, Schloss notes: a red ribbon whipping between inked topiary and hedges, sketches of chandeliers and a fountain in a room, notes on hidden servant doors Screenshot of the classic Mac OS X Colors picker panel showing a web-safe palette grid, with hex value #0099ff entered and a bright blue swatch above The Path logo: scratchy black hand-drawn capitals reading THE PATH, 'a tale of tales' small beneath Spread from Anne Carson's Autobiography of Red, pages 4 and 5: what difference did Stesichoros make — adjectives as the latches of being, and red Geryon of Erytheia Live Click Test RATIO with sample entries: trips and expenses for one year Sketchbook 48 spread: notes on Bernini and Poussin at a dinner party, Michelle's advice on chalk drawing, Subleyras and the 1740s turn to Neoclassicism — 'David, the father of us all' Small grainy black-and-white photo of Sonic Youth: Kim Gordon, Thurston Moore, Lee Ranaldo, and Steve Shelley posed against a dark wall Blurry snapshot of a high school graduation: graduates in white caps and gowns walking past a coral-pink wall, Lauren among them Black-and-white sign in Disney-style lettering: 'ALL SHE SAID WAS — HORRIBLE THINGS WILL HAPPEN' Ingres's Odalisque in Grisaille: the Grande Odalisque reclining nude among grey silks, painted entirely in tones of grey, looking back over her shoulder Tintype-style self-portrait, very close: round dark-rimmed glasses, window light on one side, the plate scratched and spotted Transcript of the Kryptos sculpture at CIA headquarters: four panels of ciphertext letters and the keyed Vigenère alphabet tableau Louise Bourgeois's giant bronze spider Maman standing over James Ensor's grave beside the brick church tower of Our Lady of the Dunes, Ostend Sketchbook 49 page in sanguine: a nude pulling drapery from her shoulders with arm raised over her head, a lighter blocked-in figure beside her

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