gallery

1458 pieces, shuffled — reshuffle

Hotel bathroom mirror-in-mirror: dark figure at the sink reflected through a doorway, grey mosaic tiles, towel on the rail Line diagram of a Molotov cocktail: a taped bottle with labeled wick and fuel mixture Wood-panelled wall of framed personal photos — a man in a white suit singing, band snapshots with congas — behind a frosted-glass lamp An enormous pale pink peony bloom overwhelming its blue vase on a red table, an orchid pot beside it Despair.com demotivational poster, Procrastination: a figure gazes over a sea of clouds — laziness always pays off now Photogrammetry point cloud of a large spreading tree on a lawn, rendered as 2.1 million colored dots in a 3D viewport against grey emptiness Sketchbook 48 spread in pencil: a bowl of fruit rendered in soft graphite, a week's copying schedule (Centaur, Diana, Rivers, Tiber), and a dark bowed head — 'let go of the photographic eye, see the form' Sketchbook spread: pencil study of a shaggy black-and-white wolf standing guard, a red-hooded shape and a small drawn hand on the facing page The metal ENIGMA nameplate from a German Enigma cipher machine: capital letters inside a pointed oval badge Sketchbook 32 cover detail: creased player-piano roll paper, its white perforations drifting diagonally across the tan surface Animation frame of Captain Kirk from the Star Trek episode Plato's Stepchildren, source of his kiss with Uhura Sketchbook 40, 'Plan V': a hand-drawn watercolor map of the Venice trip — the Grande Canal, Lido, flight numbers, hotel notes, two instant photos taped on, 'we sat here + kissed' Soft grayscale painting of a white rabbit at rest with ears raised, glazed like porcelain against a white ground Torn scrap of paper, its lower edge charred: a finely drawn eye rains rows of blue teardrops, tiny handwriting threading through the lashes Overexposed café scene through glass: children's party around a blue table with pink cups, an adult leaning over the middle, greenhouse shelves behind Sketchbook 38 spread, Oudenaarde: a face rising behind watercolor foliage, gothic church windows, and a pencil driver seen in a car's wing mirror William Henry Harvey, in glasses and an American Legion cap stitched with United States flags, raises a leather-gloved hand to its brim Low-poly 3d white owl with wide yellow eyes perched on a bare branch, against flat grey Buckminster Fuller's Dymaxion map: the world unfolded onto an icosahedron so the continents lie as one nearly unbroken island in a single ocean Painting of a white wolf nosing through a field of collapsed red-haired girls in polka-dot dresses — a Path-like Red Riding Hood massacre in candy colors Two frames of Kim Basinger in 9½ Weeks: standing in a doorway in a trench coat, then lying down, hand in her hair, a man's shoulder in front The Graveyard-era prototype: two white vases in an endless field of red poppies, above dark text panels of overlapping muttered dialogue Salvador Dalí's 'Ten rules for him who wishes to be a painter', from rule 1 on making gold come out of your brush to rule 10: 'If painting doesn't love you, all your love for her will be unavailing' Browser play-through of Scott Adams's text adventure The Count: green terminal text in a flower box outside an open window, tying sheets and eating daisies MinoRinth corridor: the great dark tree rises between two shadowed maze walls, its speckled crown filling the pale sky Sketchbook pencil drawing of an embrace: her hands buried in his hair as he leans into her shoulder, faces hidden Sketchbook 44: a printed page of Feu et Flamme overdrawn with a large sanguine foot seen from the sole and a violet pencil profile rising along the margin Masahiro Mori's uncanny valley graph: familiarity against human likeness, dipping past bunraku puppet toward corpse and zombie before healthy person Grayscale collage: paper models with pivoting circle cutouts labeled ontology and metaphysics, concentric paper rings, an eye drawing, black-painted nails Hands holding open James Jean's Fables covers book: 'No. 67 The Good Prince' with knight and giants, and 'No. 43 Arabian Nights (and Days)' djinn spread Sketchbook 40 spread on the game that became Bientôt l'été: door-and-level diagrams, color theory notes on hue value chroma, and the Room 101 passage from Orwell copied out Sketchbook 47 spread: two graphite studies of a curly-headed marble Venus, with notes on Fetti's 'Melancholy', Thomas Boudin, and Coysevox's 'Crouching Venus' — 'she's looking heavenward, sitting on a tortoise' Paint coverage across a stroke, before and after — measured from the colour buffer Sketchbook 49 spread on the Musée d'Orsay's 'Masculin/Masculin': notes on Guido Reni's Sebastian, the Barberini Faun, Ron Mueck and Mercié's David, with sketches of a lounging and seated male nudes Metope's Light tablet: the aiming orb with its light chips, brightness and light colour, ambient occlusion, the environment gallery of skies, and the relief normal-depth and shadow sliders. Mac desktop tiled with video-chat screenshots — a classroom of students on the far end, the two callers picture-in-picture in each window Chromed belt buckle of an eagle in flight with blue banners: LIVE to RIDE, RIDE to LIVE Roma sketchbook: ink sketch of Bernini's Apollo and Daphne, her raised arms bursting into leaves as the laurel bark climbs her legs Black-and-white breakfast still life: Special K 'Bikini Challenge' box, Tropicana, milk, an empty bowl and a GEE games magazine Two-page spread from One Hundred Years of Solitude in which José Arcadio Buendía insists the day is still Monday, the time machine broken small animation of the Prophet Ezekiel from my video in this room is a sculpture called PROPHECY. a man with a swirling cloud around his head stumbles around then focuses. Black-and-white museum photograph of an ancient mold-blown glass flask shaped as a human head, seen from above so the open rim gapes where the crown should be Sketchbook 47 Vienna spread: blue-pencil study after Correggio's 'Jupiter and Io', museum sketchers at easels, Klimt ornament motifs, and notes on the Secession's Beethoven Frieze and the Leopold Museum Bruce Nauman's 1967 neon spiral: 'The true artist helps the world by revealing mystic truths' in blue script wound inside a red-pink coil on a dark wall Hands leafing through the Ray Caesar Art Collection monograph: the masked cover girl, a spider-legged theatre box, big-haired doll portraits, a drawing index page Sketchbook 46 frontispiece on orange paper: A. E. Stallings's poem 'The Island of Skyros' copied out under a painted title, with a ballpoint still life in the corner — Ghent, NYC, Indianapolis, Belgrade, March–August 2013 Untextured grey model of grandmother's crooked house with black door and window frames, one window glowing red Vija Celmins night sky: white stars of varying sizes scattered dense across a black field Digital painting 'Did she jump or was she pushed': a white streak of a falling figure flashing through smoky blue and umber clouds inside a hot red border Beksiński painting: a figure with wild red hair and bared teeth, pearls at the throat, wrapped in a rotting ornate garment amid an orange haze

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