gallery

1458 pieces, shuffled — reshuffle

Netscape-era screenshot of a web ELIZA chatbot — 'a friend you could never have' — replying 'Why do you say your whole life?' above the submit box A black Oxford city bicycle against a wall, the whole photo washed in rainbow gradients from red through magenta to green Sketchbook 38 spread: charcoal sketches of the blackened statues on Charles Bridge, birds swarming around a saint's head Table of the Celtic tree calendar: thirteen months from Birch to Elder or Myrtle, the tree of death, with thorn, heath, poplar, and fir for the seasons Andrew Loomis's 'Ideal Proportions at Various Ages': male figures from one year to adult divided in head units, noting the legs grow nearly twice as fast as the torso Tiny image of a woman in a white head-wrap looking over her shoulder, after the old master portrait Flemish allegory of Fortune: blindfolded, she balances on a sphere in a stormy sky, shaking coins and goods from two hats over a scrambling crowd, a gallows at right Sketchbook page filled with dense spiral scribble columns, a small eye and profile drawn below, Japanese writing in the margin Sketchbook 49 spread: dark graphite vignette of a seated figure with another curled beside it, facing a bending walking figure with bundled back, a lined older face, and scattered head studies Sketchbook 42, page 3: ballpoint interior — a television on a carved dresser, a figure in a patterned robe behind it, and someone sleeping under blankets in the foreground French grammar diagram of the 'maison d'être': a house with arrows acting out the être verbs — naître, rester, monter, tomber, mourir, aller, venir — around a road marked passer Roma sketchbook: an umbrella pine in terracotta pencil with a dark inked sculpture head resting at its base Sformo-Seam-Keys Sketchbook 50 spread on grey paper: graphite-and-white studies of a kitten asleep on its back, paws curled, with separate sketches of its ears and toe pads Jean Fouquet's Virgin and Child Surrounded by Angels from the Melun Diptych: the pale crowned Virgin bares one breast amid red and blue seraphim Grainy video still: a figure in a homemade paper dress printed with the two towers of the World Trade Center Paper background texture shaded all over in soft grey pencil strokes Handwritten shorthand alphabet on dotted paper, a to z over their stroke signs, with the quick brown fox pangram written out in shorthand below Black-and-white hunting-lodge room crowded with taxidermy — moose and deer heads, geese, a pheasant — with a small color photo of an embracing couple collaged on the wall Sketchbook 43 spread: peonies in a ribbed vase in silvery graphite at left; loose pink colored-pencil peonies at right with notes on Keats, Rousseau, and looking deeper Two 3D scans side by side: dark-clay double portrait of the artist facing herself, skull in hand — and a white version, the skull held up where the face should be Wall text for Example #22, an exhibition of 3D printworks by Auriea Harvey at Kassel Dokfest, announcing her lecture performance at the Bali Kino, November 15 Bare studio with peeling walls: a large-format camera on a tripod facing a trestle table, cold window light, paint-spattered floor A tissue-lined box packed with translucent 3D-printed head-shaped bottles, their screw necks rising from the crowns like bottle caps Page from Chip Sullivan's Drawing the Landscape: exercises for drawing with a pencil in your mouth, an ink-dipped stick, your nose, and finally with your eyes closed Blingee'd black-and-white Crater Lake photo: animated stars and sparkles, 'Merry Christmas!' stamped in the corner Two dim screenshots from the horror shooter F.E.A.R.: a red corridor with clotted dark ceiling, a small figure at its end and bare footprints down the tiles Scanner image of a dry vine sprig: red wiry stems and tiny dark berries branching off a woody twig on a black ground Diptych: fingers parting hair to show a small cut on a scalp, beside a close-up of a pink peony — accidents happen Tiny blurry webcam frame of Shari in a white shirt, head bowed over a desk in daylight Textured 3d prop: a red-handled knife stuck upright in a green-topped tree stump Background tile of thin gold threads wandering and crossing over a white field Digital painted self-portrait, summer 2005: Auriea with long braids framed by feverfew branches, small white blooms and pale insects scattered through her hair Timothy Stotz's chart The Flowering Staircase, 1435–1935: five centuries of master-apprentice lineages from Michelangelo and Raphael down to Matisse and Ted Seth Jacobs Sketchbook 44 spread over the printed chapter headings of Feu et Flamme: a tonal graphite nude curled around his knees, hands clasped over his feet Indianapolis diptych: pastel wooden houses under a winter sky, and a corner-store cooler with a hand-drawn sign 'ALL CAN POP'S 5 for 1.00 — NO SINGLE!' METOPE paint and glaze figure Orientalist painting of Salome: a dark-haired woman with hoop earrings and bared breast in a red sash skirt, gripping a brass platter and blade Sketchbook 45 spread from the Vrije Academie Wednesday-evening session: graphite studies of legs — a pair bent at the knee in profile, and a standing pair from mid-torso down The same portrait head resolved: black woman in a white headwrap on ochre ground, after Benoist's Portrait of a Negress A gray cat, blurred mid-shake, sitting on the desk between the laptop and the glass cabinet where the skull keeps watch Bronze sculpture of Dryope: a nude woman mid-stride with a serpent winding up her body from ankle to shoulder, one hand crossed over her breast Worn black cover of the Caproni Casts catalog — 'Plaster Reproductions of Sculpture for Drawing and Modeling Classes', Caproni Galleries, Boston, price one dollar Sketchbook 47: watercolor of Vesuvius smoking above a band of blue sea, with Ovid's Fasti IV quoted below — the prayer of Romulus for Rome, written within sight of Vesuvio, 2 Aug 2013 Hokusai's shunga print The Dream of the Fisherman's Wife: a woman reclining among rocks in the embrace of two octopuses, calligraphy filling the sky Silent Hill 2 twice: Maria lying dead on the green diner floor, and James reading 'There was a HOLE here. It's gone now.' on a newspapered wall Cover of sketchbook 30: a hanging cluster of pale bell-like flowers painted over turquoise and gold wash Book page of Oscar Wilde's preface to The Picture of Dorian Gray, pencil-marked at 'No artist has ethical sympathies' and ending 'All art is quite useless' Six flash self-portraits in a green dress printed with red-capped mushrooms, dreadlocks loose, photographed from odd angles Blue pencil sketch of a Louvre marine centaur group: a bearded triton reclining on a coiling fish tail, a slender youth seated against his back

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