gallery

1479 pieces, shuffled — reshuffle

The grown support forest in trunk style, oak: barked struts holding the vessel's rim like a pergola, gnarled legs flaring into the plate below. Page from a Dutch Tiny (Martine) children's book: text about Tiny's circus above an illustration of her as a small ballerina curtsying in a spotlight among water lilies Work desktop: ballpoint sketches of a man's eyes, a red-ink figure drawing, and a 3d man with a dotted wireframe mask — '144 character modeling - Grandmother' in the dock Valentine's mail from Marian Bantjes: hand-calligraphed envelope from Bowen Island, a violet sheet dense with swirling script, Canada stamp Cover of sketchbook 44: a red 19th-century publisher's binding stamped in gold, titled 'Feu et Flamme', the author's name blacked out — an antique book altered into a sketchbook Webcam still from an AR test — 'Pattern marker example with Three.js' — peering over glasses in a patterned dress, the screen behind mirroring the page Photo-weave collage: a black-and-white portrait cut into small rectangles and rewoven, scattering eyes, lips, and hair across the grid Atta Kim's long-exposure Making Love: two bodies dissolved into a single yellow-green cloud of light on darkness Tiny grainy black-and-white webcam frame of a woman with long dark hair caught mid-motion, dancing in her chair MinoRinth simulation frame: seen from high above, the tiny yellow labyrinth disc and point-cloud tree glow at the bottom of a muted green chasm METOPE paint and glaze figure Looking up through MinoRinth: a dark tree trunk forks overhead into pixel-dust foliage, the maze's green rings and grids dissolving in white glare Leonardo da Vinci drapery study: brush and grey tempera on linen of heavy cloth over a kneeling figure, the folds modeled in white heightening Vector-flat forest study in two registers: thin black saplings on flat blue above, dense white frost-like branches and pale trunks below Arman's Chopin's Waterloo: a grand piano smashed and splayed across a red panel, keys, hammers, and strings fixed where they burst Standing at the lit vitrines of Degas bronzes — dancers mid-leap on their plinths — sketchbook raised, silhouetted in the amber museum light Sketchbook 47 spread: Tivoli notes on Villa d'Este's Hercules frescoes, and a watercolor of the artist's bare feet propped against the blue Bay of Naples with Vesuvius and Capri beyond — Sorrento and Pompeii notes around it Year Zero at bitforms, the rose-pink room: framed monotypes and drawings, a shelf of small dark maquettes, and a white figure on its bracket Photogrammetry point cloud of a large spreading tree on a lawn, rendered as 2.1 million colored dots in a 3D viewport against grey emptiness Two frames from Ghibli's A Country Doctor–style animation: a boy leaping off a sea cliff, and sunflowers hanging over towering clouds, upside down Sketchbook 42 spread: inked fantasy landscape — a cypress and tower at left, windswept trees with ribboning branches at right, and two small girls standing beneath them Sketchbook 43 spread: a real pressed pansy taped over pencil pansies in a vase; opposite, a portrait of an older man in a tank top and a note on seeing the work of Steven Assael, 26 May 2012 Two renders on hot pink: a flat grey slab with two black pegs, then the slab split open showing a black gap — Halloween minimalism Cover of sketchbook 16A: red cloth with a transferred engraving of a cluttered table of tools and instruments, worn and stained Official letter from Stad Gent, Dienst Bevolking Vreemdelingen, dated 2 August 2001 — the residence-permit request declared void, signed and stamped Ink-wash self-portrait of half of Auriea's face in sepia strokes, one braid falling past her eye, the rest of the sheet left bare Four pinned cicada specimens beside a millimetre ruler, shown from above and below, dark bodies with amber-veined translucent wings The koer through open kitchen windows: pink Japanese maples and spring green, binoculars and clutter on the sill, a wine bottle at the edge Magritte's The Treachery of Images: a smoothly painted pipe above the cursive caption Ceci n'est pas une pipe Sketchbook 49 spread: Zurbarán studies at BOZAR — Saint Gregory, the Agnus Dei bound lamb, a hooded San Francisco — facing Sevilla heads and 'Titian draws an Immortal, I draw but a girl', 6 May 2014 Atari Centipede arcade marquee: the green centipede winds through red-capped mushrooms and yellow starbursts in purple and green Takayoshi Sato with arms crossed in a leather jacket beneath a glowing Silent Hill 2 banner where Maria poses in her red top Sketchbook 44, drawn over the printed page 'Chapitre Premier' of Feu et Flamme: a faint pencil portrait of a girl with tousled hair, one eye darkly shaded Metope's Model Stamp window: an orbitable preview of the shape being pressed, source buttons for six primitives, model import and image-to-relief, the baked depth map, and the Detail slider. Sketchbook 48 Musée Rodin spread in ballpoint: Gates of Hell figures, a crouching nude, and notes on Camille Claudel's 'L'Âge Mûr' — 'marble so often looks like soft skin, like butter' Upside-down black-and-white portrait: a smiling face hanging inverted out of a hood of dreadlocks against white High-contrast digital portrait: pale face with heavy black eye makeup and black lips under a blunt black fringe, violet and orange accents iTunes playlist of J-rock and anime songs: Fujin-yo, Morning Musume, L'Arc-en-Ciel, Sambomaster (playing, five stars), The Blue Hearts, RahXephon tracks, Afrirampo Flemish allegory of Fortune: blindfolded, she balances on a sphere in a stormy sky, shaking coins and goods from two hats over a scrambling crowd, a gallows at right Journal spread: two torn notebook scraps with inked faces collaged over pencil writing, the profile at right labeled 'THE ACCUSER' Film strip of 3D character models in a dark viewport: costumed figures, a hooded walker with a cane, a wireframe deer, dancers caught mid-pose The studio worktable in 2017: a bronze head resting in a stone dish, a white David figurine, dark wax figures, a porcelain Venus on a box, and a teacup of tools Handwritten score: 'AURIEA, for two pianos' — September 15, 2015, Oostende — playfully, allegretto; 'brush strings gently', 'choose a string, find the note', ending 'fin' three times Correggio's Jupiter and Io: the nude nymph swoons in the embrace of the god, who dissolves into a smoky grey cloud with a barely visible kissing face Sketchbook 39, digital painting: a bedside lamp with an orange shade glowing yellow underneath, on a brushy brown ground Two Endless Forest deer side by side: a black one with blue skull face and sparkler antlers, and a red one in a green luchador-style mask Diptych: looking up through an olive tree's branches at blue sky; below, a woman with dreadlocks and a smiling grey-bearded man lying in the grass Distant game-engine test: the small Lumpy Girl figure standing alone on a flat dusty purple plain, seen from far away Wings3D-style wireframe of a bob-haired girl's head, red mesh lines over flat tan and brown, one eye textured Grayscale digital painting of two drooping peony buds, ink-dark leaves against a smudged white sky

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