gallery

1479 pieces, shuffled — reshuffle

Hero-machine comic cover: 'The Mighty Splintery Splinter' — a red-wrapped figure with a stick over its shoulder against a night skyline SPOLIA-Shelf La Vita Nova from above: four white scanned statuettes stand at the arms of an X-shaped crossroads floor lettered CONTEMPT / DISPREZZO and XLVI AND A DAY / XLVI E UN GIORNO Still-life painting: a human skull in profile shelved inside a rough wooden box beside a small glass bottle of clear water Broken 3d export: a pink low-poly suited figure with an enormous black cylinder skewered diagonally through its head to the floor Triptych of skull self-portraits: cheek pressed to the plastic skull; regarding it at arm's length; holding it up as a second face over her own Two figures on the wide wet sand of the Belgian coast under a heavy sky, a rainbow arcing down toward distant apartment blocks Sketchbook 42b: dark charcoal study of the Belvedere Torso from behind, the muscled back twisting above the truncated thighs against heavy hatching Page from Cabanne's Dialogues with Marcel Duchamp: painting had become retinal — few ideas, mostly technical problems, all painting since Impressionism antiscientific Silent Hill 2 twice: Maria lying dead on the green diner floor, and James reading 'There was a HOLE here. It's gone now.' on a newspapered wall Composite telescope image of the Bullet Cluster: colliding galaxy clusters with hot gas in pink and the inferred dark matter mapped in blue among the field of galaxies John December's 1994 CyberMap Landmarks diagram: the Internet drawn as colored blob territories — Web, Gopher, WAIS, Telnet, FTP, Usenet and Email space — linked by red gateway arrows Snowflake-filtered webcam pair: Michael and Auriea cheek to cheek, then Auriea laughing with hand to forehead, ring catching the light Page from a Dutch Tiny (Martine) children's book: text about Tiny's circus above an illustration of her as a small ballerina curtsying in a spotlight among water lilies Wood-panelled wall of framed personal photos — a man in a white suit singing, band snapshots with congas — behind a frosted-glass lamp Night desk: laptop and iMac both showing The Path (Ruby leaning in headlights, a striped-sock scene), the logo glowing on a Wacom below, Michael behind the far monitor Sketchbook 45: tonal pencil drawing of the back of Martha's head, loose blonde hair falling over an embroidered blouse against a dark shaded ground Studio corkboard packed with sculpture clippings: bronze foundry photos, Johan Creten and Dirk De Keyzer pages, insects, casts, a blue clay head, 'IT WAS LIKE SO BUT WASN'T' Graphite study of a marble torso's thighs, a carved hand gathering the robe aside at the waist, with a smaller drapery sketch alongside The Path character sheet '2_Rose': four polaroids of the girl in the red hood and dress at different ages, a green hedge-maze icon at left Back cover of sketchbook 20: layers of cheesecloth painted pale blue and gold over damask fabric, tiny eyelets inked lower left Netscape window on Windows 95 showing skinonskinonskin by Entropy8Zuper!: Auriea's face half-hidden under dreadlocks, a Z at her fingertips, chapter links across the top Sketchbook 32 spread: a dark inked barn and farmhouse among trees with a small blue butterfly collaged at center — 'Hamilton, NY, USA, CC retreat, 2006' Sketchbook 41 café spread: ballpoint sketches of a coffee cup, kettle, and a long-haired bearded man, with conference notes on Silent Hill 3, spatiality, the uncanny, and games as creative writing tools Sketchbook 43 spread: graphite studies of a bent leg and hand holding a pen, and on the right page feet dragged mid-stride, toes trailing across shaded ground Janine Antoni's Lick and Lather: two self-portrait busts side by side, one licked-down chocolate, one washed-away white soap, on classical pedestals Timothy Stotz's chart The Flowering Staircase, 1435–1935: five centuries of master-apprentice lineages from Michelangelo and Raphael down to Matisse and Ted Seth Jacobs Orientalist painting of Salome: a dark-haired woman with hoop earrings and bared breast in a red sash skirt, gripping a brass platter and blade Untextured brown 3d man in a hooded jacket standing at rest in the Blender viewport — 144 character work Sketchbook 46 spread: flowers in black ballpoint on the tan page — an open peony, a bud, a dark rose — continuing onto blue-white paper as chrysanthemums tinted violet, orange and a pink rose in colored pencil Kiki Smith's bronze fountain figure: a standing nude woman on a pedestal, water trickling from her open hands, photographed against violet light Cover of sketchbook 47: a graphite study of the Farnese Hercules from behind set into the gilt-framed panel of a worn red book cover Hugo van der Goes's The Fall of Man: Adam and Eve stand naked by the fruit tree while the serpent, a lizard with a woman's head, watches Eve reach for an apple Metope's Texture tablet, the pattern studio: a grid of pattern primitives and the recipe sliders that shape them, with the bake-to-form controls at the foot. Diary line in blue ballpoint over the printed word APRIL: 'I wrote this in Darmstadt with a free pen. Michael has gone to the restroom. I'm drinking champagne.' Shoulder tattoo in progress: green Japanese waves curling around dark smoke-grey clouds, two red petals falling, partly outlined panels near the shoulder blade Three stems of yellow loosestrife (wederik) with whorled yellow flowers against a peeling white wall, beside a metal drainpipe Twitter exchange: Auriea shares Monteverdi's First Book of Madrigals; Hasan Niyazi replies 'as if 1587 taps us on the shoulder and says remember — blessings' Hand-drawn anarchy symbol: a rough black brushstroke A crossing through a circle Digital self-portrait painting: a woman with long braids looking straight out, framed by green leaves and small white blossoms on deep purple Keith Arnatt-style photograph: a dense white cloud of smoke hanging between green trees in a summer forest Artemisia Gentileschi's Judith Beheading Holofernes: Judith and her maidservant pin the general to the bed with braced arms as the blade cuts through, blood soaking the sheets Ink sketchbook page of antlered stag studies — one full body with heavy fur, two roaring heads, loose antler diagrams Bernini's Rape of Proserpina, close: Pluto's fingers sinking into her marble thigh and waist, stone made flesh Diagram of the Julio-Claudian family tree, tracing marriages and adoptions from Julius Caesar through Augustus, Tiberius, Caligula, Claudius, and Nero Sketchbook 6 page dated 18 May 1990, 'The Story Link, Act 1 Scene 1': a teenage screenplay outline in colored markers about a killer car, organ donors, and a plot to 'take over the world', interrupted by a commercial announcement Unity editor view of MinoRinth: the scanned point-cloud tree spreading over circular maze walls, brick towers, and purple stones around a green center Roma sketchbook: a gnarled old tree brushed in ink, its roots gripping the ground before an arched arcade Inverted-color render: a bob-haired girl in negative, face patched black and white like a skull, one red shoulder MinoRinth from above: green-edged concentric maze rings curving below brick towers, their walls stitched with dotted purple seams

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