gallery

1479 pieces, shuffled — reshuffle

Circular fountain basin ringed by thin jets of water catching evening light, dry grasses in the foreground Small jade plant with plump oval leaves in a terracotta pot with saucer, on a red tiled windowsill by an open window MinoRinth sky: a blinding white sun ringed in violet, radiating light streaks through drifting sepia clouds crossed by yellow-green vines Photoshop layer tabs named: henna, blood, blood splatter, blood — working on Faustina Inverted photo: bare legs dangling from a silver-insulated ceiling above shopping baskets of toys — a mirror-world garage Webcam diptych in reds and pinks: a woman in an orange shirt at a keyboard, then her hand on the piano keys below Reference collage for Labytaur: medieval Minotaur-in-labyrinth manuscript, garden-maze engraving, Picasso Minotaur images, the sleeping Ariadne, a two-faced bust, and floor mazes Dancing drawing: a sweeping charcoal-and-pencil arc curving up the page from a dense black smudge, looping scribbles at its base John December's 1994 CyberMap Landmarks diagram: the Internet drawn as colored blob territories — Web, Gopher, WAIS, Telnet, FTP, Usenet and Email space — linked by red gateway arrows MinoRinth simulation frame: seen from high above, the tiny yellow labyrinth disc and point-cloud tree glow at the bottom of a muted green chasm Black-and-white breakfast still life: Special K 'Bikini Challenge' box, Tropicana, milk, an empty bowl and a GEE games magazine Five 3D-printed heads of the same downcast face lined up in filament shades from ivory to dark brown, print scraps, a bronze arm and figurines scattered behind Back cover of sketchbook 20: layers of cheesecloth painted pale blue and gold over damask fabric, tiny eyelets inked lower left Two stems of moth orchids, white petals speckled with magenta and deep pink lips, in front of an old wooden door Looking up through MinoRinth: a dark tree trunk forks overhead into pixel-dust foliage, the maze's green rings and grids dissolving in white glare Dark game screenshot: the black silhouette of a ghostly figure trailing streaks of shadow lunges down a grimy corridor Cover of sketchbook 21B: red felt covered in dark oval link shapes touched with gold, signed '21 TDM' — The Disease Manifesto J.W. Waterhouse's Circe Invidiosa (1892): the jealous sorceress in a dark peacock gown stands on the water, pouring luminous green poison from a wide bowl Lecture slide: Olafur Eliasson's Weather Project three ways — the huge indoor sun at Tate Modern, a figure raising arms before it, visitors sprawled on the floor Page from a Dutch Tiny (Martine) children's book: text about Tiny's circus above an illustration of her as a small ballerina curtsying in a spotlight among water lilies Mirrored webcam self-portrait: face doubled down the center line, drinking from a glass, dreadlocks framing both halves Group photograph of the Bauhaus masters in coats and hats on the Dessau roof — Gropius, Kandinsky, Klee, Moholy-Nagy among them Finder list of a dozen folders all named Objects, one highlighted magenta OBJECTS from 22 décembre 2008 Journal spread painted black: a red anatomical hand with a blue-purple palm reaching down the right page, faint red writing in the margins Path production prints: black-and-white posters of the six sisters hung on a line, and the tall Scarlet poster taped up over the tidy desk small animation of the Prophet Ezekiel from my video in this room is a sculpture called PROPHECY. a man with a swirling cloud around his head stumbles around then focuses. MinoRinth: looking down into the maze's core, a grey fan of wall segments circling a sunken mosaic hexagon overlaid with green triangulation Sketchbook 49 spread at the Met's Raphael drawings: graphite nude from behind, quoting 'keep one's compass in one's eyes and not in the hand, for the hands execute, but the eye judges' Inside back cover of sketchbook 38: a sun-bleached Polaroid self-portrait among bare branches, hair falling over the face, taped beside a German page on 18th-century literature Cover of sketchbook 45: a small oil painting glued to the black cloth board — two extracted molar teeth painted thickly in ivory against a deep teal ground Live 3D scan of someone sprawled on the couch, rendered as white sculptural relief — 59fps, 1.93 million points and counting Sketchbook 45 opening: a grisaille gouache self-portrait, eyes glancing sideways under a dark fringe, facing a black brushstroke and the inscription '45, Mars Black, 13 Nov 2012' Sketchbook 22B spread: photos of a sculpted head-jar and a brooch-studded form on scorched paper, opposite a mirrored double self-portrait photo above silver foil — 'I give you 1995 of my 23rd year' From behind: drawing on a stone bench by a green pond, sketchbook open on crossed legs, locs down the back, trees doubled in the water Self-portrait in a round mirror by the wooden door, camera at eye, in a black sweater with dreadlocks tied back Masahiro Mori's uncanny valley graph: familiarity against human likeness, dipping past bunraku puppet toward corpse and zombie before healthy person Sketchbook spread in gouache: black magnolia branches heavy with white pink-veined blossoms against fields of violet and lavender Spiral notebook page dated 10/1/87 written entirely in an invented cipher of hearts, triangles, and squiggles, one line ending in a burst of exclamation marks Cover of sketchbook 19: mustard felt-covered board with a small window of antique printed text pasted at center Look-and-feel test for MinoRinth: a photogrammetry point-cloud of Theseus fighting the Minotaur seen from below against blue sky, crossed by pink laser lines Two graphite studies of the Louvre's Old Centaur teased by Cupid, seen from behind and from the front, the winged child perched on the centaur's back Three chalk studies on green-grey paper of a marble figure's crossed legs under gathered drapery, from full shading to bare outline Auriea's Year Zero at bitforms, New York: a stepped white ziggurat of sculptures — horned bust, small heads, a crowned figure on a column — beside a glowing blue mandala projection Glaze strength inside a groove, by groove width and Pool scale Green-on-black terminal listing: files MissJones and THEDEVIL, then the command 'cp ._THEDEVIL ._MissJones' Bare studio with peeling walls: a large-format camera on a tripod facing a trestle table, cold window light, paint-spattered floor Inverted-color render: a bob-haired girl in negative, face patched black and white like a skull, one red shoulder Notebook spread on the cosmos: paper wheel cutouts, a watercolor star-sphere and a fiery wheel, notes on Anaximander's rings of fire Roma sketchbook spread 'S.P.Q.R.': ink studies of statues and angels with notes — 'It is a frightening thing when one culture supplants another... In Rome the Gods are truly dead.' Cover of sketchbook 21A, 'The Disease Manifesto': white moon and streaked clouds on black-blue night, a pasted caption reading 'Night; stars and a bright moon.'

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