gallery

1479 pieces, shuffled — reshuffle

Four frames from the Magnetosphere music visualizer: red tangles around white globes, pink threads on magenta, and golden particle bursts in blackness Web clipping titled A Woman on Fire naming Auriea Harvey a digital artist, programmer, and multimedia maven, beside a red-lit portrait of her at 25 Sketchbook 33 spread, Teotihuacan Mexico 2007: a shaggy pepper tree in black ink over a shaded path, and at right cactus paddles drawn in wandering line Scrawled white handwriting on black, from Arkham Asylum: 'I don't know how many times I have to say this: I am sane… There's been a TERRIBLE mistake.' Sketchbook 38 fold-out in pencil: a Ryanair seatback tray, the wing over a coastline near Bologna, and a neighbor thumbing a phone — 'airplane to Bologna' Wax maquette for the MinoRinth Maiden: a terracotta-toned child's head with cow ears crowned by carved roses, strands of white beads falling from the ears, on a 3D-printed stem Two dim screenshots from the horror shooter F.E.A.R.: a red corridor with clotted dark ceiling, a small figure at its end and bare footprints down the tiles Closed exterior shutters of Bosch's Garden of Earthly Delights: the third day of Creation painted in green-grey grisaille, the new earth inside a transparent sphere Skype call with Michaël Samyn at 07:13: he mugs close to the camera, two relatives peeking in behind, the caller smiling in the corner window Cover of sketchbook 48: an old ledger bound in red leather and swirled brown marbled paper, scuffed white at the edges Max von Sydow as Ming the Merciless in Flash Gordon, gloating in a red high-collared uniform beside a white rocket in a rivet-walled corridor QuickTime window playing Parajanov's Shadows of Our Forgotten Ancestors (winter birches) over an engraved anatomical plate of dissected legs A red 3d-printed extension worn over the middle finger of a brown hand with gold-painted nails and a gold ring; laptop keyboard and grey cat beyond Sketchbook 6 page dated 24 June 1990: rows of an invented cipher alphabet in green ink, with framing notes for a black-metal-frame self-image piece and the word 'anorexia' in the margin Cover of sketchbook 28: swirling marbled paper in sage, rust and cream, held shut by four pale elastic bands Triptych of skull self-portraits: cheek pressed to the plastic skull; regarding it at arm's length; holding it up as a second face over her own BBC photograph of a black crested macaque crouched in jungle foliage, peering intently into an object held up to its face Sketchbook 38, first spread: a graphite study of an old tree's crossing branches over water, drawn dense and silvery against a blank left page A Burlington Magazine anthology open to the 1998 article The Raphael Tapestry Cartoons Re-examined, with a pricked cartoon head of a woman as its plate Black-and-white hunting-lodge room crowded with taxidermy — moose and deer heads, geese, a pheasant — with a small color photo of an embracing couple collaged on the wall Cy Twombly's Poems to the Sea, 1959: twenty-four white panels of scribbled pencil, oil, and wax crayon evoking horizon lines, numbers, and sea-script Jean Fouquet's Virgin and Child Surrounded by Angels from the Melun Diptych: the pale crowned Virgin bares one breast amid red and blue seraphim Black-and-white snapshot printed upside down: a figure in a striped top stands on a lawn before shrubs, inverted like the tarot Hanged Man Path character sheet '3_Ginger': five polaroids of the redhead tomboy at different ages, hooded child to lanky teen Sketchbook spread: ballpoint portraits of friends slouched in chairs, a pasted Gemini horoscope clipping, notes from 'Sat 24 April... 12:22am at Bob's instead' Vine style in verde antico, close on the neck struts: three strands in a slow spiral, breathing at the internodes, the twist running unbroken through the joints. Academic pencil life drawing on cream paper: a nude woman with pinned-up hair seated with legs crossed, gazing off to the left, highlights in white chalk Auguste Rodin's The Three Shades atop the Gates of Hell: three identical bowed bronze nudes leaning together, arms hanging toward one another Sketchbook 5: dense ballpoint drawing of a horse-like skull in profile, its teeth and cranial plates crosshatched into a black-and-white pattern Paint coverage across a stroke, before and after — measured from the colour buffer Four Magdalenes in ecstasy side by side: Artemisia Gentileschi's slumped Magdalene, Caravaggio's Magdalen in Ecstasy, an angel visiting the long-haired saint, and a polychrome sculpture detail Textured 3d prop: a red-handled knife stuck upright in a green-topped tree stump Ink sketchbook page of antlered stag studies — one full body with heavy fur, two roaring heads, loose antler diagrams Album cover of Bama the Village Poet's Ghettos of the Mind: a bald head in profile whose brain is a collage of sepia photographs Self-portrait against a projection: standing in a black feathered coat, eyes down, while blossoms and branches wash over the wall and face Black-and-white photograph of the Auschwitz gate, the wrought-iron ARBEIT MACHT FREI arch over the empty road between barracks Faded 1970s snapshot of two small girls in white Easter dresses and hair ribbons on a sunny sidewalk, a black-and-white photo of daisies tucked into the corner The Diadoumenos from Delos, ca. 100 BC, National Archaeological Museum Athens inv. 1826. A knotty tree trunk stands beside the left leg, hung with the youth's mantle and a quiver, almost detached from the body. Photograph by Francesco Bini, CC BY-SA 4.0 via Wikimedia Commons. Book page from Liao Yiwu's The Corpse Walker: an interview in which Li describes the old profession of walking a corpse home in pairs, chanting 'Ya, ho, ya, ho' Walking behind someone on a sandy path between grassy dunes, cigarette in hand, long shadows The Path's red room: girl in striped top standing on a dark table in a blood-red interior, black silhouette figures around the walls Sketchbook 5 spread: Emily Dickinson's 'My life closed twice before its close' written out in violet, facing a green-toned acrylic nude torso with dark red nipples Café Astrology natal wheel in beige and red: Gemini sun, Libra ascendant, with the triangular aspect grid and planet table below Sketchbook 42, page 3: ballpoint interior — a television on a carved dresser, a figure in a patterned robe behind it, and someone sleeping under blankets in the foreground Sketchbook 46 spread: pencil study of wind-shaped trees in the Sint-Pietersabdij garden in Ghent, with a black frigatebird with scarlet throat painted on the facing page Cover of sketchbook 2: rows of white profile heads drawn on black leather, a few picked out in blue, pink and green, with a chaos star — 'Auriea Harvey's Sketchbook II' Palma il Giovane's Jael and Sisera: bare-shouldered Jael kneels with hammer raised, driving the tent peg into the sleeping general's head Sketchbook 42, page 66: watercolor and pencil of a sleeper's face resting on a yellow-washed arm, the head faint graphite, the raised forearm a wedge of gold Vija Celmins night sky: white stars of varying sizes scattered dense across a black field 3d model of a weathered stone grave cross in an empty grey Blender viewport — a gravestone for The Endless Forest

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