gallery

1504 pieces, shuffled — reshuffle

Spolia-Gizmo-Size Sketchbook drawing of heaven and hell: a bowed figure in black on brown earth, flames at their feet, while a distant figure exults under a cross and red sun Thirty-minute digital portrait study: a scowling face lit blue from one side against dark red, white tank top roughed in Cover of sketchbook 38: a misty black-and-white photo of a Japanese garden framed in Kodak TX film-box edges, collaged over torn German book pages with red initials The fossil skeleton of Lucy, the Australopithecus afarensis: her scattered bones — skull fragments, ribs, pelvis, limb pieces — laid out on dark blue cloth Leonardo da Vinci drapery study: brush and grey tempera on linen of heavy cloth over a kneeling figure, the folds modeled in white heightening Me and My Ghost, 2001: webcam self-portrait through realtime nato effects, rays and a lace-like hood Cover of sketchbook 23A: plain deep magenta cloth, worn and water-stained, no title A German Enigma cipher machine open in its wooden case: lamp board, keyboard, plugboard, and the instruction plate Zur Beachtung in the lid Ornate gallery with The Graveyard(?) on a flatscreen — a blue underwater scene — a woman mugging wildly for the camera while a man gazes up Fifty-song year-end playlist: UMO, Momus, Belle & Sebastian, Vivaldi's Stabat Mater highlighted, Jarboe, Joanna Newsom, Boduf Songs Star Trek Voyager cast photo: Janeway front and center with arms crossed, the crew in red and gold uniforms around her Painting of a grim place setting: a small head surfacing from a plate of dark soup, spoon, napkin, and a glass of pale wine on white linen Journal page: the Parsons 'fine arts' senior thesis exhibition card, 1993, above taped photo strips of small sculptures — 'this was a very good idea' in pencil EarthBound ('The War Against Giygas!') running in an SNES emulator on a Nintendo DS, menu on the lower screen Sketchbook 43 spread titled '5 still lives': graphite studies of a sleeping spaniel, a looming foreshortened face, a crouched nude, and a girl in a skirt standing with a bag Sketchbook 40, Köln museums spread: Roman mosaics and hairpins from the Germanicus museum, notes on Käthe Kollwitz's 'Frau mit totem Kind', and inked towers over park trees Plain pale pink square swatch Wenzel Peter's Adam and Eve in the Garden of Eden: the first couple beneath the tree among lions, camels, horses, swans, and hundreds of birds Sketchbook 42, page 14: ballpoint portrait on tan paper of a woman with a ponytail seen in profile, eyes lowered, her seated body trailing off into light contour lines Two sepia portraits of a man at home: smiling close in wire glasses and a heavy chain; then aiming his Nikon back at the camera beneath a Pianos Daudé poster Two-page spread from One Hundred Years of Solitude in which José Arcadio Buendía insists the day is still Monday, the time machine broken Sketchbook held up in a park: brown-ink drawing of the pond with a dark figure's ripples, the real pond and lawn behind it Black-and-white sign in Disney-style lettering: 'ALL SHE SAID WAS — HORRIBLE THINGS WILL HAPPEN' RCA LP cover of Great Scenes from Gershwin's Porgy and Bess with Leontyne Price in a red feathered dress and William Warfield kneeling beside her 3d model of a weathered stone grave cross in an empty grey Blender viewport — a gravestone for The Endless Forest Spolia-Gizmo-Turn Hand-tinted Meiji-era photograph of two women and an older man gathered around a game of Go on a low board, tea things beside them A dead twig with curled brown leaves on a grey ground, two leaves lettered in white paint to spell perfekt Small pill-shaped interface strip fading from white into warm grey Glitched Netscape window on entropy8.com: a black-and-white close-up of a woman's face shredded by horizontal bands of corruption A finished dessert plate: strawberry-red smears, one strawberry crown left, spoon and fork crossed Six panels of charcoal spiral scribbles, black and white, ending in handwriting: 'practise makes perfect BUT perfection is BORING.' Back cover of sketchbook 23B: dark red board with a vertical pasted clipping: 'She is a living example of the ancient theorem The Woman is a Sandwich Covered With White Marble.' — Max Ernst Song lyrics hand-lettered in black marker filling a yellow legal page, beginning ring them bells and ending in rows of small asterisk stars Sketchbook 44 spread: ballpoint plane trees and a mossy fountain, with scribbled motion studies of dancers noted from Les Ballets C de la B's 'Oude King' — 'human range of motion', 'over pain madness' The word NOW in soft-edged black letters, set diagonally and dissolving into a pale blue ground Sketchbook 49 spread in silverpoint-light graphite: a mustached man's face, a hand gripping a dark plum, a corked bottle, and a nude beside stacked studies of a bearded head and wing METOPE paint and glaze figure Sketchbook 38 spread, 'The Roof view': a chimney and a patch of green moss and lichen spreading across pale roof slope in watercolor Browser screenshot of a2p.bitmark.com, Artworks I own: an edition grid with works by Warburton, Sougwen Chung, Petra Cortright, LIA, Lieberman, Shu Lea Cheang, Pipkin, and Auriea's Sketch for a Cyclops Diptych: Filippo Lippi's Annunciation, angel kneeling before Mary among arcades — and a restaging on a sunny lawn, four friends posed before a little white chapel Sketchbook 44 spread, 3 September, model session: soft pencil sketches of the same nude bending, kneeling and seen from the back, poses overlapping across the gutter Portrait of sculptor Kiki Smith in her overgrown back garden, grey curls loose, tattooed hand raised mid-thought Work desktop: ballpoint sketches of a man's eyes, a red-ink figure drawing, and a 3d man with a dotted wireframe mask — '144 character modeling - Grandmother' in the dock Dutch text on the Sadawaar, a beast of Byzantine lands from Kazwini: its horn of forty-two hollow branches sings sweetly in wind, and mournfully when reversed Sketchbook 25 spread of watercolors: a faint green figure bleeding through above, and below, a blond man in black standing in a Maine yard by a shed — the only known drawing of Rick Dark game screenshot: the black silhouette of a ghostly figure trailing streaks of shadow lunges down a grimy corridor Cover of sketchbook 11, black leather-grain board with a small pasted label: 'THE NEW SCHOOL MUST FALL! LONG LIVE PARSONS!' Sketchbook 57 page at the Musei Capitolini: charcoal study after Caravaggio's St John the Baptist embracing the ram, with notes on getting authorized to draw after 6:30

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