gallery

1479 pieces, shuffled — reshuffle

On the studio's green cutting mat: a small white clay sculpture splitting open like a fruit, posed with two clementines on an envelope Sketchbook 39, digital painting: the full moon as a soft smudge of white haloed in violet-black night Both sides of Sonic Youth's first EP on SST cassette: clear shells listing The Burning Spear, I Dream I Dreamed, She Is Not Alone, The Good and the Bad Diptych on the Malecón in Havana: the seawall curving toward the smoky skyline, and a brown hand with a gold ring raised against the grey sea Sketchbook 49 spread: two soft graphite studies of entwined wrestling nudes, limbs arched and knotted around each other's torsos Sketchbook spread of draped gowns drawn in ballpoint: a dark radiant dress labeled 'A Foolish Virgin' and two pale robes labeled 'A Wise Virgin' Sketchbook 44 spread: ballpoint plane trees and a mossy fountain, with scribbled motion studies of dancers noted from Les Ballets C de la B's 'Oude King' — 'human range of motion', 'over pain madness' Cover of sketchbook 20, 'Psyche Story': a winged figure in a pale blue gown collaged over gauze and yellowed floral paper — 'now I feel all my life has needed was one good dream' Gramolazzo · 13 Jun Paint coverage across a stroke, before and after — measured from the colour buffer Cover of sketchbook 43: white gessoed cloth painted with a large marbled sphere in red, gold and green, a small silver moon circle set into its lower edge Body scan, 2004: a low stapled abdominal incision in warm dim light, a white dressing pulled aside at the right Spread from Anne Carson's Autobiography of Red, pages 4 and 5: what difference did Stesichoros make — adjectives as the latches of being, and red Geryon of Erytheia Sketchbook 45 spread: sanguine and watercolor study after a baroque abduction scene — bare legs kicking free of red drapery at left, the rest of the group in faint red outline at right Sketchbook pencil drawing of an embrace: her hands buried in his hair as he leans into her shoulder, faces hidden The Mystery, second version in pale green: the skull smoothed and helmeted, the face sunk in its socket, a long horn looping back like a ribbon Sketchbook 48 Paris spread: Louvre notes on the Marie de Médicis cycle and Musée Rodin — 'La Lumière de l'Antique', the Belvedere Torso's influence, sketches of headless draped figures Ingres's Jupiter and Thetis: the sea nymph kneels against the enthroned god's knee, one arm raised to his chin in supplication, an eagle at his side Nine screenshots from Shadows of Our Forgotten Ancestors: red branches, faces through windows, a bloodied man, a hand on a cross Example #22 installation: the Minories vitrine on its tall stand behind the flat Magdalene case holding open sketchbooks, tablets and small dark figures Potted arrangement of pale green sedum rosettes with reddish edges, one spray of small yellow flowers, in a white bowl The Minories vitrine in Example #22: the horned faun bust flanked by the crumbling gilt infant head, a rose-crowned terracotta head with pearl earrings and two small dark imps Wax maquette for the MinoRinth Maiden: a terracotta-toned child's head with cow ears crowned by carved roses, strands of white beads falling from the ears, on a 3D-printed stem Tiny green-on-black terminal: 'Everything is Ok — Bonnie-2:~ Auriea$' A black Oxford city bicycle against a wall, the whole photo washed in rainbow gradients from red through magenta to green Sformo-Analysis Stage photo from Wim Vandekeybus's In Spite of Wishing and Wanting: bare-chested men in fuchsia skirts, one balancing in a deep arabesque, others crouched and turning Narrow interface background strip: a rounded black bar fading downward into white Sketchbook 43 dedication, Ghent, 18 March 2012: a night-blue gouache of star wheels over rooftops, facing Lucretius's invocation to life-stirring Venus copied in red-brown ink Polaroid from the seventies: a small girl in a white dress and tights grinning on a huge brocade sofa, feet not reaching the floor A sculptural bust featuring a bearded male figure in white marble or plaster, positioned in profile against a weathered green patina base with black and gold-spotted stone, set against a black background. The figure's classical features and flowing beard are rendered in sharp detail, while the contrasting materials and oxidized finish suggest an aged or intentionally antiqued decorative object. Thin gold threads wandering and crossing over a white field, like a tangle of dropped wire J.W. Waterhouse's Circe Invidiosa (1892): the jealous sorceress in a dark peacock gown stands on the water, pouring luminous green poison from a wide bowl Looking down at a new dress printed with deer, trees and red flowers — a Bambi-esque forest scene with black lace at the neckline Two round-mirror selfies trying on a sheer cream babydoll top with ragged hem over dark jeans, clothes rack behind Three chalk studies on green-grey paper of a marble figure's crossed legs under gathered drapery, from full shading to bare outline Circular fountain basin ringed by thin jets of water catching evening light, dry grasses in the foreground Quote card — Ingres said: 'Drawing is three-fourths and a half of what constitutes painting. If I had to put a sign over the door of my atelier, I would write: School of Drawing... and I'm certain that I would create painters.' Two graphite studies of the Louvre's Old Centaur teased by Cupid, seen from behind and from the front, the winged child perched on the centaur's back Abramović and Ulay, Rest Energy: she holds the bow, he holds the drawn arrow pointed at her heart, both leaning back Inside cover of sketchbook 20, winter 1993: an inked self-portrait on sky blue under the printed word 'EINLEITUNG', golden grasses collaged over the chest Subtitled frame from Serial Experiments Lain: Lain holds up a small chip between herself and her mirrored double — 'If I install this chip...' Close view under the base ring showing branches merging into thicker trunks as they descend, each junction sitting below the branches entering it. Natal chart drawn in vintage Mac astrology software, cyan double wheel with red and green aspect lines, tables of elements and aspects around it Sketchbook 32, Mediaterra 'Utopia & Virtual Space': ballpoint portraits of panelists — Margarete Jahrmann, Laura Baigorri Ballarín, Gonzalo Frasca — with notes on ludic society Coverage falloff at five Softness settings on a 40mm brush Tale of Tales's The Graveyard installed in the V&A Videogames exhibition: monitors, notebooks, and framed sheets along a dark gallery wall Sketchbook 22B spread: a pencil drawing of a nude sleeper stretched across both pages amid pink stains — 'never before has reality been so appealing...' Cover of sketchbook 18: a silhouetted photo-booth portrait taped under wrinkled white tissue streaked with rusty red drips Spy Test

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