gallery

1504 pieces, shuffled — reshuffle

Sketchbook 44 spread, 2 October 2012, Boeing 747 to Las Vegas: red ballpoint sleeping passengers under a painted blanket, with a swatched palette of 'colors for a trip to California' Blurred black-and-white frame: pale hands and limbs smeared in motion against darkness RATIO with sample entries: trips and expenses for one year Cover of sketchbook 26: a thick black branching form like roots or veins inked over waxed book text crosshatched with shadows Purple passion velvet plant, its fuzzy deep-purple serrated leaves overflowing a pale lilac pot Book page of Chris Crawford's definition of interactivity: 'a cyclic process between two or more active agents in which each agent alternately listens, thinks, and speaks' The Late Raphael exhibition catalogue with a thank-you note signed Auriea, above her sketchbook of pencil copies after Raphael's Saint Michael and putti Sketchbook 44 spread: airplane cabin interior in red ballpoint — seat backs, tray tables and curtains in crosshatch, a sleeping passenger's hand curled at upper left Auriea standing with a sunburst electric guitar in a dark room, one hand on the maple neck, a cigarette between the fingers of the other A dry twig with curled dead leaves lying on a pale surface, tiny white flower stickers pasted onto the dead leaves Cover of sketchbook 43: white gessoed cloth painted with a large marbled sphere in red, gold and green, a small silver moon circle set into its lower edge Sally Mann's Virginia #42 (2004): huge varnished silver print of a freckled sleeping face, eyes closed, gallery caption below Page from Cabanne's Dialogues with Marcel Duchamp: painting had become retinal — few ideas, mostly technical problems, all painting since Impressionism antiscientific Sketchbook 49 spread of Louvre copies: a crouching satyr and standing nude pulling off her shift, facing a Daumier-like group of heads and a pensive figure resting chin on fist Sliver of a 3d viewport, three heads at the bottom edge, filename shouting: thatswhatyougetwhenyoumisusewhatiinventyourempirefallsandyouloseeverycent.png Sketchbook 42b: dark charcoal study of the Belvedere Torso from behind, the muscled back twisting above the truncated thighs against heavy hatching Sketchbook 44: the altered title pages of Zénaïde Fleuriot's 1888 novel Feu et Flamme — author struck through and replaced with 'Mvr A. Samyn', dated 1888–2012, ringed by the year's cities from Neuchâtel to Las Vegas Julian Wasser's 1963 photograph of Marcel Duchamp playing chess with a nude Eve Babitz beneath The Large Glass at the Pasadena Art Museum Two graphite studies of the Louvre's Old Centaur teased by Cupid, seen from behind and from the front, the winged child perched on the centaur's back METOPE paint and glaze figure Young hemelsleutel (sedum) plant with broad grey-green leaves in a terracotta pot on brick paving The same portrait head resolved: black woman in a white headwrap on ochre ground, after Benoist's Portrait of a Negress Theatrical scene lit against black: a bald monk figure peers over a carved stone chest across a floor of purple tangles toward a shoji screen with a shadowed silhouette Jarboe on stage in Rotterdam, blurred in magenta light, long-haired guitarist at right and drum kit behind Sketchbook 45 spread: graphite portraits of dying flowers — a drooping daisy over collapsed petals at left, a closed rose bending on its stem beside a tulip at right A sculptural bust featuring a bearded male figure in white marble or plaster, positioned in profile against a weathered green patina base with black and gold-spotted stone, set against a black background. The figure's classical features and flowing beard are rendered in sharp detail, while the contrasting materials and oxidized finish suggest an aged or intentionally antiqued decorative object. A single seedling pushing up through dark soil, seed husk still capping one cotyledon like a hat Last.fm top artists grid: Akira Yamaoka on top with 1,685 plays, then Nick Cave, Sonic Youth, Bach, Air, Tom Waits, Radiohead, Björk… Voyager-style black-and-white photograph of Jupiter against black space, its banded clouds and Great Red Spot visible A gilded baroque sculptural composition featuring a human skull at its center, flanked by two golden cherub figures and ornate architectural elements including scrolled moldings, set against a black background. The work exemplifies memento mori imagery, combining precious metalwork with skeletal symbolism in an elaborate three-dimensional arrangement. It is also the icon of my MacBookPro. A grey Dutch bicycle with a black basket leaning against a park bench in a winter park, bare trees and drifts of fallen leaves behind Preface page from Anne Carson's Grief Lessons — 'Tragedy: A Curious Art Form' — beginning 'Why does tragedy exist? Because you are full of rage. Why are you full of rage? Because you are full of grief.' UV test texture: a grid of numerals 0 through 9 marching diagonally across squares of red, green, yellow, cyan, and purple Sketchbook 32, Mediaterra day 3 'Game Art': speaker portraits including Martin Pichlmair in a yellow shirt and star collar labeled 'PWNED', notes on appropriation art Sketchbook 42b spread: soft pencil studies of sculpted horse heads in the Vatican, one bridled head in profile at right, a second head and neck emerging at left Sketchbook ballpoint page: a big-haired figure gazing sideways, an ear study, a diagram of arrows around a circle, and a small drawing of a girl in a room Sketchbook 48 spread in graphite: self-portrait with full hair and hand at chest, legs in patterned tights on heeled sandals, a coffee mug, and tiny thumbnails noting 'The Moon' and a black dog First page of Robert Graves's I, Claudius: Claudius introduces himself and his nicknames — the Idiot, the Stammerer, Clau-Clau-Claudius — under a Greek key ornament Sketchbook 39, digital painting: a boy in a blue sweater in profile, pale face under a mop of brown hair, his shadow doubled on the tan wall Sketchbook 47 spread: two graphite studies of a curly-headed marble Venus, with notes on Fetti's 'Melancholy', Thomas Boudin, and Coysevox's 'Crouching Venus' — 'she's looking heavenward, sitting on a tortoise' Tiny green-on-black terminal: 'Everything is Ok — Bonnie-2:~ Auriea$' Sketchbook 47 spread on the 'Rubens in Europe' exhibition: écorché studies, notes on Van Dyck's Charles I and Rubens's Leda and the Swan copy after Michelangelo — 'bursting out of this rectangle, but so still' Journal spread, Oct 1993: a collaged botanical print of roses beside a dream account, and cursive on grey-blue: 'In my life the furniture eats me...' Dark digital drawing: a doll-like face buried in a storm of scribbled black hair over mottled green and magenta Mac desktop corner with the IO II and JUPITER cover art as folder icons over a misty forest wallpaper Two round-mirror selfies trying on a sheer cream babydoll top with ragged hem over dark jeans, clothes rack behind Detail of Marqueste's Perseus Slaying Medusa: the gorgon cries out, head wrenched back, small wings at her shoulder, beside a fluted column Path character sheet '4_Ruby': five polaroids from small red-haired child to the black-bobbed girl in striped top A small white bunny with grey ears and nose sitting in a white bathtub, looking up with one dark red eye Webcam still from an AR test — 'Pattern marker example with Three.js' — peering over glasses in a patterned dress, the screen behind mirroring the page

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