gallery

1479 pieces, shuffled — reshuffle

Sketchbook spread in ballpoint: cathedral vaults and rose windows swarming with lines — 'So I guess I'm graduating... at Riverside Church, Sat 15 May 93' Sketchbook 49 spread: ballpoint portraits of long-haired conference-goers, a face with heavy eyes, and notes — 'board games as narrative devices', 'dice as the devil's bones', 'gamification is where capitalism wants to go' New York Times clipping from 1883 recounting Ingres confronting Delacroix at dinner — 'Drawing, Sir, drawing is honesty! Drawing, Sir, drawing is honor!' — spilling his coffee in his fury Photogrammetry point cloud of a large spreading tree on a lawn, rendered as 2.1 million colored dots in a 3D viewport against grey emptiness Colossal marble head of Medusa asleep on a rock, her face tipped back, wrapped in a mane of thick coiling snakes Tarot spread on a bright Kandinsky-patterned cloth: a cross layout with a side column of four cards, one card face down J.W. Waterhouse's Circe Invidiosa (1892): the jealous sorceress in a dark peacock gown stands on the water, pouring luminous green poison from a wide bowl Two photos from a Japanese junior high visit: uniformed students crowding around a young Auriea at a desk, and a classroom waving calligraphy banners overhead A notan diptych — panel A in one gray with a white mass, panel B in the second gray with black and white masses, HUD proportion bars beneath each Cover of the earliest sketchbook, mustard yellow and dense with ink doodles: 'RIEA!', 'UTILITY SKETCHBOOK', Japanese characters, spirals, faces, 1989 Sketchbook 41, page 33: ballpoint family scene — a woman with long dark hair, a toddler seen from behind, and a bearded man in glasses reclining with one socked foot forward RCA LP cover of Great Scenes from Gershwin's Porgy and Bess with Leontyne Price in a red feathered dress and William Warfield kneeling beside her Sketchbook 45: a white rose in graphite against a dark hatched ground, its stem crossing two curled leaves — dated notes opposite mention Bientôt l'été and Anne Carson Five studio photos of Saint John the Baptist growing from a skeletal clay armature to a full figure raising a shell, long-haired and bearded, against red curtains Two skeleton-rigged girls in cyan bones walking a plank boardwalk in a dark purple forest — Path animation debugging Sketchbook 48 spread: notes on the paragone and the Carracci academy beside a large soft-pencil study after Guido Reni — a bearded face in profile with a pointing hand — 'looking at a photo I only see the camera' Sketchbook 38, first spread: a graphite study of an old tree's crossing branches over water, drawn dense and silvery against a blank left page An antique red-and-gold binding of Vecellio's Costumes Anciens et Modernes given new blank pages — old spine, bare label panel, fresh paper inside Strip of a 3d face: two almond eyes with snowflake-patterned kaleidoscope irises in pale skin Blender title bar path: /Auriea/Work/144/MODELING/The Concept Of Everything Divided By Girl/GMH/GMH-modeling/ThePathOfKidRed05.blend Front view of the small bronze Magdalene in raking sunlight, the skull nested in her hair above her folded arms and crossed legs Sketchbook 49 spread in wine-red pencil: a laurel-crowned nude seated in thought with hand to chin, and a heavily draped figure gathering her robes as she steps forward Top-down view of the Magdalene case in Example #22: tablets playing videos, the wireframe Minorinth head, black and bronze Magdalene figurines, rocks and an open travel sketchbook Sketchbook 40 spread on the game that became Bientôt l'été: door-and-level diagrams, color theory notes on hue value chroma, and the Room 101 passage from Orwell copied out Flat-shaded render: girl's head in profile in a black bonnet against sky blue, a hot magenta silhouette facing her Low-poly creature textured in ink-scratch black and white on dusty pink: a rabbit-eared armored beast with a raw pink mouth Roma sketchbook: a gnarled old tree brushed in ink, its roots gripping the ground before an arched arcade Browser screenshot of a2p.bitmark.com, Artworks I own: an edition grid with works by Warburton, Sougwen Chung, Petra Cortright, LIA, Lieberman, Shu Lea Cheang, Pipkin, and Auriea's Sketch for a Cyclops Wall chart of the katakana syllabary in a blocky graphic typeface, black characters in columns with red script down the left edge Photo of an open sketchbook held on a floral bedspread: 'NEVER DOUBT' painted huge in black over pages of smudged pencil writing, 'OK? O.K!' in the corner Sketchbook 49 spread: ballpoint choir singers of the Berliner Domkantorei mid-phrase, with a pasted ticket for Bach's Matthäuspassion at the Berliner Dom, 12 April 2014 Grainy black-and-white video still from Rosas' Elena's Aria: two women seated on wooden chairs against a bare wall, one crossing her legs, one clutching her shoulder KOLLA app icon — two photos pasted overlapping on the cutting mat, the overlap multiplying Bronze sculpture of Dryope: a nude woman mid-stride with a serpent winding up her body from ankle to shoulder, one hand crossed over her breast Gilded rococo openwork relief titled Christ and the Lamb: asymmetrical gold scrolls and foliage swirl over shaped mirror glass, the figures hidden in the ornament Typeset haiku numbered III: 'Long cold fingers dipped in blue roses — pry open the red world.' Four rough alpha screenshots of MinoRinth: wireframe foliage over the spiral labyrinth, a dark scanned beast on a plinth, a black column on red rings, and the green orb under gold walkways Sketchbook 40, 'Going Forth By Day': Gent to Venice by train — a blue-inked station kiosk, and sleeping passengers in faint pencil — 'every now and then it lets out a high pitched scream' Quest3D tutorial titled Multi-texturing the Earth: handwritten arrows explain copying a grass surface to a dirt surface with a black-and-white alpha map A box crammed with 3D-print tests: faces and heads in chocolate brown, blue, gold, copper, and bone, red architectural fragments, and gridded lattice scraps Text excerpt from James Baldwin: '...It was really a matter between me and God. I told him quite a long, long time ago there would be two of us at the Mercy Seat. He would not be asking all the questions.' Sketchbook 45 spread: graphite anatomy studies — a foot and lower leg, a hand resting on a shaded knee, and a seated nude's knees with a fist hanging over one of them Stygian Hand: a dark encrusted open hand rendered in bronze and green, cradling a single brown eyeball in its glossy palm against molten gold blur Joseph-Benoît Suvée's The Invention of the Art of Drawing: the Corinthian maid traces her lover's lamplit shadow on the wall as he gazes up at her Tiny snapshot of Quinton at graduation, smiling in black cap and gown and holding a diploma Sketchbook 38 spread in watercolor: pale garden flowers in blues and reds, a spiky globe thistle, and red blooms — noted 'Gonks garden' Two cartoon theme-park map details: the Cobra loop coaster marked 48, and the wooden Weerwolf/Loup Garou coaster marked 6 Back cover of sketchbook 15: torn brown pages of a 19th-century elocution book pasted over grey board, a hymn on angels still legible at left Sketchbook 49 spread of Donatello studies: St George and the Dragon relief with a large horse head, the pointed-hatted profile of Saint Louis de Toulouse, and notes on Spiritelli and Brunelleschi vs. Ghiberti UV test texture: a grid of numerals 0 through 9 marching diagonally across squares of red, green, yellow, cyan, and purple

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