gallery

1504 pieces, shuffled — reshuffle

Sketchbook 49 spread at the Musée Jacquemart-André: notes on Vigée-Lebrun, Van Dyck and Lord Leighton's 'Antigone', facing a dense graphite copy of Aleijs Loir's sprawling satyr with pipes Abramović and Ulay, Rest Energy: she holds the bow, he holds the drawn arrow pointed at her heart, both leaning back Metope's Canvas tablet: the canvas shape modes (rectangle, circle, polygon), the block width, height and depth fields with the resize anchor, the block material dropdown with its reroll die, and the new-slab button. Yellow Vooruit FrictiesSalon flyer for a Tale of Tales talk, 13.02.07, over a dark painted forest with an abandoned swing set Sketchbook 44 spread: ballpoint portraits drawn during video calls — faces labeled 'cyberkati', a bearded man smiling, a profile in glasses, hands, sleeping cats, and a red-pencil profile Sketchbook 46, 8 March at the Met: graphite and watercolor study of the Crouching Aphrodite marble, wine-red shadows at her hip, a rainbow of paint swatches down the page edge Nick Cave's From Her to Eternity in iTunes, track 4 playing, the young Nick Cave cover at left Rogier van der Weyden's Beaune Last Judgment, centre panel: the archangel Michael in white weighs two small souls while red angels sound trumpets Diptych of mirror self-portraits in a white bedroom: Auriea photographing her reflection, then the same mirror with the camera flash burst obliterating her face Sketchbook 42, page 69: small gouache of a nude with a purple headwrap crouching against a dark brown ground, seen from behind, beside faint pencil thumbnails Three webcam self-portraits stacked: glowering by a window in a scarf, headphones on looking down, and a close smiling face New Year's Eve tray on a yellow table: a bowl of chips, cheeses, clementines, cookies, and a hand pouring the sparkling wine Photo-weave collage: a black-and-white portrait cut into small rectangles and rewoven, scattering eyes, lips, and hair across the grid AP photograph of the yeti crab Kiwa hirsuta: a white deep-sea crab, its long arms shaggy with pale silky bristles Black-and-white film still: a young woman in a white nightdress pressed against ornately patterned wallpaper, looking back over her shoulder Textured 3d prop: a red-handled knife stuck upright in a green-topped tree stump Dark render of a girl in a red dress facing forward, hair merging into blackness, her face and body a cracked mosaic wireframe — early Path work Sketchbook spread: at left a dark X-ray-like film scratched with 'I TALK IN MY SLEEP ALL MY LIFE', at right black figures and circles slashed over red paint Wide still from Bill Viola's Going Forth By Day: a procession of people carrying bags and jackets walks steadily through a sunlit pine forest Four frames from the Magnetosphere music visualizer: red tangles around white globes, pink threads on magenta, and golden particle bursts in blackness Roma sketchbook: dense ink trees in the Vatican gardens under writing about tourism and dedication — 'genetics be damned in my spirals' Three webcam frames trying on a black high-collared jacket in front of wood panelling, timestamped 2008-02-15 Moth orchid in bloom on the desk at night, lamplight throwing its shadow across a shelf of small treasures — cup, boxes, prints, a gilt mirror Cover of sketchbook 16B: raw grey board with a pasted three-panel comic strip — a woman's face, a burst of static, dark tentacles — captioned '...my wound healed, and I continued my journey' Song lyrics hand-lettered in black marker filling a yellow legal page, beginning ring them bells and ending in rows of small asterisk stars Abstract digital painting in reds and flesh pinks: smeared strokes, tangled dark lines and glossy tubular forms over an orange ground Gopher-browser screenshot of Dorothy Parker's Comment: 'Oh, life is a glorious cycle of song... And I am Marie of Roumania' Journal spread: a red panel with a dark folded form at center, flanked by dense pages transcribing a conversation — 'he had been paralyzed from the waist down...' Cover of sketchbook 27: a cream string-tie envelope with red button closures, bordered in blue-and-orange Japanese fan paper, a faint face sketched at top Harrison Ford as Rick Deckard in Blade Runner, looking up warily in his rough brown coat, hair damp John Cage score page: circled constellations of pitch letters joined by lines, floating over conventional staves beside an ornate clef Sketchbook 32 spread from the Met's Asian galleries: pink brush sketches of Krishna battling the horse demon Keshi, notes on Durga and Shiva, and a seated Maitreya Bodhisattva face in ink Black-and-white still of highway signs — Holman Correctional Facility 2, Fountain Correctional Facility 3 — a helicopter overhead, and a torrent of red lyric text running below 3d raven from above, wings spread wide showing purple-striped feathers, gliding in the dark viewport Photograph of stars scattered above a glowing green horizon band, a bright flare burning at the left edge Spolia-Section-Square Sketchbook 32 spread: a dark inked barn and farmhouse among trees with a small blue butterfly collaged at center — 'Hamilton, NY, USA, CC retreat, 2006' The Path teaser in four stills: sunlit forest, a dark house — 'IN THIS FOREST / STANDS A HOUSE / THAT REMEMBERS / IT KNOWS' Painting of a huge grey wolf's head hanging upside down among pale birch trunks, jaws open, while a small child covers their face below Work-in-progress VR lock in the game engine: an orange striped head caged inside interlocking dark rings, purple tendrils sweeping through the space around it Nine well-used colored pencils and pastels fanned out on grey — silvers, blues, reds, black and brown Black-and-white photograph of two visitors silhouetted before a museum diorama of New Amsterdam: Lenape men with clubs face Dutch colonists by a windmill and stone house Plain pale pink square swatch Pink virtual sticky note of French conjugation practice: 'vouloir – TO WANT: je veux, tu veux, il veut, nous voulons, vous voulez, ils veulent' Blurred photograph in amber light: a bellydancer in a sequined costume performs on a white runway in an ornate gilded hall Sketchbook 48 spread in ballpoint: three studies after Rodin marbles — a kneeling nude from behind, a bending clothed figure, and the fallen caryatid carrying her stone — 'they live, they breathe' Sketchbook 22B spread: photos of a sculpted head-jar and a brooch-studded form on scorched paper, opposite a mirrored double self-portrait photo above silver foil — 'I give you 1995 of my 23rd year' Child's pencil note on torn pink paper with a two-dollar bill pinned under it: here is a bracelet made by my mother and a two dollar bill my dad left — spend it wisely, Chad Side view of Auriea's small bronze Magdalene raising a skull before her face, photographed on a windowsill beside a cream-white rose Standing hand-on-hip in red shirt and gold pleated skirt beside a marble Asklepios, in front of a frescoed landscape wall in Rome

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