gallery

1479 pieces, shuffled — reshuffle

Kiki Smith's bronze fountain figure: a standing nude woman on a pedestal, water trickling from her open hands, photographed against violet light New watercolor tin open on a plaid lap: two rows of half-pans from reds through blues to ochres, a water brush laid across Sketchbook 44: graphite copy after Velázquez — a short-haired boy with a white collar glancing over his shoulder, a hand below him raising a small glass Italian grammar cartoon 'La casa di essere': a cutaway house whose rooms illustrate the verbs that take essere — nascere, stare, vivere, salire, cadere, morire and more Velázquez's Queen Mariana in the Met's gold frame: black court dress with silver trim, red rosettes, a white handkerchief in hand Sformo-Seam-Keys Roma sketchbook: a pencil reclining nude, Ovid's Latin on Daphne's transformation lettered around it, and an inked mustached portrait — 'is it possible that in Roma there can be no fantasy?' Still from Tarkovsky's Stalker: the Stalker's daughter in a gold headscarf rests her head beside two glasses on a stone table lit by a window Two figures on the wide wet sand of the Belgian coast under a heavy sky, a rainbow arcing down toward distant apartment blocks Sketchbook 41 spread: Sunset Appreciation Society notes with a lighthouse lamp drawn in ballpoint, a turreted house, and below, gouache studies of a fountain and an ultramarine stair tower with the persons of the play (Salomé) listed Painting of a white wolf nosing through a field of collapsed red-haired girls in polka-dot dresses — a Path-like Red Riding Hood massacre in candy colors Sketchbook 46 spread: sanguine life studies — bent legs and a standing torso on the white page; on the orange page a sprawled male nude heightened with white chalk, legs splayed Ink-wash self-portrait of half of Auriea's face in sepia strokes, one braid falling past her eye, the rest of the sheet left bare Gopher-browser screenshot of Dorothy Parker's Comment: 'Oh, life is a glorious cycle of song... And I am Marie of Roumania' Work-in-progress collage of Object 02: photogrammetry scans of a seated woman clutching a skull, from broken raw meshes to a resculpted red clay figure signed AU Playlist mixing Stanley Lieber's GOKU tracks with Nine Inch Nails Ghosts I–IV and FLAMES.GIF songs Sketchbook 47 spread in ballpoint: the sea stacks of Baia delle Sirene rising from calm water, rocky shore in loose outline across the foreground The Mystery, second version in pale green: the skull smoothed and helmeted, the face sunk in its socket, a long horn looping back like a ribbon Sketchbook 35 diary spread in pencil: the studio television on its wheeled cart of consoles and decks, a book shelf, and a big plush flower against a cube Silent Hill screenshot: a dark corridor swallowed in black, the flashlight flaring gold against a door beside a potted plant Vija Celmins's Eggs, 1964: four fried eggs sizzling on a grey double hot plate against a muted blue-grey ground Old mattress and new, side by side in black and white: the sagging striped one leaning, the taut white Sultan standing straight Novelty phone-message slip headed 'SADE (Shah-day)': 'While you were listening to Sade's DIAMOND LIFE album', with checkboxes like 'Phoned' and 'Wants to see you' over her faint portrait Sketchbook 38 spread: a night-blooming flower in pencil, pale petals reserved against a darkened star-flecked ground Astrodienst natal charts side by side: Auriea, Gemini sun with Aries rising, and Michaël Samyn, Cancer sun with Leo rising Preface page from Anne Carson's Grief Lessons — 'Tragedy: A Curious Art Form' — beginning 'Why does tragedy exist? Because you are full of rage. Why are you full of rage? Because you are full of grief.' Plain pale pink square swatch Cover of sketchbook 22A: a striped box drawn in black ink on pink board with 'present' written in cursive across it, signed Auriea Harvey ZBrush ZSphere reference table: illustrated rows of red-sphere diagrams explaining draw, move, scale, and rotate modes for building armatures The Metope Atelier interface: the glyph spine at the left, the Tools tablet pinned open with all twenty shape tools and the brush controls, the Material tablet at the right, and a relief in progress in the viewport. Cover of sketchbook 26: a thick black branching form like roots or veins inked over waxed book text crosshatched with shadows Handbound sketchbook open on a green park table: gouache painting of the pond and trees, the same real pond hazy behind Roma sketchbook: brush-pen sketch after Bernini's Rape of Proserpina — her raised arm and turned head, his fingers pressing into her hip Classic Mac OS dialog box reading 'Error. Success!' with an OK button — the story of my life Printed page on Korean p'ansori: a single singer and one drummer enacting entire epic folk tales, eight hours of song, speech, and stylized gesture Sliver of a 3d viewport, three heads at the bottom edge, filename shouting: thatswhatyougetwhenyoumisusewhatiinventyourempirefallsandyouloseeverycent.png Sketchbook 31 spread: a hand-drawn map of Rome's rioni with the blue Tiber winding through — Trastevere, Trevi, Esquilino, the Colosseum — 'ROMA v. 842006 - 1142006 A.D.' Master copy in progress of Waterhouse's Circe Offering the Cup to Ulysses — Circe enthroned before the round mirror, cup and wand raised Further along: the Circe master copy after Waterhouse, drapery and throne beasts more resolved On the studio's green cutting mat: a small white clay sculpture splitting open like a fruit, posed with two clementines on an envelope Sketch of a sphere labeled Classical Model, annotated with incidence of cool reflection, cool turning, neutral shadow, and warm light mass Sketchbook 45 spread dated 2013: Martha's head bent over drawing at left in graphite; at center her wavy hair drawn entirely in red pencil; a fainter study with red handprint at right 3ds Max panel, Editable Mesh with Element selected: 462 faces chosen, Surface Properties open to set the material ID Sketchbook 48 spread in pencil: a draped baroque saint clasping a bundle against dark shading, an orange domed chapel on the horizon, and a soft study of figures on rocks Gramolazzo · 13 Jun Journal spread: on deep red, a collaged engraving of a dancing couple falling, opposite a page-filling face scribbled black and red over a huge lashed eye — 'no idea....' Bleached scan of page 45 of Borges's The Garden of Forking Paths: everything happens to a man precisely now, and the narrator inventories his pockets Sketchbook 38 spread in watercolor: magenta coneflowers with drooping petals at left, a bank of pink valerian against dark hedge at right Vija Celmins drawing of a spider web: concentric silk rings and radial spokes in white on black Yellow pillow-box package printed with concentric white rings: Patch to stop caring about love

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