gallery

1479 pieces, shuffled — reshuffle

Sketchbook 38 fold-out in pencil: a Ryanair seatback tray, the wing over a coastline near Bologna, and a neighbor thumbing a phone — 'airplane to Bologna' Self-portrait in a round mirror by the wooden door, camera at eye, in a black sweater with dreadlocks tied back Sketchbook 48 spread in pencil: a draped baroque saint clasping a bundle against dark shading, an orange domed chapel on the horizon, and a soft study of figures on rocks New watercolor tin open on a plaid lap: two rows of half-pans from reds through blues to ochres, a water brush laid across Sketchbook 47 spread on the 'Rubens in Europe' exhibition: écorché studies, notes on Van Dyck's Charles I and Rubens's Leda and the Swan copy after Michelangelo — 'bursting out of this rectangle, but so still' Despair.com demotivational poster, Procrastination: a figure gazes over a sea of clouds — laziness always pays off now Grisaille digital study of a classical marble bust — woman with headband and braided hair — on a flat pink ground Two finds: enamel 'Drukkerij St Joris P.V.B.A.' printers' sign, and an office-door flyer — 'ART PROBLEMS? Seek professional advice…' Family evening in sepia tones: a man laughing in an armchair by the fireplace; a girl bent over her coloring at the table while a woman watches from her chair Tiny animated gif of a figure rising from a small fire against black Four dark photo-collage panels from Ceremony of Innocence: a winged nude under a full moon, a doubled sleeping head, a shrouded figure wound in threads, and a plate of dark cakes Grayscale digital painting of two drooping peony buds, ink-dark leaves against a smudged white sky A three-dimensional digital sculpture of a standing female figure rendered in pale gray and white, viewed from behind with arms crossed, a long staff or pole extending vertically through the composition from head to toe. The figure wears flowing, draped clothing with horizontal scan lines and pixelated artifacts visible across the surface, suggesting a 3D model or point cloud visualization. Black-and-white snapshot printed upside down: a figure in a striped top stands on a lawn before shrubs, inverted like the tarot Hanged Man DVD cover of Antonioni's Blow-Up: on hot orange, a photographer kneels over a woman on the ground, camera raised A denser QR code on white, larger than the first Sketchbook 49 spread: ballpoint choir singers of the Berliner Domkantorei mid-phrase, with a pasted ticket for Bach's Matthäuspassion at the Berliner Dom, 12 April 2014 The Aztec basalt statue of Coatlicue: the earth goddess with clawed feet, a skull at her waist and twin serpent heads forming her face, on a blue ground Steam Top Sellers list with The Path at #8, $9.99, between Counter-Strike: Source and The Orange Box Sketchbook 38 spread in ballpoint: a park path curving under trees toward a small stone bridge, an empty bench in dappled shade Church on sunday — The courtyard floor holds her attention. Evening primrose (teunisbloem) seen from above at night, two pale yellow flowers on a rosette of narrow leaves, photographer's shoes visible below Photoshop layer tabs named: henna, blood, blood splatter, blood — working on Faustina ZBrush ZSphere reference table: illustrated rows of red-sphere diagrams explaining draw, move, scale, and rotate modes for building armatures Astrodienst natal charts side by side: Auriea, Gemini sun with Aries rising, and Michaël Samyn, Cancer sun with Leo rising Year Zero at bitforms, the rose-pink room: framed monotypes and drawings, a shelf of small dark maquettes, and a white figure on its bracket Sketchbook 48 spread: two graphite studies — a close-up of a hand gripping drapery at a nude's hip, and a rising écorché-like figure with arms flung upward, 'in the presence of others on the last day of class' Letter from Stad Gent, 8 December 2008: the nationality declaration accepted — Belgian nationality as of 3 December 2008 Ink-wash self-portrait of half of Auriea's face in sepia strokes, one braid falling past her eye, the rest of the sheet left bare Black-and-white photo of Frida Kahlo winking, pearl necklace and heavy earrings, a wire crossing in front of her face Scanned book page on the twelvefold chain of dependent origination from Udana I: ignorance conditioning all links through old age, death, and suffering Still from Islanders: colossal weathered faces dissolving into swarms of paper-like shards, drifting in blue sky above a hazy planetary horizon, the sun flaring through one eye KOLLA app icon — two photos pasted overlapping on the cutting mat, the overlap multiplying Cover of sketchbook 16A: red cloth with a transferred engraving of a cluttered table of tools and instruments, worn and stained Page from a Dutch lexicon under U, Uurwerk: water clocks from Egypt and Vitruvius through Su Song and al-Jazari, ending on sultan al-Kamil's candle clock of twelve doors Velázquez's The Triumph of Bacchus (Los Borrachos): the young wine god crowns a kneeling drinker among grinning peasants, Museo del Prado Corner of a social profile: '144 friends — See All' A work desk: white iBook, black keyboard, Wacom tablet and mouse, a Dell monitor showing a portrait in progress, daisies in an orange vase Entropy8Zuper International Garden Mural Invitational template: a courtyard with a sooty black wall and two green plastic chairs, above a blank measured mural diagram Web clipping titled A Woman on Fire naming Auriea Harvey a digital artist, programmer, and multimedia maven, beside a red-lit portrait of her at 25 The vine in leaf, whole: leafed stems hold the rim and grip the base ring, tendril curls reaching from the mid-height stems, all in verde antico against the pale vessel. Cover of sketchbook 3: black leather painted 'AURIEA'S SKETCHBOOK III' in purple around a photo of a hand with a chaos-star drawn on it, one eye peering past METOPE paint and glaze figure Standing at the lit vitrines of Degas bronzes — dancers mid-leap on their plinths — sketchbook raised, silhouetted in the amber museum light A box crammed with 3D-print tests: faces and heads in chocolate brown, blue, gold, copper, and bone, red architectural fragments, and gridded lattice scraps Louise Bourgeois drawing: obsession or Confusion? handwritten in red inside a scratchy red chalk frame, signed in pencil Sketchbook spread: pencil study of a shaggy black-and-white wolf standing guard, a red-hooded shape and a small drawn hand on the facing page Cover of sketchbook 31: a plain black Moleskine with its elastic band, scuffed from travel Dozens of telephone lines crossing a pale evening sky, small birds strung along the farthest wire by a streetlamp Rick Owens–style runway look: model wrapped in a grey-brown scarf-dress with knit cap, long gloves, and shaggy fur boots

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