gallery

1504 pieces, shuffled — reshuffle

Sketchbook 39, digital painting: a headless pair of legs and buttocks in flesh tones striding out of a deep violet ground Walton Ford's Falling Bough: a massive branch borne aloft by a swarming flock of passenger pigeons, breaking apart against a pale sunset over the river plain Cover of sketchbook 6 (1996): crumpled white spiral notebook inked 'Auriea Part 6' over a taped clipping reading 'sex, life, and the cosmos…', dated 8 May–20 Aug Painting of a white wolf nosing through a field of collapsed red-haired girls in polka-dot dresses — a Path-like Red Riding Hood massacre in candy colors Three webcam frames trying on a black high-collared jacket in front of wood panelling, timestamped 2008-02-15 Two skeleton-rigged girls in cyan bones walking a plank boardwalk in a dark purple forest — Path animation debugging Bill Viola's Dolorosa: a hinged diptych of two video portraits in the manner of devotional panels — a curly-haired woman and a bearded man, both weeping with closed eyes Sketchbook 47 Naples spread: pencil studies after Caravaggio's 'Seven Acts of Mercy', two anguished theater masks, and a winged sphinx — 'Misericordias Domini in aeternum cantabo' 3d bust of a girl with pigtail buns and heavy-lidded eyes, downcast on a deep red ground — The Path's Ruby, early head John Berger in a patterned shirt against a flat blue ground, a still from Ways of Seeing, BBC 1972 Photograph of the back of a neck and shoulders tattooed with the single lowercase word life, ending in a period Sketchbook 49 spread: Louvre notes on Giulio Romano and Pannini's paired Views of Ancient and Modern Rome, a monk-robed figure, a wine-red crouching nude hiding her face, and a pietà study Spolia-UI-Menu Early Netherlandish panel of Eve holding the apple beside the tree, the serpent coiled up the trunk wearing a woman's golden-haired face, the paint finely crackled Julian Wasser's 1963 photograph of Marcel Duchamp playing chess with a nude Eve Babitz beneath The Large Glass at the Pasadena Art Museum The Graveyard, wide crop: the old woman with her cane passing the chapel bench, urn-topped monuments pale behind her Tale of Tales's The Graveyard installed in the V&A Videogames exhibition: monitors, notebooks, and framed sheets along a dark gallery wall Two dim selfies at Bernini's grave slab in Santa Maria Maggiore — 'Ioannes Laurentius Bernini' carved in the marble behind wide eyes Rain water pooled on a flat surface reflecting the sky, a drainpipe and grass behind, an old school building beyond the fence Sketchbook 46 frontispiece on orange paper: A. E. Stallings's poem 'The Island of Skyros' copied out under a painted title, with a ballpoint still life in the corner — Ghent, NYC, Indianapolis, Belgrade, March–August 2013 Dancing drawing in black ink: splattered vertical strokes and a long arc of dots crossing over a broad smeared wash near the bottom of the sheet Sketchbook 38 fold-out: a quince studied twice — in soft graphite lying on its side, and in saturated watercolor hanging yellow against green Live Click Test3 Freedom of Teach male écorché reference figure in grey resin: front, side, and back views of the full flayed musculature Till We Have Faces, pages 294 and 295: the dream of the golden rams that trample Orual in their joy, and the other woman gleaning bright wool from the thorns The same vessel after growing supports: branching oak-coloured struts descend from the rim and from the base ring, merging into a few thicker legs that meet the build plate. Sketchbook 38 fold-out: a pencil still life of a Pelikan Fount India ink bottle lying on its side beneath the curve of a banana Side by side: the 1796 silhouette of Flora, an enslaved American woman, on Instagram — and a white 3D-scanned head in profile, echoing her Sketchbook 44: pencil studies after Titian — a twisting nude with flying drapery, and a tangle of struggling figures Wings3D-style wireframe of a bob-haired girl's head, red mesh lines over flat tan and brown, one eye textured Eight-song playlist starting with Final Fantasy's None Of You Will Ever See A Penny, five stars, then Deerhunter, Boduf Songs, Fridge, Beck, Cranes Detail of a Roman unswept-floor mosaic, the asaroton: fish bones, shells, fruit stems, claws, and a tiny mouse strewn across white tesserae The Pleiades star cluster: the seven sisters blazing blue-white inside wisps of reflection nebula on a dense starfield Sketchbook 5: ballpoint self-portrait close-up, face filling the right of the page with lips parted, a chair and window line-drawn behind Yellowed spread from Rodin's L'Art in French: passages declaring art dead to modern utility, and art as contemplation, the joy of intelligence seeing clearly Palma il Giovane's Jael and Sisera: bare-shouldered Jael kneels with hammer raised, driving the tent peg into the sleeping general's head Sketchbook 49 spread at the Sinebrychoff Museum, Helsinki: ink sketch of a St Anne 'protects against plague' painting holding Maria and Jesu, a light tangle of figures, and a shaded reaching hand Sketchbook 32 dark side spread: Acropolis columns dripping in dark red ink, a Greek alphabet chart taped above a pencil island — 'first meeting with the Mediterranean sea, 2006' Look-and-feel test for MinoRinth: a photogrammetry point-cloud of Theseus fighting the Minotaur seen from below against blue sky, crossed by pink laser lines Sketchbook 42 spread: inked fantasy landscape — a cypress and tower at left, windswept trees with ribboning branches at right, and two small girls standing beneath them Two mirror photos rotated sideways: trying on a green-blue-white abstract print dress with heels, in a sunny wooden-floored room Sketchbook 40, IGS Cologne, Aug 15: pencil portraits of the indie games scene — Brandon Boyer, Michaël Samyn, Douglas Wilson — around the panel title 'Beyond Fun' Blank transparent spacer gif from the old web The Endless Forest deer with a glowing white skull face and huge branching red antlers like coral fins, standing in fog Sketchbook 38 spread, 'The Roof view': a chimney and a patch of green moss and lichen spreading across pale roof slope in watercolor Poliriea: ZBrush render of a mauve cyclops head with tight sculpted curls and one teal eye, resting atop a striped ziggurat pedestal Sketchbook 45 opening: a grisaille gouache self-portrait, eyes glancing sideways under a dark fringe, facing a black brushstroke and the inscription '45, Mars Black, 13 Nov 2012' Four pinned cicada specimens beside a millimetre ruler, shown from above and below, dark bodies with amber-veined translucent wings Two Mexican codices in museum vitrines: pictographic pages with red pointing hands and demons, and a text page with a village river scene

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