gallery

1497 pieces, shuffled — reshuffle

Sketchbook 49 spread: faint layered crowd studies in graphite and ochre — faces, lips, and a staring woman — with the note 'if you think this is over then you're wrong' La Vita Nova from above: four white scanned statuettes stand at the arms of an X-shaped crossroads floor lettered CONTEMPT / DISPREZZO and XLVI AND A DAY / XLVI E UN GIORNO The vine in leaf, whole: leafed stems hold the rim and grip the base ring, tendril curls reaching from the mid-height stems, all in verde antico against the pale vessel. Raw photogrammetry scan for The Flower Seller: a grey ragged-edged bust with a blurred face, an armful of thick-petaled blooms dissolving into scan debris Work-in-progress collage of Object 02: photogrammetry scans of a seated woman clutching a skull, from broken raw meshes to a resculpted red clay figure signed AU Plain dark charcoal-grey square swatch Four Saint John test prints against orange: a white resin figure, black demon legs on a rod above a tiny reclining body, a small black figurine, and a bronze-patina cast SketchBox app full of virtual sticky notes: THE PATH, 'make paintings of triads', 'PUT GRANDMOTHER IN THE BACK OF THE HOUSE', MAKE GRAVES, two red DONEs Nine well-used colored pencils and pastels fanned out on grey — silvers, blues, reds, black and brown Sketchbook 42b: dark charcoal study of the Belvedere Torso from behind, the muscled back twisting above the truncated thighs against heavy hatching Grainy still of a small gold figure curled into a ring, floating mid-air against beige — falling gilded body Screenshot from Cricoterie, Tale of Tales' Tadeusz Kantor-inspired VR: a horse skeleton puppet, a toppled mannequin and a black figure among doors and a cage on a dark stage Second angle on the simulated striped table: the curly blue head and orange cyclops face in front, legs in orange boots, a standing figure, and bone fragments behind Fan-made English translation diagram of the Nintendo DS Browser settings menu, mapping every checkbox for web, interface, network, time and shortcut settings Sketchbook 5: ballpoint self-portrait close-up, face filling the right of the page with lips parted, a chair and window line-drawn behind Roman studio in morning sun (photo on its side): gilt rococo mirror on a bare wall, pine shelving with white sculptures and skull, an open notebook of red-chalk drawing Freedom of Teach male écorché reference figure in grey resin: front, side, and back views of the full flayed musculature Spolia-Style-Pelt Astrodienst natal charts side by side: Auriea, Gemini sun with Aries rising, and Michaël Samyn, Cancer sun with Leo rising Two finds: enamel 'Drukkerij St Joris P.V.B.A.' printers' sign, and an office-door flyer — 'ART PROBLEMS? Seek professional advice…' Four runway looks with furry animal masks — horned goat and sheep heads over tartan coats and prints Long strip of overlapping webcam frames: a woman with braids, bare shouldered and eyes lowered, repeating and dissolving along a dark band The word NOW in soft-edged black letters, set diagonally and dissolving into a pale blue ground Page from a Dutch lexicon under U, Uurwerk: water clocks from Egypt and Vitruvius through Su Song and al-Jazari, ending on sultan al-Kamil's candle clock of twelve doors Sketchbook 44 spread: pencil studies after ceiling figures — a flying woman with wind-blown drapery carrying an infant, and a second tumbling figure seen from below Theatrical scene lit against black: a bald monk figure peers over a carved stone chest across a floor of purple tangles toward a shoji screen with a shadowed silhouette Sketchbook 33 spread, Teotihuacan Mexico 2007: a shaggy pepper tree in black ink over a shaded path, and at right cactus paddles drawn in wandering line Uscio The Bibliochaise by nobody&co: a black armchair whose frame is a bookshelf holding rows of books around a red cushioned seat The Living Line in wobbly hand-drawn lettering above a screenshot of Droom-Zacht v1.0, 'drawing tools for sleepy people', its canvas filled with dense brown scribble Four video stills of the Mediterranean surf breaking over pebbles, sun glittering on the water Diptych: profile nearly curtained by long straight black hair on a fur throw; below, bare feet with chipped pink polish in deep shag carpet Film still of the Queen of the Night: a crowned soprano with a crescent-moon staff rises from painted clouds inside a swirling tunnel of stars Line graph of human growth from age 1 to 18: cyan male and magenta female height curves rising to plateau, with growth-rate curves peaking in adolescence Night desk: laptop and iMac both showing The Path (Ruby leaning in headlights, a striped-sock scene), the logo glowing on a Wacom below, Michael behind the far monitor Bookbinding, three views: fanning the fresh deckle-edged signatures in cream, peach and celadon; the finished linen cover with black elastic; peach marbled endpapers Webcam self-portrait at 18h54: a sheet of handwriting held in the teeth over an open notebook and printed mandala images Sketchbook 44: a printed page of Feu et Flamme overdrawn with a large sanguine foot seen from the sole and a violet pencil profile rising along the margin New watercolor tin open on a plaid lap: two rows of half-pans from reds through blues to ochres, a water brush laid across ZBrush fragment for the Magdalene: a single bent arm rising from the elbow, its hand gripping a skull whose jaw dissolves into the fingers Cover of 'Boris Vian de A à Z', Obliques No. 8–9: the title in bold purple cut-out letters over diagonal yellow and magenta stripes Saint Bavo's Cathedral in Ghent seen from the belfry: the great Gothic west tower rising over the city's rooftops under a white sky Black silhouette of a woman drifting mid-turn against a grey gradient, a faint reflection under her feet Black-and-white photograph of Claude Monet standing in his Giverny studio beside a sofa, surrounded by the huge water-lily panels The Voyager Golden Record: etched playback instructions, a pulsar map, and the hydrogen atom diagram on the gold-plated disc A dry twig with curled dead leaves lying on a pale surface, tiny white flower stickers pasted onto the dead leaves Inside cover of sketchbook 20: collaged Muybridge-like figures carrying trays across the bottom, a golden crest reading 'PSYCHE STORY' held up at right, rusty reds above Green-tinted diptych: Auriea photographing herself in a mirror on a staircase, paired with a framed portrait of Freud hanging beside a curtain Andrew Wyeth's Barracoon: a nude figure lies asleep face down on white bedding against a scumbled umber wall Spiral notebook page dated 10/1/87 written entirely in an invented cipher of hearts, triangles, and squiggles, one line ending in a burst of exclamation marks

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